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100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
American Spiritual Program Fall 2009
Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr. -
Jubilee Singers Archives 1858-1924 Reprocessed by Aisha M. Johnson Special Collections Librarian Fisk University September 2013
Jubilee Singers Archives 1858-1924 Reprocessed by Aisha M. Johnson Special Collections Librarian Fisk University September 2013 Background: The tradition of excellence at Fisk has developed out of a history marked by struggle and uncertainty. The Fisk Jubilee Singers originated as a group of students who set out on a concert tour of the North on October 6, 1871 to save a financially ailing school. Their ages ranged from fifteen to twenty-five years old. The idea to form the group was conceived by George L. White, the University’s treasurer, against the disapproval of the University. White borrowed money for the tour. In the beginning, the group met with failure, singing classical and popular music. When they began to sing slave songs, they bought spirituals to the attention of the world during their national and European concerts. It was White who gave them the name Jubilee Singers in memory of the Jewish Year of Jubilee. The original Jubilee Singers (1871) are Minnie Tate, Greene Evans, Isaac Dickerson, Jennie Jackson, Maggie Porter, Ella Sheppard, Thomas Rutling, Benjamin Holmes, Eliza Walker, and George White as director. The Singers raised $150,000, which went to the building of Jubilee Hall, now a historic landmark. Today, the tradition of the Jubilee Singers continues at Fisk University. On October 6th of every year, Fisk University pauses to observe the anniversary of the singers' departure from campus in 1871. The contemporary Jubilee Singers perform during the University convocation and conclude the day's ceremonies with a pilgrimage to the grave sites of the original Jubilee Singers to sing. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013. -
262671234.Pdf
Out of Sight Lynn Abbott and Doug Seroff University Press of Mississippi / Jackson OutOut ofofOut of Sight Sight Sight The Rise of African American Popular Music – American Made Music Series Advisory Board David Evans, General Editor Barry Jean Ancelet Edward A. Berlin Joyce J. Bolden Rob Bowman Susan C. Cook Curtis Ellison William Ferris Michael Harris John Edward Hasse Kip Lornell Frank McArthur W. K. McNeil Bill Malone Eddie S. Meadows Manuel H. Peña David Sanjek Wayne D. Shirley Robert Walser Charles Wolfe www.upress.state.ms.us Copyright © 2002 by University Press of Mississippi All rights reserved Manufactured in the United States of America 10 09 08 07 06 05 04 4 3 2 ϱ Library of Congress Cataloging-in-Publication Data Abbott, Lynn, 1946– Out of Sight: the rise of African American popular music, 1889–1895 / Lynn Abbott and Doug Seroff. p. cm. — (American made music series) Includes bibliographical references (p. ) and index. ISBN 1-57806-499-6 (cloth: alk. paper) 1. African Americans—Music—Hisory and criticism. 2. Popular music—United States—To 1901—History and criticism. I. Seroff, Doug. II. Title. III. Series ML3479 .A2 2003 781.64Ј089Ј96073—dc21 2002007819 British Library Cataloging-in-Publication Data available Contents Acknowledgments ϳ Introduction ϳ Chapter 1. 1889 • Frederick J. Loudin’s Fisk Jubilee Singers and Their Australasian Auditors, 1886–1889 ϳ 3 • “Same”—The Maori and the Fisk Jubilee Singers ϳ 12 • Australasian Music Appreciation ϳ 13 • Minstrelsy and Loudin’s Fisk Jubilee Singers ϳ 19 • The Slippery Slope of Variety and Comedy ϳ 21 • Mean Judge Williams ϳ 24 • A “Black Patti” for the Ages: The Tennessee Jubilee Singers and Matilda Sissieretta Jones, 1889–1891 ϳ 27 • Other “Colored Pattis” and “Queens of Song,” 1889 ϳ 40 • Other Jubilee Singers, 1889 ϳ 42 • Rev. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 25, 2019 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Luke Combs, Two Nashville Paths Converge In Record-Setter >page 3 Rodney Atkins’ Collaboration With Fisk Jubilee Singers Foster, Wiseman Remembered When the Academy of Country Music (ACM) granted recent Lee Greenwood and Shania Twain, who employed them on >page 7 membership to the Fisk Jubilee Singers, the event was doubly “God Bless the Child,” which peaked at No. 48 on Hot Country significant: It recognized an expansion of the ethnic diversity Songs in 1997. taking hold in country, and it represented a full-circle moment But it’s the first time the Fisk ensemble has received a “fea- as country was united with a group that helped build the ture,” and it comes at an opportune juncture in country’s evolu- Keith Urban Ices infrastructure that made Nashville the genre’s home base. tion. Kane Brown, Darius Rucker and Jimmie Allen are current Rainy Date The Fisk ensemble is featured on Rodney Atkins’ single hitmakers of African-American descent. PBS profiled Char- >page 8 “Caught Up in the Country,” ley Pride in an American Masters which is at No. 25 on the episode that debuted Feb. 22, Country Airplay chart dated and the Country Music Hall of March 2. It represents the first Fame and Museum held a panel ACM Awards top 30 appearance on the list on Feb. 23 that explored the Oddity for the Fisk group, which will contributions of Ray Charles >page 8 celebrate its 150th anniversary in conjunction with the rerelease in 2021, a year before the of both volumes of his landmark centennial of the first country 1960s albums Modern Sounds Makin’ Tracks: recording session. -
Final Nominations List the National Academy of Recording Arts & Sciences, Inc
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8. -
Hall Johnson's Choral and Dramatic Works
Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939) The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wittmer, Micah. 2016. Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939). Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718725 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939) A dissertation presented by Micah Wittmer To The Department of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Music Harvard University Cambridge, Massachusetts January, 2016 © 2016, Micah Wittmer All rights reserved. Dissertation Advisor: Professor Carol J. Oja Micah Wittmer -- Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939) Abstract This dissertation explores the portrayal of Negro folk culture in concert performances of the Hall Johnson Choir and in Hall Johnson’s popular music drama, Run, Little Chillun. I contribute to existing scholarship on Negro spirituals by tracing the performances of these songs by the original Fisk Jubilee singers in 1867 to the Hall Johnson Choir’s performances in the 1920s-1930s, with a specific focus on the portrayal of Negro folk culture. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Music City Walk of Fame Park
Demonbreun St. between 4th & 5th Ave., Nashville, TN 37203 • visitmusiccity.com/walkoffame • [email protected] 1 6 MUSIC11 16 21 CITY26 31 WALK40 53 58 OF63 FAME68 73 78PARK83 4 9 14 19 24 29 34 47 56 61 66 71 76 81 86 2 7 12 17 22 27 32 41 54 59 64 69 74 79 84 88 5 10 15 20 25 30 35 48 57 62 67 72 77 82 87 3 8 13 18 23 28 33 42 55 60 65 70 75 80 85 89 36 49 43 37 50 44 38 51 45 39 52 46 1. Boudleaux 23. Steve Wariner 46. Lady A 69. Kix Brooks BROADWAY & Felice Bryant 24. Nitty Gritty Dirt Band 47. Kid Rock 70. Dottie Rambo Visitor ★ Honky Tonks Information Honky Tonks 2. Kenneth Schermerhorn 25. Martina McBride 48. Ernest Tubb 71. Bob Babbitt Center 3. Fisk Jubilee Singers 26. Little Richard 49. Little Big Town 72. Steve Winwood Tennessee Sports Hall of Fame Hilton 4. Ronnie Milsap 27. Elvis Presley 50. Ben Folds 73. Kings of Leon Nashville Downtown 5. Reba McEntire 28. Trace Adkins 51. Ray Stevens 74. Loretta Lynn Bridgestone Arena 6. Roy Orbison 29. Jo Walker-Meador 52. Clint Black 75. Jack White 4TH AVE S 5TH AVE S 7. Frances W. Preston 30. Randy Travis 53. Tootsie Bess 76. Trisha Yearwood Music City Schermerhorn 8. Emmylou Harris 31. Michael McDonald 54. Charlie Daniels 77. Garth Brooks Symphony Walk of Fame Center 9. Michael W. Smith 32. R.H. Boyd 55. Eddy Arnold 78. -
Merry Christmas Everyone’
Press release, United Kingdom: November 26th 2020 SHAKIN’ STEVENS CELEBRATES CAREER SPANNING ANTHOLOGY AND SINGLES COLLECTION WITH 4K VIDEO RESTORATION OF ‘MERRY CHRISTMAS EVERYONE’ Watch ‘Merry Christmas Everyone’ in 4K: shakinstevens.lnk.to/premierePR *PREMIERE AT 5PM* ORDER FIRE IN THE BLOOD & SINGLED OUT: shakinstevens.lnk.to/fitbPR Tomorrow (November 27th 2020), Shakin' Stevens, one of the greatest hitmakers in UK chart history, releases two catalogue spanning collections; the lavish, 19-disc anthology bookpack Fire In The Blood, and the 3CD, 2LP singles collection Singled Out. To celebrate the two releases, Shaky has made available an upscaled 4K video of his Christmas classic, the platinum-selling no. 1 single ‘Merry Christmas Everyone’. Post-production company Vanderquest have restored the footage from the original 16mm film negatives, converting the uncut analogue tape to digital on Telecine equipment, and editing the footage using multiple 1” video tape machines. The team then painstakingly went through each and every shot (using the original cut as reference) to find the corresponding shot in the 82 minutes of film to the exact frame. Any dissolves and transitions were also replicated to create a frame accurate matching edit of the original. The finished edit was given a visual polish using a host of modern grading, colour correcting, and digital restoration tools correcting any grain blemishes, visual noise, and imperfections, producing a video of much higher quality than would have been possible at the time of its original release. Finally, the audio was re-laid with the most up-to-date stereo version of the track. Shaky also releases two career spanning music collections, which were announced a few weeks back alongside two newly released songs; ‘I Need You Now’, and ‘Wild At Heart’.