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Lusty Little Women: the Secret Desires of the March Sisters
FOR IMMEDIATE RELEASE Lusty Little Women: The Secret Desires of the March Sisters The adventures of the March sisters are about to go into untapped realms... Introducing Lusty Little Women, a scintillating twist on Louisa May Alcott’s classic that infuses the original text with sexy new scenes that will surprise, arouse, and delight. Jo, Meg, Beth, and Amy are coming of age, and exhilarat- ing temptations await them around every corner. The handsome young neighbor, attentive doctor, and mysterious foreigner intro- duce the little women to the passion-filled world of desire, plea- sure, and satisfaction. Retold as a risque romance, this book follows the slightly older and much more adventurous sisters—and they’re all ready to plumb the depths of their previously constrained courtships. Will these steamy encounters fulfill their deepest yearnings? Have they found true love or been blinded by lust? “Rereading the Little Women series as an adult was a wonderful experience, reuniting me with characters I consider old friends,” explains author Margaret Pearl. “But as I read, the flirtations and attraction between the young women and their suitors left me imagining how Alcott may have written it if she were able to show what went on behind the curtain—and between the sheets!. Lusty Little Women is the result of a love of the characters and an ir- repressible desire to see them get the pleasure they truly deserve.” Complete with romantic, racy, and naughty scenarios fans $14.95, Trade Paper June 2014 from Ulysses Press have always fantasized about, Lusty Little Women will thrill both ISBN: 978-1-61243-302-8 well-versed and new readers of the classic novel. -
Little-Women-Playbill.Pdf
Director’s Note Greetings and welcome to this year’s musical: “Little Women.” When I was asked “What musical are you doing this fall?” and responded with Little Women, most everyone said “Oh, I didn’t know there was a musical version.” Which isn’t too surprising, but I am glad you are here to enjoy it. Louisa May Alcott’s stories and the wonderful music of Mr. Howard are brought to life by the talented crew, costuming, tech, pit orchestra, actors, and actresses. Every single student is important to how successful this production has been, and to the family that is MV theatre. We always have an amazing team here in the theatre program. Lexi Runnals has been an amazing teammate to work with. She and I compliment each other’s strength’s well, creating one dynamic duo! Mikayla Meyer has taken on a bigger role this year, and we made a few changes to how things are run. The crew responded well, and has done an amazing job with everything. We were also fortunate to have the help of an MV alumni, in Jack Caughey. Jack was very involved in the theatre program during his time at Mounds View, and has been giving back by helping out with our technical team. And, of course, it wouldn’t be a musical without the pit orchestra, and Mr. Richardson has done it again, contributing a great sound that only makes the show more impressive. Where would MV Theatre be without BRAVO! I can’t thank them enough for all the time they spend volunteering for these productions, as well as their contributions to the program (such as a new table saw purchased for the crew this year!). -
Little-Men.Pdf 6 11/1/2018 8:44:55 AM
COVER_MARKS_Little-Men.pdf 6 11/1/2018 8:44:55 AM Little Men LEVEL LIFE AT PLUMFIELD WITH JO'S BOYS Little uly had come, and haying begun; the little gardens were doing nely and the long J summer days were full of pleasant hours. e house stood open from morning till night, and the lads lived out of doors, except at school time. e lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by Men much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and LIFE AT PLUMFIELD legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics WITH JO'S BOYS C in house and barn; such adventures in the tramps over hill and dale; and such satisfaction M in the hearts of the worthy Bhaers, as they saw their ock prospering in mind and body, Y I cannot begin to describe. CM MY Miss Jo March, the beloved character from Little Women—now Mrs. Jo Bhaer—lls CY her home at Plumeld with boys in need of guidance, an education, and, above all, CMY aection. e children are full of mischievous and amusing larks in each chapter. K Discover with the Plumeld household how, despite some disastrous events, "love is a ower that grows in any soil [and] works its sweet miracles undaunted by autumn frost or winter snow." "With incredibly beautiful, descriptive writing, Alcott tells the endearing story of Plumeld, a home and school for boys, where Mr. -
Siff Announces Full Lineup for 40Th Seattle
5/1/2014 ***FOR IMMEDIATE RELEASE*** Full Lineup Announced for 40th Seattle International Film Festival FOR IMMEDIATE RELEASE Press Contact, SIFF Rachel Eggers, PR Manager [email protected] | 206.315.0683 Contact Info for Publication Seattle International Film Festival www.siff.net | 206.464.5830 SIFF ANNOUNCES FULL LINEUP FOR 40TH SEATTLE INTERNATIONAL FILM FESTIVAL Elisabeth Moss & Mark Duplass in "The One I Love" to Close Fest Quincy Jones to Receive Lifetime Achievement Award Director Richard Linklater to attend screening of "Boyhood" 44 World, 30 North American, and 14 US premieres Films in competition announced SEATTLE -- April 30, 2014 -- Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films and events for the 40th annual Festival (May 15 - June 8, 2014). This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The films include 44 World premieres (20 features, 24 shorts), 30 North American premieres (22 features, 8 shorts), and 14 US premieres (8 features, 6 shorts). The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast's André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell's twisted romantic comedy The One I Love, produced by Seattle's Mel Eslyn and starring Elisabeth Moss and Mark Duplass. In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin' On. -
RAR Mama Book Club-Little
PREMIUM MAMA BOOK CLUB GUIDE SPRING 2020 Little Men by Louisa May Alcott This novel, published in 1871, continues the story of Jo March from Little Women. Jo and her husband now run the Plumfield Estate School, a perfectly inspiring place for children to grow and learn. Though this is a sequel, you can read it and join in our discussions even if you haven’t yet read Little Women. Suggested Reading Plan: Feel free to make this reading plan work for your own schedule. Just do what you can, and don’t get worried if you fall behind or get off track. Each Monday, a new thread will be posted in the forum to discuss that week’s reading. Find all of the conversations right here. Week of March 2: Read and discuss chapters 1-3 Week of March 9: Read and discuss chapters 4-6 Week of March 16: Read and discuss chapters 7-9 Week of March 23: Read and discuss chapters 10-12 Week of March 30: Read and discuss chapters 13-15 Week of April 6: Read and discuss chapters 16-18 Week of April 13: Read and discuss chapters 19-21 Week of April 20: An Evening with Jan Turnquist An Evening with Jan Turnquist Join us for a live video stream with the Executive Director of Louisa May Alcott’s Orchard House, and Co-Executive Producer of the Emmy-Award winning documentary, Orchard House: Home of Little Women. � Final date/time coming soon! Details will be posted here. MAMA BOOK CLUB: LITTLE MEN © READ-ALOUD REVIVAL, ALL RIGHTS RESERVED | PAGE 1 As You Read… Remember that literature is not intended to provide answers, but rather to raise questions. -
92Nd Academy Awards Nominations Ballet
2020 OSCAR BALLOT BEST PICTURE ADAPTED SCREENPLAY SOUND MIXING “Ford v Ferrari” “The Irishman” “1917” “The Irishman” “Jojo Rabbit” “Ford v Ferrari” “Jojo Rabbit” “Little Women” “Once Upon a Time... in Hollywood” “Joker” “The Two Popes” “Ad Astra” “Little Women” “Joker” “Joker” “Once Upon a Time...in Hollywood” ORIGINAL SCREENPLAY ANIMATED SHORT FILM “Marriage Story” “Marriage Story” “Dcera (Daughter)” “Parasite” “Once Upon a Time…in Hollywood” “Hair Love” “1917” “Parasite” “Kitbull” ACTRESS IN A SUPPORTING ROLE “Knives Out” “Memorable” Kathy Bates, “Richard Jewell” “1917” “Sister” Laura Dern, “Marriage Story” ACTOR IN A LEADING ROLE LIVE ACTION SHORT FILM Scarlett Johansson, “Jojo Rabbit” Antonio Banderas, “Pain and Glory” Florence Pugh, “Little Women” “Brotherhood” Leonardo DiCaprio, Margot Robbie, “Bombshell” “Nefta Football Club” “Once Upon a Time…in Hollywood” “The Neighbors’ Window” Adam Driver, “Marriage Story” ACTOR IN A SUPPORTING ROLE “Saria” Joaquin Phoenix, “Joker” Tom Hanks, “A Sister” “A Beautiful Day in the Neighborhood” Jonathan Pryce, “The Two Popes” Anthony Hopkins, “The Two Popes” ORIGINAL SCORE ACTRESS IN A LEADING ROLE Al Pacino, “The Irishman” “1917,” Thomas Newman Cynthia Erivo, “Harriet” Joe Pesci, “The Irishman” “Joker,” Hildur Guðnadóttir Scarlett Johansson, “Marriage Story” Brad Pitt, “Little Women,” Alexandre Desplat Saoirse Ronan, “Little Women” “Once Upon a Time...in Hollywood” “Marriage Story,” Randy Newman Renée Zellweger, “Judy” FOREIGN LANGUAGE FILM -
Little Women Synopsis
LITTLE WOMEN, A LITTLE MUSICAL SYNOPSIS - ACT I PROLOGUE—Attic of the March home. SCENE 1—New England Village in winter. Cast enters—coming and going on a busy village street (JOYOUS DAY). The March girls are taking dinner to the Hummels. Marmee stops to post a letter (MY LITTLE WOMEN). SCENE 2—March home. March girls are bemoaning Christmas with no money. Marmee comes home with a letter from Father. Suddenly, Aunt March blusters in, bringing one dollar for each of them. They hurry off to the shops to spend it. Marmee reads Father’s letter. They sing together±—he away at war, and she at home (JOYOUS DAY REPRISE 1/MY PRAYER). SCENE 3—Willoughby's store. The March girls are buying presents for themselves. Beth decides to get something for Marmee instead. The rest follow (JOYOUS DAY REPRISE 2). SCENE 4—March home. The girls speculate about "that Laurence boy" next door. Jo's dress catches fire. They receive an invitation (TO THE BALL). SCENE 5—Laurence Mansion. Party guests arrive (TO THE BALL REPRISE). Guests move to the ballroom (THE PALACE BEAUTIFUL), leaving Laurie and Jo alone in the antechamber. They meet and dance the polka together (JO & LAURIE'S POLKA). Meg reenters with a sprained ankle. Mr. Brook dotes on her and offers to take her home. Jo and Laurie sing about love (LOVE DOESN'T HAPPEN THAT WAY). SCENE 6— Laurence Mansion. Jo visits the "ailing Mr. Laurence." Jo sings about her dreams (I WILL FLY). Old Mr. Laurence introduced. SCENE 7—March home. -
APR 9, 2017 LYRICS by MINDI DICKSTEIN | DIRECTED by VALERIE JOYCE About Villanova University
VILLANOVA THEATRE PRESENTS BOOK BY ALLAN KNEE | MUSIC BY JASON HOWLAND MAR 28 - APR 9, 2017 LYRICS BY MINDI DICKSTEIN | DIRECTED BY VALERIE JOYCE About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff, and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly, Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Join Villanova Theatre online! Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Follow Villanova Follow Villanova Like Villanova Theatre on Twitter Theatre on Twitter For information about how you can support the Theatre Theatre on Facebook! @VillanovaTheatr @VillanovaTheatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. Find VillanovaTheatre on Tumblr Villanova Theatre gratefully acknowledges the generous support of its many patrons & subscribers. -
Louisa May Alcott's Wild Indians: Pedagogy of Love, Politics of Empire
Louisa May Alcott’s Wild Indians: Pedagogy of Love, Politics of Empire Steve Benton East Central University Though long dismissed by many literary critics as sentimental juvenile literature, Louisa May Alcott’s Little Women series has over the past few decades enjoyed a critical renaissance. The first installment of Alcott’s multi-volume account of Jo March and her sisters was published in 1868. It was a best-seller then, and when I checked Amazon.com’s list of best-selling 19th century novels during the first week of November 2011, it was in the number one position. In 1978, Nina Auerbach helped Little Women gain a stronger hold in college curricula by calling attention to the radical nature of Alcott’s suggestion that the “world of the March girls” was “rich enough to complete itself” (55). Thirteen years later, Elaine Showalter, described Jo as “the most influential figure of the independent and creative American woman” (42). Since then, many feminist scholars have ratified the status of Alcott’s work in academic journals. I am happy to see popular novels like those in the Little Women series finding their way onto the critical radar because they offer so much insight into the values embraced by their readers. Little Women provides a rich, complex terrain for discussion about gender discourse in the 19th century. In this essay, I will discuss the relationship between that discourse and territorial expansion policies of the United States during the years following the Civil War, policies that would eventually push many Native American nations to the brink of extermination. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Feature on Saoirse Ronan for Sunday Life
IRISH EYES Saoirse Ronan is only 21 but already has two Oscar nominations under her belt. Jane Cornwell tells why you need to learn how to pronounce her name. Snow & Licensing/Raven Partner McLellan/Art Alasdair by Photography sl • 12 aoirse Ronan might already and it was tough and scary and I came making her international theatre debut be a household name if WE CAN ALL out the other side.” on Broadway in a version of Arthur only people knew how to $e "re? “Yeah, you know, getting Miller’s !e Crucible. say Saoirse. Pronunciation RELATE TO used to doing your own washing,” she Asked if she has a career plan, she is never a problem on the says wryly. “$at "re. $at really shakes her head. “Not really. I just go for Emerald Isle, where the THE GRIEF terrifying "re.” great scripts,” she says. “But eventually it actress has lived, on and o!, since the age As a baby she accompanied her father would be nice to be more creatively of three: Sersha. Neither is the spelling of THAT COMES on set when he was working on movies involved in "lmmaking, whether suchs tricky Irish names as Eilis (Ay-lish), such as the IRA drama !e Devil’s Own through directing or producing. “Over the character Ronan plays in Brooklyn, (“Apparently I met Brad Pitt when I was the last couple of years I’ve felt really a 1950s-set drama about an Irish country WITH two; I don’t remember and I’m pretty strongly about how women are perceived girl forced to seek opportunity in New sure he doesn’t”).