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Course of Study for the Teaching of Music in the Junior High Schools of Lethbridge, Alberta, Canada
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1967 Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada Mary Helene Wadden The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Wadden, Mary Helene, "Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada" (1967). Graduate Student Theses, Dissertations, & Professional Papers. 1926. https://scholarworks.umt.edu/etd/1926 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A COURSE OF STUDY FOR THE TEACHING OF MUSIC IN THE JUNIOR HIGH SCHOOLS OF LETHBRIDGE, ALBERTA, CANADA by Sister Mary Helene Wadden B. Mus. Manhattanville College of the Sacred Heart, 19^0 B. Ed, University of Alberta, 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music UNIVERSITY OF MONTANA 1967 Approved by: A -{ILCaAJI/I( (P A —— Chairman, Board of Examiners De^, Graduate School m1 9 Date UMI Number: EP34854 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Smörgåsbord: Lucy Dacus Displays Her Range with New EP “2019”
Smörgåsbord: Lucy Dacus displays her range with new EP “2019” graphic by Jennifer Ren Indie rock singer-songwriter Lucy Dacus has been steadily climbing her way into the spotlight. Her “2019” EP dropped November 8, capitalizing on her streak of popularity. Last year her sophomore record “Historian” hit #39 on the UK Independent Albums chart. She also debuted the band boygenius with fellow indie musicians Phoebe Bridgers and Julien Baker to widespread acclaim. Most recently, on the same night of her EP release, Dacus opened for alternative pop star Lana Del Rey’s live show at Chicago’s Aragon Ballroom, and was invited to perform her song “Night Shift” during the show itself. In such a time when critics and fans alike are singing Dacus’ praises, her latest work only compounds her relevancy. “2019” is a collection of three original tracks and four covers, each themed around holidays or other days of the year significant to Dacus. Over the course of its namesake year, Dacus released almost every song close in date to its respective inspiration. The exception was the EP-exclusive “Fool’s Gold,” a melancholy tribute to New Year’s. She started off this project back in February, releasing a cover of the romantic classic “La Vie Smörgåsbord: Lucy Dacus displays her range with new EP “2019” En Rose” for Valentine’s Day. This song has been performed and recorded by many since its original release in 1947, but Dacus’ take is unique to her style and sound. She utilizes the guitar-driven indie rock that she built her name off to turn the popular cover into a track that could have been an original. -
Pioneer 3-3-2021
Volume 76, Issue 4 Wednesday, March 3, 2021 www.liupostpioneer.com Censorship in the Land Down Under: Facebook Bans News in Australia Students Outraged Over Work-Study Only Policies For Campus Jobs had 17 hours of work per week, after letting go so many budget which is the maximum for stu- students. dents. In September, Dr. Frye [the “I wanted a tutor [for a chem- professor I previously worked for] istry class]. It took until about was having a hard time re-hiring November or late-October, I want Facebook has been under scrutiny me, so I was still working solely to say, for someone to realize that in the media due to allegations that for my boss in education 17 hours they needed to hire people to be the company is suppressing free- a week. But sometime around tutors based on their qualifications dom of speech the beginning of October, we find rather than how little they could be pg 4 out that I’m not going to get paid paid. So, I finally got a chemistry because [the school] fired me back tutor about five weeks too late, and The Experience of Being Black at the beginning of the school year, I ended up dropping the class,” on Broadway and somehow failed to tell my Harris said. boss,” Harris said. Sophomore musical theatre ma- “It was very easy to convince jor BrayLynn Willis is also disap- them to pay me because it would pointed that the school no longer have been too obviously illegal hires students without work study. -
Gender & Society
~Draft: Schedule and Materials Subject to Revision~ GSWS 002: GENDER & SOCIETY Summer Session II July 1st-August 6th, 2021 Synchronous Zoom sessions will be held for conversation, review, and classroom community on Tuesdays and Thursdays, 9:00-11:00 am EST. All other course lectures, activities, and assessments will be asynchronous. Course Instructor: Alicia Meyer (she/her) Email: [email protected] Office Hours: by appointment via Zoom, chat session, or phone Course Description: This course will introduce students to the ways in which sex, gender, and sexuality mark our bodies, influence our perceptions of self and others, organize families and work like, delimit opportunities for individuals and groups of people, as well as impact the terms of local and transnational economic exchange. We will explore the ways in which sex, gender, and sexuality work with other markers of difference and social status such as race, age, nationality, and ability to further demarcate possibilities, freedoms, choices, and opportunities available to people. Required Texts: All reading assignments will be PDFs or other forms of electronic media made available through Canvas. There are several films and clips that we will watch that are available through Canvas and Van Pelt Library. Assignments and Evaluation: Attendance and Participation: 30% Attendance is required. If you need to miss a class, please reach out to me beforehand. You are permitted to take one absence, but, because this is an accelerated course, any further absences will result in a deduction of your final grade. If you have difficulties or are in a unique situation regarding time-zones, travel, quarantine, caregiving, work, or other challenges, please reach out to me ASAP so that we can create a plan together that will allow you to participate in the class. -
Dance-Charts.De
Dance Charts Monat 08 / Jahr 2016 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 5 IMANY DON'T BE SO SHY (FILATOV & KARAS REMIX) ISLAND 5851 +4 1 3 2 7 ALLE FARBEN FEAT. YOUNOTUS PLEASE TELL ROSIE SONY 3377 +5 2 4 3 15 GESTÖRT ABER GEIL SO SCHMECKT DER SOMMER KONTOR 3249 +12 3 3 4 11 MARTIN SOLVEIG FEAT. TKAY MAIDZA DO IT RIGHT UNIVERSAL 3177 +7 4 4 5 3 KUNGS VS. COOKIN' ON 3 BURNERS THIS GIRL UNIVERSAL 3047 -2 3 5 6 2 JUSTIN TIMBERLAKE CAN'T STOP THE FEELING SONY 2922 -4 2 4 7 14 ALAN WALKER SING ME TO SLEEP SONY 2681 +7 7 3 8 20 NAXWELL I.O.U. SOUNDS UNITED 2539 +12 8 2 9 157 FELIX JAEHN FEAT. ALMA BONFIRE UNIVERSAL 2308 +148 9 2 10 AARON AMBROSE FEAT. PAULINA MOONLIGHT SHADOW A45 / SPLASHTUNES 2238 0 10 1 11 16 DJ COMBO & PAPAJAM FT. TONY T & DJ BOOM BOOM KHB MUSIC 2093 +5 11 2 RAPHAEL 12 323 KERSTIN OTT SCHEISSMELODIE UNIVERSAL 1828 +311 12 2 13 10 STEREOACT DER HIMMEL REISST AUF KONTOR 1827 -3 8 4 14 6 SIA FEAT. SEAN PAUL CHEAP THRILLS RCA 1725 -8 3 6 15 1 CALVIN HARRIS FEAT. RIHANNA THIS IS WHAT YOU CAME FOR SONY 1669 -14 1 4 16 4 ALAN WALKER FADED SONY 1505 -12 1 7 17 DJ TERRITO BACK TO YOU KHB MUSIC 1314 0 17 1 18 22 KLUBBINGMAN & ANDY JAY POWELL STARS IN YOUR EYES KLUBBSTYLE 1303 +4 18 2 19 13 CREW 7 & JANE VOGUE CONGA ANDORFINE RECORDS 1210 -6 13 3 20 27 GALANTIS NO MONEY WARNER 1168 +7 20 5 21 9 STEREOACT FEAT. -
Zola.’ (AP) Song of the Summer
ARAB TIMES, THURSDAY, JULY 1, 2021 NEWS/FEATURES 13 People & Places Music Dacus sings young love Cat album falters at fi rst but ends strong By Mark Kennedy ot to be totally catty, but Doja Cat’s third album Nstarts poorly. The first four songs — “Woman,” “Naked,” “Payday” with Young Thug and “Get Into It (Yuh)” — are half-baked tunes mimicking beats and vocals from Nicki Minaj or Rihanna. None are note- worthy. It’s depressing. What happened to the artist behind 2019s “Hot Pink,” a sonic breath of fresh air? What happened to the Doja Cat whose electric performance of “Say So” at the Grammys was reminiscent of Missy Elliott’s futurism? Just wait. The fi fth song, “Need to Know,” is a superb, steamy sex tape of a song (with Dr. Luke co-writing and producing) and the sixth, “I Don’t Do Drugs” featuring Ariana Grande, is airy and confi dent with heav- enly harmonies. “Love to Dream” follows, a slice of dreamy pop, and then The Weeknd stops by on a terrifi c, slow-burning “You Right.” Cat The Cat is back. From then on, the 14-track “Planet Her” rights itself with whispery pop songs and the envelope-pushing “Options” with JID, climaxing with the awesome “Kiss Me More,” the previously released single with SZA that has a Gwen Stefani-ish refrain and must be considered a strong contender for This image released by A24 shows Riley Keough, (left), and Taylour Paige in a scene from ‘Zola.’ (AP) song of the summer. Despite the weak start, Doja Cat fulfi lls her promise on “Planet Her,” with an exciting, unpredictable style and a vocal ability that can switch from buttery sweet- Film ness to cutting raps. -
Exhibits 5 Through 8 to Declaration of Katherine A. Moerke
10-PR-16-4610'PR'16'46 Filed in First Judicial District Court 12/5/201612/5/2016 6:27:08 PM Carver County, MN EXHIBITEXHIBIT 5 10-PR-16-46 Filed in First Judicial District Court 12/5/2016 6:27:08 PM Carver County, MN Reed Smith LLP 599 Lexington Avenue New York, NY 10022-7650 Jordan W. Siev Tel +1 212 521 5400 Direct Phone: +1 212 205 6085 Fax +1 212 521 5450 Email: [email protected] reedsmith.com October 17, 2016 By Email ([email protected]) Laura Halferty Stinson Leonard Street 150 South Fifth Street Suite 2300 Minneapolis, MN 55402 Re: Roc Nation LLC as Exclusive Rights Holder to Assets of the Estate of Prince Rogers Nelson Dear Ms. Halferty: Roc Nation Musical Assets Artist Bremer May 27 Letter Nation, and its licensors, licensees and assigns, controls and administers certain specific rights in connection with various Artist Musical Assets. Roc Nation does so pursuant to agreements between the relevant parties including, but not limited to, that certain exclusive distribution agreement between Roc MPMusic SA., on the one hand, and NPG Records, Inc. NR NPG Distribution Agreement recordings and other intellectual property rights. The Distribution Agreement provides that the term of the Distribution Agreement is the longer of three years or full recoupment of monies advanced under the Distribution Agreement. As neither of these milestones has yet occurred, the Distribution Agreement remains in full force and effect. By way of background, and as highlighted in the May 27 Letter, Roc Nation and NPG have enjoyed a successful working relationship that has included, among other things, the Distribution involvement of Roc Nation in various aspects o -owned music streaming service. -
February 12, 2019: SXSW Announces Additional Keynotes and Featured
SOUTH BY SOUTHWEST ANNOUNCES ADDITIONAL KEYNOTES AND FEATURED SPEAKERS FOR 2019 CONFERENCE Adam Horovitz and Michael Diamond of Beastie Boys, John Boehner, Kara Swisher, Roger McNamee, and T Bone Burnett Added to the Keynote Lineup Stacey Abrams, David Byrne, Elizabeth Banks, Aidy Bryant, Brandi Carlile, Ethan Hawke, Padma Lakshmi, Kevin Reilly, Nile Rodgers, Cameron and Tyler Winklevoss, and More Added as Featured Speakers Austin, Texas — February 12, 2019 — South by Southwest® (SXSW®) Conference and Festivals (March 8–17, 2019) has announced further additions to their Keynote and Featured Speaker lineup for the 2019 event. Keynotes announced today include former Speaker of the U.S. House of Representatives John Boehner with Acreage Holdings Chairman and CEO Kevin Murphy; a Keynote Conversation with Adam Horovitz and Michael Diamond of Beastie Boys with Amazon Music’s Nathan Brackett; award-winning producer, musician and songwriter T Bone Burnett; investor and author Roger McNamee with WIRED Editor in Chief Nicholas Thompson; and Recode co-founder and editor-at-large Kara Swisher with a special guest. Among the Featured Speakers revealed today are national political trailblazer Stacey Abrams, multi-faceted artist David Byrne; actress, producer and director Elizabeth Banks; actress, writer and producer Aidy Bryant; Grammy Award-winning musician Brandi Carlile joining a conversation with award-winning actress Elisabeth Moss; professional wrestler Charlotte Flair; -
FESTIVAL INFO 2019 Photo: Rob Humm Photo: VILLAGE GREEN STAGE Our Beautiful Saddlespan Stage Is Back!
FESTIVAL INFO 2019 Photo: Rob Humm VILLAGE GREEN STAGE Our beautiful Saddlespan Stage is back! 11:20-11:50 14:40-15:10 18:20-19:20 THE BIG SING BECKIE MARGARET FUN LOVIN’ CRIMINALS This massive choir have performed “Beckie Margaret combines the mystic Led by Huey Morgan, Fun Lovin’ Criminals are alongside Ellie Goulding, London Community beauty of Kate Bush with Dusty Springfield’s still the finest and only purveyors of Gospel Choir, Jamie Oliver & Leona Lewis. sombre reflections” - The Line Of Best Fit cinematic hip-hop, rock ’n’ roll, blues-jazz, Winners of BBC Songs of Praise Gospel Latino soul vibes. Choir of the Year Competition in 2017. 15:30-16:10 ASYLUMS 20:00-21:00 12:10-12:40 “What Southend quartet Asylums have BUSTED KILLATRIX delivered with ‘Alien Human Emotions’ is a Formed in Southend-on-Sea in 2000, Busted A unique hybrid of party-rock-electronica. soundtrack to the modern age.” - Kerrang! have had four UK number-one singles, won As selected to play by the Village Green KKKK two Brit awards and have released four studio Industry panel . albums, selling in excess of five million records. 16:50-17:40 Metal are hugely excited to have secured 13:00-13:30 SNOWBOY Busted to close the popular Village Green Stage KATY FOR KINGS & THE LATIN SECTION as the sun goes down on the festival! “Luck struck” Back by popular demand! - Europe’s leading Katy For Kings is making waves at 18, and is Afro-Cuban Jazz group. From their debut MIDDLE AGE SPREAD showing no signs of slowing down. -
2019-2020 Annual Review 2 Table of Contents
2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year. -
How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry
Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2019 Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry Laura Kozel Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Kozel, Laura, "Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry" (2019). Law School Student Scholarship. 1019. https://scholarship.shu.edu/student_scholarship/1019 ABSTRACT Despite improvements in female visibility and a number of movements pushing for equality in recent years, gender imbalance continues to plague the world of entertainment. While strides have been made to achieve parity in the film industry, little progress has been made to achieve the same in music where the disproportionality of females is even worse. Females are chronically underrepresented across virtually all aspects of music, both on-stage and off-stage, whether it be as musicians or as executives, which subsequently effects the amount of nominations, as well as awards that females in music receive. The implementation of inclusion riders in Hollywood has demonstrably improved female representation in popular films, but until now inclusion riders have not been applied to the music industry. This paper explores the application of inclusion riders to the music industry in order to remedy a long-standing history of female exclusion, as well as increase visibility for the vast number of talented females in the music industry that deserve the same opportunities and recognition, but until now have remained invisible.