Late Winter 2019 at Seattle Theatre Group
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'Insulting Comments' Against Judiciary
2/26/2016 Facebook comes under government scanner for hosting insulting comments against judiciary | Daily Mail Online Like 3.5M Follow @MailOnline DailyMail Friday, Feb 26th 2016 11AM 27°C 2PM 30°C 5Day Forecast U.K. India U.S. News Sport TV&Showbiz Femail Health Science Money Video Coffee Break Travel Columnists World News Oscars You mag Event Books Food Promos Mail Shop Bingo Blogs IPhone App Property Motoring Login Facebook comes under government Site Web Enter your search scanner for hosting 'insulting comments' DON'T MISS against judiciary Geordie Shore star By HARISH V NAIR Holly Hagan applies tanning oil to her PUBLISHED: 21:23 GMT, 22 January 2016 | UPDATED: 23:19 GMT, 22 January 2016 derriere as she shows off her ample curves in a barelythere blue bikini 19 2 on Bondi Beach shares View comments Is Adele feeling the Even as it grapples with the row over some Facebook users copying pictures of unsuspecting girls heat after turning on and misusing them by morphing the images, the popular social networking site could be in for more Sony? Upset star leaves trouble. label's BRIT Awards party early after The Ministry of Law and Justice has forwarded to the Secretary General of the Supreme Court and controversially Registrar General of the Delhi High Court “for further appropriate action” a complaint that pages dedicating her win to opened by Facebook in the name of these courts were hosting posts with comments insulting raperow Kesha various judges that were highly defamatory and contemptuous. Ready to pop! Kelly They also carried critical reviews of judgments showing the judiciary, and the judges who authored it, Clarkson shows off in poor light. -
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City Research Online City, University of London Institutional Repository Citation: Bennett, T. ORCID: 0000-0003-0078-9315 (2018). "The Whole Feminist Taking- Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries. IASPMJournal, 8(1), pp. 24-41. doi: 10.5429/2079-3871(2018)v8i1.4en This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/24616/ Link to published version: http://dx.doi.org/10.5429/2079-3871(2018)v8i1.4en Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] “The Whole Feminist Taking-your- Clothes-off Thing”: Negotiating the Critique of Gender Inequality in UK Music Industries Toby Bennett Solent University [email protected] Abstract This article considers the critique of inequality, exploitation and exclusion in contemporary UK music industries, in light of the latter’s growing internal concerns over work-based gender relations. -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
“Late 'Punk Poet' Jim Carroll Had Strong Seattle Music Ties (Part 1 Of
Late 'punk poet' Jim Carroll had strong Seattle music ties (part 1 of 2) 9/21/09 Mon 9/21, 11:57 PM Go mobile | Favorite Examiners | Meet the Examiners Search articles from thousands of Examiners Select your city National Home Entertainment Business Family & Home Life News & Politics Sports & Recreation National Arts and Entertainment Seattle Local Music Examiner Late 'punk poet' Jim Carroll had strong YOUR AD HERE Seattle music ties (part 1 of 2) September 16, 6:54 PM Seattle Local Music Examiner Greg Roth Comment Print Email RSS Subscribe Previous Next Part 1 of a 2 part series (Part 2 will run on Sunday, September 20th)... With, the sad death of Patrick Swayze and the MTV Video Music Awards featuring "Kaynegate", The death of legendary performance artist/singer/songwriter and poet, Jim Carroll, on September 14th, by a sudden heart attack, somehow got lost in the mix in Recent Articles the last few days. Late 'punk poet' / artist Jim Carroll had strong Carroll, who's "no holds barred" style of prose Seattle music ties (part 2 of 2) married with hard edged rock music, garnered Sunday, September 20, 2009 a fiercely loyal following and influenced many Part 2 of a 2 part series, Part 1 or the newer generation of artists today. ran on Wednesday, September 16th... With the death of Patrick Swayze and Kanye West's It could be said that Carroll was hard core rap interruption of Taylor Swift's … before the genre ever officially existed. Carroll Local Licks: Seattle local musical happenings: was an artist years ahead of his time and weekend of: 9/18 - 9/20 used his art to uncover the underbelly of the Saturday, September 19, 2009 human condition during an era, when others As always, there is an invariable chose to look away. -
James Cheetham Avid/ Premiere Editor
James Cheetham Avid/ Premiere Editor Profile James is a very talented editor. Technically he really knows his stuff and is able to use After FX and Cinema 4D to enhance his edits when needed. He is also a great animator having graduated from the Royal College of Art after doing an MA in Experimental Animation which he completed alongside working his freelance career. James enjoys working on large scale events, he edited the BMX event at the London Olympics - so already has the ability to work under huge pressure on very fast turn-around programming. He is very good at getting the aesthetics right, he works hard and is happy to put in the hours needed to produce the best result. Credit List Shortform “Training Tunes” 1 x 15min. Radio 1 DJ, Trevor Nelson chats with GB Olympic athletes to find out what's on their musical playlists on the run up to RIO 2016. Somethin Else for BBC iPlayer “Lethal Bizzle” Branded content for KFC’s New Nashville hot chicken range. These films went viral on the day of release. Dojo “Ford Performance” Action packed online social media highlight films for the Ford motorsport team Grand Central “Landrover Defender stories” A short film showing a Landrover defender being passed down through the decades. Armoury London “Manchester United & Google + Front Row Campaign” United and Google + have teamed up to launch a historic front row campaign, which will offer a select group of the Reds’ international fan- base the opportunity to “be” at the Theatre of Dreams – live – no matter where they are in the world. -
The Neptune Theatre: a Case Study
Seattle University ScholarWorks @ SeattleU Seattle Theater Group Arts Ecosystem Research Project 2020 The Neptune Theatre: A Case Study Ana N. Rusness-Petersen Follow this and additional works at: https://scholarworks.seattleu.edu/seattle-theater-group THE NEPTUNE THEATRE 1 Photo courtesy STG Archive and Gallery The Neptune Theatre: A Case Study Ana N. Rusness-Petersen Seattle University Cultural Infrastructure and Facilities March 19, 2019 (updated May, 2020) THE NEPTUNE THEATRE 2 Abstract The Neptune Theatre, formerly known as the U-Neptune Theatre, was one of five neighborhood theaters constructed in the University District during the silent film era (1919 - 1921). This period, the 1920s, was “Seattle’s most active decade” of theater construction (Flom, 2001). Today, the Neptune remains as the last standing survivor of those venues still in operation a hundred years later. Still owned by descendants of the original family and now leased and operated by the Seattle Theatre Group (STG), this venue hosts artists and events ranging from David Crosby concerts to a Welcome to Nightvale live podcast performance; from a Macklemore guest appearance (Matson, 2012) to the annual Nights at the Neptune and Youth Speaks series. It remains one of Seattle’s premiere hot spots for concerts, film screenings, spoken word and dance showcases, and performances by touring musical legends and community youth alike. In our current environment of constrained resources, fiscal scrutiny, monotonous modern construction, and a movement towards historical stewardship and adaptive reuse, it is vital to develop a familiarity with exemplary facilities that embody long-term success by exploring and analyzing their leadership, design, operation, maintenance, and capitalization strategies, which have contributed to their ongoing survival and flourishment. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
Sulla Storia Della Nascita Dei Pearl Jam C'è Molto Di Più Di Quanto È
Sulla storia della nascita dei Pearl Jam c’è molto di più di quanto è sempre stato raccontato. Per scoprirlo ho intervistato Eddie Vedder, Stone Gossard, Jeff Ament, Matt Cameron, Chris Cornell e altri attori chiave, ho ripescato manufatti originali del 1990 e ho dato la caccia a registrazioni rare, ho triangolato dati e messo insieme ogni fatto. Per celebrare il ventesimo compleanno dei Pearl Jam, sono orgogliosa di presentare il frutto di oltre 10 anni di minuziosa ricerca originale. Fate un bricco di caffè, accendete la stampante e preparatevi ad una lunga e avvincente lettura ricca di dettagli inediti sugli eventi del 1990, l’anno in cui una serie di magiche e selvagge coincidenze portarono all’unione di un improbabile gruppo di persone che diventarono i PEARL JAM. Jessica Letkemann, ottobre 2010 INVERNO Il nuovo decennio era iniziato in maniera radiosa per il ventitreenne Stone Gossard, il ventiseienne Jeff Ament e i loro compagni dei Mother Love Bone. Il primo album della band, Apple, stava per uscire, il manager Kelly Curtis stava organizzando un tour che sarebbe partito ad aprile, subito dopo l’uscita del disco, e il frontman Andy Wood non stava usando droghe. Il loro primo concerto del 1990 si teneva due giorni dopo capodanno (cinque giorni prima del ventiquattresimo compleanno di Andy) al Vogue, il piccolo club che da allora ha le parole MOTHER LOVE BONE dipinte sulla facciata dell’edificio. La band, speranzosa ed emozionata, era sostenuta inoltre, come fece notare Andy dal palco, dalla nascita della prima figlia di Kelly, avvenuta poco prima, quello stesso giorno. -
Negotiating the Critique of Gender Inequality in UK Music Industries
“The Whole Feminist Taking-your- Clothes-off Thing”: Negotiating the Critique of Gender Inequality in UK Music Industries Toby Bennett Solent University [email protected] Abstract This article considers the critique of inequality, exploitation and exclusion in contemporary UK music industries, in light of the latter’s growing internal concerns over work-based gender relations. The creative sector’s persistent inequalities are at odds with its professed liberal, egalitarian, meritocratic values and attitudes. Yet, within music’s industrial production cultures, a dismissive postfeminist sensibility has come under pressure through a reflexive critical moment of popular feminist discourse, expressed in trade press critique, between 2013 and the present moment. Drawing from a study of intermediary work in UK major record labels, the article takes a pragmatist approach to documenting and theorizing this critique – alongside institutional mechanisms, like company policies and corporate PR, that respond to it – in terms of growing industrial reflexivity. Tensions over the representation of work, the nature of inequality, intergenerational and epistemic injustice emerge as key themes, with implications for critical research on popular music industries. KEYWORDS: Creative labour, Inequalities, Industrial Reflexivity, Major Record Labels, Post-feminism. Introduction Between 2007 and 2016 I circulated in and around the UK’s major record labels. First, as an employee in a rights licensing role; later, researching transformations of professional -
Download Lorde Love Club Online Free
download lorde love club online free Lorde height - How tall is Lorde? Lorde (Ella Marija Lani Yelich-O'Connor) was born on 7 November, 1996 in Takapuna, Auckland, New Zealand, is a New Zealand singer and songwriter. At 24 years old, Lorde height is 5 ft 4 in (165.0 cm). Lorde. Shin Seung-hun. Jun Jin. Nikolay Baskov. Park Jae-sang. Now We discover Lorde's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 24 years old? Popular As Ella Marija Lani Yelich-O'Connor Occupation Singer,songwriter,record producer Age 24 years old Zodiac Sign Scorpio Born 7 November 1996 Birthday 7 November Birthplace Takapuna, Auckland, New Zealand Nationality New Zealand. We recommend you to check the complete list of Famous People born on 7 November. She is a member of famous Singer with the age 24 years old group. Lorde Weight & Measurements. Physical Status Weight Not Available Body Measurements Not Available Eye Color Not Available Hair Color Not Available. Dating & Relationship status. She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children. Family Parents Not Available Husband Not Available Sibling Not Available Children Not Available. Lorde Net Worth. She net worth has been growing significantly in 2018-19. So, how much is Lorde worth at the age of 24 years old? Lorde’s income source is mostly from being a successful Singer. -
Catherine Russell Press Release (Sarah Folger)
Grammy® Award-Winning Vocalist Catherine Russell to Release New Album, Harlem On My Mind - September 9 on Jazz Village National Tour Kicks Off July 7 Through November 19 "...early jazz performed with spirit, understanding and a sense of fun." - The New York Times "A wonderfully charismatic performer with a show-stopping voice." - The Washington Post "The best blues and jazz singer going today." - The Wall Street Journal With her sixth album, Harlem On My Mind, Grammy® Award-winning vocalist Catherine Russell journeys to the blue heart of the great African American songbook. Swinging forth with soulful interpretations, Russell taps the golden age of Harlem, as befits this vibrant daughter of jazz. Vocalists Ethel Waters, Billie Holiday, Etta James, and Dinah Washington provide inspiration where tunesmiths like Benny Carter, Irving Berlin, Andy Razaf and Fats Waller once ruled the roost of a renaissance which continues to reverberate. Of the title track, Russell says, “It’s about not forgetting your roots,” which also serves as her modus operandi for the entire collection. “The album is comprised of songs from artists who played at The Apollo in Harlem, where all African American artists of note appeared.” Russell is a native New Yorker, born into musical royalty. Her father, the late Luis Russell, was a legendary pianist/composer/bandleader and Louis Armstrong's long-time musical director. Her mother, Carline Ray, was a pioneering vocalist/guitarist/bassist who performed with International Sweethearts of Rhythm, Mary Lou Williams, and Sy Oliver. Russell notes, “My mother was born and raised in Harlem and my father led one of the leading orchestras in Harlem, which was part of the inspiration for this album.” Harlem On My Mind showcases Russell’s honey rich voice in a variety of settings. -
Historic Theatres Statewide Survey and Physical Needs Assessment
HISTORIC THEATRES STATEWIDE SURVEY AND PHYSICAL NEEDS ASSESSMENT WASHINGTON STATE HISTORIC THEATERS SURVEY AND PHYSICAL NEEDS ASSESSMENT 1 This report commissioned by the Washington state Department of Archaeology and Historic Preservation. Published June 30, 2008 Cover image of the Metropolitan Performing Arts Center, Spokane. Susan Johnson, photographer, Artifacts Con- sulting, Inc. Digital edits by Matthew Stoffel, Rusty George Creative. 2 WASHINGTON STATE DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION Contributors The authors of this report wish to extend our deepest thanks to the following persons, departments, govern- ment and nonprofit entities that worked so hard to provide information and facilitate research and study. Without their help this project would not have been possible. Our thanks to the:Washington State Department of Archaeology and Historic Preservation, Allyson Brooks, Ph.D., State Historic Preservation Officer, Greg Griffith, Deputy State Historic Preservation Officer, Michael Houser, Architectural Historian, Megan Duvall, Certified Local Government & Survey Coordinator, Russ Holter, Preservation Design Reviewer, Loren Doo- little, Financial Manager, Zee Hill, Administrative Assistant; Washington State Arts Commission, Kris Tucker, Executive Director; Certified Local Government Contacts Bob Nacht, City of Chehalis, Brandi Eyerly, City of Ellensburg, Brent Lambert, Snohomish County, Dave Grove, City of Ritzville, Dave Koenig, City of Ever- ett, Jackie Lynch, City of Bellingham, Jacqueline Kamp, Clark County,