MASCHINE ^MK1 Manual English

Total Page:16

File Type:pdf, Size:1020Kb

MASCHINE ^MK1 Manual English MANUAL Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH. All other product and company names are trademarks™ or registered® trademarks of their re- spective holders. Use of them does not imply any affiliation with or endorsement by them. Document authored by: David Gover and Nico Sidi. Software version: 2.7.6 (05/2018) Hardware version: MASCHINE MK1 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact NATIVE INSTRUMENTS GmbH NATIVE INSTRUMENTS North America, Inc. Schlesische Str. 29-30 6725 Sunset Boulevard D-10997 Berlin 5th Floor Germany Los Angeles, CA 90028 www.native-instruments.de USA www.native-instruments.com NATIVE INSTRUMENTS K.K. NATIVE INSTRUMENTS UK Limited YO Building 3F 18 Phipp Street Jingumae 6-7-15, Shibuya-ku, London EC2A 4NU Tokyo 150-0001 UK Japan www.native-instruments.co.uk www.native-instruments.co.jp NATIVE INSTRUMENTS FRANCE SARL SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 113 Rue Saint-Maur 203B & 201B, Nanshan E-Commerce Base Of 75011 Paris Innovative Services France Shi Yun Road, Shekou, Nanshan, Shenzhen www.native-instruments.com China www.native-instruments.com © NATIVE INSTRUMENTS GmbH, 2018. All rights reserved. Table of Contents Table of Contents 1 Welcome to MASCHINE .............................................................................................23 1.1 MASCHINE Documentation .......................................................................................................... 24 1.2 Document Conventions ............................................................................................................... 25 1.3 New Features in MASCHINE 2.7.4 ............................................................................................... 27 1.4 New Features in MASCHINE 2.7.3 ............................................................................................... 29 2 Basic Concepts .........................................................................................................32 2.1 Important Names and Concepts ................................................................................................. 32 2.2 Adjusting the MASCHINE User Interface ..................................................................................... 35 2.2.1 Adjusting the Size of the Interface ............................................................................. 35 2.2.2 Switching between Ideas View and Arranger View ..................................................... 36 2.2.3 Showing/Hiding the Browser ...................................................................................... 37 2.2.4 Minimizing the Mixer ................................................................................................. 37 2.2.5 Showing/Hiding the Control Lane .............................................................................. 38 2.3 Common Operations ................................................................................................................... 39 2.3.1 Pinning a Mode on the Controller ............................................................................... 39 2.3.2 Undo/Redo ................................................................................................................. 40 2.3.3 Focusing on a Group or a Sound ................................................................................ 42 2.3.4 Switching Between the Master, Group, and Sound Level ........................................... 47 2.3.5 Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area . 48 2.3.5.1 Extended Navigate Mode on Your Controller ..............................................54 2.3.6 Using Two or More Hardware Controllers ................................................................... 57 2.4 Native Kontrol Standard ............................................................................................................. 59 2.5 Stand-Alone and Plug-in Mode ................................................................................................... 60 2.5.1 Differences between Stand-Alone and Plug-in Mode ................................................. 61 2.5.2 Switching Instances .................................................................................................. 62 MASCHINE - Manual - 4 Table of Contents 2.5.3 Controlling Various Instances with Different Controllers ........................................... 63 2.6 Preferences ................................................................................................................................. 63 2.6.1 Preferences – General Page ....................................................................................... 64 2.6.2 Preferences – Audio Page .......................................................................................... 68 2.6.3 Preferences – MIDI Page ............................................................................................ 71 2.6.4 Preferences – Default Page ....................................................................................... 74 2.6.5 Preferences – Library Page ........................................................................................ 78 2.6.6 Preferences – Plug-ins Page ..................................................................................... 86 2.6.7 Preferences – Hardware Page .................................................................................... 91 2.6.8 Preferences – Colors Page ......................................................................................... 94 2.7 Integrating MASCHINE into a MIDI Setup .................................................................................... 97 2.7.1 Connecting External MIDI Equipment ........................................................................ 97 2.7.2 Sync to External MIDI Clock ....................................................................................... 98 2.7.3 Send MIDI Clock ......................................................................................................... 99 2.8 Syncing MASCHINE using Ableton Link ....................................................................................... 100 2.8.1 Connecting to a Network ............................................................................................ 100 2.8.2 Joining and Leaving a Link Session ........................................................................... 100 3 Browser ....................................................................................................................102 3.1 Browser Basics ........................................................................................................................... 102 3.1.1 The MASCHINE Library ............................................................................................... 102 3.1.2 Browsing the Library vs. Browsing Your Hard Disks ................................................... 103 3.2 Searching and Loading Files from the Library ............................................................................ 104 3.2.1 Overview of the LIBRARY Pane ................................................................................... 104 3.2.2 Selecting or Loading a Product and Selecting a Bank from the Browser .................... 108 3.2.3 Selecting a Product Category, a Product, a Bank, and a Sub-Bank ........................... 113 MASCHINE - Manual - 5 Table of Contents 3.2.3.1 Selecting a Product Category, a Product, a Bank, and a Sub-Bank on the Controller ...................................................................................................118 3.2.4 Selecting a File Type .................................................................................................. 118 3.2.5 Choosing Between Factory and User Content ............................................................. 119 3.2.6 Selecting Type and Mode Tags ................................................................................... 120 3.2.7 Performing a Text Search ........................................................................................... 126 3.2.8 Loading a File from the Result List ............................................................................ 126 3.3 Additional Browsing Tools .......................................................................................................... 132 3.3.1 Loading the Selected Files Automatically .................................................................. 132 3.3.2 Auditioning Instrument Presets ................................................................................. 133 3.3.3 Auditioning Samples ................................................................................................. 135 3.3.4 Loading Groups with Patterns ..................................................................................
Recommended publications
  • Maschine 2 Manual English
    MANUAL Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH. All other product and company names are trademarks™ or registered® trademarks of their re- spective holders. Use of them does not imply any affiliation with or endorsement by them. Document authored by: David Gover, Nicolas Sidi Software version: 2.6.6 (07/2017) Hardware version: MASCHINE MK2 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30 D-10997 Berlin Germany www.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard 5th Floor Los Angeles, CA 90028 USA www.native-instruments.com NATIVE INSTRUMENTS K.K. YO Building 3F Jingumae 6-7-15, Shibuya-ku, Tokyo 150-0001 Japan www.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp Street London EC2A 4NU UK www.native-instruments.co.uk © NATIVE INSTRUMENTS GmbH, 2017.
    [Show full text]
  • MASCHINE+ Manual (This Document): This Reference Manual Provides a Comprehensive Description of All MASCHINE+ Features
    Table of Contents 1. Disclaimer ............................................................................................................... 1 2. Foreword ................................................................................................................. 2 3. Welcome to MASCHINE+ .......................................................................................... 3 3.1. MASCHINE Documentation .............................................................................. 3 3.2. Document Conventions .................................................................................... 4 3.3. Important Names and Concepts ....................................................................... 4 3.4. Standalone vs. Controller Mode ......................................................................... 6 4. Connecting MASCHINE+ ........................................................................................... 8 4.1. Setup Examples ............................................................................................... 8 4.1.1. Connecting Active Monitor Speakers ....................................................... 8 4.1.2. Connecting Headphones ........................................................................ 9 4.1.3. Connecting Line Level Equipment ......................................................... 10 4.1.4. Connecting a Dynamic Microphone ....................................................... 10 4.2. Connecting to Wi-Fi .......................................................................................
    [Show full text]
  • Maschine 2 Manual English
    MANUAL Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. All other trademarks are the property of their respective owners and use of them does not imply any affiliation with or endorsement by them. Document authored by: David Gover, Nicolas Sidi, Gustav Santo Tomas Software version: 2.6.5 (05/2017) Hardware version: MASCHINE MK2 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30 D-10997 Berlin Germany www.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard 5th Floor Los Angeles, CA 90028 USA www.native-instruments.com NATIVE INSTRUMENTS K.K. YO Building 3F Jingumae 6-7-15, Shibuya-ku, Tokyo 150-0001 Japan www.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp Street London EC2A 4NU UK www.native-instruments.co.uk © NATIVE INSTRUMENTS GmbH, 2017.
    [Show full text]
  • Controllers As Musical Instruments, Controllerism As Musical Practice
    Controllers as Musical Instruments, Controllerism as Musical Practice – Practices of a new 21st Century musical culture – Guillermo de Llera Blanes Dissertação em Ciências Musicais na especialidade de EtnomusicoloGia , A , CAL CULTURE PRACTICES OF 2017 Guillermo de Llera Blanes CONTROLLERS AS MUSICAL 21ST CENTURY ,MUSI INSTRUMENTS, CONTROLLERISM AS MUSICAL PRACITCE, Setembro, 2017 1 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais, especialidade de Etnomusicologia, realizada sob a orientação científica do Professor Doutor João Soeiro de Carvalho. 2 Dedicated to my promised one and to the little Controllerists at home. Acknowledgements It is with the utmost gratitude that I thank my brother, the anthropologist Ruy Blanes for his unwavering support, sympathetic guidance and most of all, his humor. His knowledge was a lifeline, for I could always count on his informed opinion, but his greatest aid was in letting me make my own mistakes, and then hinting at various ways to resolve them. It showed me that he was convinced that I was capable of finding my way out of the dead ends, and would overcome the trials and tribulations of writing a thesis. Thank you for believing in me, my brother. To my dear advisor, professor João Soeiro de Carvalho, I have nothing but words of gratitude. You showed unbridled gusto in my research and helped me trod along with unending patience, aware of my limitations in time, experience and knowledge. It was with great delight that I experienced our joint (ad)venture, and I am indebted to you for your kindness, your wisdom and your empathy.
    [Show full text]
  • Visit Fullcompass.Com Today!
    VIRTUAL INSTRUMENT SOFTWARE 353 MOTU ETHNO 2 APPLIED ACOUSTIC SOLUTIONS •New features such as preset AAS MODELING COLLECTION searching, microtonal scales, • The entire AAS product line state-of-the-art time stretching, • Strum Electric-GS1: power guitar keyswitch presets, unlimited parts workstation for keyboard players • 21GB library of world/ethnic • Strum Acoustic-GS1: acoustic SUPPORTS: instruments, loops and phrases guitar software synthesizer • Loops and instruments organized SUPPORTS: (steel and nylon acoustic guitars) by regions of the world • Ultra Analog VA-1: virtual analog synthesizer • Includes percussive rhythms, • String Studio VS-1: string modeling synthesizer vocal utterances, solo and • Lounge Lizard EP-3: recreation of the classic ™ ™ ensemble voices/instruments Rhodes and Wurlitzer electric pianos • Rhythmic loops always play at same tempo • Tassman 4: sound synthesis studio, • Drag and drop operation a collection of instruments and sound design tools • Analog-modeled EQ, CPU-optimized convolution • Includes CD-Roms w/ manuals for each of the 6 instruments reverb and eight new analog modeled filters • Operate as AU, VST, RTAS (Mac/Win) plug-in • Plug-in and stand-alone operation NATIVE INSTRUMENTS MODELING-COLLECTION....Software instrument bundle........... 469.00 ETHNO-2.................Ethnic virtual instruments........................ 374.00 KOMPLETE 8 •Complete package of 50 Instruments, effects & emulationsi SUPPORTS: •27 fully-fledged products, 11,000 presets and over 100 GB of samples •Includes the brand-new
    [Show full text]
  • Maschine Manual English
    Manual Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. AKAI S-x000/z8, AKAI S-1000/3000/5000/6000 and MPC are trademarks of Akai Professio- nal, L.P. and used with permission. Emax and SP-1200 are trademarks of E-mu Systems, Inc. The trademark holders are not affili- ated with the maker of this product and do not endorse this product. All other trade marks are the property of their respective owners and use of them does not im- ply any affiliation with or endorsement by them. Document authored by: David Gover Product version: 1.7 (08/2011) Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact Germany Native Instruments GmbH Schlesische Str. 29-30 D-10997 Berlin Germany www.native-instruments.de USA Native Instruments North America, Inc.
    [Show full text]
  • MASCHINE 2 Manual
    MASCHINE MIKRO MK3 MANUAL Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH. All other product and company names are trademarks™ or registered® trademarks of their re- spective holders. Use of them does not imply any affiliation with or endorsement by them. Document authored by: David Gover and Nico Sidi. Software version: 2.8 (02/2019) Hardware version: MASCHINE MIKRO MK3 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact NATIVE INSTRUMENTS GmbH NATIVE INSTRUMENTS North America, Inc. Schlesische Str. 29-30 6725 Sunset Boulevard D-10997 Berlin 5th Floor Germany Los Angeles, CA 90028 www.native-instruments.de USA www.native-instruments.com NATIVE INSTRUMENTS K.K. NATIVE INSTRUMENTS UK Limited YO Building 3F 18 Phipp Street Jingumae 6-7-15, Shibuya-ku, London EC2A 4NU Tokyo 150-0001 UK Japan www.native-instruments.co.uk www.native-instruments.co.jp NATIVE INSTRUMENTS FRANCE SARL SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 113 Rue Saint-Maur 5F, Shenzhen Zimao Center 75011 Paris 111 Taizi Road, Nanshan District, Shenzhen, France Guangdong www.native-instruments.com China www.native-instruments.com © NATIVE INSTRUMENTS GmbH, 2019.
    [Show full text]
  • MASCHINE 2.0 MK1 Manual English
    Manual Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corporation in the United States and/or other countries. All other trade marks are the property of their respective owners and use of them does not im- ply any affiliation with or endorsement by them. Document authored by: Nicolas Sidi, David Gover, Gustav Santo Tomas Software version: 2.0 (09/2013) Hardware version: MASCHINE MK1 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact Germany Native Instruments GmbH Schlesische Str. 29-30 D-10997 Berlin Germany www.native-instruments.de USA Native Instruments North America, Inc. 6725 Sunset Boulevard 5th Floor Los Angeles, CA 90028 USA www.native-instruments.com Japan Native Instruments KK YO Building 3F Jingumae 6-7-15, Shibuya-ku, Tokyo 150-0001 Japan www.native-instruments.co.jp © Native Instruments GmbH, 2013.
    [Show full text]
  • Finger Drumming Techniques with MIDI Controllers
    Finger Drumming Techniques through MIDI Controllers Presented by Andrew Eldridge National Conference on Percussion Pedagogy Monday, May 21, 2018 University of Arkansas • 8:30 AM • EPLEY, Room 128 The Why • Controllers are often inexpensive • App Culture is common-place • Fairly easy to implement with a little research • A modern sound that students often see and hear in their pop culture The What • MIDI = Musical Instrument Digital Interface o Communications protocol that connects devices • MIDI signals carry notation, pitch, velocity, cues, and tempo o Tool versus Instrument • Two ways to utilize controllers o Digital Audio Workstation (DAW) o DAW-less • Information flows through one of 16 channels • MIDI also allows for program and control changes • Controllerism o Push, Turn, Slide o Proliferation of pad-style controllers Advantages of Embracing Controllerism • Reinforces timing skillset • A modern approach to music that enhances the percussion curriculum o Additional benefit of learning music production o Visual creativity is a possible by-product of controllerism • Tracks created through midi controllers can provide tracks for use with acoustic instruments • Important to think of a controller as an instrument • Limitations of learning a new instrument can help with creativity Finger Drumming Pad Elements • Drums • Leads o Bass • Pads o Snare • Risers o Hats or time-keeping triggers • Effect • Bass Line Page | 1 Finger Drumming Techniques through MIDI Controllers The How • Controllers o DJ Tech Tools § Midi Fighter Line o Novation
    [Show full text]
  • TT03 TRANSORM Manual
    1 www.twistedtools.com/forums 2 TRANSFORM | CREDITS A big thank you to Jean-Edouard Miclot of Jedsound for the amazing sound design and choosing to release this work with Twisted Tools. ORIGINAL SAMPLE CONTENT: Jean-Edouard Miclot | http://jedsound.com/blog VIDEO EDITING AND MOTION GRAPHICS PROMO MATERIAL: Nicholas Raftis | http://axiom-crux.net/ AUDIO DEMO FOR PROMOTIONAL VIDEO: Richard Devine | http://devinesound.net/ ADDITIONAL CONTENT AND SOUND DESIGN: Richard Devine | http://devinesound.net/ Twisted Tools | http://twistedtools.com/ www.twistedtools.com/forums 3 Legal All software discussed in this manual is issued as is. The software described in this manual comes with no warranty and is licensed, not sold to you. We are not be responsible for any lost data or financial loss incurred as a result of using this software. If you are unsure as to how to use this software, don’t use it. Any information in this manual is subject to change without notice and nothing in this document represents a legally binding commitment on our behalf. All the software described by this document is copyright Twisted Tools™, 2011. You may not alter this document in any form or distribute it for any purpose other than press related purposes. The included sample content is free to use for commercial or non-commercial musical works, but you may not redistribute these samples in any way, shape or form or claim credit for the material in its raw unaltered form or outside of a musical work. You may not use this material to make other sample libraries without a prior written agreement from Twisted Tools.
    [Show full text]
  • Musikmesse and Prolight + Sound 2019: Sample Music Festival Area
    Press Release March 2019 Musikmesse and Prolight + Sound 2019: Johannes Weber Tel. +49 69 7575-6866 Sample Music Festival Area with top brands, [email protected] www.messefrankfurt.com www.musikmesse.com workshops and showcases www.prolight-sound.com Musikmesse and Prolight + Sound are joining forces with the organisers of the Sample Music Festival for the first time to bring together top brands, such as Akai, Denon DJ, RANE, Ortofon and Mixars in a special area at Foyer Hall 4.0. Other companies, including Ableton and Native Instruments, will show their latest products within the framework of workshops and product demonstrations. Well-known artists from the electronic music scene, among them Beat Matazz, Clockwerk and S-Trix, will give visitors the chance to look over their shoulder at workshops and showcases. The official main sponsor of the Sample Music Festival Area is SCHENKER Technologies. Launched in 2015, the Sample Music Festival is the world’s first education music festival for DJing, turntablism and controllerism – a platform for expert knowledge, discussions and high-grade live presentations. With a specialised version of their programme and numerous supporters from the industry, the brains behind the festival will be represented in Frankfurt from 2 to 5 April 2019. “The new Sample Music Festival Area makes Musikmesse and Prolight + Sound an even more powerful magnet for DJs and everyone interested in innovative music-production tools. We are delighted that the people behind the festival have joined forces with us to raise this subject to a new level at our trade-fair duo in Frankfurt am Main”, says Michael Biwer, Group Show Director of the ‘Entertainment, Media & Creative Industries’ Business Unit of Messe Frankfurt Exhibition GmbH.
    [Show full text]
  • Virtual Instrument Software
    284 VIRTUAL INSTRUMENT SOFTWARE APPLIED ACOUSTIC SOLUTIONS EASTWEST / QUANTUM LEAP AAS MODELING COLLECTION SYMPHONIC CHOIRS IK MULTIMEDIA • The entire AAS product line • Men/women/boy choirs virtual instrument AMPLITUBE 3 • Strum Electric-GS1: power guitar •Symphonic Choirs puts five complete •Guitar Amp & FX modeling plug-in workstation for keyboard players choir sections at your fingertips •Amp, Stomp, Cabinet + Mic, • Strum Acoustic-GS1: acoustic •Sopranos, altos, tenors, Rack FX modeling guitar software synthesizer SUPPORTS: SUPPORTS: •160 included gear models basses, and boys choir SUPPORTS: (steel and nylon acoustic guitars) •Solo soprano, alto, and boy singers •51 Stompbox effects • Ultra Analog VA-1: virtual analog synthesizer •EASTWEST’s PLAY streamlined sample engine •31 Amp models • String Studio VS-1: string modeling synthesizer •Type in words in any language for •46 Cabinet emulations incl. rotary speaker • Lounge Lizard EP-3: recreation of the classic the choirs to sing with WordBuilder •15 Microphone models Rhodes™ and Wurlitzer™ electric pianos •Includes 28 popular Latin phrases •17 Rack effects • Tassman 4: sound synthesis studio, •Four articulations: sustained, legato, staccato, and slur •8 series/parallel rigs with mono/true stereo-in a collection of instruments and sound design tools •3 mixable stereo mic setups (close, stage and hall) •Cabinet module with 2 freely movable Mics • Includes CD-Roms w/ manuals for each of the 6 instruments •State-of-the-art Convolution Reverb •Plug-in and standalone • Operate as AU, VST, RTAS (Mac/Win) plug-in • iLok authorization, use as standalone or in hosts as VST, AU •For Mac and PC MODELING-COLLECTION....Software instrument bundle........... 469.00 SYMPHONIC-CHOIRS .............
    [Show full text]