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The Lebanon Nh-Vt Micropolitan Statistical Area
THE LEBANON NH-VT MICROPOLITAN STATISTICAL AREA A GEO-DEMOGRAPHIC REVIEW by Robert Haslach urban analysis Washington, DC and Robert Leland RCLELAND CONSULTING LLC for The City of Lebanon, NH (under purchase order no. 1229) March 25, 2006 The statements, findings, conclusions, and recommendations found in this study are those of the authors, and do not necessarily reflect the views of the Department of Planning or The City of Lebanon, NH. The Lebanon NH-VT Micropolitan Statistical Area: a descriptive report urban analysis-Washington, DC _____________________________________________________________________________March 25, 2006 TABLE OF CONTENTS 1. Executive Summary 3 2. Purpose and Scope 5 3. Introduction to Micropolitan Statistical Areas 6 4. Methodology, Sources and Data Collection 9 5. Geography of the Lebanon NH-VT Micropolitan Statistical Area 10 6. Population 13 7. Housing 21 8. Employment 32 9. Transportation 36 10. Public Institutions 39 11. Conclusions 42 12. Sources 46 13. Definitions 49 2 The Lebanon NH-VT Micropolitan Statistical Area: a descriptive report urban analysis-Washington, DC _____________________________________________________________________________March 25, 2006 1. EXECUTIVE SUMMARY The Lebanon NH-VT Micropolitan Statistical Area is a geo-demographic area. Responses to Census 2000 questions by the residents of New Hampshire and Vermont defined its boundaries. After analysis of those responses, the U.S. Office of Management and Budget (OMB) selected the towns that showed the greatest social and economic interdependence to define the extent of The Lebanon NH-VT Micropolitan Statistical Area. The OMB uses a Micropolitan Statistical Area to present local and regional data so that it reflects the actual behaviors of its residents. The Lebanon NH-VT Micropolitan Statistical Area is an economically integrated region of 25 contiguous towns that spans four counties in two states. -
Borders and Beyond Crossings and Transitions in Modern Arabic Literature Edited by Kerstin Eksell and Stephan Guth
Borders and Beyond Crossings and Transitions in Modern Arabic Literature Edited by Kerstin Eksell and Stephan Guth 2011 Harrassowitz Verlag · Wiesbaden ISSN 0938-9024 ISBN 978-3-447-06645-7 Contents KERSTIN EKSELL Introduction ...................................................................................................................... 7 MAHER JARRAR Lebanon as a Borderland: Prolegomena to a Study of Liminality as Experience and Metaphor in the Post Civil-War Novel ................................................ 15 JUMANA BAYEH Borders and Hybridity: Subjectivity in Rabih Alameddine’s I, the Divine ............................................................ 35 SUNE HAUGBOLLE Emotional Archives and the Lebanese Migrant Experience: An Analysis of the Feature Film Zozo ............................................................................... 51 ASTRID OTTOSSON AL-BITAR A Challenging of Boundaries: The Use of Magical Realist Techniques in Three Iraqi Novels of Exile ........................... 63 TANIA AL SAADI Utopia/Dystopia through the Theme of Immigration in Two Arabic Short Stories .............................................................................................. 83 KERSTIN EKSELL The Legend of Al-Andalus: A trajectory across generic borders .................................................................................. 103 TETZ ROOKE Arabic World Literature: New Names, Old Games? ........................................................ 127 STEPHAN GUTH From Water-Carrying Camels to Modern Story-Tellers, -
Chapter 2: Regional Context
CHAPTER 2: REGIONAL CONTEXT 1. INTRODUCTION The idea of belonging to a region is nothing new to Hanover and its neighboring municipalities. There is a tradition of thought, activities and inter-municipal cooperation that extends across town, county and state boundaries. Since the Region provides a common background, each town has a stake in keeping the Upper Valley region a desirable place in which to live and work. Hanover and its neighbors cannot afford to look only as far as town lines. Because the population and/or tax base in many towns are small, cooperative efforts are necessary to cut costs for services and, in some cases, essential for the service even to be provided. Individual communities each play a distinctive role in the growth of the Region. As the Town looks ahead to the next decade, it is important to understand Hanover's identity and role in this broader context. While other chapters of this master plan emphasize Hanover and its resources, and goals and policies, this chapter will highlight Hanover's significance from the perspectives of the immediate Upper Valley and broader region. Then, specific issues the Town will need to consider from a regional point of view in the near future will be addressed. 2. A SENSE OF THE PLACE Hanover, a small New England college community, is the cultural anchor of the Upper Valley. With its highly regarded quality of life, Hanover is home to Dartmouth College and its museums, theatrical and musical productions, lectures and sports events, attractions for residents, alumni and visitors. The town’s business and office/laboratory districts maintain a strong and vibrant economic base. -
Timber Bridges Design, Construction, Inspection, and Maintenance
Timber Bridges Design, Construction, Inspection, and Maintenance Michael A. Ritter, Structural Engineer United States Department of Agriculture Forest Service Ritter, Michael A. 1990. Timber Bridges: Design, Construction, Inspection, and Maintenance. Washington, DC: 944 p. ii ACKNOWLEDGMENTS The author acknowledges the following individuals, Agencies, and Associations for the substantial contributions they made to this publication: For contributions to Chapter 1, Fong Ou, Ph.D., Civil Engineer, USDA Forest Service, Engineering Staff, Washington Office. For contributions to Chapter 3, Jerry Winandy, Research Forest Products Technologist, USDA Forest Service, Forest Products Laboratory. For contributions to Chapter 8, Terry Wipf, P.E., Ph.D., Associate Professor of Structural Engineering, Iowa State University, Ames, Iowa. For administrative overview and support, Clyde Weller, Civil Engineer, USDA Forest Service, Engineering Staff, Washington Office. For consultation and assistance during preparation and review, USDA Forest Service Bridge Engineers, Steve Bunnell, Frank Muchmore, Sakee Poulakidas, Ron Schmidt, Merv Eriksson, and David Summy; Russ Moody and Alan Freas (retired) of the USDA Forest Service, Forest Products Laboratory; Dave Pollock of the National Forest Products Association; and Lorraine Krahn and James Wacker, former students at the University of Wisconsin at Madison. In addition, special thanks to Mary Jane Baggett and Jim Anderson for editorial consultation, JoAnn Benisch for graphics preparation and layout, and Stephen Schmieding and James Vargo for photographic support. iii iv CONTENTS CHAPTER 1 TIMBER AS A BRIDGE MATERIAL 1.1 Introduction .............................................................................. l- 1 1.2 Historical Development of Timber Bridges ............................. l-2 Prehistory Through the Middle Ages ....................................... l-3 Middle Ages Through the 18th Century ................................... l-5 19th Century ............................................................................ -
Bataan Fight Severe BEEF KIDNEYS
MONDAY, APRIL'6,194 Ilawlirstrr Ettntittg XrtaUt Avarage Daily Circulation The Woathar Vw Am Monta at Marek, Foroeaet of U. a. Weather Bareaa AT PINEHURST About Town 7 ,2 1 1 TUESDAT ■\ Much coMer .with oocaaloaal Member at the AUdU . r Lower Prioeo On A epm su and rain tonight. Qfoea Beane. DM 415r for A daughter wae bam to Mr. and BnraM of CtrcnlatioBB Toar Vitamin • Freeh Ve(eta- Mre. John C. Grant on April firat It’s HALE’S For Your Spring Curtains, Draperies at the Day Kimball hospital in Manche»ter— A City of Village Charm blee. _ Putnam. Mre. Grant wee the for mer Margaret Haugh. of this ASPARAGUS .... :lb. 30c town. The parents named their yOL. LXI., NO. 160 (ClaselBed Aflvertieiag on Page !•) MANCHESTER, CONN., TUESDAY, APRJL 7, 1942 (TWELVE ^AGES) PRICE THREE CENTS Large Sixe B unch........69c daughter, Joyce Amelia. GREEN BEANS .qt. 19c SPINACH............ peck 29c Manchester Air Raid Wardens wllT be fingerprinted at the police Object "of Jap Attack, on Colombo Grant’s Selected station on Wednesday evening, POTATOES........ peck 44c April 8, from 7 to 9 p. m. [Will Try to Show Extra Large Sb.e, Beautiful Curtains In All Types:— Tailored^ Priscilla and Collage Sets -■mm'*- Knox Reports Fewer General Welfare Center No. 41 ■ ••• Practically Seedless will have aifford Knight, cartoon FLORIDA ORANGES ist,'tomorrow night as entertainer, Smart Slip Covers and Cushions In All Color Combinations S9c doK. 2 doz. 7 5 c at the bast Side Rec. at 8 o’clock. How Changes Tied : / MEDIUM SIZE ORANGES Ught refreshments will be served. -
Swedish Film Magazine #2 2010
Swedish Film #2 2010 • A magazine from the Swedish Film Institute P UMP UP THE NOISE Johannes Stjärne Nilsson and Ola Simonsson want the Sound of Noise to ring all over Cannes Bill Skarsgård Another shining son BATHING MICKY In Competition in Cannes A SILENT CHILD In Directors’ Fortnight ... BUT FILM IS MY MISTRESS Bergman revisited www.sfi.se “Brighton Rock” © 2010 Optimum Releasing “Centurion” © 2010 Celador Films / Pathe Productions “Antichrist” © 2009 Zentropa “Dear Alice” © 2009 One Tired Brother “Eden Lake” © 2008 Rollercoaster Films “The Descent: Part 2” © 2009 Celador Films / Pathe Productions “Arn - The Kingdom at Road’s End” © 2008 AB Svensk Filmindustri “Mammoth” © 2009 Memfis Film “The Cottage” © 2008 Steel Mill Yorkshire / UKFC “Hush” © 2009 Warp X / Fear Factory (Hush) SWEDEN’S BEST KEPT SECRET In less than four years Filmgate have supplied high end cost effective visual effects and DI solutions for over 30 feature films in 9 countries. Since the introduction of our 2k grading and conform services we have graded three feature films and several short films as well as TV commercials. In 2009, with the aid of regional funding, we have expanded our services into co-production. Looking forward to 2010 not only do we have exciting and challenging visual effects projects ahead, such as the eagerly anticipated UK features “Centurion” and “Brighton Rock”, we are also involved with a slate of US, UK and French projects as co-producers. www.filmivast.se www.filmgate.se CEO’S LETTER Director, International Department Pia Lundberg Phone +46 70 692 79 80 Unforgettable surprises [email protected] SOME THINGS JUST refuse to go away, no autumn, and Andreas Öhman with Simple matter how hard you try to shake them off. -
Vampire in the Stockholm Suburbs: Let the Right One in and Genre Hybridity
JSCA 1 (1) pp. 55–70 Intellect Limited 2010 Journal of Scandinavian Cinema Volume 1 Number 1 © 2010 Intellect Ltd Article. English language. doi: 10.1386/jsca.1.1.55_1 feature article ROCHELLE WRIGHT University of Illinois Vampire in the Stockholm suburbs: Let the Right One In and genre hybridity ABSTRACT KEYWORDS The article argues that one crucial factor in the success of the Swedish vampire vampire films film Låt den rätte komma in/Let the Right One In (Alfredson, 2008) is that it genre seamlessly merges several apparently disparate genres to create a hybrid form that hybridity appeals to widely divergent audiences. A detailed analysis of the film demonstrates gender identity how it simultaneously draws on and departs from common themes and motifs of the Other indigenous Swedish film as well as vampire film tradition, combining elements of Sweden the horror film, the coming-of-age story and the realistic socio-psychological drama to create a unique mix of the innovative and the familiar. A comparison of critical responses in Sweden with those in the English-speaking world sheds further light on genre-specific expectations and ways the film transcends them. When John Ajvide Lindqvist’s Låt den rätte komma in/Let the Right One In was published in 2004, he declared it to be the first Swedish vampire novel since Victor Rydberg’s Vampyren/‘The Vampire’, published in 1848 (Ordfront 2004). Though this claim may be hyperbole, the horror genre, as opposed to crime fiction, has hardly been a staple of recent Scandinavian popular literature. 55 JSCA 1.1_Art_Wright_55-70.indd 55 11/1/10 11:53:53 AM Rochelle Wright Let the Right One In received almost universally positive reviews and was hugely popular with readers as well. -
Alexander-Mastersreport
Copyright by Elizabeth Lindsay Alexander 2016 The Report Committee for Elizabeth Lindsay Alexander Certifies that this is the approved version of the following report: Josef Fares’ Zozo as Accented Cinema APPROVED BY SUPERVISING COMMITTEE: Supervisor: Lynn Wilkinson Charles Ramirez Berg Josef Fares’ Zozo as Accented Cinema by Elizabeth Lindsay Alexander, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2016 Dedication To the memory of my parents. Abstract Josef Fares’ Zozo as Accented Cinema Elizabeth Lindsay Alexander, M.A. The University of Texas at Austin, 2016 Supervisor: Lynn Wilkinson In 2005, the Lebanese-Swedish filmmaker Josef Fares, who had attained recognition in Sweden through the immigrant comedies Jalla! Jalla! (2000) and Kopps (2003), presented his third feature film and first drama, Zozo, inspired by Fares’s own migration to Sweden. Set in 1987 Beirut, Zozo portrays a ten-year boy who loses his parents during the Lebanese Civil War and who journeys to reunite with his grandparents already settled in Sweden. In Sweden, Zozo is forced to learn the host country’s language quickly and to understand the unwritten rules of his new culture. Like his grandparents, he will probably always have an accent and be recognizably the “other.” The film became Sweden’s national submission to the 78th Academy Awards for Best Foreign Language Film and its nomination not only raised questions on what Sweden and Swedishness mean in a contemporary global world, but it also reexamined the problems of nationality, location, identity, and historical memory in a borderless Europe. -
Timber As a Bridge Material
TIMBER AS A BRIDGE MATERIAL 1.1 INTRODUCTION The age of wood spans human history. The stone, iron, and bronze ages were dramatic interims in human progress, but wood-a renewable re- source-has always been at hand. As a building material, wood is abun dant, versatile, and easily obtainable. Without it, civilization as we know it would have been impossible. One-third of the area of the United States is forest land. If scientifically managed and protected from natural disasters caused by fire, insects, and disease, forests will last forever. As older trees are harvested, they are replaced by young trees to replenish the wood supply for future generations. The cycle of regeneration, or sustained yield, can equal or surpass the volume being harvested. Wood was probably the first material used by humans to construct a bridge. Although in the 20th century concrete and steel replaced wood as the major materials for bridge construction, wood is still widely used for short- and medium-span bridges. Of the bridges in the United States with spans longer than 20 feet, approximately 12 percent of them, or 71,200 bridges, are made of timber. In the USDA Forest Service alone, approxi mately 7,500 timber bridges are in use, and more are built each year. The railroads have more than 1,500 miles of timber bridges and trestles in service. In addition, timber bridges recently have attracted the attention of international organizations and foreign countries, including the United Nations, Canada, England, Japan, and Australia. Timber’s strength, light weight, and energy-absorbing properties furnish features desirable for bridge construction. -
Sof the Farmington Valley™
AUTUMN 2018: Logan’s Foundation | From Sound to Source | The Spectrum of Success S EASONS EASONS of THE FARMINGTON VALLEY THE FARMINGTON EASONS™ OF THE FARMINGTON VALLEY S AUTUMN 2018 AUTUMN A BUILDING FOR EVERY BUDGET STORAGE BUILDINGS BARNS COOPS GARAGES OUTDOOR FURNITURE GAZEBOS PLAYSCAPES Three convenient locations: Colchester 860 267-7600 Clinton 860 664-1620 Newington 860 665-7577 www.carefreebuildings.com 1.800.326.SHED We’re also available at these fine dealers: Janice’s Village, Berlin 860-306-0147 Diroma Home & Garden Center, Griswold 860-591-1066 The Fed announced seven interest Don’t wait. rate increases for 2018 and 2019. Consolidate Your Home Equity and Mortgage Payments and Save. Simsbury Bank’s Rising Rates Protection Program is the answer. We’re helping homeowners consolidate their mortgages, home equity loans and credit lines into one easy fixed-rate loan. So you’re protected from the uncertainty and cost of rising rates. And now you can save even more with $200 off the application fee. SimsburyBank.com/savenow NMLS #441327 SB_Seasons_HELOC_FullPg_SUMMER2018.indd 1 4/4/18 12:04 PM Relax and Unwind At Saybrook Point Inn Take a break and escape to the shore. Enjoy luxurious accomodations, fine dining and relax at Sanno Spa,our full service spa. Whether you are looking for a quiet romantic getaway or a spa getaway with friends, Saybrook Point Inn is calling. Learn more at Saybrook.com. 2 Bridge Street, Old Saybrook, CT 06475| Saybrook.com| (860)395-2000 Make Plans To Stay Home. Are you comfortable living at home but starting to think about a long-term care plan? Seabury At Home is Connecticut’s first home-based Life Care program for adults 50 and over. -
Film Festival Films
SCANDINAVIAN FILM FESTIVAL L.A. FILM CATALOGUE 2000 - 2008 OSCAR NOMINEES AND WINNERS A listing of Academy Award nominated and winning films which have screened at Scandinavian Film Festival L.A. Films are listed by year shown at the festival. 2000 Best Foreign Film Nominee Under the Sun (Under Solen), Colin Nutley Best Live Action Short Winner Election Night (Valgaften), Anders Thomas Jensen, Kim Magnusson 2001 Best Live Action Short Nominee Major and Minor Miracles Marcus Olsson 2002 Best Foreign Film Nominee Elling (Elling/Også Kjent Som) Petter Næss 2003 Best Foreign Film Nominee The Man without a Past (Mies Vailla Menneissyytta) Aki Kaurismäki Best Live Action Short Winner This Charming Man (Der Er En Yndig Mand) Martin Strange-Hansen Mie Andreasen, Kim Magnusson 2004 Best Foreign Film Nominee Evil (Ondskan) Mikael Håfström 2005 Best Foreign Film Nominee As it is in Heaven (Så Som I Himmelen) Kay Pollak Best Live Action Short Nominee The Last Farm (Sidasti Baerinn) Rúnar Rúnarsson, Thor S. Sigurjónsson 2007 Best Foreign Film Nominee After the Wedding (Efter Brylluppet) Susanne Bier, 2007 FESTIVAL FILMS 2000 – 2008 The following 101 films (66 feature films, 12 documentaries, and 23 short films) have screened at Scandinavian Film Festival L.A. 2000 – 2008. Films are listed by country and year of screening. Films submitted for Academy Award consideration are marked with an asterisk (*). FEATURE FILMS Denmark Mifune* (Mifunes Sidste Sang), Soren Kragh-Jacobsen, 2000 A Place Nearby* Kaspar Rostrup, 2001 Flickering Lights Anders Thomas -
Hazen Trail Wilder & Norwich, VT Trail Map
Hazen Trail Wilder & Norwich, VT Trail Map Uses: hiking, snowshoeing, and skiing Description: The Hazen Trail provides a great escape within close proximity to the largest population center in the Upper Valley. Connecting Norwich and Wilder, Vermont, the 1.5 mile trail traverses forest and farmland along the Connecticut River and connects with the Montshire Museum Ridge Trail. Its natural communities, cultural landscapes, and unique geological formations make for a fascinating and enjoyable hike. The trail corridor also provides a special ecological haven for wildlife that may otherwise be threatened by the development of the ever burgeoning Hanover area. To the south of the Montshire Museum property, the Hazen Trail runs through two properties conserved with the Upper Valley Land Trust. The 174-acre Brookside Farm was conserved in 1992, with funding from the Vermont Housing and Conservation Board. The trail is named Hazen in honor of the family who has owned the farm continuously for over two centuries. In 1998, the 21-acre Agri-Mark property at the southern end of the trail was also conserved, thanks to funding from the Vermont Housing and Conservation Board and the Vermont Watershed Grant Program. This area is now called the Maanawaka Conservation Area and is managed by the Hartford Conservation Commission. Photo 1: Brookside Farm hayfield along the Hazen Trail Directions: To start from the Montshire Museum, go up the hill from Ledyard Bridge and turn left onto Montshire Road before you reach the highway. Park along the side of the road and walk down the museum driveway to the Ridge Trail (right), which leads to the Hazen Trail (If you are visiting the museum and have purchased an admission sticker, you may use their parking area).