October 1, 1999 Datebook Deadline for submissions to the November 1999 Resources & issue of CAA News Opportunities August 2, 1999 Deadline for receipt of applications for the Deadline for submissions to the September 1999 Board on CAA Web Millard Meiss Subvention awards (see http:// issue of CAA News www.collegeart.org/crm/resources/meisslindex.html) A new area of CAA's website, the August 27,1999 Resources & Opportunities Board: http:// October 29, 1999 Deadline for submissions to the Odober 1999 www.collegeart.org/caalresources/caanewsl Deadline for submissions to the December 1999 issue of Careers index.hOOl, is devoted to free postings of issue of Careers opporhtnities for artists and art historians. September 1, 1999 Deadline for proposals for members' exhibition Deadline for applications from curators and -Awards for the 2001 Annual Conference in Chicago (see critics for the Artists' Portfolio Review: Annual -Calls for Entries http://www.collegeart.org/caalnewsI1999/3/session Conference, New York 2000 (see page 2) -Calls for Papers prop ....guidelines.html# exhibition) -Conferences 5 Deadline for applications from mentors for the -Calls for Manuscripts December 1, 1999 Career Development Workshops: Annual -Grants & Fellowships Deadline for submissions to the January 2000 Conference, New York 2000 (see page 3) -Instihttes issue of CAA News -Internships Both the NEA and NEH have NEH Chairman William Ferris has September 10, 1999 -Online Resources Deadline for receipt of dissertation titles begun created new initiatives addressing how kindly contributed the following article Deadline for receipt of abstracts of papers -Programs or completed in 1999 from American and Advocacy to CAA News, in which he addresses the accepted for the 88th Annual Conference in New - Publications illcreased funding would be allocated. Canadian art history deparhnents (further § York (see hffp:l/www.collegeart.org/caa/conjerencel - Residencies One of these, the NEA's "Challenge NEH's plan for increased funcling. :p instructions will be mailed to PhD. departments in -Workshops & Schools America," will address lawmakers' 20aO/calI2000.html) September) Update .~"' concerns that the endowment's support Charting a New Course: oU September 15, 1999 To submit listings in these categories for Ul December 3,1999 has been unevenly distributed around Deadline for receipt of session proposals for the CAA News and the website, contact Karl The National Endowment Deadline for receipt of papers accepted for the the nation and that its financing for CAA 2001 Annual Conference in Chicago (see Grimshy, Associate Editor, CAA, 275 7th ~ 88th Annual Conference in New York (see http:// illdividual artists, whose work many for the Humanities at Year 2000 http://www.co/legeart.org/caa/ne:ws/1999/3/ Ave., New York, NY; 212/691-1051, ext. Arts Advocacy Day www.collegeart.org/caa/conferenceI2000/cal12000. conservatives found offensive, came at sessianprop _guidelines. htm/) 217; [email protected]. CAA reserves On March 16, 1999, CAA joined fifty htm/) Our nation now stands at the end of a the right to omit inappropriate adverti~ing. eight other organizations in co-sponsor the expense of improving access to the September 30, 1999 Upcoming updates will be made Sept. 1, arts for all Americans. The new funds remarkable century and on the threshold ing Americans for the Arts' twelfth Deadline for applications for Regional Chairs: 1999; Nov. 1, 1999; and Jan. 1,2000. of a new millermium, The year 2000 will annual Arts Advocacy Day. More than would meet three criteria: 1) to protect Annual Conference, Baltimore 2002 (see page 2) and share America's living cultural also mark the thirty-fifth anniversary of 280 people registered to take part in this the National Endowment for the Hu '-,w0-day advocacy conference to promote heritage; 2) to enhance American ( creativity; and 3) to strengthen American manities. At this moment for both the mcreased federal support for the arts and families, communities, and our nation nation and the agency, the NEH plans to humanities. through the arts. chart a new course for federal support Nonprofit Organization President Clinton has proposed an for the humanities in the United States in Postage unprecedented increase ill his fiscal year u.s. the twenty-first century. The initiatives 2000 budget for federal cultural pro Humanities 5 Paid that we propose for the year 2000 will grams, asking for $150 million for both on the Hill signilicantly expand the impact of New York, N.Y. the National Endowment for the Arts CAA joined state humanities councils humanities in the nation. July 1999 Permit No. 4683 (NEA) and National Endowment for the and other humanities organizations on After several years of flat funding at Humanities (NEH), and $34 million for May 6, 1999, to support the NEH. Senator College Art Association the $110 million level, the endowment the Office of Museum Services (OMS). Thad Cochran from Mississippi and 275 Seventh Avenue and the administration have requested We hope the strong bipartisan Congres Senator Edward M, Kennedy from New York, New York 10001 that Congress increase our funding to http://www.collegeart.org sional support for the NEA and NEH Massachusetts welcomed attendees to $150 million in fiscal year 2000. This [email protected] that was seen in the 105th Congress will Humanities on the Hil1. The program appropriation request would be used to be evident again this year. For the first featured many other Senators and offset the 36 percent funding cut NEH Board of Directors time in many years, Congressional offices Representatives who showed bipartisan sustained in fiscal year 1996-a reduction that were opposed to federal funcling for support for the humanities and discussed John R. Clarke, President signilicantly larger than those borne by Ellen T. Baird, Vice President, Committees the arts and humanities opened their the possibility of increased funcling for Richard Martin, Vice President, External Affairs doors to speak with advocates. the endowment. , CONTINUED ON PAGE 5 E. Bruce Robertson, Vice President, Annual Conference Joe Deal, Secretary John W. Hyland, Jr., Treasurer Jeffrey P. Cunard, Counsel In This Issue: Susan Ball, Executive Director
Catherine Asher Christine Kondoleon NEH Chairman William Ferris's Projections Page 1 Museum Task Force Committee Update Page 4 Michael Aurbach Patricia Leighten for the Endowment in the Year 2000 Holly Block Arturo Lindsay Marilyn R. Brown Valerie Mercer Call for Regiollal ClIoirs for CM's 2002 Page 2 Directory of Affiliated Societies Insert Bailey Doogan Yong Soon Min 1nnual Conference, Baltimore Nancy Friese John Hallmark Neff Joanna Frueh Archie Rand Vanalyne Green Jeffrey Chipps Smith Linda C. Hults Edward Sullivan Dorothy Johnson Alan Wallach Chairs will work in a voluntary Review, CAA, 275 7th Ave., New York, Art historians and studio artists must be MFA Exhibition, capacity, without monetary compensa @ontents Annual NY 10001. Deadline September 1, 1999. tenuredi curators must have five years New York 2000 tion, as a service to CAA and its mem of experience and current employment Hunter College Fine Arts Building of Volume 24, Numha 4 bers. It is expected that chairs affiliated with a museum or university gallery. Career Development City University of New York, located at July 1999 Conference with institutions will request assistance ( The workshops are not intended to Workshops Call for Mentors: 450 West 41st Street in Manhattan, will from their home instihttions for clerical be used as a screening process by New York 2000 be the site of the M.F.A. Exhibition for help, travel, and other administrative institutions seeking new faculty. The Annual Conference to be held the Annual Conference. The exhibition Update costs. To enable chairs without such Applications will not be accepted from February 23-26, 2000, in New Yark, will will run from February 1 through March support to serve, CAA has earmarked a individuals whose departments are mark the fourth anniversary of the 11, 2000. There will be an opening Advocacy Update small fund to help offset these expenses. conducting a faculty search in the field 1 Career Development Workshops. To reception on Thursday February 24, You must be a CAA member in in which they are mentoring. Mentors date, approximately 900 members who from 5:30 to 7:00 p.m. Twenty M.F.A. Call for Regional good standing to be considered. To should not attend as candidates for are beginning their careers have met programs from the greater New York 2 Annual Conference Update Chairs: Baltimore 2002 apply, submit a two-page letter of positions in the same field in which interest and a two-page resume. Send with professionals in their respective area will be represented. The Annual Conference Committee is workshop candidates may be applying. application materials to Conference fields to help them obtain valuable Museum Task Force seeking nominations and self-nomina Send a current c.v. and letter of Director, Regional Chair Search, CAA, professional advice and guidance. Special Events and Committee Update tions from studio artists, art historians, interest to: Michael Aurbach, Dept. of 275 7th Ave., New York, NY 10001. For To ensure the continual success of 4 Getty Information Institute Closes and museum professionals to serve as Fine Arts, Vanderbilt University, Box Exhibits, New York 2000 membership information, contact the program, we are seeking mentors regional chairs for the 90th Annual 180l-B, Nashville, TN 37235; 615/322- Several institutions in the New York Membership Services, 212/691-1051, ext. from all areas of art history, studio art, Conference, to be held in Baltimore in 2831. Deadline: September 1, 1999. area will be offering complimentary 12; [email protected]. Deadline: and the museum profession. Those CAANews 2002. Submissions are sought for both admission to CAA members participat 5 September 30, 1999. serving as mentors are providing a Contemporary Issues/Studio Art and Call for Papers ing in the 2000 annual conference, significant professional service to among them the Cooper-Hewitt Historical Studies from individuals Affiliate Society Artists' Portfolio Review members. In the past three years, several National Design Museum, which will be 7 Solo Exhibitions by Artist Members active in the Baltimore/Mid-Atlantic mentors have described this experience Association for Latin American Art region, who will work with the commit Call for Curators and Critics: holding the National Design Triennial as one of the most rewarding of their Open Session: Latin American Art Exhibit. The Society of Illustrators will tee to develop the conference program. New York 2000 professional careers. Patricia Sarro, Dept. of Art, Young In each category, there is one opening The Annual Conference Committee is be holding its 42nd Annual of American 9 People in the News Mentors are required to spend stown State University, Youngstown, Illustration. The Women's Caucus for that may be shared in a co-chair seeking curators and critics to partici twenty minutes with each candidate, OH 44555-3627; fax 330/742-7183; Art will sponsor Elements 2000 and arrangement. pate in the fourth annual Artists' reviewing cover letters, c.v.'s, slides, and cdtp57b@ prodigy.com. Regional chairs have an opportu Portfolio Review during the 89th Annual Images of Home. Polish Art (Holocaust and 10 Grants, Awards, & Honors other pertinent material. Given the Proposals are invited for papers Contemporary Art), sponsored by Art nity to assume an important role in Conference in New York, February 23- anxiety associated with conference addressing any topic concerning Latin shaping CAA's central membership 26,2000. Without Walls, will be mounted at the placement, mentors must be sensitive to American art (Pre-Columbian through Consulate General of Poland in New event and drawing attention to the most The Artists' Portfolio Review contemporary). This ninety-minute Conferences & Symposia ( the needs of the candidates and be able York. The Bronx Museum of the Arts 12 distinguished artistic and scholarly provides an opportunity for artists who to provide constructive criticism when session will consist of three papers work produced in their home region. come from a wide range of backgrounds will feature Amnesia, which will include necessary. (fifteen minutes each), with commensu the work of sixteen artists from South Responsibilities of the regional to have slides or videos of their work rate time for discussion following each Opportunities All applicants must be members in America. 14 chairs include: 1) planning the 2002 critiqued by profeSSionals in the field. good standing, must attend the confer paper. Graduate students are particu conference as fult voting members of The program pairs a member artist with ence, and must be prepared to commit larly encouraged to submit a proposaL Classified Ads the Annual Conference Committee; 2) a critic or curator for a twenty-minute three consecutive hours on one of the Papers should be sent to Patricia Sarro by 19 Information Exchange soliciting session proposals and other appointment. The individual sessions two days of the workshops: Thursday, September 1, 1999; notification will be made forms of participation; 3) providing are scheduled to run during afternoons February 24, and Friday, February 25. by October 1. Paper drafts will be due by advice and assistance to session chairs (noon to 5:00 p.m.) over three days, from December 1. 20 Datebook and participants; 4) encouraging Wednesday, February 23, to Friday, colleagues in the Baltimore region to February 25. Whenever possible, artists participate in the conference; and 5) will be matched with reviewers based on POSITION AVAILABLE: identifying institutions and organiza medium or discipline. USHER/PROJECTIONIST COORDINATOR CAA News is published 6 times a year by the tions from the region to approach for Curators and critics who volunteer College Art Association Annual Conference COllege Art Association, 275 7th Ave., New York, provide an important service to early off-site sessions, receptions, and special New York, February 23-26, 2000 NY 10001; nyoffice@collegeart,org. events. career artists, enabling them to receive These tasks are generally struchtred professional criticism of their work. Editor-in-Chief Susan Ball around a set timetable of meetings. Given the competitiveness of today's art College Art Association seeks an individual to coordinate the recruihnent, training, scheduling, payron, and ansite supervision .o~ all s~ide Editor Jessica Tagliaferro Regional chairs are required to attend: 1) world, the value to artists of this projectionists and ushers hired for CAA's annual conference to be held at the New York Hilton and To~ers. There are two phas,es of thIS ~ob. F~st, Listings Editor Kari Grimsby a meeting of the Annual Conference contribution cannot be overestimated. planning and recruitment of ushers and projectionists start in Odober prior .to the_conference; this phase represents a light,. fleXIble time commitment. Second, onsite training sessions for projectionists and ushers begm on Wednesday, Februay 23, and progr~ seSSIOns run from Committee held at the annual confer Interested individuals must be Thursday February 24 to Saturday, February 26. The coordinator will workonsite during all conference hours. Atthe conclUSIOn of the conference, Material for inclusion should be sent via e-mail to enCe in Chicago in 2001; 2) a two-session members in good standing, must attend the coordinator 'Will file a report on session attendance and process all forms for staff payment. The applicant should.have s~bs~antial ex~erience Karl Grimsby at [email protected]. planning meeting held over one the conference, and must be willing to in visual resources management and equipment and have connections to college and universi~ art d:partments .WIth audlO~ls~al serVl~es and Photographs may be submitted to the above weekend in October 2000; 3) a one-day contribute one two-hour period for five slide collections in the New York City region. A proven ability to work effectively and methodically In a supervISOry capaCity IS essential. The address for consideration. They cannot be returned. meeting held in July 2001 to schedule successive 20-minute critiques. If you are applicant must be organized, resourceful, and be able to function well under pressure w~th a strong customer service o~enta~ion. The coor~ator Material from this newsletter is also posted on the the sessions; and 4) each day of the a critic or curator interested in partici willreceive a stipend and,. ifnot a resident, will beprovided with a hotel room for the perIod of February 23-26. Send a resume and letter ofmterest CAA website: hUp:/Iwww.collegeart.org. conference in February 2002 to be pating in this valuable program, send a to Conference Director, Usher/Projectionist Coordinator Search, CAA, 275 7th Ave., New York, NY, 10001. No calls please. College Art Association is an equal opporhmity employer. present at meetings and oversee the brief letter of interest and resume to program. Conference Director, Artists' Portfolio © 1999 College Art Association Deadline: August 15, 1999.
CAANEWS JULY1999 2 CAA NEWS JULY 1999 3 -. the Law: Preserving our Global Cultural sionals of the CAA membership see as Charting a New Course: The National lesson plans for fifty top-quality Heritage." Those interested in learning pressing and a consi?eration of their Endowment for the Humanities at humanities websites. We will also Museum CAA Year 2000 about the resolutions may consult them charges to the Museum Task Force enhance the endowment's recently CONTINUED FROM PAGE 1 on the Internet (http://www.rci.rutgers. Committee. ( ( launched Schools for a New Millen- Task Force edul -allconf/). Future topics for roundtable News nium, an initiative through which A representative from the Archaeo~ discussions are welcome. Address them most other federal agencies whose schools form partnerships with local I logical Institute of America's Museum to Katie Hollander, Director-of Develop budgets were cut that year. In the wake libraries, museums, and universities to Committee and Exhibitions Committee, Jennifer ment and Special Projects, kholland@ of that reduction, the endowment was establish a community-wide learning Neils, noted that the AIA has drafted a collegeart.org, or Christine Kondoleon, forced to close down many of its core environment that incorporates new document for museum directors and [email protected]. Information New Editorial grant programs, layoff a quarter of its technology support to teach the humani- Update other museum professionals that on the Alfred H. Barr, Jr., Award for Board Members employees, and downsize many of the ties. outlines the options for a responsible distinguished catalogues in the history The Art Bulletin and Monographs Series agency's functions. The endowment supports a wide acquisitions policy. The AIA should be of art can be obtained on the CAA Editorial Board announces three new Since 1996, the number of grants range of educational projects that posting these guidelines on their website: http://www.collegeart. orgl members for the term 1999-2002: NEH has been able to award to humani- include teacher seminars and institutes website shortly (http:/ I www. caa/news/1999 13/nominees3_99. html. Carmen Bambach, Jeffrey Hurwit, and ties educators, scholars, and institutions that improve teaching and learning of Report on the Museum archaeologicaLorg). Museums and galleries may submit Steven Mansbach. The Art Journal has diminished. We now fund only one- the humanities in the traditional third the number of summer seminars Professionals Roundtables The "Resolution Concerning the books, catalogues, CD-ROMS, and public Editorial Board has appointed Maureen classroom setting; public education Acquisition of Cultural Properties ity materials related to exhibitions to Connor for the term 1999-2002; Archie and institutes for teachers that we were programs of the fifty-six state humani- Originating in Foreign Countries" (1973) CAA.Reviews, c/ a Managing Editor Rand will serve as the board's liaison to funding before the fiscal year 1996 cuts. ties councils; documentary television This was the second year of the Museum (http://www.collegeart.org I caal Jessica Tagliaferro at the New York Endowment-supported films and films, museum exhibitions, library Task Force-initiated roundtable the CAA Board of Directors. aboutcaal for.cult.props.html) is the office. museum exhibitions available to the reading groups, and other general discussion groups. Once again the most recent statement published by -Christine Kondoleon, Chair, Becoming an public in the year 2000 will fall to audience projects that help out-of-school attendance was high and the partici CAA addressing acquisition concerns. Museum Task Force Committee approximately twenty-eight hours of citizens engage in a lifetime of learning; pants agreed that this is a welcome The group felt it would be useful to Affiliated Society television and thirteen museum projects that preserve and increase format for museum professionals during have a session at the next CAA confer CAA welcomes as affiliated societies exhibitions at twenty-five venues, down access to endangered educational and the CAA annual meetings. Several ence about these issues in an effort to groups of artists or scholars whose goals significantly from the seventy-one intellectual materials; and serious people were surprised to learn that so provide a forum for open discussion on are generally consonant with those of television-hours and thirty-six exhibi- research and scholarship that both many museum colleagues attended the such issues as the need for new acquisi CAA, with a view to facilitating tions at 200 venues that were available contributes to the life of the mind and CAA conference. We hope to offer such tion policy guidelines. enhanced intercommunication and to citizens in the mid-1990s. And, the establishes the foundation for educa- a session again in New York. In order to The third table, led by John Neff mutual enrichment. It is assumed that a number of brittle books and U.S. tional and public programming in the include those CAA members who could Getty substantial number of the members of and Annie Storr, focused on the topic newspapers being preserved on humanities. not attend but expressed interest, a brief such groups will already be CAA "Conflicts in Programming: Crowd ( ( microfilm has been substantially Two other themes animate our summary of these discussions follows. Pleasers, Vanity Exhibits, and Exhibits Information members. reduced. The proposed budget would budget request: increased emphases on The best roundtable, led by Wendy That Serve the Field." The participants To be recognized as an affiliated enable the NEH to reverse these technology-oriented humanities Owens and Lori Gross, was on the topic wanted to focus on "blockbusters" and society, a group must be national or conditions. projects, and an agency-wide effort to "New Technology in the Exhibition: alternatives from the perspectives of: Institute international in scope and must present Our budget request uses two basic extend the reach of the endowment's How Does It Serve the Museum?" Much marketing (one can also market the evidence that it is primarily, or in large approaches to address the nation's programs. Irmovative humanities was said about how teclmology was permanent collection); types of museum part, committed to the serious practice educational and cultural well-being-to projects employing such new electronic being used for collection management (university museums have fewer Closes and advancement of the visual arts or to maintain and enhance NEH's core information technologies as the Internet purposes and whether these systems pressures to mount blockbusters); and the study of some broad, major area of programs and to establish new initia- and CD-ROMS will be emphasized, as will were driven by registrarial concerns bridging the perceived gap between the history of art. It must possess a tives that reach out to the American efforts to extend the reach of our rather than cataloguing concerns. academy and museum, and the museum formal organizational structure, i.e., public. Both of these approaches are programs (and the products of our Several comments followed about the andCAA. ver the past decade the Getty elected officers, identifiable member- vital to the health of the humanities as grantees) to traditionally underserved internal versus external users of these Recommendations made by the Information Institute (GIl), ship, and such signs of ongoing activity our nation enters the 21st century. communities and areas of the country. collection systems-that it was difficult entire group as to how CAA could which ceased to exist on June as a newsletter, periodical, exhibition The endowment's budget request Among the activities NEH proposes to to predict the users at the time the o record, or other documentation. For improve its relationship with museum 30,1999, produced some of the principal places particular emphasis on the implement at the fiscal year 2000 request system was being designed. Then the members included addressing the CAA vocabulary tools and guidelines needed '" information and an application: Assis- educational mission of our agency. Our level are: group turned to the use of technology Membership Form in terms of profes to help institutions document art and tant to the Executive Director, CAA, 275 goal is to advance knowledge and • A significant increase in the within exhibitions. Several examples of sional identification. In addition, was a leader in addressing some of the 7th Ave., New York, NY 1O00l. understanding of the humanities for all number of humanities seminars and successful projects were discussed, museums need to heighten exposure of key issues in helping to bridge art Americans. Central to this goal is a institutes for school and college including the role of conservation exhibition catalogues, for example, by information and technology. The GIl Art Bulletin strong emphasis on teaching and teachers. A 40 percent increase in the projects in displaying how technology submitting them for the Alfred H. Barr, worked closely with CAA on several Book Reviewers learning at all levels of our nation's number of seminars and institutes can elucidate a painting. The problem of Jr., A ward, and for review in CAA. initiatives, including the creation of Linda Seidel, reviews editor for the Art educational system. We will focus on supported will mean that more than 500 a "dated" look to any of these systems is Reviews, CAA's new online journal standard "Categories for the Descrip Bulletin, would like to thank those who professional development of humanities additional teachers can revitalize their a difficult one. (http://www.caareviews. org). tion of Works of Art./I continue to inquire about reviewing teachers at elementary and secondary teaching of the humanities. These A second table led by Christine Several individuals requested more Eleanor Fink, former director of the books in the journal. Owing to the schools and at colleges and universities. teachers will, in turn, reach 75,000 Kondoleon and Suzannah Fabing was sessions and panels with museum GIl, commemorates its achievements in number of letters she has received, it has And we will continue to use MCI additional students in classrooms across centered on "Mediating vs. Litigating: professionals and centered on exhibi an article published in D-Lib Magazine been difficult for her to find books for all WorldCom's generous support to the nation. We also seek support for Cultural Property Issues" in order to tions or installations in the host city of (see CAA website for link). The article who have inquired. However, she will develop the nation's premier Internet sman awards to seminar and institute review the recommendations of the the conference. The last part of the includes descriptions of each project continue to read them with interest. resource for humanities teachers, participants that will allow these Rutgers University October 1998 ( session was set aside for the identifica~ spearheaded by GIl and links to many "'-- -- ~ Send them cl 0 CAA, 275 7th Ave., New EDSITEment (http:/ I edsitement.neh. teachers to disseminate the results of conference titled II Art, Antiquity, and tion of issues that the museum profes- resources and demonstration projects. York, NY 1O00l. gov I), which provides links to and their work to other teachers and schools.
4 CAANEWS JULY1999 CAANEWS JULY 1999 5 • A special grant competition in Travel to Collections Program that will preservation supplies and equipment; Helen Klebesadel. Grace Chosy Gallery, 9-23,1999. Behind Closed Eyes II; TAl Gallery, support of projects to establish provide small grants to humanities and Madison, Wis., June ll-July 3, 1999. EvenJday New York, April 2000. Solo Use, recent paintings. regional humanities centers. The NEH scholars for travel to research libraries -a series of initiatives in the NEH Kye Carbone. 55 Mercer Gallery, New York, requests $4 million in special matching and archives where they can consult Challenge Grants Program that will help Karen Kune. Atrium Gallery, St. Louis, Mo., June 29-July 17, 1999. Recent Pail1tings. ( May 14-July 3, 1999. Working Riddles, woodcut funds to establish regional humanities primary resource materials vital to their small and mid-sized institutions and Exhibitions Steven M. Dolbin. Eli March Gallery, Amherst centers across the country where research projects. A major three-year two-year colleges improve their prints and artist's books. College, Amherst, Mass., February 14-February American traditions, cultures, and archaeology special initiative, Project humanities programming and long Julie Langsam. Acme Art Company, Columbus, 27,1999. Selections from a Decade, sculpture. aspirations can be explored in the SHARD, is also proposed that will range institutional planning. by Artist Ohio, June 4-June 25,1999. House Paintings. Robert Feintueh. CRG, New York, April 29- context of place. At each center, a wide revive the agency's support for archaeo Jesus Macarena-Avila. School of the Art May 29, 1999. Heat .. array of research, educational, and logical research. As the largest single source of funding Institute of Chicago, May 8-21, 1999. La Cena: Adriane Herman. Adam Baumgold Fine Art, public programming activities will use • A special initiative in the for the humanities in the U.S., NEH is Members Conceiving an Artist, installation. New York, June 3-July 30, 1999. A la carte. the humanities to explore the region's endowment's Preservation and Access critical to the health and vitality of our Carol L. Struve. Talley Gallery, Bemidji State Daniel Heyman. Slifka Center, Yale University, distinctive culture. Each center will Division that will provide grants to nation's educational and cultural University, Bemidji, Minn., January 18-February New Haven, Conn., April4-June 12, 1999. 14,1999. Recent Works, paintings. serve as a cultural hub for its region, museums, archives, and libraries to worlds. The importance of the Only artists who are individual CAA members will Chuppat, fabrics, paintings. with a mission of broadening our digitize their humanities collections. endowment's mission and the success be included in this listing. Group exhibitions cannot Lisa Marie Tubach. Garden of the Zodiac Carol Jowdy. Silver Cultural Arts Center, citizens' awareness of how the humani This effort will bring tens of thousands the agency has had in achieving this be listed. Send name, membership number, venue, Gallery, Omaha, Nebr., June 10-July 8, 1999. Plymouth State College, Plymouth, N.H., Dualities: New Work by Lisa Marie Tubach. ties enrich the worlds in which they live. of digital images of manuscripts, maps, mission over the years is acknowledged city, dates of exhibition, and medium (or website December 1998. Reasons for Moving, drawings, The $4 million request for regional photographs, and artifacts online, thus by educators and scholars; by state, address of online exhibits). Photographs are chosen at paintings, and prints. the discretion of the editors; thelJ will be used only if centers is a substantial reduction from increasing citizen access to educational local, and national leaders (including NORTHEAST Stephanie Kay. Sherman Gallery, Boston space allows and cannot be returned. Listings and Pat Adams. Zabriskie Gallery, New York, April University, April 13-May 8, 1999. The Endicott last year's budget request and indicates and cultural materi"ls. Increased more than three decades of support images may be reproduced on the CAA website. 20-May 22, 1999. New Paintings. Street Pictures, paintings and drawings. our intention to raise significant private support for the agency's core preserva from every Congress and every Presi Submit to: Solo Show Listings, CAA, 275 7th Ave., support for this initiative. The endow tion and access programs will also help dent of the United States); by the heads New York, NY 10001; [email protected]. John Alexander. Marlborough Gallery, New Gary Petersen. Genovese / Sullivan Gallery, Boston, May 1S-June 12, 1999. New Paintings and ment is actively working to raise funds to preserve on microfilm thousands of of educational and cultural institutions; York, May 24-June 26, 1999. New rnonoprints. Drawings. needed to help establish the centers additional volumes of brittle books and and most importantly, by the American Barbara LaVerdiere Bachner. Pen & Brush, New from foundations, corporations, and pages of historic newspapers. people. York, May 20-June 1, 1999. Behind Closed Eyes: Lorna Ritz. University Gallery, University of u.s. Massachusetts, Amherst, January 31-May 7, individual donors. • Establishing new grant opportu With the strong support of Con New Work; Julian Scott Memorial Gallery, Johnson State College, Johnson, Vt., September 1998. Recent Paintings and Drawings. • A significant funding increase nities that will allow NEH to extend gress, the Administration, and the ABROAD for the fifty-six state humanities the geographic and demographic reach American people, NEH has weathered Mark Staff Brandl. Gallery W, Heiden, Switzerland, May 27-June 20, 1999. Paintings, of its programming. These grants will the budget storms of the past few years. councils. This funding will allow state drawings, and large format relief prints. councils to support many additional reach hundreds of institutions and We are hopeful that Congress will Cora Cohen. Private collectors, Cologne, projects and to implement bold new thousands of individuals across the approve our request for increased Germany, June-July, 1999. Recent paintings. initiatives that will engage more of their country, many of whom have never had funding to allow the National Endow citizens with quality humanities endowment support. Ensuring that all ment for the Humanities to bring a Yuji Hiratsuka. Galerie Dumont 18, Geneva, Switzerland, April 21-June 15, 1999. programming. Americans have the opportunity to dynamic new agenda for the humanities • Expansion of opportunities for benefit from NEH-supported programs to every citizen in the United States. Americans to engage in lifelong and activities is the agency's highest - William R. Ferris, Chairman MID-ATLANTIC learning in the humanities by support priority. Ruth Bernard. Expo Center, Ephrata, Pa., July 3- ing more high quality television and As always, CAA strongly encourages 18,1999. Paintings and drawings. radio programs, museum exhibitions, In addition to the new outreach activi you to send letters to your representa Gloria DeFilipps Brush. Sol Mednick Gallery, and library reading and discussion ties mentioned above, other new grant tives requesting $150 million for the University of the Arts, Philadelphia, March 31- programs. A new special initiative will opportunities proposed for fiscal year NEA and NEH and $34 million for April 23, 1999. Twice Constructed Garden, digitally manipulated pinhole photography. also be supported-My History is 2000 include: OMS. For more information please see America's History-that will encourage -an initiative enabling small and the advocacy page on our website Margaretta Gilboy. Philadelphia Art Alliance, May 16-June 26, 1999. Between Heaven and Earth, millions of Americans to learn more mid-sized museums to receive modest (http://www.collegeart.org) or Ameri still-life paintings. about their family's history and to place grants to mount a traveling version of a cans for the Arts (http://www.artsusa. that history in the context of the broad successful NEH-funded exhibition; org). Beatriz Mejia-Krumbein. Sleeth Gallery, West Virginia Wesleyan College, Buckhannon, March sweep of American and world history. -programs or exhibitions devel 9-April8, 1999. La Suite del Silencio. • A special grant competition oped by large national organizations, M. S. Paik. Brew House Space 101, Pittsburgh, with a particular emphasis on programs American Legacy Editions-in support June 4-27, 1999. The Echo of a Shadow, painting, of editions of the writings of U.S. targeted at tribal communities and rural print, and multimedia installation. presidents and other major historical and inner-city audiences; Deborah Rosenthal. Philadelphia Museum of figures that will guarantee continued - grants to small and geographically Jewish Art, December, 1999-March, 2000. Eve's support for these projects and provide diverse museums, historical organiza VocabulanJ: Paintings by Deborah Rosenthal 1988- incentives for their expeditious tions, and public libraries allowing 1998. completion. institutions in the initial stages of • Expansion of opportunities for developing new projects to consult and MIDWEST the nation's scholars and teachers to collaborate with humanities scholars; Kate Borcherding. Rosewood Gallery, Kettering, add to our knowledge and understand -awards to small libraries, muse Ohio, May 24-June 25, 1999. Lithographs and ing of the humanities. In addition to ums, and other cultural institutions to woodcut prints. enhancing support for the NEH Fellow support staff attendance at preservation Wendy Jacob. Kemper Museum of Contempo ships and Stipends Program, increased training sessions, onsite consultations by rary Art, Kansas City, Mo., March 26--May 23, funds will allow NEH to establish a new preservation experts, or the purchase of 1999. Tile Squeeze Chair Project. Carol- L. Struve, Sea View, oil~wax-alkyd on canvas, 36" x 32"
6 CAA NEWS JULY 1999 CAANEWS JULY 1999 7 Frank Codispoti. San Diego Sculptors' Guild, San Diego, Cali£., May la-July 12, 1999. Bodies of Board of Trustees of the Greater Cleveland private art dealership and served as director of Evidence. People in Growth Association. development for the Charlottesville-area Bergman is survived by his wife, Marcelle, American Red Cross. He Was living in Dana Montlack. Sylvia White: Contemporary daughter, Margaret, and his mother, Ethel, and CharlotteSville when his -tragic death occurred. Artists' Services, Santa MOnica, Calif., May 3-28, ( brother, Ed. Donations may be made in 1999. New Work. the News Schneiderman is survived by 4 children. He is Bergman's memory to the Cleveland Museum of remembered fondly by the many people who Art. Dan Nadaner. EberfGallery, San Francisco, June had the privilege of knowing and working with 1-26,1999. Paintings and monotypes. him. Peter Birmingham, director of the University of M~ara T. Sinclaire, BGH Gallery, Bergamot Arizona Museum of Art in Tucson, died at age Station Arts Center, Santa Monica, Calif., May 16-31,1999. Paintings. 61 on January 30, 1999. Academe Before taking on the position of director at Je~fe~ Steinkamp. Henry Art Gallery, the Arizona Museum of Art in 1978, he served as Uruverslty of Washington, Seattle, June 11- In Memoriam curator of education at -the National Collection Joseph Connors of Columbia University gave October 3,1999. Phase = Time, installation, with of Fine Art at the Smithsonian Institution in the Slade Lectures at Oxford University in the composer Jimmy Johnson. Robert P. Bergman, director of the Oeveland Washington, D.C. Prior to his museum career, he winter (Hilary) term of 1999. Terry Thommes. Guadalupe Fine Art, Santa Fe, Museum of Art since 1993, died on May 6, 1999, was a professor of art history at the University of John J. Donnelly, president and CEO oIL. F. N.Mex., April9-May 4,1999. Pelagic Weirs, at University Hospital in develand. Cincinnati. recent sculpture. Popular with the museum's public, Driscoll Company, has been appointed to the Bergman lectured alillually on art-historical Helen Lundeberg, artist, died on April 19, 1999, Board of Managers at Moore College of Art and Design, Philadelphia. monuments to standing-room-only audiences. at the age of 90. He was interviewed and quoted by national Lundeberg was born in 1908, grew up in news media on such subjects of international Pasadena, Calif., and attended the Stickney Michael Ann Holly. professor and chair of the importance as the emerging dilemma of Nazi School of Art there in 1930. She is credited with department of art history at University of looted art in museum collections. the co-founding of Post-Surrealism. Lundeberg Rochester, has been appointed head of research Bergman's directorship of the Cleveland ran an art gallery on Hollywood Boulevard in and assistant director for academic affairs at the Museum of Art will be remembered for Los Angeles, worked with the Federal Arts Sterling and Francine Clark Art Institute, WilliamstowI\ Mass. Roger Shimomura, An American Diary, May 10, 1942 transformational milestones throughout the Project in the mural and print divisions from museum's departments, including annual 1936 to 1942, and returned to full-time art attendance growth; 3 of the institution's 5 making in 1942. Jennifer Ross has joined the faculty of Hood Deborah Rosenthal. Joseph Gallery, Hebrew SOUTH College in Frederick, Md., where she will be Union College, Jewish Institute of Religion, New highest-attended exhibitions including Pharaohs: A film project documenting Lundeberg's Basil Alkazzi. Ex Ubris, Savannah College of life, Helen Lundeberg-American Painter (Atmo teaching courses in ancient art and archaeology. York, March I-July 16, 1999; Slifka Center, Yale Treasures of Egyptian Art from the Louvre, Faberge Art and Design, Savannah, Ga., June 17- sphere Productions), was completed in 1987 by University, New Haven, Conn., September in America, and Vaticnn Treasures: Early Christian, September 12, 1999. Recent Paintings. director John Amodeo. The film is narrated by Mara Adamitz Scmpe has been appointed November, 1999. Eve's Vocabulary: Paintings by Renaissance, and Baroque Art from the Papal Collections, which he co-curated; renovation of 30 Lundeberg and covers her entire life. In the film, visiting professor of art, and artist-in-residence Deborah Rosenthal 1988-1998. Jan Columbia. School of Art and Design at the University of Texas, San Antonio, for the Gallery, Georgia State UniverSity, Athens, April out of 70 galleries; transformation of financial Lundeberg discusses her techniques, philoso Meridel Rubenstein. Maurine and Robert ( fall of 1999. 19-23,1999. For the Love of Indigo. deficit to surplus; completion of a new mission phies, themes, fears, and goals while sharing her Rothschild Gallery, Radcliffe College, Cam statement with a visitor-centered focus and a experiences of this important period in bridge, Mass., May 7-June 4,1999. Joan's Arc: Mary Frank. Reynolda House Museum of future-based facilities planning process (now American art history. Jason Tannen has been appOinted curator of the UniverSity Art Gallery, Department of Art and Vietnam, video, sculpture, and photo installation. American Art, Winston·Salem, N.C., June 17- under way); and major acquisitions in all areas. The film was shown in her memory on Art History, California State University, Chico. August 22,1999. The Spirit of LIfe: Mary Frank, Born and raised in New Jersey, Bergman May 23, 1999, at the Los Angeles County Multi-Media. received his B.A. from Rutgers University, and Museum of Art, where there will also be a Thomas Lail. Lawndale Art Center, Houston, his M.F.A and Ph.D. from Princeton University. memorial exhibit in the fall of 1999. Tex., June 5-July 10, 1999. Project for Lawndale, A specialist in the history of medieval art -and Museums and Galleries site-specific sculptural installation. architecture, he received numerous grants and Richard Steven Schneiderman. former director awards, including Fulbright and Guggenheim of the North Carolina Museum of Art in Raleigh, Brooke D. Anderson, director of Diggs Gallery, Constance Lowe. University of North Texas Art Frank Codispoti, Mambo, fellowships and the Rome Prize Fellowship of died unexpectedly on April 26, 1999, at the age Winston-Salem State University, has been Gallery, Denton, May 20-July 29, 1999. Stn'king bronze and marble Likeness. the American Academy in Rome. He began his of SO. appointed director of the Contemporary Center career in 1969 as visiting instructor at Lincoln Schneiderman, whose father was an art for Self-Taught Art, a new initiative of the Phyllis McGibbon. Babcock Fine Arts Center ONLINE University in Oxford, Pa. From 1971 to 1981, dealer, was exposed to art at a very early age Museum of American Folk Art in New York. Gallery, Sweet Briar College, Sweet Briar, Va., Dahn Hiuni. ChannelP.com and Franklin Bergman pursued a full-time academic career, and went on to receive his Ph.D. in art history March 18-May 9, 1999. Thin Air, works on most notably as assistant professor of art and from State University of New York, Binghamton, Alan Chong, curator of European art at the Art paper. Furnace (Pseudo Network: http:/ / www.pseudo.com/). May 7, 1999,5:00 p.m., archaeology at Princeton University from 1972 in 1976. He then taught at the University of Gallery of Ontario, was named curator of John A. O'Connor. Thomas Center Main thereafter available in archives of both sites. Art to 1976, and then as associate professor of fine Georgia for a short time. For 9 years, he worked collections at the Isabella Stewart Gardner Gallery, Gainesville, Fla., October 23-December Histol1j 487: Late 20th-Century Art. arts at Harvard University from 1976 to 1981. He at the Georgia Museum of Art-up to the Museum, Boston. 12, 1999. Schmidt Center Gallery, Florida then served as director of the Walters Art position of director. In 1986, he was recruited by Atlantic University, Boca Raton, Fla., April 8- Gallery in Baltimore from 1981 to 1993. the North Carolina Museum of Art. Don Knaub has resigned as director of the May 23, 1999. Cornell Fine Arts MUSeum Bergman participated widely in national cultural As director of the North Carolina Museum Edwin A U1rich Museum of Art at Wichita State Rol1ins College, Winter Park, Fla., Septe~ber affairs and published and lectured extensively of Art, Schneiderman significantly increased UniverSity, Kans., and is considering various 11-October 25,1998. Real Illusions: John on subjects ranging from medieval art and acquisitions of contemporary art and photo profeSSional options. O'Connor's Blackboards and Their Origins, architecture to the role of museums in contem graphs. He worked hard to obtain major paintings. porary society. He served as preSident of the exhibitions for the museum and, as a result, the Jeremy Strick, curator of 20th-century painting Association of Art Museum Directors and was museum saw an increase in visitors. and sculpture at the Art Institute of Chicago, Roger Shimomura. Mississippi Museum of Art, immediate past-chairman of the Board of the Schneiderman was also responsible for the was named director of the Museum of Jackson, AprillO-May 9, 1999. An American American Arts Alliance. In Baltimore, he served development of the Museum Park and the Park Contemporary Art in Los Angeles. Diary, paintings. by appOintment of the Mayor and City Council Theater, which earned the museum national as 1 of 4 committee chairs of the Baltimore City exposure. He clearly loved his work and often Thomas R. Toperzer, director emeritus of the WEST Public School Task Force on the African! African sat at the front desk to greet visitors personally. Fred Jones Jr. Museum of Art, University of American Curriculum. Among various civic In 1993, Schneiderman resigned his post at Oklahoma, has been appointed director of the T erry Thom~es, Red Man Hand, concrete, Barbara Bernstein. Fresno Art Museum, Calif., wood, and fiber, 48" x 27" 6" activities in Cleveland, he served as chairman of the North Carolina MUSeum of Art and New Gallery of Contemporary Art in Norman, April9-June 6, 1999. Among Friends, Say Only Mystertj. the Cleveland Cultural Coalition and on the relocated to Charlottesville, where he operated a Okla.
8 CAANEWS JULY1999 CAA NEWS JULY 1999 9 American Association Grants, Directory Society for for Latin Hispanic Art American Art (: of Affiliated Historical Studies ALAA, fotmded in 1979. Membership: 200. Awards, Annual dues: $20 general; $10 student/retired/ ASHAHS, founded 1975. International non-U.S. address; $100 individual sustaining; membership: 150. Annual dues: $15.00 regular; $50 institutional; $500 institutional sustaining. Societies $7.50 shtdent; $25.00 instihttional. Purpose: to Purpose: ALAA is an international scholarly and & Honors promote the study of the visual cultures of professional organization that encourages the Spain, Portugal, and their territories, through discussion, teaching, research, and exhibition of meetings, a newsletter, and scholarly means. Latin American art. Annual dues entitle ASHAHS presents an annual Eleanor Tufts members to newsletters and member directory. Only grants, awards, or hOl1ors received by Award for an outstanding English-language For information: http://www.arts.arizona.edu/ individual CAA members arc listed. All names will publication, and an annual photography grant to eAA alaa; President. Patricia J. Sarro, 46 Livingston also appear on the website. Submit name, his directory is published a graduate student writing a dissertation on an institutional affiliafion, and title oj the grant, award, St., Clifton, NJ 07013, [email protected]. armually on the basis of aspect of Hispanic art. General Secretary: Oscar or hOl1or, and use or purpose ofgrant to: Kar; information provided by CAA's E. Vazquez, Dept. of Art History, Binghamton Grimsby; fax 212/727-3029; kgrimsby@collegeart. University, PO Box 6000, Binghamton, NY Association for org. affiliated societies. The societies listed 13902·6000; 607/777-2847; ocsarv@binghamton. Textual Scholarship below have met specific standards for edu. purpose, structure, range of activities, in Art History Lisa Adams was recently awarded an artist's and membership enrollment required Art Libraries ATSAH, founded 1991. Membership: 70. Annual residency by the Nordic Institute of Contempo for formal affiliation. dues: $20 U.S.; $24 overseaS. Purpose: to rary Art in conjunction with the 18th Street Arts Society of promote the study and publication of art Complex in Santa Moruca, Calif. She will be a North America historical primary sources and to facilitate resident in Helsinki, Finland, July-August 1999. American communication among scholars working with ARLIS/NA, founded 1972. Membership: 1,450. art literature. The association publishes a Council Annual dues: $65 individual; $40 student/ biannual newsletter with information as well as Chris Anderson recently completed her second retired/unemployed; $80 institutional; $100 for Southern critical reviews about ongoing scholarship, year Fulbright award in srndio art in Germany business affiliate. Purpose: to foster excellence in publications, and conferences. ATSAH organizes where she taught as a Fulbright Guest Professor Asian Art art librarianship and visual resources curator conference sessions at the Society of Texhtal at the Berlin University of the Arts. ACSAA, founded 1966 (formerly American ship for the advancement of visual arts. The Scholarship meeting at the City University of Committee for South Asian Art). Membership: society provides an established forwn for New York, International Congress of Medieval Carla Maria Antonaccio, Wesleyan University, 265. Annual dues: $35 regular; $10 student and professional development and sources for up-to Shtdies (Kalamazoo), and the CAA conference. has won a 1999-2000 National Humanities unemployed; $40 institutional; $50 contributing; date information on trends and issues in the President: Liana De Girolami Cheney, 112 Center fellowship for work on her project, $100 sustaining. Purpose: to promote the field. The society holds an annual conference, Charles St., Beacon Hill, Boston, MA 02114; "Excavating Colonization," at the center in understanding of the arts of all the countries of sponsors awards for excellence in art-related Museums and Galleries: Alan Chong. Curator of Collections, [email protected]. Triangle Park, N.C. Southern Asia, induding India, Pakistan, Nepal, activities, and publishes Art Documentation twice Isabella Stewart Gardner Museum Bangladesh, Sri Lanka, and Southeast Asia. yearly, ARLIS/NA Update bimonthly, an annual Qianshen Bai, assistant professor at Boston Publishes a biannual newsletter and frequent Handbook and List of Members, and one mono· Association University, has been awarded a 1999-2000 J. Richard Davis, associate professor at Bard Matt Harle was named a 1999 Fellow in Art by bibliographies and holds a major symposium graph series. Executive Director: Meredith of Art Editors Paul Getty postdoctoral fellowship in the history College, received this year's Ananda K. the John Simon Guggenheim Memorial every two years. Secretary: Richard Davis, Bard Locher; [email protected]. AAE, founded 1994. Membership: 75. Annual of art and the humanities. Coomaraswamy Award from the Association for Foundation. College, Armandale-on-Hudson, NY 12504; 914/ dues: $10. Purpose: to advance and set standards Asian Studies for his book, Lives of Indian Images 758-7364; [email protected]. Arts Council for the profession of art editor; to provide a Janet Catherine Berlo was named a 1999 Fellow (Princeton University Press, 1997). Robert Edward Haywood, assistant professor at forum for the exchange of information among in Art by the John Simon Guggenheim Memorial University of Notre Dame, has been awarded a of the African American art editors and others involved in art-related Foundation. Margaret Francis, San Francisco Art Instihtte, 1999-2000 J. Paul Getty postdoctoral fellowship Studies publications; to provide authors information won second prize at the Visions of Excellence in the history of art and the humanities. Institute for about editing and publication procedures; to Sheila S. Blair was named a 1999 Fellow in Art Student Photography Contest at San Francisco Association exchange information about editing positions by the John Simon Guggenheim Memorial Clare Hills-Nova won the H W. Wilson Conservation of State University. ACASA, founded 1982. Membership: 500. available, both freelance and instihttional. AAE Foundation. Foundation Research Award for her biblio Historic and Annual dues: $35 regular and institutional; $15 meets annually at the CAA conference and Sarah Elizabeth Fraser, assistant professor, graphic project"Art History Methods: History Artistic Works special (student, unemployed, retired). Purpose: sponsors a session on publishing. Directory of Mark Staff Brandl received an award from the Northwestern University, has been awarded a and Issues" from the Art Libraries Society of to promote scholarship, communication, and AIC, founded 1958. Membership: 3,200. Annual members includes areas of expertise. President: City of St. Gallen and the Swiss Foundation for 1999-2000 J. Paul Getty postdoctoral fellowship North America (ARLIS/NA). collaboration among scholars, artists, museum Creative Artists for the creation of large format dues: $105 individual; $55 student and retiree; Phil Freshman, 3912 Natchez Ave. 5., St. Louis in the history of art and the humanities. specialists, and others interested in African and $155 instihttional. (Plus one-time filing fee of $10 Park, .MN, 55416. Send membership dues to: relief prints, featured at Gallery W, Heiden. Yuji Hiratsuka was awarded the Northeast African Diaspora arts. ACASA's business for each category) Purpose: to advance the Michaelyn Mitchell, AFA, 41 E. 65 St., New Kit Galloway and Sherrie Rabinowitz, Arkansas Women'!; Clinic Purchase Award in meeting is held at the ASA annual conference; practice and promote the importance of York, NY 10021. Jill Elizabeth Caskey, assi,<;tant professor, founders and co-directors of Electronic Ca£€ the 1998 Delta National Small Prints Exhibition ACASA triannual conference will be held in University of Toronto, has been awarded a 1999- preservation of cultural property through International (EO), Santa Monica, Calif., have for his work, Picasso's Woman, which will spring 1998 in New Orleans; ad hoc meetings are publications, research, and the exchange of 2000 J. Paul Getty postdoctoral fellowship in the each been awarded a 1999 Guggenheim become part of Arkansas State University's held at the CAA conference. Members receive Association of knowledge as well as by establishing and history of art and the humanities. Fellowship, which will enable them to focus £011- penn anent collection. the ACASA newsletter three times a year. upholding professional standards. AlC holds an College and time on their EO ArchiVing Project. Secretary-Treasurer: Vicki Ravine, University of Louis Cellauro, an independent scholar based in annual conference and publishes a bimonthly Robert Hooper was named a 1999 Guggenheim Iowa Museum of Art, 150 N. Riverside Dr., Iowa University Museums Saint-Fons, France, has been awarded a visiting newsletter, a scholarly journal, an annual Laura Graveline won a Worldwide Books fellow in art by the John Simon Guggenheim Gty, IA 52242-1789; 319/353-2468; fax 319/335- fellowship by the Yale Center for British for membership directory, and other publications. and Galleries Art Publication award for her article "Library Memorial Foundation. 3677; [email protected]. ACUMG, founded 1980. Membership: 360. December 1999. Service to the African American Community" Executive Director: Elizabeth F. "Penny" Jones, Annual dues: corporate $50; institutional $35; (Art Documentafion 17, 1998) from the Art Caroline A. Jones was named a 1999 1717 K St., N.W., Ste. 200, Washington, DC individual $20; student $10. Purpose: To address Swati Chattopadhyay, assistant professor at Libraries Society of North America (ARLIS/ Guggenheim Fellow in Art by the John Simon 20006; 202/452-9545; fax 202/452-9328; the issues that are relevant and unique to college University of California, Santa Barbara, has been NA), Guggenheim Memorial Foundation. [email protected];http://aic.stanford.edu. awarded a 1999-2000 J. Paul Getty postdoctoral and university museums and galleries. The fellowship in the history of art and the association holds an annual issue-oriented, one- humanities.
10 CAA NEWS JULY 1999 • day conference in conjunction with the annual Association national organization to promote excellence in material culture in Northern and Central Europe international understanding of different National Art meeting of the American Association of the development and teaching of college-level and to further communication among scholars cultures. AICA/US aims to protect and further Museums (AAM). ACUMG publishes News and of Research foundation courses in both shtdio and art working on the art and architechtre of the region art criticism as a profession in the u.s. and to act Education Issues, a newsletter containing information on Institutes in history. FATE aims to foster discussion, analysis, through the publication of an annual newsletter on behalf of the physical preservation and moral Association issues of concern, and offers members a forum strategies, goals, and understanding in the (with directory of members) and through annual defense of works of art. Frequent membership NAEA, founded in 1947. Membership: 40,000. to share information through published articles. Art History visual arts core curriculum. The FATE conferences and meetings. President: Rose-Carol meetings are organized in different parts of the National dues: $50. Purpose: to advance art President: Les Reker. Business Office and ARIAH, incorporated in 1988. Full members: 19; newsletter, journal (FATE in Review), and Washton Long, Ph.D. Program in Art History, country and abroad, as well as lechtres and education through professional development, Membership: Brigid Brink, Sam Noble affiliate member: 1. Purpose: to promote regional/national conferences provide a CUNY Graduate Center, 365 5th Ave., New symposia, open to members and norunembers. advancement of knowledge, and leadership. Oklahoma Musewn of Natural History, 2401 scholarship by instihttes of advanced research in platform for exchange and publication. York, NY 10016; fax 212/817-1502; Secretary: Organization publishes a quarterly newsletter. The NAEA conducts research, holds seminars Chautauqua Ave., Norman, OK 73072-7029; art history and related disciplines; to exchange President: Reid Wood, Art Dept., Lorain County 1l Reinhold Heller, Dept. of Art History, Univer Membership is by invitation only. Co-Presidents and conventions, and pUblishes journals, 405/325-1671; fax 405/325-7699; [email protected]. administrative, scholarly, and research Community College, 1005 N. Abbe Rd., Elyria, sity of Chicago, Chicago, IL 60637; fax 708/799- 1998~2001: Judith Stein, 2400 Waverly St., newsletters, and books. Members receive a information; to encourage cooperation in the OH 40035; 440/365-5222, ext. 7102; rwood@ ~ 9266; Treasurer: Charles W. Haxthausen, Philadelphia, PA 19146-1048; jestein@worldnet. monthly publication, quarterly journal, and development and funding of joint programs. lorainccc.edu; http://www.louisville.edu/ a-sf Williams College, Graduate Program in History att.net; and Amei Wallach, 1600 Park Ave., Association of discount on all other publications. Executive Chair and Treasurer: Therese O'Malley, Center finearts/FATE.html. For membership: FATE of Art, Williamstown, tv1A 02167-2566; fax 413/ Mattihtck, Long Island, NY 11952; wallach. Director: UlOmas A. Hatfield. For membership Independent for Advanced Shtdy in the Visual Arts, National Treasurer: Cindy Gould, Dept. of Art and 458-9562; [email protected]. [email protected]. information please contact: Membership Gallery of Art, Washington, DC 20565; 202/842- Design, College of Design, Iowa State Univer Historians Oeparhnent, NAEA, 1916 Association Dr., 6501; fax 202/842-6733. Vice-Chair: Amy sity, Ames, IA 50011; 515/294-6297; cgould@ Historians of International Reston, V A 20191-1590; 800/299-8321 (VISA/ of Art Meyers, Huntington Library, Art Collections, iastate.edu. Mastercard only); [email protected];http:/ / AIHA, founded 1982. Membership: 45. Annual and Botanical Gardens, 1151 Oxford Rd., San Islamic Art Association of WWVIl.naea-reston.org/ . dues: $25 full or associate; $10 subscription. Marino, CA 91108; 626/405-2229; fax 626/405- Gay and HIA, founded 1983. Membership: 225. Annual Word and Purpose: to provide guidance concerning the 0634. Secretary: Joel Hoffman, The WoUsonian, dues: $25; $15 student. Purpose: to promote high problem of professional credibility for the Florida International University, 1001 Washing Lesbian standards of scholarship and instruction in the Image Studies National independent scholar; to publish a newsletter and ton Ave., Miami Beach, FL 33139; 305/535-2626; Caucus history of Islamic art; to facilitate communica IA WIS, founded 1987. Membership: 200. Dues Conference directory of members to foster communication fax 305/531-2133. tion among its members through meetings and dfl50 credit card; dfl check. Purpose: to be an GLC, founded 1989. Membership: 300. Annual among the unaffiliated; to establish a schedule of through the HIA Newsletter and Directory; and to international forum for the different disciplines of Artists dues: $25 employed; $5 low income and fees and ethical standards for freelance work; promote scholarly cooperation among persons and approaches, where literary and art NCA, founded in 1958. Membership: 500. Catalogue shtdents. Purpose: to encourage, nurture, and and to provide guidelines for contrachtal and organizations concerned with the shtdy of historians, and also psychologists, artists, Annual dues: $35 general; $10 student; $100 publicize the study of gay and lesbian, and arrangements for independent curatorial Raisonne Scholars Islamic art. rnA holds periodic majlis, or educationalists, and design and publicity instihttion; $50 chapter; $500 life. Purpose: The bisexual art history, theory, and studio practice. positions and publication of illustrated books meetings, of its members, often in conjunction specialists, can meet and exchange ideas about National Conference of Artists works to Association The caucus works for the greater visibility of and articles. AIHA publishes an annual with meetings of CAA or the Middle East the way the visual and verbal interact. The preserve, promote, and develop the creative CRSA, founded 1993. Membership: 80. Annual sexual difference in the arts, and the greater newsletter and sponsors panels composed of Studies Association (MESA). President: association has a triennial international forces and expressions of African-American dues: $20; $30 overseas. Purpose: a forum for equality of gays, lesbians, and bisexuals in lawyers, writers, museum directors, and other Massumeh Farhad, Arthur M. Sackler Gallery / conference and pUblishes a newsletter at least artists and other artists of African heritage. discussing the catalogue raisonne; sessions at the society. Activities include a newsletter and experts at the CAA conference and elsewhere to Freer Gallery of Art, MRC 707, Smithsonian twice a year. Contact: MicheJe Hannoosh, Saint Through its research in the arts, annual CAA annual conference address authenticity, conference panels. Co-chairs: Joe Thomas, Art keep independents up-to-date and informed on Institution, Washington, DC 20560; 202/357- Catharine's College, Cambridge CB2 1RL, Great convention, regional meetings, and correspon opinion, research, and other scholarly issues; Dept., Clarion University, Clarion,. PA 16514; important issues. President: Barbara J. Mitnick, 4880; [email protected]; Secretary-Treasurer: Britain; [email protected] dence, the NCA seek,;; to bring artisl,;; together to also funding, legal, publishing, technolOgical, thomas@mail. clarion.edu; Ray Anne Lockard, 19 Van Beuren Rd., Morristown, NJ 07960; 973/ Sussan Babaie, Dept. of Art, Smith College, discuss muhtal concerns, to exchange ideas and and similar practical concerns. CRSA pUblishes a Frick Fine Arts Library, University of Pittsburgh, 605-1885; fax 973/605-8633. Treasurer: Mary North Hampton, MA 01063; 413/586-9755; promote cultural exchange and interchange of biannual newsletter. President: Nancy Mowll Pittsburgh, PA 15260; [email protected]. For International Emma Harris, 42 Grove St., Apt. 33, New York, sbabaie@aoLeam. works of local, nationat and international origin. Mathews, Williams College Museum of Art, membership information: Jonathan Weinberg, NY 10014; phone/ fax 212/691-6708. For Center of Members receive a quarterly newsletter and are Williamstown, MA 02167; Vice President: History of Art, Yale University, POB 208272, information: Membership Chair: Anne invited to attend the annual convention. Melvin P. Lader, 8212 Glyn St., Alexandria, VA New Haven, cr 06520-8272. Historians of Medieval Art Lowenthal, 340 Riverside Dr. (lO-A), New York, President: Napoleon Jones-Henderson, National 22309. Send membership dues to Nancy Mowll ICMA, founded 1956. Membership: 1,400. NY 10025; 212/666-3271; fax 212/666-3290. Netherlandish Art Conference of Artists, 12 Morley St., Roxbury, Mathews. Annual dues: $45 active (U.s.); $50 (all other Historians of HNA, founded 1983. Membership: approx. 650. MA 02119. countries); $15 shtdent; $60 instihttional. Annual dues: $15 shtdent; $35 regular; $50 Association of British Art Purpose: to promote the shtdy of medieval art Design Forum: supporting; $100 patron; $200 benefactor; $100 HBA, founded 1992. International membership: and civilization. Publishes Gesfa, a newsletter, National Historians of instihttionaL Purpose: to foster communication History, Criticism, 260. Annual dues: $10 profeSSional; $5 student; and sponsors sessions at international confer and collaboration among historians of Northern Council of Art 19th-Century Art $100 instihttional. Purpose: to foster communi ences. Administrator of ICMA, The Cloisters, and Theory European art from ca. 1350 to 1750. HNA holds AHNCA, founded 1994. Membership: 500+. cation and to promote the study and sharing of Fort Tryon Park, New York, NY 10040; phone/ Administrators DF, founded 1983. Membership: 185. Annual an alUlUal meeting and program in conjunction Annual dues: $20 faculty, $15 shtdent; foreign ideas among those engaged in any type of fax 212/928-1146; [email protected]; NCAA, founded 1972. Membership: 200. Annual dues: $10. Purpose: to nurrnre and encourage with the CAA annual conference, publishes two min. $15. Purpose: to foster communication and scholarship or other professional endeavor http://WWVIl.medievalart.org. dues: $30. Purpose: to provide a forum for the the shtdy of design history, criticism, and theory newsletters per year, HNA Review of Books, and a collaboration among historians of nineteenth related to British art of every area and/ or exchange of ideas, the identification of problems, and to provide, through its various events, Directory of Members, and holds scholarly century art of all nations, through such activities period. HBA has 1-2 affiliate sessions at the and the generation of shared solutions to the better communication among its members, the conferences every 3--5 years. President: Larry Italian Art as a newsletter and research colloquia. AHNCA annual CAA conference, in addition to a issues that confront visual art professionals in academic and design community, and the public Silver; Secretary /Newsletter Editor: Kristin organizes two sessions at the CAA conference separate HBA meeting on the Saturday of the Society higher education today. NCAA supports a at large. OF holds an annual meeting in Lohse Belkin, 23 S. Adelaide Ave., Highland and also holds its business meeting at that time. national conference. The HBA Newsletter is lAS, founded 1986. Membership: 225+. Annual yearly conference hosted by an educational conjunction with the CAA annual conference Park, NJ 08904. phone/ fax 732/937-8394; It publishes an annual directory of members. published biannually and a directory of dues: $15 within the U.s.; $20 overseas, includes instihttion to encourage dialogue and network and an autonomous symposium on design. The [email protected]; Treasurer: Emilie Gordenker, President: Petra ten-Doesschate Chu; Vice members is available. Prizes include an award Bibliography of Members' Publications and ing. Members receive a newsletter and directory. DF newsletter, Object Lessons, founded 1990, is 140 Thompson S1. 1t4D, New York, NY 10012; President in Charge of Development: Gabriel for the "Best Book on a British Art Topic" and a Newsletter. Purpose: to foster communication President: Kenda North, University of Texas, published occasionally. Co-chairs: Joseph Ansell, 212/777-2867. Weisberg; Secretary: Sura Levine; Treasurer: Travel Award to a graduate student presenting a among disciplines and scholarship devoted to Dept. of Art and Art History, Box 19098, School of the Museum of Fine Arts, Boston, and Sally Webster; Newsletter Editor: Cynthia Mills; paper at the arumal conference. President: the shtdy of Italian art and civilization of aU Arlington, TX 76019; [email protected]. Adminis Richard Martin, Coshtme Instihtte, Metropolitan Membership Coordinator: June Hargrove; Robert 1. Mode, Dept. of Fine Arts, Vanderbilt International historical periods. lAS ponsors sessions at the trative Coordinator: Robert Shay, Dean, Museum of Art, 5th Ave. at 82nd St., New York, Program Coordinator: Patricia Mainardi, University, Nashville TN 37235; 615/343-2831; International Congress on Medieval Studies and University of Kenhtcky, Lexington, KY 40506- NY 10028; 212/570-3908; fax 212/570-3970. Association Business office: AHNCA, Dept. of Art History fax 615/343-3786; moder®ctrvax.vanderbilt.edu. CAA annual conference. President: Bernadine 0022; [email protected]. and ArchaeOlogy, University of Maryland, 1211- of Art Critics Barnes, Art Dept., Wake Forest University, Box B Art/Sociology Bldg., College Park, MD 20742- Foundations in Historians of German AICA/US, American affiliate founded early 7323 Reynolda Station, Winston-Salem, NC Private Art 1335; http://www.inform.umd.edu/arth/ Art: Theory 1950s. Membership: 300. Annual dues: $50 ($65 27106; 336/758-5303; fax 910/759-6014; barnes almca. and Central European new members). Purpose: to promote critical @wfu. edu. Secretary-Treasurer: Roger Crum, Dealers Association and Education Art and Architecture work in the field and to help insure its Visual Arts Dept., University of Dayton, 300 PAOA, chartered 1990. Membership: 60. Annual methodological basis; to create permanent links College Park, Dayton, OH 45469-1690; crum@ FATE, founded 1977. Membership: 400-600. HGCEA, founded 1997. Membership: 105. dues: $500. Purpose: to represent a select group among members through international meetings McCoy.as.udayton.edu. Annual dues: $45 for two years or $25 per Annual dues $25 individual; $15 shtdent. of dealers who work from nonpublic spaces, and interim year, lnstihttional $100. Purpose: a and exchange; and to contribute to the who are specialists in specific areas of the fine Purpose: to foster the study of visual and arts. Election to membership is by invitation and Women's Joyce Kozioff has won the Jules Guerin Robert S, Nelson was named a 1999 Fellow in Roger Tibbetts was named a 1999 Guggenheim is based on a dealer's experience, scholarship, Fellowship £rom the American Academy in Art by the John Simon Guggenheim Memorial Fellow in Art by the John Simon Guggenheim ethics, and contributions to the arts community. Caucus Rome. Foundation. Memorial Foundation. PADA supports scholarship through public for Art lectures, symposia, and grants. The association is WCA, founded 1972, is a national organization Thomas Lail, assistant professor of fine art, Mignon Elizabeth Nixon, lecturer at the Marvin Trachtenberg.. winner of CANs Charles a member of Confederation Internationale des unique in its multidisciplinary, multicultural Hudson Valley Community College, has Courtauld Institute of Art, has been awarded a Rufus Morey Book Award for Dominion of tile Negotiants en Oeuvres d'Art (CINOA). A membership of artists, art historians, students received a faculty development grant from the 1999-2000 J. Paul Getty postdoctoral fellowship Eye: Urbal1ism, Art and Power In Early Modem directory of PADA dealer members is published and educators, gallery and musewn profession Academic Senate of Hudson Valley Community in the history of art and the humanities. Florence (Cambridge University Press, 1998), has annually. PADA, PO Box 872 Lenox Hill Station, als, critics and publishers, art administrators, College. He also received a New York Founda also won the Alice Davis Hitchcock Award of New York, NY 10021; 212/909-0409; fax 212/ and others involved in the visual arts. Member tion for the Art" special opportunity stipend in Stephen Grant Perkinson, assistant professor, the Society of Architectural Historians (SAH) for 909-0408. ship: 2,000. Purpose: to win parity in the support of a solo exhibition at the Lawndale Art University of Denver, has been awarded a 1999- the same book. This is the first time in 30 years valuation of creative and scholarly work by Center in Houston, Tex. 2000 J. Paul Getty postdoctoral fellowship in the that these honors have been awarded to the Renaissance women; to create new opportunities for women history of art and the humanities. same book. Society of to document, produce, and exhibit works; and to Cynthia Lawrence, Temple University, received assemble for the exchange of ideas. WCA offers a collaboration award from the Society for the Archie Rand, of Columbia University, a CAA Angus Trumble, curator of European art at the America a national network of thirty-three local chapters, Study of Early Modern Women's Third Annual board member, is a recipient of the Jewish Art Gallery of South Australia in Adelaide, has RSA, founded 1954. Membership: 3,700. Dues: exhibitions, publications, a monthly e-mail Book Awards for Women and Art in Early Modern Cultural Achievement Award in the Arts, been awarded a visiting fellowship by the Yale $75 institutional; $50 individual; $25 student. bulletin, a triannual newsletter, and regional and Europe: Patrons, Collectors and Connoisseurs awarded by the National Foundation for Jewish Center for British Art, New Haven, Conn. for Purpose: an international, interdisciplinary national conferences hosted by local chapters, (Pennsylvania State University Press, 1997). Culture. In addition, he has been named a 1999 January of 2000. organization dedicated to the promotion and which provide an occasion to teach, learn.. Guggenheim Fellow in Art by the John Simon encouragement of the study of the Renaissance present work. and celebrate scholarly and Susan A. Lewis won a Worldwide Books Guggenheim Memorial Foundation. Caroline Van Eck, senior research fellow in the period. RSA holds an annual conference, usually creative achievements by women, President: publication award for her book, Interior Design history of art at Vrije University in Amsterdam, in the early spring, publishes Renaissance Gail Tremblay, Evergreen State College, Sourcebook: A Guide to Resources on the History and Lorna Ritz was awarded a Pollock-Krasner has been awarded a visiting fellowship by the Quarterly and a newsletter, Renaissance News and Olympia, WA; [email protected]. Practice of Interior Design (Omnigraphics, 1998), Foundation Grant in the 1998-1999 year. Yale Center for British Art for February 2000. Notes, three times a year. RSA, 24 W. 12th St., National Administrator: Denise Mumm, from the Art Libraries Society of North America New York, NY 10011; 212/998-3797; fax 212/ National Office, PO Box 1498 Canal St Station, (ARLIS/NA). Helene E, Roberts received special mention in Roger Mark Walton has received a 1999 995-4205; [email protected];http://www.r+a.org. New York. NY 10013; 212/634-0007; info@ the 20th Annual George Wittenborn Memorial Individual Artist's fellowship from the Ohio nationalwca.com. Jeannette Louie has won the Harold M. Book Awards and a Worldwide Books Arts Council for his paintings. Society of English/Metropolitan Museum of Art-Jacob H. Publication award from Art Libraries Society of Lazarus Fellowship to study at the American North America (ARLIS/NA) for El1ctjclopedia of Carol Wax won the Lindquist Purchase Award Historians of Academy in Rome. Comparative Iconography: Themes Depicted in in the 1998 Delta National Small Prints Works of Art (Fitzroy Dearborn, 1998), which she Exhibition for her work, Lcpidoptiks,' which will East European Vivian B. Mann, Morris and Eva Feld Chair of edited. become part of Arkansas State University's and Russian Art Judaica, The Jewish Museum, has been awarded permanent collection. a Jewish Cultural Achievement Award in Mary Roberts, lecturer at the Australian and Architecture Scholarship, presented by the National National University in Canberra, has been Wu Hung was named a 1999 Guggenheim SHERA, founded 1995. Membership 135. Dues: Foundation for Jewish Culture. awarded a visiting fellowship by the Yale Fellow in Art by the John Simon Guggenheim $18; $12 students and other limited income. Center for British Art for Summer 1999. Memorial Foundation. Purpose: SHERA is an international network for Tod Marder, professor at Rutgers University, scholars working in the field of Russian and East has won the Borghese Prize for this year's most Hanneline G. Rogeberg was named a 1999 Ann Marie Yasin, University of Chicago, has European visual culture. SHERA publishes a distinguished contribution to Italian art Guggenheim Fellow in Art by the John Simon won the 1999-2000 Phyllis Gordan/Samuel H. hiannual newsletter that includes bibliographic scholarship by a non-Italian for his book, Bernini Guggenheim Memorial Foundation. Kress Foundation/Helen M. Woodruff citations of new research in the field, notices of and the Art of Architecture (Abbeville Press and Archeological Institute of American Predoctoral conferences and exhibitions and State of Rizzoli, 1998). The French edition of the book, to David James Roxburgh, assistant professor, Fellowship from the American Academy in Research essays. SHERA panels held at annual appear in Fall 1999, has won an award from the Harvard University, has been awarded a 1999- Rome. CAA conferences. Contact: Pamela Kachurin; Centre National des Lettres, of the French 2000 J. Paul Getty postdoctoral fellowship in the 266 Ashmont St., Dorchester, MA 02124; Ministry of Culture. history of art and the humanities. [email protected] AreH Marina, Institute of Fine Arts, New York Daniel James Sherman, Rice University, has Visual University, has won the 1999-2000 Samuel H. won a 1999-2000 National Humanities Center Kress Foundation Predoctoral Fellowship from fellowship for work on his project, "De Resources the American Academy in Rome. Civilizing Mission: '!he French Search for the Association Primitive, 1945-1975," at the center in Triangle VRA, founded 1982. Membership: 600. Annual Charles Massey won a purchase award in the Park, N.C. dues: $65 North America; $85 foreign; $35 1998 Delta National Small Prints Exhibition for student or retired; $95 institutional; $100-$299 his work, Secrets' Double X, which will become Mahara T. Sinclaire has been selected to be an contributing; $300+ patron. Purpose: to establish part of Arkansas State University's permanent artist-in-residence at Villa Montalvo, Saratoga, a continuing forum for communication and to collection. Calif., where she will be working on mural-scale further research and education in the field of paintings from June to August of this year. visual documentation. VRA-sponsored Vernon Hyde Minor, associate professor of fine publications include a quarterly newsletter, the arts at University of Colorado at Boulder, has Ellen Handler Spitz, lecturer at Stanford VRA Bulletin; a number of monographs and won the 1999-2000 National Endowment for the University, has been awarded a Camargo special bulletins on various aspects of visual Humanities Postdoctoral Fellowship from the Foundation fellowship in Cassis, France, for the resources administration and image retrieval. American Academy in Rome. autumn of 1999. The association organizes workshops and an annual conference and sponsors the VRA web Richard Theodore Neer, assistant professor, Tara Leigh Tappert won the John Benjamins site: http://www.vra.oberlin.edu and VRA-L University of Chicago, has been awarded a Award for her project "The Periodical Literature listserv. President: Jenni M. Rodda, Institute of 1999-2000 J. Paul Getty postdoctoral fellowship of 20th-Century American Craft" from the Art Fine Arts, New York University, NY 10021; 212/ in the history of art and the humanities. Libraries Society of North America (ARLIS/ 772-5872; fax 212/772-5807; jrnr3®is2.nyu.edu NA).
CAA NEWS JULY 1999 11
II fax 514/848-2282; [email protected]; Michigan State University, East Lansing, MI Southwest/Texas Popular Culture Association been assembled from leading institutions across "Art and Life in America: A Celebration of the http://aleor.concordia.ca/ -senses. Deadline: 48824~1119; [email protected]. Decisions will be and American Culture Association Annual the country to discuss several primary issues Legacy of Oliver Larkin and American Art at Conferences September 15, 1999. announced in December 1999. Deadline: October Meeting, February 9-12, 2000, Sheraton Old related to art of the American West. Keynote Smith College," Smith College, October 16, 1,1999. Town Hotel, Albuquerque, invites papers or Speaker at the Opening Banquet is the 1999. This symposium commemorates the 50th "Fear and Its Representations in the Middle panels treating any aspect of Western landscape Honorable Alan ~. Simpson, former U.S. Senator anniversary of Oliver Larkin's Pulitzer-Prize & Symposia Ages and the Renaissance," the 6th Annual "Education in the Middle Ages," 20th Annual painting. Submit I-page abstract or panel of Wyoming and chainnan of the board of the winning book, Art and Life in America. The ACMRS InterdiscipIffiary Conference, Tempe, Medieval Studies Conference, March 24-25, proposal and c.v. to: Charlene G. Garfinkle, SW / Buffalo Bill Historical Center. For information: symposium also celebrates the college's 120-year Ariz., February 17-19,2000. The center 2000, Fordham University, Bronx. Send cover Texas PCA/ ACA, 1030 Kellogg Pl., Santa The Charles M, Russell Center, University of history of collecting American art. Speakers weleomes papers that explore any topic related information and 2-page abstract to: Maryanne Barbara, CA 93111-1026; 805/566-7163; Oklahoma, 520 Parringtan Oval, Rm. 202, include: Michele Bogart, John Davis, Patricia to the study and teaching of the Middle Ages Kowaleski, Center for Medieval Studies, [email protected]. Deadline: December 1, 1999. Norman, OK 73029; russellcenter®ou.edu.; 405/ Junker, Elizabeth Mankin Kornhauser, Amy and Renaissance, especially those that focus on Fordham University, Bronx, NY 10458; 718/817- 325~5939; http://www.ou.edu/ special/ russell Kurtz, Linda Muehlig, and Alan Wallach. For this year's theme of fear. Papers may address the 4655; fax 718/817-3987; medievals@murray. center. information: Maureen McKenna, Smith College role that fear of such things as torture, the fordham.edu. Deadline: November 1, 1999. To Attend Museum of Art, Elm St. at Bedford Terr., exchange of hostages, public punishment, and "Art and Enterprise: American Decorative Art, Northampton, MA 01063; 413/585-2770. dismemberment plays as a deterrent in secular "Social Reception of Baroque Gardens": SIGGRAPH '99, 26th International Conference 1825-1917," September 17-18, 1999, High Calls for Papers matters; or they may investigate literal fear, such Studies in Landscape Architecture, May 18-19, on Computer Graphics and Interactive Museum of Art, Atlanta. A 2-part symposium "The Visual Culture of American Religions," as fear of hell and damnation, fear of battle, fear 2001, Dumbarton Oaks, Washington, D.C. This Techniques, August 8-13, 1999, Los Angeles. with national decorative arts experts presented October 22-23, 1999, Winterthur Museum, of love and fear of losing love, or other relevant 8th Front Range Art Symposium, Denver Art symposium takes as its topic relationships After more than 3 decades of astounding in conjunction with the Virginia Carroll Garden, & Library. Scholars of American art, Museum, November 5-6, 1999, sponsored by the topics. The plenary speaker win be R. 1. Moore, between changes in garden design and the uses teclmical, creative, and artistic achievement, the Crawford Collection and co-sponsored by religion, and culhtre will consider a range of Denver Art Museum's College Advisory University of Newcastle, author of The Formation and social reception of gardens that have been field of computer graphics and interactive Friends of the Decorative Arts, Part 1: "New religious visual practice, including fine and of a Persecuting Society: Power and Deviance in created in order to inspire social deference, win Committee, Alliance for Contemporary Art, and techniques has mahtred. It now reaches a broad Frontiers in Museum Collecting: 19th Century applied art, religious architecture, biblical Cooke-Daniels Memorial Lecture Fund. The Western Europe, 950-1250 and The Origins of the admiration of subjects for the garden's audience and fosters unique bonds among a Decorative Art," Friday, September 17, 7-8:30 illustration, and mass-produced images. A European Dissent. Send 2 copies of session P.M., College Advisory Committee invites proposals patron in a hierarchical society, and foster a diverse collection of communities including Rich Auditorium. Donald Peirce, curator of special panel will explore the implications of this for 20-minute papers and presentations or panel proposals or I-page abstracts, along with 2 willingness to satisfy the patron's expectations. education, science, art, medicine, industry, decorative art at the High and David Hanks, material for museums. Martin Marty, renowned copies of your current c.v., and the A-V request The Baroque Age in Europe provides a wealth of discussions that address any aspect of public government, entertainment, and more. decorative art consultant, will discuss the historian of American religion, will provide a form (available on website) to: Robert E. Bjork, sculpture, from any time period and all parts of examples, but the social reception of such a SIGGRAPH '99 is the premier forum where it all experience of collecting outstanding examples summary response. Conference generously the world. Part of the symposium will be Arizona Center for Medieval and Renaissance strategic use of gardens can be shtdied within takes center stage. For information: http:/ / for the Virginia Carroll Crawford Collection funded by Lilly Endowment. For information: Studies, Arizona State University, Box 872301, other historical contexts as well, including the devoted to public sculpture in Denver. Send www.siggraph.org/s99 / cfp/. over 2 decades. Part 2: "Art and Enterprise," 800/888-4600; TrY: 302/888-4907; GBuggeln@ proposals to: Annette Stott, 8th Front Range Tempe, AZ 85287-2301; 602/965-5900; fax 602/ European Renaissance; late Colonial, Revolu Saturday, September 18, 9:30 A.M. -4:30 P.M., Hill Winterthur.org; http://www.Winterthur.org. 965-1681; [email protected]:October1, tionary, modem or postmodem America; and Auditorium. Morning lectures will focus on Symposium, School of Art and Art History, Nihonga Symposium at Seattle Asian Art many other cultures. The symposium's aim is to University of Denver, Denver, CO 80208-2846; 1999. Museum, August 22-23, 1999, Seattle Art European design roots and marketing in "The Arts, Religious Education, and the [email protected]. Deadline: August 15, 1999. bring scholarship in garden history closer to American decorative art. Afternoon talks will Museum, in conjunction with new exhibition, Holocaust," October 23-26, 1999, Austin. "Visions, Dreams, and Nightmares": 20th contemporary developments in shtdies of the Modern Masters of Kyoto: Transformation of highlight specific artists and media represented Recognizing the crisis in Western culture H American Architecture and Arl/' American Annual 19th-Century Studies Association visual arts, literary shtdies, cultural history, Japanese Painting Tradifions, Nihongafrom the in the Crawford collection, such as revival style brought about by the Holocaust, a gathering of Conference, March 23-25, 2000, in Arlington, Culture Association, April 19-22, 2000, New history of ideas, history of science or philosophi Griffitf1 and Patricia Way Collection. Keynote furniture, American ceramics, and silver. educators, scholars, theologians, and artists will Va., and Washington, D.C., In honor of the cal studies. Proposals may derive from sources Orleans. Proposals for sessions organized address by John Rosenfield. Talks by respected Registration is required, Admission: $45 for come together to speak about the general subject around a theme, special panels, and/ or arrival of the new millennium and of the lOath of all kinds: diaries, journals, accounts of visits museum members; $55 nonmembers (includes a scholars from u.s. and Japan. Some stipends for of conveyance and memory of such a difficult individual papers will be considered. Sessions anniversary of Sigmund Freud's Interpretation of of gardens, garden poems, novels, theater plays, shtdent travel funded by the Blakemore viewing of the exhibition). To register: 404/733- subject. The symposium will attempt to establish Dreams, NCSA invites papers or panels from paintings or engravings allowing the reconstruc are 1 1/2 hours long. Suggested max.: 4 papers Foundation. For infonnation and registration: 4476. connections between artistic expressions of the multiple disciplines that consider any manner of tion of links between some features of garden or speakers per session; number of panel Seattle Art Museum, Attn. Nihonga Symposium, Holocaust and other narratives that have 19th~century permutations, materials, expres design and judgments, beliefs, emotions, participants may vary. For information or to PO Box 22000, Seattle, WA 98122-9700; 206/654- 30th International Society of Education become part of the legacy of the event. The submit a proposal, contact: Joy Sperling, Art sions, or interpretations of "Visions, Dreams, behaviors and fantasies of garden visitors or Through Art (InSEA) World Congress, Holocaust has become an archetype of suffering. 3226, ext. 426; [email protected]~ Dept., Denison University, Granville, OH 43203; and Nightmares." Papers or panels may users. They may address any period of history http://www.seattleartmuseum.org. September 21-26, 1999, Australian Instihtte of The integration of the arts and humanities as 740/587-6704; fax 740/587-5701; Sperling@ consider anyone or all of the theme's terms and up to the present. Send 8 copies of an abstract Art Education (AlAE), Brisbane, Australia. exemplified by this symposium can function as interpret them in any variety of ways. "Visions" (max. 3 pages) describing: 1) the scope and Denison.edu. Deadline: September 1, 1999 "Architecture Culture by 1900: Critical Congress will include keynote speakers, incisive tools of clarification and seU~knowledge. encompasses millennial hopes, political content of the work; 2) its significance to the Reappraisal and Heritage Preservation," workshops, art exhibitions, and an associated In addition to presentations from world "Uncommon Senses: An International aspirations, utopian plans and communities, theme. Send abstracts to: Michel Conan, Studies September 1-3, 1999, Buenos Aires. Aims of fieldwork program. For information and renowned scholars and theologians, activities Conference on the Senses in Art and revolutionary plots, religious prophecies, in Landscape Architecture, Dumbarton Oaks, conference are to discuss the development and registration: Ozaccom Conference Services, 617/ will include: teachers' workshop, art exhibit, a Culture," April 27-29, 2000, Concordia technological promises, avant-garde aesthetics, 1703 32nd St., N.W., Washington, DC 20007; constitution of architechtre culture and urban 3854-1611; fax 617-3854-1507; ozaccom@eis, short play, a film festival, choir / cantorial University. This interdisciplinary conference and visionary architectural constructs. 202/339-6460; fax 202/625-0432; landscape@ transfonnations behveen 1880 and 1920; to call net.au; http://www.qut.edu.au/insea99 / insea. concert, and a chamber orchestral performance. invites papers and session proposals that "Dreams" and "Nightmares" may be those that doaks.org; http://www.doaks.org / Landscape attention in order to reappraise and preserve the This symposium is free and open to the public. explore sensory experience in the fine arts and haunt the Gothic imagination or of the Freudian Architecture.html. Deadline: November 1, 1999. architectural products of the period; and to work "The Material Culture of New England," For information: Carolyn H. Manosevitz, 512/ culture, especially the often-neglected senses of mind. They may be the political dream of on a proposal to include an international Annual Deerfield~Wellesley Symposium, 472-2004; fax 512/474-0815; [email protected]. taste, touch, and smell. By focusing on what lies Fourierism or the nightmare of terroristic acts. "The 5 Senses: An Exploration of Various selection of these monuments and sites into September 22-23, 1999, Deerfield, Mass. For beyond the "aesthetic gaze," "Uncommon Marx's communist revolution promised Human Perceptions in Visual Culture," 2000 UNESCO's World Heritage List. For registration information: Kenneth Hafertepe, Symposium 1999 Feminist Art and Art History Conference, Senses" seeks to examine the aesthetic, cultural, salvation from the "nightmare of materialism"; Art History Graduate Student Association form: Executive Committee, International Director, 413/774-5581. October 30,1999, Barnard College. This and political significance of nonvisual modes of yet for many it represented "the spectre that is Symposium, University of Arizona Tucson. This Conference: "Architecture Culhtre by 1900," conference explores artistic and art-historical haunting Europe." I-page proposals, single is a broad-based symposium intended to sensorial engagement. Potential topics include: Mifiones 2159, 1428 Buenos Aires, Argentina; "Critique of the Museum in Contemporary engagement with broadly defined feminism, innovative uses of the senses in art, architecture, spaced, for 20-minute papers should be embrace papers culled from a variety of 4784-0080 int. 166.; Telefax 54-11-4783-8654/48 Art," September 24, 1999, 2:00-5:00 r.M.; including artistic practice, visual culture, theory, performance, and other media; critiques of accompanied by a cover letter and a 1-2-page disciplines. The event will be held at the end of University of Notre Dame. A symposium on art, history, sexuality, gossip, anecdote, pedagogy. 22-6630. Deadline: July 15, 1999. ocularcentrism; sensory redefinitions of c.v. Proposals for a 11/2~hour panel should February, although an exact date ha,s yet to be power, and dissent featuring artist Krzysztof For information: Laura Auricchio, Loretta aesthetics; synaesthesia; non-Western aesthetics include a cover letter from the panel organizer set. I-page abstracts of scholarly papers of 20 " 'Don't Fence Me In!': Awakened Relevance, Wodiczko and held in association with the Lorance, and Maria Ruvoldt, c/o Dept. of indicating format and issues to be discussed, minutes in length are requested from M.A. or and the anthropology of the senses; technology Mainstream Possibilities, and Changing International Association of Art Critics, U.S. Women's Studies, Barnard College,3009 accompanied by a l~page proposal and c.v. from Ph.D. candidates in art history or related fields. and the future of perception; the senses inflected Perceptions in Western and Native American Other speakers include Richard Meyer, Phyllis Broadway, New York, NY 10027-6598. each participant. Proposals on other topics for Send abstract, cover letter, resume, or c.v. to: by gender, sexuality, class, and cultural Art," Charles M. Russell Center for the Study of Rosensweig, and Alan Wallach. Symposium difference; the senses in popular / postmodern open sessions are also welcome. E-mail queries 2000 AHGSA Symposium, c/o Jen Robinson, 60 Art of the American West, Opening and organized by Robert E. Haywood, 1999-2000 "Frankish Culture at the End of the Crusades: culture. Send 2 copies of session proposals or 1- to: Karen V. Waters, Dept. of English, W. Stone Loop, #2225, Tucson, AZ 85704; Inaugural Symposium, September 9-11,1999, Getty Fellow in Art History and the Humanities. France and the Holy Land, 1250-1291," March page abstracts along with 2 copies of c.v. to: Marymount University, 2807 N. Glebe Rd., [email protected]. Deadline: December 1, University of Oklahoma, Norman. The For information: Art Symposium, Fall 1999, 24-25, 2000, John~ Hopkins University. Jointly Uncommon Senses, Lonergan College, Arlington, VA 22207-4299; kwaters@phoenix. 1999. symposium will feature discourse on the state of Dept. of Art, Art History, and Design, Univer~ sponsored by Johns Hopkins University and Concordia University, 1455 de Maisonneuve W., marymount.edu. E-mail proposals only to: western American and Native American art at sity of Notre Dame, Notre Dame, IN 46556; Hood College. For information: Daniel Weiss; Montreal, QC, Canada, H3G IM8; 514/848-2280, Program Director, Phylis Floyd, Dept. of Art, the close of the 20th century. The speakers have http://www.nd.edu/ -art/ symposium/htmls/ [email protected];410/516-7120;orAnneDerbes; info.html. [email protected]; 301 / 585-7154.
12 CAA NEWS JULY 1999 CAA NEWS JULY 1999 13 • theme, be original, and completed within the immanence, and evolution. Committed to years. Juror: Lisa Dennison. For prospectus, SASE exhibitions, and conferences (5-10 pages). The Instead, we seek articles that complicate and last 2 years. For application, SASE to: Puffin exploring intersections between art history and to: W.LV.A. 2000, Erector Square Gallery, 315 journal is devoted to presenting graduate historicize the notion of "visual resource" and Opportunities Cultural Forum, Attn. Erase Hate, 20 E. Oakdene contemporary art, the Journal continues its effort Peck St., New Haven, CT 06513; 203/865-5055; student scholarship from all fields and address a range of kinds of illustration. Send Ave., Teaneck, NJ 07666-4198. Deadline: August 6, to give exposure to the current work of artists. fax 203/865-3311. Deadline: January 7, 2000. dic;ciplines. Written work should be submitted inquiries and manuscripts (approx. 9000 words, 1999. The Journal is devoted to presenting work in the on paper as well as on disk in MS Word, and MSWord format) to: William MacGregor, Dept. visual arts from all fields and disciplines. Artists must follow The Chicago Manual of Style. Chicago of Museum Studies, John F. Kennedy University, Art in Public Places Program, Tampa, in and architects should submit slides or prints, Calls for ManUscripts Art JOUr/tal, Dept. of Art History, University of 12 Altarinda Rd.,.Orinda, CA 94563; 925/258- accordance with the city's ordinance designating resume or artist's statement, and SASE to: Chicago Chicago, 5540 S. Greenwood Ave., Chicago, IL 2239; fax 925/253-0420; [email protected], Art Journal, Dept. of Art History, University of 60637. For infonnation: http://hmnanities. 1% of costs for new buildings be reserved for Chicago Art Jotlmal, Vol. 10, Spring 2000. Telos, Louis Marchesano, Getty Research Institute for Chicago, 5540 S. Greenwood Ave., Chicago, IL uchicago.edu/humanitiesl art/journal.htm. artwork, has set aside a budget of $130,000 for a Greek word referring to an end or final state, the History of Art and Hmnanities, 1200 Getty 60637. For information: http://humanities. Deadline: October 1, 1999. the purchase or corrunission of a work for the and etymologically connoting a "turning point," Center Dr., Ste. 1100, Los Angeles, CA 90049- uchicago. ed u / humanities / art 1joumal.htm. Calls for Entries Kennedy Municipal Parking Garage to be sets the theme for the 10th-anniversary issue of 1688; 310/440-7592; fax 310/440-7779; located across from Old Oty Hall. The Art Deadlinc: October I, 1999. Visual Resources: An lutemational Journal of the Chicago Arf Journal. The journal is currently [email protected]://www.gbhap. Florida's Art in State Buildings Program has 15 Selection Committee will conduct an initial blind soliciting papers, reviews, and interviews that Documentatioll, a quarterly journal devoted to com/Visual_Resources/. Deadline: JanuanJ 15, Time Will Tell, Target Gallery, Alexandria, Va, the history of visual documentation and the use new public art projects underway with review of materials submitted and select 3--5 address issues surrounding completeness, 2000. SASE November 4, 1999-J anuary 2, 2000, is an exhibit and dissemination of images, is seeking article submission deadlines July-September. Budgets: finalists to submit final proposals. Send an termination, and culmination in the visual arts. to be held in conjunction with the millennium. $2,000-$176,000. Conunittees are searching for a for a prospectus: Robin Franklin Nigh, Art in Papers (10-25 pages) may engage any number of length manuscripts for a special issue on Circline, http://www.circline.com.anonline Juror: Wendell Castle, artist-in-residence, wide variety of art ranging from existing 2-D Public Places, 600 N. Ashley Dr., Tampa, FL themes broadly related to ends in their "TIlustrations as Visual Resources," projected for antiques resource, is developing editorial Rochester Institute of Technology. Open to all artwork to large-scale indoor and / or outdoor 33602; 813/274-8531; [email protected]. numerous evocations. Topics of interest might Fall 2000. Visual resources are commonly content. An educational channel with decorative artists in all media. Artwork should refer to the commissioned works that may incorporate Deadline: August 15, 1999. include, but are not limited to: apocalypse, understood as a class of images that reproduce arts general reference materials (diary of events, passing of time. Artwork should not be over 15' movement, murals neon, water elements, or perishable and ephemeral objects, historical works of art and facilitate the study of those stylistic periods of decorative arts, chronologies, overall (height, length, width), nor over 150 lbs., earth designs. For information: Lee Modica, Art Gathering of Women a Healing Place, first obsolescence, hell and paradise, funerary art, works. As surrogates, visual resources have cabinehnakers and designers, bibliographies) and all work must be for sale. Entry Fee: $25/3 in State Buildings Program, Div. of Cultural exhibit in the new Paul Robeson Gallery, boundaries of artistic media, iconoclasm, been much more than simply aide-memoire; they has recently been added. The site is commission slides. For prospectus, send SASE to: Target Affairs, The Capitol, Tallahassee, FL 32399-0250; Pennsylvania State University, University Park. concept of the ruin, decadence, memento mori, mediate in profound and complex ways our ing a range of scholarly andl or entertaining Gallery, 105 N. Union St., Alexandria, VA 22314; 850/487-2980; fax 850/922-5259; lrnodica@mail Calling women artists to make an expressive apotheosis, fin-de-siecle, geocultural boundaries relation to the original. In fact, they have always articles to be published online, with select phone 1fax 703/549-6877; targetgallery@juno. worked to delimit and detennine our perception dos.state.R.lls; http://www.dos.state.f1.us/dea/ sack 12" x 15" in any media. No Fees. For and colonialism, immanence, and evolution. As articles compiled in a printed annual journal. information, SASE to: Ann Shields, Pennsylvania com. Deadline: October 13, 1999. of originals. This is especially true of illustra asbpub.hbnl. Deadlines: July-September. art history approaches the end of its first century The focus is fine and decorative arts connois tions-be they engravings, etchings, lithographs, State University, HUB/Robeson Center as an established discipline some commentors seurship, but contributions on virtually any Galleries, 129B HUB, University Park, PA 16802. Contemporanj Painting 1999, Erector Square Elements 2000, is an exhibition to be held by the raise the question of the discipline's own ends. photographs, or digital images-whose status is visual arts topic, and book and exhibition Gallery, New Haven, Conn., December 3-23, Women's Caucus for Art, in conjunction with Deadline: August 27, 1999. Here, the journal solicits articles that discuss equivocal, existing as both surrogates and reviews, will be considered. Send submissions 1999. Open to all painters, nationally and originals. While the aim of this special issue is to the CAA Annual Conference, at the Ernest works from any period or any subject so long as to: Jill Trenchard, [email protected];214/ internationally, who are 18 or older. Works must Rubenstein Gallery, 179 E. Broadway, New New American Paintings open studios the paper entails reflection on historiographic examine illustration within the context of visual 823-7047; http://www.drcline.com. competition..c; are conducted annually in each of be original and completed within the last 2 resources, we do not wish to limit the discussion York, February 22-March 17, 2000. Other sites ends in art history. We are also seeking years. Entry fee: $20/3 slides. For prospectus, to illustrations that reproduce works of art. still under negotiation. The exhibition curators 6 regions of the U.S. Competitions lead to interviews and reviews of pertinent books, Iuten/atioual Fine Art Journal for Social Change are Devorah Sperber, artist, independent curator publication in the bimonthly New American send SASE to: Contemporary Painting Competi is accepting submissions for October 1999. and curator of exhibitions at the Kleinert/James Paintings, which, juried by curators from tion 1999, Erector Square Gallery, 315 Peck St., Submissions include papers dealing with fine Gallery, Woodstock, N.Y., and Jane Ingram prominent museums, has extended the reach of New Haven, CT 06513; 203/865-5055; fax 203 / arts, the position of the artist in modernity, and Allen, artist, independent curator, and artists and expanded the resources of collectors 865-3311. Deadline: October 27, 1999. FlRST ANNOUNCEMENT the power of artists for positive social change. contributing writer for Sculphtre and Art since 1993. All styles/media; 2-D only. Entry fee: We are also interested in papers dealing with the Calendar magazines. "Elements 2000" celebrates $15. Send 4 35-mm slides, resume, entry fee, and Pacific States Biennial National Print socioeconomic and political situations of artists the new millennium and our cultural obsession SASE to: Open Studios Press, 66 Central St., Exhibition, Campus Center Gallery, University CLARK FELLOWSHIPS in modernity. Also sought are works of art that with dates, number.s, and quantities. The tenn Wellesley, MA 02482; 781/235-2235. Deadlines: of Hawaii at Hilo, February 14--Apri115, 2000. promote positive social change. Works should "element" also refers to our continuing search Northeast, August 30,1999; other areas, contact Juror: Lee Chesney. $3000 available for purchase The Sterling and Francine Clark Art Institute announces a new Fellowship program designed be sent in digital fonnat, including all infonna for the basic components or simplest particles office. awards. Entry fee: $25/2 entries. Open to all to extend the understanding of art and its role in culture. We hope the prowam's physical, tion about the artist and work of art. Submission artists 18 or older residing in the U.S. All must be made by the artist. For information: that make up our universe. The show will social and intellectual environment will encourage new approaches to research and to the feature works with 2000 plus elements. No entry Brownson Gallery, Manhattanville College, printmaking media welcome (no photographs). http://www.angelfue.com/sc/FineArtJournal fee. Submit: 5 slides, slide list, statement, Purchase, N.Y., seeks artists interested in 1-2- For prospectus, send SASE to: 2000 PSBN, communication of ideas.,Having run experimentally for over a year, the Fellowship program /International. html. resume, optional sketch 1diagram and descrip person exhibitions for 2000 and 2001 seasons. All Professor W. Miyamoto, Art Dept., University of will expand from next Pebruary with the conversion of a nearby house to contain six apart Hawaii at Hila, 200 W. Kawili St., Hilo, HI tion for proposed work, and SASE. Send SASE for media considered. Gallery will print an ments. The first full scholars~ year will be inaugurated in September 2000. prospectus to: Devorah Sperber, Inc., 3 Sheridan announcement with an image and host 96720-4091; 808/974-7307; fax 808/974-7712; Call for Participants Sq. #15D, New York, NY 10014; Devorah reception. Artists responsible for transportation wmiyamot@hawaiLedu. Deadline: November 12, 1999. Clark Fellows (one to ten mon.ths) and ClarkVisiting Fellows (less than one month) will be [email protected];orJaneIngram and insurance. Send 15 slides of current work, Culture Shock, A Documentanj is a 4-part series Allen, [email protected]. Deadline: July 15, 1999. resume, and SASE to: Exhibition Committee, appointed by a process which includes elements of application, nomination and invitation. airing on PBS in January 2000 that tells the story . Brownson Gallery, 2900 Purchase St., Purchase, American Watercolor Society 133rd Annual Fellows will have the use of an'apartmentahd an office, and will receive a stipend and reim of classic works of art that have engendered NY 10577. Deadline: September 1, 1999. International Exhibition, Salmagundi Club Exposure Joumal is seeking photographic both controversy and acclaim. Each program Galleries, New York, March 27-Apri130, 2000. bursement of travel expenses. They may come from any background and be of any national submissions on the topic of eating disorders/ examines the cultural conditions that lead artists Open to all artists. All aqua media on paper, no disordered eating. Send slides, statement, bio, Chicago Art Journal, Vol. 10, Spring 2000. Telos, ity. Their interests and approaches may relate to the visual arts of any type from any period to create and audiences to react. The 4 programs collage or pastel. Awards total $30,000; 13 SASE to: Kathryn Sylva, University of California a Greek word referring to an end or final state, are: "Born to Trouble: Adventures of Hucklebemj and etymologically connoting a "turning point," medals. No purchase prizes. Full color and from any place. Davis, Environmental Design Dept., 1 Shields Finn," "The Devil's Music: 1920s Jazz," sets the theme for the 10th-anniversary issue of catalogue. Jurled by slides. Fee: $20 (1 slide Ave., Davis, CA 95616; 530/752-0440. Deadline: "Hollywood Censored: Movies, Morality, and only). For prospectus and label, send SASE to: Guidelines for appli.cations for the full program will be published in the autumn. Anyone inter July 30, 1999. the Chicago Art Journal. The journal is currently the Hollywood Production Code," "The Shock Richard Brzozowski, 13 Fox Rd., Plainville, CT soliciting artwork and architectural designs ested in applying for one of the: smail number of Fellowships strH avaUable for the period Sep of the Nude: Manet's Olympia." Outreach and Erase Hate/Create a New World, a multicultural addressing issues surrounding completeness, 06062. Deadline: November 15, 1999. tember 1999 to August 2000'is i~vited to communicate directly with John,Onians, Sterling and programming around the Culture Shock series in termination, and culmination in the visual arts. group art exhibition, September IS-October 17, your college art community can engage 14th Annual International Women in the Francine C!ark Art Institute, 225 South Street, Williamstown, MA 01267~ tel: 1-413-458-9545; 1999, Puffin Cultural Forum, Teaneck, N.J. The This might include, but is not limited to: participants in a series of activities and events. Visual Arts Competition, Erector Square Puffin Foundation is sponsoring this exhibition, apocalypse, perishable and ephemeral objects, E-mail: [email protected],.edu (after September 1: Michael Ann Holly, at the same address) For information about hosting a screening at Gallery, New Haven, Conn., March 1-31, 2000. which embraces the notion that art can help to historical obsolescence, hell and paradise, your college, partnering with your local public Open to women artists, nationally and overcome hatred, racism, and injustice. The funerary art, boundaries of artistic media, television station, outreach materials or to internationally, who are 18 or older, working in exhibit is open to artists working in the media of iconoclasm, concept of the ruin, decadence, STE R Ll N G & fRAN Gl NEe LA R K ART INS TIT UTE brainstorm local outreach ideas contact: Valerie memento mori, apotheosis, fin-de-si'i?-Cle, any medium (except video or jewelry). Works photography, painting, print, watercolor, 3-D WfLLIAMSTOWN. MASSACI'IUSETTS 01261- Grabiel; 617/492-2777, ext.3827; valerie_grabie1@ must be original and completed within the last 2 art, and sculpture. Work must relate to the geocultural boundaries and colonialism, wgbh.org. pllld advertisement
14 CAA NEWS Jut Y 1999 CAA NEWS JULY 1999 15 • Call for Proposals working in such fields as anthropology, Research proposals are invited in all areas of humanities, social sciences, economics, and law. archaeology, art history, epigraphy, ethno humanistic study except educational curricu Max. duration for a TransCoop project is 3 years. history, history, linguistics, or multidisciplinary lum-building and the performing arts, and Funding may be used for short-term research Center on Contemporary Art (CoCA), Seattle, studies involving any suitable combination of should relate to the forum's topic for the year: visits; other travel, organizing conferences; seeks curatorial proposals from artists, curators, New York Academy of Art these classifications. For brochure outlining "Style." Preference will be given to candidates material and equipment; printing; research writers, etc., for its 2001 season. CoCA is looking policies, grant categories, requisite qualifica whose proposals are interdisciplinary, who have assistance, e.g. data collection and analysis. for show ideas, visual arts exhibitions, public tions, and application fOTIns: Granting not previously used the resources of the Applications must be submitted jointly by at art, video and installation work, and perior· Committee, FAMSI, 268 S. Suncoast Blvd., University of Permsylvania, and who would least 1 German and 1 U.S. and/ or Canadian mances that speak to its mission to bring Graduate School of Figurative Art Crystal River, FL 34429-5498; fax 352/795-1970; particularly benefit from and contribute to its scholar. For information: Stiftung Deutsch ambitious and innovative art to Seattle Full-Time and Part-Time MFA Programs [email protected]; http://WVoJw.famsLorg. intellecruallife. Annual stipend: $32,000. For Amerikanisches Akademisches Konzil, audiences. This is not a call for submissions by Deadline: Sepfember 30, 1999. information and application: http://www. TransCoop Program, Jean-Paul-Strasse 9, D- individual artists for their work All proposals & english.uperm.edu/ ~human; Wendy Steiner, 53173 Bonn; 0228+95677-0; fax 0228-95677-19; should include: written narrative explaining the Continuing Education Program Societe Kandinsky in Paris annOllllces the Perm Humanities Forum, 116 Bennett Hall, lich-knight®gaac.org. Deadline: October 30, 1999. concept and reasoning behind the ShOWi visual Non-Credit Figurative & Traditional Art Courses establishment of a fellowship of Fr 30,000 for University of Pennsylvania, Philadelphia, PA materials (slides or videotapes); artists' and/ or dodorallevel students and researchers who are 19104. Deadline: October 15, 1999. American Association of Museums Museum curators' biographical sketches or resumes; working on specific subjects concerning the life Assessment Program (MAP) have announced general cost estimate; SASE for return of and work of Vasily Kandinsky. Detailed U.S.-China Scholarly Exchange. Subject to the that they will now have 2 IMLS grant deadlines materials. Descriptions of past programs can be Summer Programs in Italy and Mexico proposals should be submitted in writing to the availability of ftmding, the Committee on each year. Institutional, Collections Manage found on CoCA's website: http://www.subpop. Societe Kandinsky by Odober 1 or April 1 each Scholarly Communication with China, ment, and Public Dimension Assessments coml coca. A peer-review committee sets the III Franklin Street, New York, NY 10013, 212/966-0300 year. Candidates will be selected by a jury administered by the American Council of offered. For infonnation: [email protected];202/ programming. For information or to send Fax: 212/966-3217, Web: www.nyaa.edu, E-mail: [email protected] comprising the members of the Scientific Learned Societies (ACLS), will offer 1999 289-9118. Postmarked deadlines: November 1, 1999 proposals: 65 Cedar.St., Seattle, WA 98121; Committee-and ratified by the full member competitions supporting study and research and March 15, 2000. [email protected]. Deadline: August 9, 1999. The New York Academy ofArt admits students ofany mel', color and national or ethnic origin. ship of the Societe. Students and researchers of during the 2000-2001 academic year. 1) National paid advcrfiscmcllt all nationalities are encouraged to apply. Please Program for Advanced Study and Research in Nonresidential Grants at the Getty Center. The send a detailed proposal together with a China, for students and scholars in the Getty Grant Program provides support to Grants and Fellowships advanced study are open to scholars from East 202/842-6482; fax 202/842-6733; http://www. covering letter and c.v. to: "Bourse Kandinsky," humanities and social sciences to do research in scholars at the senior, mid~career, and and South Asia who hold appropriate degrees in nga.gov / resources/ casva.hhn. Deadline: March Societe Kandinsky, Centre Georges Pompidou, China, excluding Hong Kong and Macau. U.S. postdoctoral levels to pursue projects on topics New York State Conservation/Preservation the field and/ or possess an equivalent record of 21,2000. F75191 Paris Cedex 04, France. Deadline: October citizens and permanent residents are eligible to that will advance the understanding of art and Discretionary Grant Program's purpose is to professional accomplishment. Knowledge of 1,1999. apply. Applicants should demonstrate that they its history. Although grantees are welcome to encourage proper care and accessibility of English is required. 2 Visiting Senior Research Canadian Studies Grant Programs are designed have fully utilized the available resources in the use the Getty library if their projects bring them research materials in the state, to promote the Fellowships will be awarded armually. The to increase knowledge and appreciation of Columbia University Society of Fellows in the U.s. and are prepared by virtue of study, to L.A., fellowships are nonresidential. Grant use and development of guidelines and fellows receive a stipend that includes travel, Canada in the United States through support of Humanities, with grants from the Andrew W. training, and planning to take full advantage of recipients pursue their research wherever standards for conservation/preservation research, and housing expenses. Deadline: teaching, researck and program activities in a Mellon Foundation, the William R Kenan Trust, an opportunity to do research in China. Funding necessary to complete their projects. Collabora practices, and to support the growth of local and September 21,1999. wide range of disciplines. Research Grant and the Arthur Vining Davis FOlllldation, will is provided by the NEH and the U.S. Informa tive research grants provide opportunities for cooperative preservation programs. 2-hour Senior Fellowship Program awards Program assists individual scholars or a group appoint a number of postdoctoral fellows in the tion Agency. Requests for application form must teams of scholars to collaborate on interpretive workshops are being offered where general approximately 6 senior fellowships and 12 of scholars in writing an article-length manu humanities for the academic year 200(}--2001. contain the following information: highest research projects, including the research and guidelines will be reviewed and instructions will visiting senior fellowships each year for study of script of publishable quality that contributes to a ( Fellows newly appointed for 2000--2001 must academic degree held and the date received; planning of scholarly exhibitions. Postdoctoral be provided for preparing the application. the history, theory, and criticism of art, better understanding of Canada, Canada-U.S. have received the Ph.D. betvveenJanuarv 1, country of citizenship or permanent legal fellowships provide scholars whose doctoral Schedule: August 26,1999, Syracuse; September architecture, and urbanism of any geographical relations, or Canada's place in North America. 1994, and July 1, 2000. Stipend: $30,000 (1/2 for residence; academic or other position; field of degrees have been conferred within the last 6 16,1999, Buffalo; September 23, 1999, Highland; area and of any period. Applicants should have Postmarked deadline: September 30,1999. Faculty independent research and other half for teaching specialization; proposed subject of research, years with 12-month periods of support to September 28, Bellport. For information: Julia G. held the Ph.D. for 5 years or more or possess a Enrichment (Course Development) Program in the undergraduate program in general proposed date for beginning tenure of the award pursue interpretive research projects. Curatorial Chiplock, Div. of Library Development, New record of professional accomplishment. Scholars provides faculty members with an opportunity education). An additional $1,000 is available to and duration requested; specific award program research fellowships provide 1-3 months of York State Library, 10-B-41 Cultural Education are expected to reside in Washington through to develop or redevelop a course with substan- support research. For application: Director, for which application is requested; and graduate support for curators to undertake independent Center, Albany, NY 12230; 518/474-6971; fax out their fellowship period and participate in the tial Canadian content that will be offered as part Society of Fellows in the Humanities, Heyman students should also include current level of research or study projects. Projects that advance 518/486-5254; jchiploc®mail.nysed.gov. activities of the center. All grants are based on of their regular teaching load. Postmarked Center-Mail Code 5700, Columbia University, graduate study, department and institution the professional scholarly development of individual need. Fellows are provided with a deadline: October 31,1999. Graduate Student 2960 Broadway, New York, NY 10027. Columbia where enrolled, and where the planned work curators are especially encouraged. For Fund for Creative Communities is an annual, study and subsidized luncheon privileges. The Fellowship Program offers doctoral students an University is an Affirmative Action/Equal would be conducted. Forms will be sent only to information: Getty Grant Program, 1200 Getty competitive, regranting program supported by center will also consider appointment of opportunity to conduct part of their dissertation Opportunity Employer. Deadline: October 15, potential applicants; we do not supply Center Dr., Ste. 1100, Los Angeles, CA 90049- the New York State COllllcil on the Arts and associates who have obtained awards for full research in Canada. The program is intended for 1999. application forms to institutional grant and 1688; 310/440-7392; fax 310/440-7782; residential administered by the Lower Manhattan Cultural time research from other granting instihttions full-time students at accredited 4-year colleges development offices. Postmarked Deadline: [email protected];http://wvvw.getty.edu Council. The program encourages and supports and would like to be affiliated with the center. and universities and whose dissertations are National Humanities Center Fellowships 2000- October 15, 1999. 2) Chinese Fellowships for grant/research2000. Deadline: November 1,1999 community conscious arts and cultural Deadline: October 1, 1999. related in substantial part to the study of 2001, Research Triangle Park, N.C. 35--40 Scholarly Development are awarded to Chinese (additional deadlines for Libranj Research Grants programming in Manhattan. Grants range from Samuel H. Kress/Ailsa Mellon Bruce Canada. Postmarked deadline: October 31,1999. residential fellowships for advanced shtdy in all students and scholars in the humanities and only: Jam/my 15, and June 15, 2000). $500 to $5000. For application guidelines: Lower Paired Fellowships for Research in Conserva Matching Grant Program provides matching fields of the humanities. Applicants must hold social sciences to do research in the U.S. The Manhattan Cultural COllllcil, Fund for Creative tion and Art History/Archaeology. Applications support for Canadian Studies programs and Ph.D. or equivalent credentials and have a recipients of these grants must be scholars or Residential Grants at the Getty Center. The Communities, 5 World Trade Center, Ste. 9235, are invited from teams consisting of 2 scholars: 1 projects that receive funding from fOlllldations record of publication. Stipend $35,000--$50,000. students from the People's Republic of China. Getty Research Institute provides support for New York, NY 10048; 212/432-1082 ext. 212. in art history, archaeology, or another related or othedunding from foundations or other Facilities include private studies, conference The funding is provided by the Starr Foundation scholars at the sernor, post-, and predoctoral Deadline: September 7, 1999. discipline in the humanities or social sciences, funding institutions. Matching Grants are rooms, central commons for dining, lounges, and the Li Foundation. For application: Office of levels to undertake research while in residence and 1 in conservation or materials science. usually provided on a 1:4 matching basis. No reading areas, reference library, fellows' Fellowships and Grants, ACLS, 228 E. 45th St., at the Getty Center in L.A. Research projects National Gallery of Art Center for Advanced Fellowship includes a 2-month period for field, deadline applies. For information: Academic workroom with office facilities and online New York, NY 10017-3398; fax 212/949-8058; must address the specific theme around which Study in the Visual Arts Fellowships, collections, and/ or laboratory research, followed Relations Office, Canadian Embassy, 501 access. For application and infonnation: [email protected]. Application materials will be each scholar year is organized; the theme for Washington, D.C. Visiting Senior Research by a 2-month residency period at the Center for Permsylvania Ave., N.W., Washington, DC Fellowship Program, National Humanities sent only by U.S. first-class mail or air mail to 2000-2001 is "Reproductions and Originals." Fellowship Program for Scholars from East and Advanced Shtdy, National Gallery of Art. 20001; 202/682-7717; fax 202/682-7791; daniel. Center, PO Box 12256, Research Triangle Park, addresses abroad. Completed applications must The residential grant categories are: Getty South Asia. Fellowships include a period of 2 Applicants will be considered for study in [email protected];http://www.canadian NC 27709-2256. Postmarked deadline: October 15, be submitted by mail only. Postmarked deadline: Scholars, 9-month fellowships for senior months at the center for research in Washington history and conservation of the visual arts of any embassy.org. 1999. November 1, 1999. scholars; Postdoctoral Fellows, 2-year fellow libraries and collections, followed by an geographical area and any period. A focus on ships for scholars whose doctoral degrees have additional 2 months of travel to visit collections, National Gallery collections not required. Open Foundation for the Advancement of University of Pennsylvania 2000-2001 Mellon TransCoop: Across the Atlantic, the German been conferred within the last 6 years; libraries, and other institutions in the U.S. to applicants who have held the appropriate Mesoamerican Studies (FAMSI). Annual grants Postdoctoral Fellowships in the Humanities. 5 Federallvl:inistry for Education and Research Predoctoral Fellows, 2-year fellowships for Applications will be considered for study in the terminal degree for 5 years or more and who provide assistance for scholarly investigations of postdoctoral fellowships are available for (BMBF) in Bonn has made ftmds available to doctoral candidates who have completed their history, archaeology, theory, and criticism of art, possess a record of professional accomplish Pre-Columbian Cultures of Mesoamerica untenured scholars whose Ph.D.s were awarded support joint research projects among German, qualifying examinations; and Visiting Scholars, architecture, and urbanism of any geographical ment. For information and application: CASVA, (limited to present Mexico, Guatemala, Belize, between December 1991 and December 1999. U.S., and / or Canadian scholars in the fields of 1-3-month fellowships for senior scholars area of any period. These fellowships for National Gallery of Art, Washington, DC 20565; Honduras, and El Salvador). Applicants may be
16 CAANEWS JULY1999 CAA NEWS 1UL Y 1999 17 • plUsuing independent research. In addition, the Internship use by the public, free of charge, at the center's Visual Resources: An Iutemational Journal of Classified Ads Research Institute also offers Library Research libraries in New York, Washington, D.C., Documelltation is a journal devoted to the study Information Exchange Grants. These awards provide partial short-term Oeveland, San Francisco, and Atlanta, as well as of images of work,<; of art and architecture and Children's Studio School is a community arts CAA News accepts classified ads of a professional or support to scholars at all levels to pursue at most of the center's cooperating collections their use. The process by which these images are organization and school where visual, perform semiprofessional nature. $1.25/word for members, independent projects that will benefit from across the country. 1999 Guide to U.S. Founda made, organized, and ultimately utilized is ing arts, architecture, and writing form the total $2.00/word for nonmembers; $15 millimum. research in the collectiofL'> housed in the Getty tions, Their Trustees, Officers, and Donors is a investigated. It hopes to incite further experi A Historical Overview of Past Day With(out) means of education for young children. Interns Classified ads must be prepaid. CAA News also library. For information: Getty Research source of fads on independent, corporate, and mentation and speculation about the potential Art Projects: Visual AIDS seek,<; outlines of assist artists/teachers and/ or arts management. accepts boxed display advertising throughout the Institute, 1200 Getty Center Dr., Ste. 1100, Los community foundations in the U.S. $215 plus uses of visual materials, and to increase the successful past Day With(out) Art programs, Strong arts/humanities background, experience publication. Contact the listings editor, kgrimsby@ Angeles, CA 90049-1688; 310/440-7392; fax 310/ $4.50 for shipping of 1 copy and $2.50 for appreciation of visual documentation. Each from organizations and artists, for use as role with young children, good communication volume contains 4 issues. For information: collegeart.org or 212/691-1051, ext. 217, for details. model projects on a new "how to" website. The 440-7782; [email protected];http:/ / skills, high interest in understanding and shipping of each additional copy. FOImdatioll http://www.gbhap.com/Visual_Resources/.To site will give examples of previous, successful www.getty.edu/grant/research2000. Deadline: developing within school's philosophy. Send DirectonJ and DirectonJ Part 2 is an authority order: PO Box 32160, Newark, NJ 07102; 800/ initiatives undertaken across the country. Please November 1, 1999 (additional deadlines for Library resume and statement of your understanding of on foundation and corporate philanthropy. Research Grants only: la/man) 15, and June 15, Provides information on more than 15,000 545-8398; fax 973/643-7676. submit I-paragraph project summaries with a 1- school's educational approach to: Children's 2-page project outline explaining processes 2000). Studio School, 1301 V St., N.W., Washington, DC independent, company-sponsored, community, Apartment, Central Italy: Umbrian countryside, and operating foundations. $215 hardcover; $185 panoramic views. 2 BR, fireplace, use of studio. leading to and involving the event, collaborative 20009~ 202/387-6148, 5880. Center for Advanced Judaic Studies, University paper. To order: 800/424-9836; fax (with return Residency Ideal for artist, writer, etc. Available May partnerships, internal relationships/partner of Pennsylvania postdoctoral fellowships, 2000- address and credit card number) 212/807-3691; September, weekly, monthly. 617/739-1393; ships, audience, evaluation, press coverage, and budget/ donations/ sponsorship. Barbara Hunt 2001, "Modern Jewry and the Arts." CAJS will http://www.fdncenter. org; Foundation Center, Canadian Centre for Architecture's Visiting Euroart®aol.com. Online or Rebecca Price, Visual AIDS, 526 W. 26 St., no. devote its 2000-2001 seminar theme of Jewish Dept. NW31, 79 5th Ave., New York, NY 10003- Scholars Program 2000-2001 is established to 510, New York, NY 10001 212/627-9855; involvement in the arts in the modem era. 3076. encourage advanced research in architectural Cuernavaca, Mexico: Elegant, comfortable [email protected]. Among the questions it will consider are: What American Craft Council Online, http://www. history and thought for scholars and architects furnished 2-bedroom apartment with garden is the connection between Jewish identity and craftcouncil.org, provides information and Guide to Work Experieuce in the Visual Arts, conduding research at postdoctoral or and pooi. Private entrance. $750/ week resources for both the craft world and the Researching Artist's Websites, seeking any Jewish artistic creativity in modem times? How produced by the Association of Art Historians equivalent level. It seeks to encourage scholarly Telephone (Mary): 011-52-73-117907. general public in text and images. Site includes information and material on the artist's did the Jewish influx into the arts affect the (AAH) Student Group, written by Sophie work that engages in a discussion on architec considerations in developing and designing his evolution of modem Jewish culture, and the information on American Craft magazine, a Matthiesson. This guide has been written to help ture as a cultural endeavor. Applicants are Exceptional Art Book Inventory for Sale. or her own websites, i.e. sell-presentation, sell relations between Jews and non-Jews? How comprehensive library on 20th-century art history students initiate and set up voluntary invited to submit proposals in the following Ideally suited for an art research library, promotion, etc., which may be used in an have Jews represented themselves in art, music, American craft, and a full schedule of juried work experience in the area of their interest. It areas of study: "Architecture and the Critical specialist bookdealer or bibliophile. Collection of upcoming book on the web. Contact Eva Pariser; architecture, theater, and film? What has been retail and wholesale markets. emphasizes the real benefit.'> of such work and, Debate after 1945" and "The Phenomenon· of approximately 10,000 volumes of scholarly out Paryser®aol.com. the place of theater and museums in disseminat in particular, the longer-term strategic value of Paradigm Shifts in Architecture since Antiq of-print art books in all subjects including fine ing Jewish culture and art? Scholars of modem National Endowment for the Arts announces acquiring professional skills in a nonacademic uity." Residency at the center may extend for arts, tribal, decorative arts, architecture, and new arts resource available on website, http:// Skowhegan School of Painting and Sculpture Jewish history and culture, as well as those art context. For information: Andrew Falconer, periods of 3-8 months, beginning in September, photography, To be sold only in its entirety. hopes to publish selections from its audio outside the field who combine an interest in arts.endow.gov/pub/Lessons/, to assist AAH, Cow Cross Ct., 77 Cow Cross St., London, January, and May of each year. The CCA will phone/ fax 313/961-5140; metropolis@ nonprofit arts organizations in managing the archive of artist lectures. We are considering Jewish life with expertise in the fields of art, ECIM 6BP; 0171-490-3211; fax 0171-490-3277; provide a monthly stipend ranging from ameritech.net. various challenges they face. various media and are wondering if any other architecture, music, theater, and film are invited admin.aah@btinternet. com. Can$3,OOO to Can$5,000, determined on the basis organizations are planning similar projects. If to apply. Professional artists and musicians with of the candidate's professional achievements Florence: Unique small penthouse, historic you have any information, please contact the scholarly interests and with a relevant scholarly New Observations, a nonprofit, contemporary and publication record. For information and center, spectacular terrace, completely school at 212/529-0505. project are also encouraged to apply. Graduate Publications arts journal, is pleased to announce the ( application forms: Study Centre, CCA, 1920 rue furnished, elevator, AC, washing machine, 2 students in the final stages of writing their publication of the Spring 1999, Issue #121, "A Baile, Montreal, Quebec, Canada H3H 2S6; 514/ persons, 4-month min. rental. References dissertations may also apply. For infonnation: American Federation of Arts (AFA) has Memory Palace." New Observations publishes art 939-7000; fax 514/939-7020; [email protected]. required. 508/877-2139. CA]S, 420 Walnut St., Philadelphia, PA 19106; published transcripts from "A Unique and writing of international artists on topics that Deadline: November 1, 1999. 215/238-1290; fax 215/238-1540; allenshe@sas. Perspective: Exploring the Big Impact of Small reach beyond the parameters of the New York French Painting Workshop: II-day vacation, upenn.edu. Deadline: November 30, 1999. Museums," 5th Annual Directors Forum, New art scene. Each issue is developed from bliss, sunflowers, all levels. $2,188. Or rent rural York, fall 1998. The forum provides a singular proposals submitted to the magazine. 1 year, 4 Workshop medieval village home. 707/823-9663; http:/ / Heritage Preservation 2000 Conservation opportunity for leaders of smaller art museums issues: $22 (USA); 2 years, 8 issues: $38 (USA); www.artfully.com. Assessment Program (CAP) grants are available, to engage with leaders in the museum world, overseas, add $12/year for postage. Back issues Introduction to Management of Museum contingent on Congressional appropriations for the arts, government, and business, and to available. For information: New Observations, 611 Gay and Lesbian Caucus. For a free copy of Collections, September 13-17, 1999, FY 2000. Funded by the Institute of Museum and Broadway #701, New York, NY 10012; 212/677- newsletter and membership application: network with colleagues. The publication of the Smithsonian Institution. For those who are Library Services (IMLS) and administered by 8561; mail@newobservatiofL,>.org;http://www. Jonathan Weinberg, PO Box 208272, New transcripts, available to art museum profession responsible for planning, managing, coordinat Heritage Preservation, CAP provides matching als only, is made possible by the Joe and Emily newobservations.org. Haven, CT 06520-8272; jonathan. weinberg@ ing, delegating, and performing collection care grants for a general conservation assessment or yale.edu. Lowe Foundation. Include your title and and management activities; special emphasis on survey of a museum's collections, environmental institution in the request. For transcripts or staff from institutions having budgets less than conditions, and sites. A max. of 2 expert information about the 6th Annual Directors Manhattan (Greenwich Village): 2 one room $250,000. Cost $350. For information: Bettie Lee, assessors for each of 5 institutions will be Forum, scheduled for November 7-9, 1999: John RICHMOND studio apartments. 2 day min. $95 per night. THE AMERICAN INTERNATIONAL UNIVERSITY IN LONDON Center for Museum Studies, Smithsonian funded through CAP. For information: CAP, 212/677-4571. W. Nichols, AFA~ [email protected]~ 800/232- Institution, MRC 427, Washington, DC 20560; Heritage Preservation, 1730 K St., N.W., Ste. 566, 0270, ext. 39. Intercultural MA in Art History 202/633-8990; fax 202/357-3346; [email protected]. Washington, DC 20006-3836; 202/634-1422; fax Renaissance, Modernism Paris/Marais: Apartment, fully furnished, edu; http://vvww-.si.edu/ cms/train.htm. 202/634-1435. Postmarked deadline: December 1, Art Infonnation alld the Internet: How to Filld & Post-Colonial Theory chann, calm, luminous, all conveniences, Sept. 1. 1999. It, How to Use It, by Lois Swan Jones. Shows Central London location 212/367-7641. researchers how to locate art information online One year degree program American Antiquarian Society (AAS) 2000- and how to supplement with information in Optional semester in Florence See the real New York! Friendly B&B Green 2001 Research Fellowships for short- and long other formats to produce the best possible US accredited wich Village artist's loft. Sell catering available. term visiting research at the society's headquar research results. Describes the methodology and BA/BS also offered in 17 areas, 212/614-3034; fax 212/674-3393; dp_ml@ ters in Worcester, Mass., will be awarded to resources that art researchers need. $45 paper. including Art History earthlink.net. qualified scholars. The country's first national For information: http://www.oryxpress.com/ Office of Graduate Admissions historical organization, the AAS is both a excerpts. learned society and a major independent library. 16 Young St Box CA London W8 5EH UK Fellowships offered vary in time-frame and Foundation Center has published FC Search: Tel: +44 (0)1713688489 requirements for pre- and postdoctoral scholars, The Foundation Center's Database on CD-ROM, foreign and U.S. citizens. For brochure: John B. Ver. 3.0, providing grantmaker and grants Fax: +44 (0)171 3760836 i) e-mail: [email protected] Hench, Rm. A, AASD, 185 Salisbury St., information. License: $1,195/ single user; $1,895/ www.richmond.ac.uklmaarthis Worcester, MA 01609-1634; 508/755-5221; local area network Fe Search is also available for [email protected]. Deadline: January 15, 2000. pard advcrlrswreuf
CAA NEWS JULY 1999 18 CAA NEWS JULY] 999 19 •