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Chapter 5: Community Facilities and Services
Chapter 5: Community Facilities and Services A. INTRODUCTION This chapter assesses the potential impacts of the proposed actions on community facilities and services. As described in Chapter 1, “Project Description,” the applicants, the New York City Department of City Planning (DCP) and SJC 33 Owner 2015 LLC, are proposing a series of discretionary actions (the proposed actions) that would facilitate the redevelopment of St. John’s Terminal Building at 550 Washington Street (Block 596, Lot 1) (the development site) with a mix of residential and commercial uses, and public open space (the proposed project) in Manhattan Community District 2. Community facilities and services are defined in the 2014 City Environmental Quality Review (CEQR) Technical Manual as public or publicly funded schools, child care centers, libraries, health care facilities, and fire and police protection services. CEQR methodology focuses on direct effects on community facilities, such as when a facility is physically displaced or altered, and on indirect effects, which could result from increased demand for community facilities and services generated by new users such as the new population that would result from the proposed project. Since the certification of the Draft Environmental Impact Statement (DEIS), the New York City Department of Education’s (DOE) enrollment projections were updated. Therefore, the public school analysis has been updated for consistency with DOE’s enrollment projections for years 2015 through 2024, the most recent data currently available. In addition, based on guidance from SCA (see Appendix C, “Agency Correspondence”), existing capacity for the Sixth Avenue Elementary School has been updated to reflect 50 percent of the total capacity of this school to be counted towards sub-district 2. -
Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011)
Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Date Created Borough Map Atlas Block Lot 10/10/2019 1 2 1 10/10/2019 1 2 2 10/10/2019 1 2 3 10/10/2019 1 2 23 10/10/2019 1 3 1 10/10/2019 1 3 2 10/10/2019 1 3 3 10/10/2019 1 6 1 10/10/2019 1 10 14 10/10/2019 1 12 28 10/10/2019 1 16 1 Page 1 of 10975 10/10/2021 Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Address Street Number Street Name Parcel Name 4 SOUTH STREET 4 SOUTH STREET SI FERRY TERMINAL 10 SOUTH STREET 10 SOUTH STREET BATTERY MARITIME BLDG MARGINAL STREET MARGINAL MTA SUBSTATION STREET 1 PIER 6 1 PIER 6 PIER 6 10 BATTERY PARK 10 BATTERY PARK BATTERY PARK PETER MINUIT PLAZA PETER MINUIT PETER MINUIT PLAZA/BATTERY PK PLAZA PETER MINUIT PLAZA PETER MINUIT PETER MINUIT PLAZA/BATTERY PK PLAZA 24 SOUTH STREET 24 SOUTH STREET VIETNAM VETERANS PLAZA 33 WHITEHALL STREET 33 WHITEHALL STREET WHITEHALL STREET WHITEHALL BOWLING GREEN PARK STREET 22 BATTERY PLACE 22 BATTERY PLACE PIER A / MARINE UNIT #1 Page 2 of 10975 10/10/2021 Suitability of City-Owned and Leased Property for Urban Agriculture (LL 48 of 2011) Agency Current Uses Total Area DOT;DSBS FERRY TERMINAL;NO 209215 USE;WATERFRONT PROPERTY DSBS IN USE-TENANTED;LONG-TERM 191502 AGREEMENT;WATERFRONT PROPERTY DSBS NO USE-NON RES STRC;TRANSIT 38800 SUBSTATION DSBS IN USE-TENANTED;FINAL COMMITMNT- 510025 DISP;LONG-TERM AGREEMENT;NO USE;FINAL COMMITMNT-DISP PARKS PARK 945425 PARKS PARK 39900 PARKS PARK 33600 PARKS PARK 35166 SANIT OFFICE 13214 PARKS PARK 22500 DSBS -
An Open Door: the Cathedral's Web Portal
Fall 2013 1047 Amsterdam Avenue Volume 13 Number 62 at 112th Street New York, NY 10025 (212) 316-7540 stjohndivine.org Fall 2013 at the Cathedral An Open Door: The Cathedral’s Web Portal cross the city, the great hubs of communication a plethora of new opportunities, many of which society is WHAT’s InsIDE pulse: churches, museums, universities, only beginning to understand. As accustomed as we have government offices, the Stock Exchange. Each become in recent years to having the world at our fingertips, The Cathedral's Web Portal Things That Go Bump can be seen as a microcosm of the city or there is little doubt that in 10, 20, 50 years that connection In the Night Great Music in a Great Space the world. Many, including the Cathedral, were will be more profoundly woven into our culture. The human The New Season founded with this in mind. But in 2013, no heart in prayer, the human voice in song, the human spirit in Blessing of the Animals discussion about connections or centers of communication can poetry: all of these resonate within Cathedral walls, but need Long Summer Days A The Viewer's Salon help but reference the World Wide Web. The Web has only been not be limited by geography. Whether the Internet as a whole Nightwatch's ’13–’14 Season around for a blink of an eye of human history, and only for a works to bring people together and foster understanding is Dean's Meditation: small part of the Cathedral’s existence, but its promise reflects up to each of us as users. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
NETC News, Vol. 15, No. 3, Summer 2006
A Quarterly Publication of the New England Theater NETCNews Conference, Inc. volume 15 number 3 summer 2006 The Future is Now! NETC Gassner Competition inside Schwartz and Gleason Among 2006 a Global Event this issue New Haven Convention Highlights April 15th wasn’t just income tax day—it was also the by Tim Fitzgerald, deadline for mailing submissions for NETC’s John 2006 Convention Advisor/ Awards Chairperson Gassner Memorial Playwrighting Award. The award Area News was established in 1967 in memory of John Gassner, page 2 Mark your calendars now for the 2006 New England critic, editor and teacher. More than 300 scripts were Theatre Conference annual convention. The dates are submitted—about a five-fold increase from previous November 16–19, and the place is Omni New Haven years—following an extensive promotional campaign. Opportunities Hotel in the heart of one of the nation’s most exciting page 5 theatre cities—and just an hour from the Big Apple itself! This promises to be a true extravanganza, with We read tragedies, melodramas, verse Ovations workshops and inteviews by some of the leading per- dramas, biographies, farces—everything. sonalities of current American theatre, working today Some have that particular sort of detail that page 6 to create the theatre of tomorrow. The Future is Now! shows that they’re autobiographical, and Upcoming Events Our Major Award recipient this others are utterly fantastic. year will be none other than page 8 the Wicked man himself, Stephen Schwartz. Schwartz is “This year’s submissions really show that the Gassner an award winning composer Award has become one of the major playwrighting and lyricist, known for his work awards,” said the Gassner Committee Chairman, on Broadway in Wicked, Pippin, Steve Capra. -
New World Documentaries
January / February 2014 www.winnipegcinematheque.com New World Documentaries Doc’s joyous, romantic, heartbreaking and extraordinarily eventful journey. In his later years, Doc was a mentor to generations of younger songwriters and a fierce advocate for downtrodden musicians. He wrote a thousand songs – including some of the most recorded songs in the history of popular music – but his most lasting gift may have been his uniquely generous spirit. Passages from Doc’s private journals are read by his close friend, Lou Reed. When Jews Were Funny Directed by Alan Zweig 2013, Canada, 90 min Friday, January 10 / 9 pm Saturday – Sunday, January 11 – 12 / 7 pm Wednesday – Friday, January 15 – 17 / 7 pm Saturday, January 18 / 9 pm Best Canadian Feature: 2013 Toronto International Film Festival “The film begins with a question: Why were so many comedians Zweig watched on television in the 1950’s and 60’s Jewish? Zweig presents a casual first person history of Jewish stand up, unearthing some amazing ↑ The Summit archival footage (with a phemonenal bit by the legendary Jackie Mason) and interviewing The Summit some of America’s most successful and Directed by Nick Ryan influential comics, including Elon Gold, Howie 2012, USA, 99 min Mandel, Shelly Berman, Jack Carter, Shecky Greene, David Steinberg and Super Dave Friday – Sunday, January 3 – 5 / 7 pm Osborne… funny and heartfelt.”—TIFF Wednesday – Thursday, January 8 – 9 / 7 pm “Hilarious from start to finish, and at times K2 in the Himalayas is known to climbers very touching.”— THE FILM REEL as the most difficult of mountains, a savage peak, the second highest in the world, with the Insightful and often hilarious, the latest from power to cloud men’s minds. -
Rage, Rage Against Croman
The Voice of the West Village WestView News VOLUME 15, NUMBER 4 APRIL 2019 $1.00 All We Can Rage, Rage Against Croman Afford Is By Cynthia Chaffee and Mary Ann Miller Memories Whenever a New York restaurant closes, By George Capsis look under the nearest rock and you’ll usually find Steve Croman, the notorious Perhaps nothing has so suddenly drama- landlord who just spent several months in tized the loss of the “old” Village as the jail—not at Rikers where he was supposed sale of the building in which the beloved to go, but at the Manhattan correctional White Horse Tavern has sat unchanged center, a.k.a. “The Tombs.” since 1880. Generations and generations Add to the mix Eytan Sugarman and An- of young and not so young people have thony “The Mooch” Scaramucci, and this eased their way into a chair or booth there toxic trio may close the White Horse Tavern, to sip a lager or two and talked—just talk- the much beloved bar at Hudson and 11th ed—“Meet you at the White Horse.” streets in the far west Greenwich Village. Now, we have learned that Steve Cro- Welsh poet Dylan Thomas, probably man, the caricature of an ice-blooded it’s most famous patron, wrote, “Do not landlord, fresh from eight months in the go gentle into that good night...Rage, rage Tombs prison and still owning over 100 against the dying of the light.” He had his tenement buildings housing anxious rent- last drinks there and later died at St. -
Asemantic Approach to Urban Graffiti from Semiotics Viewpoint
Archive of SID International Journal of Architecture and Urban Development Vol.6, No.1, Winter 2016 A Semantic Approach to Urban Graffiti from Semiotics Viewpoint 1Siamak Panahi, 2*Nazanin Bahrami Samani , 3Anosha Kia 1Associate Professor, Islamic Azad University, Abhar, Branch, Iran. 2Ph.D. Candidate, Department of Art and Architecture, Islamic Azad University, Karaj, Branch, Iran. 3Ph.D. Candidate, Department of Art and Architecture, Islamic Azad University, Karaj, Branch, Iran. Recieved 09.28.2015; Accepted 12.21.2015 ABSTRACT: City is the most complicated and tangible creature of man. There is a critical mutual communication between human and city; and the effect of one’ living environment is beyond question. Graffiti is a new urban phenomenon, which has drawn attention in light of its connection with protestation culture and street art. Thanks to symbolism of graffiti, the artists have added mysterious aspects to their work and distinguished themselves from formal culture. Social protestation is the most notable feature of the graffiti found in Iranian cities. However, to the best of our knowledge, there has been no notable research work in Iran on the relationship of human, society, and existence from of graffiti symbolism viewpoint in particular. The present study is an attempt to survey and evaluate common symbols used on urban graffiti through documentary research. Technique and content analysis in stratified semiology based on Iranian-Islamic culture were taken into account. Keywords: Graffiti, Street art, Semiology, Symbol, Vandalism. INTRODUCTION but also causes heavy costs. Importance of symbols and the Cities are centers of cultural and social activities so that one main urban elements in readability on one hand, and chaos in can witness the most disciplined and elegant appearance of urban landscape and mental image of the citizen on the other cultural and artistic works in cities. -
Manhattan N.V. Map Guide 18
18 38 Park Row. 113 37 101 Spring St. 56 Washington Square Memorial Arch. 1889·92 MANHATTAN N.V. MAP GUIDE Park Row and B kman St. N. E. corner of Spring and Mercer Sts. Washington Sq. at Fifth A ve. N. Y. Starkweather Stanford White The buildings listed represent ali periods of Nim 38 Little Singer Building. 1907 19 City Hall. 1811 561 Broadway. W side of Broadway at Prince St. First erected in wood, 1876. York architecture. In many casesthe notion of Broadway and Park Row (in City Hall Perk} 57 Washington Mews significant building or "monument" is an Ernest Flagg Mangin and McComb From Fifth Ave. to University PIobetween unfortunate format to adhere to, and a portion of Not a cast iron front. Cur.tain wall is of steel, 20 Criminal Court of the City of New York. Washington Sq. North and E. 8th St. a street or an area of severatblocks is listed. Many glass,and terra cotta. 1872 39 Cable Building. 1894 58 Housesalong Washington Sq. North, Nos. 'buildings which are of historic interest on/y have '52 Chambers St. 1-13. ea. )831. Nos. 21-26.1830 not been listed. Certain new buildings, which have 621 Broadway. Broadway at Houston Sto John Kellum (N.W. corner], Martin Thompson replaced significant works of architecture, have 59 Macdougal Alley been purposefully omitted. Also commissions for 21 Surrogates Court. 1911 McKim, Mead and White 31 Chembers St. at Centre St. Cu/-de-sac from Macdouga/ St. between interiorsonly, such as shops, banks, and 40 Bayard-Condict Building. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
65 Introduction the Silver, Partially Gilded, Plate Found by the Czech
Acta Archaeologica Lodziensia nr 66 Patryk Skupniewicz https://doi.org/10.26485/AAL/2020/66/6 SCENE OF FIGHTING TIGERS ON A SASANIAN PLATE FROM MES ‘AYNAK. NOTES ON THE COMPOSITION ABSTRACT The article discusses, from formal perspective, the mounted hunting scene on the Kushano-Sasanian silver plate found in Mes Aynak in Afghanistan. The scene represents the model related to other Sasanian silverware, however with significant variances. When compared the scene to other models defined by Author, conclusion is made that except for several “canonical” layouts, Sasanian toreuts, allowed themselves a dose of freedom in combining them. This phenomenon seems to be related to peripheries of the Sasanian Empire and model of a sword-wielding rider in combat with large felines while holding an object in outstretched left hand was defined as originating from Kushanshahr and combining Assyrian and Achaemenid formulae of men killing beasts with mounted archer/lancer layouts popular in Sasanian silver. Key words: Kushano-Sasanian art., silver plates, iconography SCENA WALKI Z TYGRYSAMI NA SASANIDZKIEJ PATERZE Z MES ‘AYNAK. UWAGI NA TEMAT KOMPOZYCJI ABSTRAKT W prezentowanym studium poddano ocenie, z formalnego punktu widzenia, scenę konnego polo- wania z kuszano-sasanidzkiej partery znalezionej w Mes Aynak, w Afganistanie. Scena reprezentuje model pokrewny dziełom znanym z toreutyki sasanidzkiej, jednakże z wyraźnymi różnicami. Porównując scenę z modelami wyróżnio- nymi przez Autora, pojawił się wniosek, że sasanidzcy mistrzowie obróbki srebra, poza „kanonicznymi” figurami, po- zwalali sobie na formalne eksperymenty. Jest to zjawisko znane z peryferii imperium Sasanidów, a model obejmujący jeźdźca uderzającego mieczem „kotowatego drapieżnika” a w wolnej, wyciągniętej ręce trzymającego inny obiekt, wykształcił się w Kuszanszahr i łączy w sobie asyryjskie i achemenidzkie formuły ludzi zabijających dzikie bestie z układami ukazującymi konnego łucznika czy jeźdźca operującego włócznią, znane z sasanidzkigo srebra. -
September 23, 2011 | Volume IX Issue 10 CHA-CHA HEELS, LIQUID EYELINER, AND
OUT September 23, 2011 | Volume IX Issue 10 CHA-CHA HEELS, LIQUID EYELINER, AND... The Most Beautiful Woman in the World B y chucK Duncan If you’re a native of Baltimore (and even if you’re not), you certainly know John Waters and Divine. From John’s ear- ly short films from the late 60s to his 1972 calling card, Emmett C. Burns, Pink Flamingos, through 1988’s Hairspray, Waters and his Jr., Announces PAC muse Divine showed the rest of the world what the “reel” to Oppose Marriage Baltimore was like (and there was more than a little of the “real” in those films too). Equality Unfortunately, shortly after the release of Hairspray, Divine passed away suddenly at the true By Dana LaRocca height of his career (he was in Hollywood On September 9, Delegate Emmett C. Susan Lowe, preparing to tape an episode of Married Burns, Jr. (D-Baltimore County) met Mink Stole and Jeffrey … with Children at the time of his death), with eight other clergy at a church in Schwarz depriving the world of his talent and what west Baltimore to announce the for- during their might have come from his true “overnight” mation of “Progressive Clergy in interview stardom. Action” a political action committee. sessions in Today, Divine is a cult figure to many, The group is working with the help of Baltimore his legion of fans from around the world the Maryland Family Alliance, an af- photo: courtesy of Jeffrey Schwarz —continued on page 16 filiate of the Family Research Council (FRC). Delegate Burns has long been and Developed by a Combined Arms Center- an opponent of marriage equality.