New Collection of Testimonies Opens in Texas
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CONGRESSIONAL RECORD— Extensions of Remarks E810 HON. KAY GRANGER HON. HEATH SHULER HON. DENNIS J. KUCINICH HON. JEB HENSARLIN
E810 CONGRESSIONAL RECORD — Extensions of Remarks May 11, 2010 Hagenbeck also developed an integration be- a passion for the arts and politics, and he had RECOGNIZING REVEREND DAVID tween Army applied problem sets and West a lifelong mission to make the world a better EVERSON DAY Point research and intellectual capital, drawing place. from across West Point to stand up the Na- Mr. Palevsky, the son of Jewish Polish im- HON. RON PAUL tional Military Academy of Afghanistan and migrants, was born and raised in Chicago dur- OF TEXAS graduate the first class into the Afghan Army ing the Great Depression. His mother was a IN THE HOUSE OF REPRESENTATIVES in 2009. homemaker and his father worked as a house Tuesday, May 11, 2010 Madam Speaker, LTG Hagenbeck com- painter; neither spoke much English. During manded West Point while our Nation was at World War II, he served as an electronics offi- Mr. PAUL. Madam Speaker, on May 16, war. And it is well known within military circles cer in the Army Air Forces. Following his serv- 2010, Galveston, Texas will celebrate Rev- that field commanders competed to bring his ice, he studied math and philosophy at the erend David Everson Day in honor of Rev- graduating cadets into their units. This is testi- University of Chicago, where he earned a erend Everson’s eleven years of service as mony both to the quality of the graduates and bachelor’s degree in 1948. Mr. Palevsky be- the pastor of the First Union Baptist Church. I to LTG Hagenbeck’s exemplary leadership as came a titan in the computer industry as a am pleased to join the First Union Baptist con- the 57th Superintendent of West Point. -
25 Years on 1984–2009
April 2009 Jewish Holocaust Centre 25 years on 1984 –2009 Registered by Australia Post. Publication No. VBH 7236 JHC Board: The Jewish Holocaust Centre is dedicated to the memory of the six million Jews President: Pauline Rockman murdered by the Nazis and their collaborators between 1933 and 1945. Vice President: Alex Dafner Immediate Past President: We consider the finest memorial to all victims of racist policies to be an educational Shmuel Rosenkranz programme which aims to combat anti-Semitism, racism and prejudice in the Secretary: Elly Brooks community and fosters understanding between people. Treasurer: Eric Herz Public Officer: Adam Kreuzer Members: Allen Brostek, Harry Bryce, Abram Goldberg, Sue Hampel, Henri Korn, Willy Lermer, Helen Mahemoff Executive Director: Bernard Korbman This special 25th anniversary edition is dedicated to the JHC Foundation: memory of Cyla Sokolowicz, the first editor of Centre News. Chairperson: Helen Mahemoff Trustees: CONTENTS Nina Bassat AM Joey Borensztajn Allen Brostek FROM THE PRESIDENT 3 Silvana Layton Jeffrey Mahemoff AO EDITOR’S LETTER 3 Patrons: Professor Yehuda Bauer DIRECTOR’S POINT OF VIEW 4 Mrs Eva Besen AO Mr Marc Besen AO AGAINST ALL ODDS: Sir William Deane AC CBE THE ESTABLISHMENT OF THE HOLOCAUST CENTRE 5 Sir Gustav Nossal AC CBE FABRIC OF THE FUTURE: 25 YEARS CELEBRATION DINNER 8 Mrs Diane Shteinman AM Steven Spielberg OUR VOLUNTEERS AND GUIDES CELEBRATE 25 YEARS 11 JHC Staff: THE JEWISH HOLOCAUST CENTRE AS A MEDIUM OF MEMORY 16 Bernard Korbman, Executive Director Zvi Civins, Director -
Defining Decorative, Examining Design
LACMA Evenings for Educators DEFINING DECORATIVE, EXAMINING DESIGN __________________________________________________________________ ESIGN IS ALL AROUND US. FROM SMALL-SCALE HOUSEHOLD OBJECTS TO massive architectural features, decorative and functional objects effect our daily lives and reflect our societal values. By studying Dthese objects, we learn about the forms, uses, and meanings of objects, designs, and environments in everyDay life. When we explore the decorative arts anD design, we consiDer a number of factors, including the artists’ choices about subject, style, material, and function. To begin an exploration of decorative arts anD design with students, pose the following questions: What do you see? Collect visual information. What is the central subject or focus of this work? What are the surrounding details? Artists think carefully about the appearance of their designs. Consider the artist’s choice of color, size, shape, surface pattern, and texture. The artworks featured in these materials represent a wiDe range of cultures and time periods. What was it used for? Who may have used it? What are the intended uses or functions of these objects? How can we tell? What do these items imply about the time anD place in which they were created, or about the people who may have used them? By carefully examining works of art, we can also understand the historical, cultural, and geographical influences of the periods in which they were made. How was it made? What material is the artwork made of? What factors may have influenced the artists’ choice of materials? What historical events took place arounD the time this artwork was made? What technology was available at that time? Was the object mass produceD or hanDcrafteD? Many factors influence the choice of materials, incluDing cost, durability, weight, flexibility, availability, the manufacturing anD engineering processes, and the scale of production. -
Ch Cago School 27Th Annual
2010 School Group &Schedule 27th Annual Ch cago International Children’s Film Festival October 22–October 29 773–281–9075 [email protected] www.facets.org/kids Locations Dear Educators, W Belle Plaine Ave W Belle Plaine Ave Are you looking for an affordable field trip that will make a real impact on your students’ learning? ve N Clybour e A ve e Av e Av Av rt A d ve o n What better way to inspire and captivate young minds than through the magic of movies? p A e a l e n e t h S Ellis E 58th St. ve h A Av v u Av ve s A o N A acine R N M o S r N A N ilw N Lavergne e N University N Leclaire a oodlawn c uke i th Ave ve W Fullerton C Ave e of Chicago S Kimbark W Fullerton yler Ave S W r Ave N Laporte W Cu Av ve e W Cuyl A Join us for the 27 annual Chicago International Children’s Film Festival (CICFF) and use the power of e N A E 59th St. E 59th St. N Clybour W Irving Park Rd Midway Plaisance media to engage and entertain your students while enhancing your classroom work. As the largest and W Irving Park Rd e v Ave ve A N Greenview A Midway Plaisance e n ve longest running children’s film festival in North America, the CICFF discovers the best in world cinema, n A rg A e E 60th St. -
What You Do Matters
what you do matters 2008–09 ANNUAL REPORT 2 ANNUAL REPORT 2008–09 WHAT YOU DO MATTERS 3 FRONT COVER ESTELLE LAUGHLIN HOLOCAUST SURVIVOR AND MUSEUM VOLUNTEER what they do Dear friends—this past November, however impressive our far-reaching 40-foot-high portraits of Estelle impact, we must constantly challenge Laughlin and other Museum survivor ourselves to do more. In a century volunteers were projected one by one already threatened by an alarming onto the exterior of our building. rise in hatred and antisemitism as The symbolism was stunning as each well as genocide, there are simply illuminated the night. Estelle had just no time-outs. turned ten when Germany invaded Our global institution is on the Poland. Over the next four years, she front lines confronting these issues managed to survive the Warsaw ghetto, thanks to your generosity and an the Majdanek death camp, and two extraordinary constellation of other slave labor camps. With dreams still partners equally passionate in our haunted by these memories, Estelle cause. On the pages that follow you shares her story with audiences here will meet some of them. While we and across the country in order to, as cannot eradicate hatred and evil, she says, “keep truth alive and visible.” together we remain unrelenting in In telling their stories, Holocaust our commitment to remember and to survivors put the horror of the genocide teach the lessons of the Holocaust— of Europe’s Jews into a profoundly not just to impart the truth of history’s personal context. They move us beyond greatest crime but to ignite the personal the monolithic event and unfathomable sense of responsibility that stands at numbers to the anguish of each the heart of strong, just societies. -
University of Chicago A0126 B0126
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180126 Gramts.gov Tracking#: GRANT12659932 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180126 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1235-CEAS GEPA Statement 2018_Final) e12 6. Grants.gov Lobbying Form e17 7. Dept of Education Supplemental Information for SF-424 e18 8. ED Abstract Narrative Form e19 Attachment - 1 (1234-CEAS_abstract_FINAL) e20 9. Project Narrative Form e22 Attachment - 1 (1238-CEAS_Project Description_NARRATIVE_FINAL) e23 10. Other Narrative Form e84 Attachment - 1 (1236-CEAS_Appendices_FINAL) e85 11. Budget Narrative Form e202 Attachment - 1 (1237-CEAS - Title VI Project Budget formatted for application_FINAL-1) e203 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). Page e2 OMB Number: 4040-0004 Expiration Date: 12/31/2019 Application for Federal Assistance SF-424 * 1. Type of Submission: * 2. Type of Application: * If Revision, select appropriate letter(s): Preapplication New Application Continuation * Other (Specify): Changed/Corrected Application Revision * 3. -
INFORMATION ISSUED by THC Assoamnoii OFSEWISH RBUGBS M Atuaamun
Voiume XXXVIII No. 3 March 1983 INFORMATION ISSUED BY THC Assoamnoii OFSEWISH RBUGBS m atuaamun Egon Larsen mann's henchmen. Wallenberg was the only foreign diplomat to stay behind in Pest, for the sole purpose of protecting "his" Jews. "For them, the nightmare was over. For Wallen berg, it was just beginning," writes Bicrman. Early TWO RIGHTEOUS GENTILES in 1945 the Russians occupied Budapest, and Wallenberg was taken away by their political police. Why? Nobody knows. All wc do know is that in Wallenberg and Schindler Stories Told Febmary 1945 he was in a cell at the Lubianka prison in Moscow. From then on, no reliable traces ofhis whereabouts have been discovered. Over the years, all official and unofficial enquiries about him have come up against the stone wall of Russian secretiveness. But chances are that he is still alive in some Soviet labour camp. "If the Russians decided, for whatever reason, that Each of the six hundred evergreen carob trees lining "That neutral Sweden should feel compelled to Wallenberg was not to be released," says Bierman, Jerusalem's Avenue of the Righteous commemorates act, however belatedly, on behalf of the Jews of "why have Uiey not killed him? The bmtal fact may 3 Gentile who risked his or her life to save Jews from Europe," writes Bierman, "was a radical departure; be that they have. The Russians, however, have a the murderous frenzy of the Nazi regime; and each that it should choose such an apparently unlikely tradition—dating back to well before the Revolu tree has a plaque with the name of the Gentile thus agent for that purpose was exceptional. -
Virtual Convenings 2020
VIRTUAL CONVENINGS 2020 Since March 2020, in response to the COVID-19 global crisis, Meridian has harnessed the tools of digital connectivity and doubled down on our convening power to host more than 100 virtual programs with leaders in business, diplo- macy and governments around the world to discuss issues of heightened global importance amid this pandemic and the impacts on the future of international engagement, cooperation and collaboration. Pandemic Preparedness and Response: Global Perspectives on COVID-19 March 25 A discussion on the global response to the COVID-19 pandemic, with special remarks from Ambassador John E. Lange, Senior Fellow for Global Health Diplomacy at the United Nations Foundation and often re- ferred to as the “United States Avian Influenza and Pandemic Ambassador.” SPEAKERS: Ambassador John E. Lange, Senior Fellow for Global Health Diplomacy, United Nations Foundation Brittany Masalosalo, Head of International Affairs and Public Policy at 3M His Excellency Ashok Mirpuri, Ambassador of the Republic of Singapore Ambassador Nestor Forster, Chargé d’Affaires at the Embassy of Brazil AUDIENCE: 95 members of the foreign diplomatic corps and private sector, 394 total views MEDIA: YouTube Livestream Insights@Meridian with Acting Secretary of DHS Chad Wolf April 1 An off-the-record briefing from a key member of the White House Coronavirus Task Force, Acting Secretary of the Department of Homeland Security Chad Wolf, who discussed the steps that his Department is taking to mitigate the spread of the virus, as well as ongoing international and cross-sectoral cooperation and coordination efforts taking place around the world. SPEAKERS: Acting Secretary of the Department of Homeland Security Chad Wolf Oscar Munoz, CEO and President of United Airlines Moderated by Ambassador Stuart Holliday, President and CEO of Meridian AUDIENCE: 73 members of the foreign diplomatic corps and private sector Global Business Briefing with the Ambassadors of Italy and Spain to the U.S. -
Defining Decorateive, Examining Design Discussion Questions
LACMA Evenings for Educators DEFINING DECORATIVE, EXAMINING DESIGN __________________________________________________________________ ESIGN IS ALL AROUND US. FROM SMALL-SCALE HOUSEHOLD OBJECTS TO massive architectural features, decorative and functional objects effect our daily lives and reflect our societal values. By studying Dthese objects, we learn about the forms, uses, and meanings of objects, designs, and environments in everyday life. When we explore the decorative arts and design, we consider a number of factors, including the artists’ choices about subject, style, material, and function. To begin an exploration of decorative arts and design with students, pose the following questions: What do you see? Collect visual information. What is the central subject or focus of this work? What are the surrounding details? Artists think carefully about the appearance of their designs. Consider the artist’s choice of color, size, shape, surface pattern, and texture. The artworks featured in these materials represent a wide range of cultures and time periods. What was it used for? Who may have used it? What are the intended uses or functions of these objects? How can we tell? What do these items imply about the time and place in which they were created, or about the people who may have used them? By carefully examining works of art, we can also understand the historical, cultural, and geographical influences of the periods in which they were made. How was it made? What material is the artwork made of? What factors may have influenced the artists’ choice of materials? What historical events took place around the time this artwork was made? What technology was available at that time? Was the object mass produced or handcrafted? Many factors influence the choice of materials, including cost, durability, weight, flexibility, availability, the manufacturing and engineering processes, and the scale of production. -
Ccwnews 2004 Acornell Club of Washington Publication
CORNELL CLUB May CCWNEWS 2004 ACORNELL CLUB OF WASHINGTON PUBLICATION http://ccw.alumni.cornell.edu OF WASHINGTON Mark Katz ‘86, Speaker at Annual Dinner: “Politics is Easy-Comedy is Hard” May Tuesday, May 18, 6:00 p.m. 2004 The Madison Hotel 1177 15th St, NW Is it legal to have fun at an Annual Meeting? You bet! Come hear Mark In this CCWNews Katz ‘86, a trained and licensed humorist who, under the banner of his Sound Bite Institute, generates hum for himself and his clients, a hodge- Coming Events . p. 2 podge of world leaders, corporate cheeses, and various VPs. Mark was the kid who cracked jokes from the back row of your seventh grade Clinton at Cornell . p. 2 English class, but he grew up to write humor speeches for the president Club Announcements. p. 3 of the United States. Qatar Dinner . p. 3 50+Singles. p. 4 Our guest speaker can trace his career from the principal’s office to the Young Alumni Happy Hr. p. 4 Oval Office--with a four-year stop in Ithaca along the way. Mark is the author of the critically-acclaimed Clinton & Me, an account of his two- ISSC . p. 4 term tenure as the in-house humorist of the Clinton White House, where Softball. p. 5 he helped the president prepare for his annual funny speeches to the Washington press corps, Dragons. .p. 5 including the celebrated Clinton video shown at the White House Correspondents’ Dinner in April MDDG. p. 5 of 2000. Annual Dinner . .pp.6-7 Copies of Clinton & Me will be available for Mark to sign, and a portion of the book sales will Father’s Day Picnic . -
SCHINDLER's LIST Screenplay by Steven Zaillian Based on the Novel
SCHINDLER'S LIST Screenplay by Steven Zaillian Based on the novel by Thomas Keneally USE FOR EDUCATIONAL PURPOSES ONLY IN BLACK AND WHITE: EXT. RURAL POLAND - SMALL DEPOT - DAY A small depot set down against monotonous countryside in the far hinterlands of rural Poland. A folding table on the wood- plank platform. Pens, ink well, forms. A three year old girl holding the hand of woman watches a clerk register her name and those of two or three families of farmers standing before him. Finishing, he motions to an SS guard nearby to escort them to a waiting, empty, idling passenger train. The people climb aboard as the clerk gathers his paperwork. He folds up his little table, signals with a wave to the engineer, and climbs up after them. The nearly-empty train pulls out of the sleepy station. EXT. TRAIN STATION, CRACOW, POLAND - DAY TRAIN WHEELS grinding against track, slowing. FOLDING TABLE LEGS scissoring open. The lever of a train door being pulled. NAMES ON LISTS on clipboards held by an ARMY OF CLERKS moving alongside the tracks. CLERKS (O.S.) ... Rossen ... Lieberman ... Wachsberg ... Groder ... HUNDREDS OF BEWILDERED RURAL FACES coming down off the train. FORMS being set out on the folding tables. HANDS straightening pens and pencils and ink pads and stamps. CLERKS (O.S.) ... when your name is called, go over there... take this over to that table... TYPEWRITER KEYS rapping a name onto a list. A FACE. Keys typing another NAME. Another FACE. CLERKS (V.O.) ... you're in the wrong line, wait over there.. -
0470 Shoah Newsletter Layout
Winter 2007 THE NEWSLETTER OF THE USC SHOAH FOUNDATION INSTITUTE FOR VISUAL HISTORY AND EDUCATIONTM TO OVERCOME PREJUDICE, INTOLERANCE, AND BIGOTRY —AND THE SUFFERING THEY CAUSE— THROUGH THE EDUCATIONAL USE OF THE INSTITUTE’S VISUAL HISTORY TESTIMONIES F OUNDATION N EWS One Year Later Winter 2007 By Douglas Greenberg partnering with the Institute to provide access to the archive on their campuses (see pages 10–11). One year ago, we began a new chapter by becoming part of the University The testimonies in the archive are also at the of Southern California College of Letters, core of two educational products launched Arts & Sciences. Being part of a great uni- this year, Recollections: Eyewitnesses Remember versity has allowed us to pursue our mission the Holocaust and Creating Character. In each with new energy and effectiveness. I am product, the testimonies provide rich, pri- especially excited to share the contents of mary source material that brings the past to this newsletter with you because it tells the life for young people to whom it is distant story of our first year at USC. and remote. “Being on a campus has provided us a way to introduce visual history to the classroom more directly than ever before.” — Douglas Greenberg Being on a campus has provided us a way to These projects would not be possible without introduce visual history to the classroom the generous funding the Institute receives more directly than ever before. The Visual from our donors. Your gifts allow educators History Archive is in use in undergraduate and students all over the globe to use the tes- classes not only at USC, but also at other timonies in our archive for educational pur- institutions with access to the archive—Rice poses.