Il Futuro (The Future)
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The Dub Encounter in New Zealand Film
MEDIANZ VOL 17 NO 2 • 2017 https://doi.org/10.11157/medianz-vol17iss2id190 - ARTICLE - The Dub Encounter in New Zealand Film Alan Wright Abstract Peter Wells takes ‘dubbing’ as a metaphor to describe the cultural and cinematic experience of projecting ‘our thoughts, desires and dreams … into other peoples’ accents’ (2005, 25). Only when ‘the element of dubbing is removed from our speech on film’ will New Zealand cinema find its own voice. I use the idea of dubbing to advance a theoretical reading of New Zealand film that undoes the binary between local and global. I explore this unheimlich quality in reference to the films of John O’Shea, Barry Barclay and Florian Habicht. I examine the rupture that these directors introduce between voice and image in order to discover a poetics of identity that is attuned to a disjunct experience of place, time and history beyond the limits of national cinema. Peter Wells tells the story o, his first rapturous encounter with the ‘mystery of cinema’ in On Going to the Movies, a personal essay on the growing pains of New Zealand film and its tentative attempts to find a voice of its own (2005, 39). As a young boy growing up in New Zealand in the 1950s, he would sit in the kitchen for hours looking through a ‘cheap plastic viewer’ at stills from Hollywood movies or Queen Elizabeth’s Coronation, immersed in the visual spectacle, inventing scenes and stories that would complete the missing picture. But the magic of those moments is enhanced rather than diminished in Wells’ memory by the gap between reality and desire. -
Spetters Directed by Paul Verhoeven
Spetters Directed by Paul Verhoeven Limited Edition Blu-ray release (2-disc set) on 2 December 2019 From legendary filmmaker Paul Verhoeven (Robocop, Basic Instinct) and screenwriter Gerard Soeteman (Soldier of Orange) comes an explosive, fast-paced and thrilling coming- of-age drama. Raw, intense and unabashedly sexual, Spetters is a wild ride that will knock the unsuspecting for a loop. Starring Renée Soutendijk, Jeroen Krabbé (The Fugitive) and the late great Rutger Hauer (Blade Runner), this limited edition 2-disc set (1 x Blu-ray & 1 x DVD) brings Spetters to Blu-ray for the first time in the UK and is a must own release, packed with over 4 hours of bonus content. In Spetters, three friends long for better lives and see their love of motorcycle racing as a perfect way of doing it. However the arrival of the beautiful and ambitious Fientje threatens to come between them. Special features Remastered in 4K and presented in High Definition for the first time in the UK Audio commentary by director Paul Verhoeven Symbolic Power, Profit and Performance in Paul Verhoeven’s Spetters (2019, 17 mins): audiovisual essay written and narrated by Amy Simmons Andere Tijden: Spetters (2002, 29 mins): Dutch TV documentary on the making of Spetters, featuring the filmmakers, cast and critics of the film Speed Crazy: An Interview with Paul Verhoeven (2014, 8 mins) Writing Spetters: An Interview with Gerard Soeteman (2014, 11 mins) An Interview with Jost Vacano (2014, 67 mins): wide ranging interview with the film’s cinematographer discussing his work on films including Soldier of Orange and Robocop Image gallery Trailers Illustrated booklet (***first pressing only***) containing a new interview with Paul Verhoeven by the BFI’s Peter Stanley, essays by Gerard Soeteman, Rob van Scheers and Peter Verstraten, a contemporary review, notes on the extras and film credits Product details RRP: £22.99 / Cat. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Homenaje Especial: Rutger Hauer Rutger Especial: Homenaje Homenaje Especial: Rutger Hauer Rutger Especial: Homenaje Fantástico Fantástico Fantástico
FANTÁSTICOFANTÁSTICOFANTÁSTICO HOMENAJE ESPECIAL:FANTÁSTICOFANTÁSTICOFANTÁSTICO RUTGER HAUER 5 5 1 0 1 0 HOMENAJE ESPECIAL: RUTGER HAUER 5 5 FANTÁSTICOFANTÁSTICOFANTÁSTICO FANTÁSTICOFANTÁSTICOFANTÁSTICO 5 5 2 3 2 3 5 5 FANTÁSTICOFANTÁSTICOFANTÁSTICO Rutger Hauer Biography HOMENAJE ESPECIAL:FANTÁSTICOFANTÁSTICOFANTÁSTICO RUTGER HAUER 5 5 Starring in almost 100 films to date, Rutger Con casi cien películas hasta la fecha, Rutger Hauer, el carismático actor holandés nacido en 2 3 2 Hauer - the charismatic Dutch actor born Breukelen en 1944, continúa creando una amplia gama de personajes memorables: como 3 5 in Breukelen in 1944 - continues to create a 5 replicante inteligente y brutal en la película de Ridley Scott Blade Runner, como el valiente broad range of memorable characters. As the intelligent yet brutal replicant in Ridley Scott’s luchador underground en Eric, oficial de la reina o como la amenaza de sombrío corazón en “Blade Runner,” the brave underground fighter Carretera al infierno. Hauer es un poderoso actor que revela belleza y tragedia en todos los in “Soldier of Orange” or the dark-hearted personajes que retrata. menace in “e Hitcher,” Hauer is a powerful actor who reveals beauty and tragedy in all of the characters he portrays. En 1973, Hauer salta a la escena del cine internacional con la obra de Paul Verhoeven Delicias Turcas, basado en una controvertida novela del escritor holandés Jan Wolkers. La In 1973, Hauer burst onto the international film scene in Paul Verhoeven’s película recibió una nominación a la Academia como mejor película extranjera en 1979. “Turkish Delight”, based on a controversial novel by Dutch writer Jan Wolkers. -
Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box O Ce?
Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box O±ce?¤ Arthur De Vany Department of Economics Institute for Mathematical Behavioral Sciences University of California Irvine, CA 92697 USA W. David Walls School of Economics and Finance The University of Hong Kong Pokfulam Road Hong Kong Abstract Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduce risk? We investigate these ques- tions using a sample of over 2000 motion pictures. We discover that the movies are very risky indeed. Box-o±ce revenue dynamics are a Le'vy stable process and are asymptotically Pareto-distributed with in¯nite variance. The mean is dominated by rare blockbuster movies that are located in the far right tail. There is no typical movie be- cause box o±ce revenue outcomes do not converge to an average, they diverge over all scales. Movies with stars in them have higher revenue ¤This paper was presented at the annual meeting of the American Economic Associa- tion, New York, January 1999. Walls received support from the Committee on Research and Conference Grants of the University of Hong Kong. De Vany received support from the Private Enterprise Research Center of Texas A&M University. 1 expectations, but in¯nite variance. Only 19 stars have a positive cor- relation with the probability that a movie will be a hit. No star is \bankable" if bankers want sure things; they all carry signi¯cant risk. The highest grossing movies enjoy long runs and their total revenue is only weakly associated with their opening revenue. -
Those Moments: Stories of Heroes, Villains, Replicants and Blade Runners Kindle
ALL THOSE MOMENTS: STORIES OF HEROES, VILLAINS, REPLICANTS AND BLADE RUNNERS PDF, EPUB, EBOOK Rutger Hauer | 254 pages | 06 May 2008 | HarperCollins Publishers Inc | 9780061133909 | English | New York, NY, United States All Those Moments: Stories of Heroes, Villains, Replicants and Blade Runners PDF Book Jul 29, Marie rated it it was amazing. Read more Those times he thinks of it as not being Roy. To view it, click here. The book itself is told in a light, breezy style, as if you were sitting down having a chat with him and Hauer comes across very well - loyal to his beloved wife and friends, intelligent and funny, aware of how lucky he is but also willing to work hard - and I liked him even more by the time I was finished reading. HarperCollins Publishers. He added this to the final scene, on the fly as he fleshed out his character on camera the last day of filming. View all 5 comments. True, his portrayal of replicant Roy Batty in Blade Runner i I'm always shocked when my favorite artists, be they actors, writers, musicians, or painters, don't list MY favorite examples of their work as their own. That movie is awesome! Then she goes nuts and almost kills the baby! Also, early in his 20s, Hauer has a short, tempestuous relationship with a chaotic Swiss woman that results in a daughter that he didn't anticipate. And I wasn't at all interested in who he married or what kids he might have had. I was inspired to read this after reading the completely off-the-wall interview with him at the end of Future Noir by Paul M. -
I've Seen Films
I’ve Seen Films International Short Film Festival I’VE SEEN FILMS 2008 International Short Film Festival International Jury 7 I’VE SEEN FILMS 2008 International Short Film Festival INTERNATIONAL JURY Bill Bristow (UK) producer, director and writer ‘’Who Are They?’’, ‘’Prosit Ermanno!’’ (documentary); ‘’The Swan’’ (theater production); ‘’Fleas’’(theater direction); ‘’A Game of Moles’’ (writer); ‘’The Whaler’’ (screenwriter); ‘’Granny’s Wish’’ (theater production). Ludovico Einaudi (ITA) classical music composer and pianist ‘’Eden Roc’’, ‘’Time Out’’, ‘’Le Onde’’, ‘’Una Mattina’’, ‘’La Scala Concert’’, ‘’Diario Mali’’, ‘’Divenire’’ (composer); ‘’Da qualche parte in città’’, ‘’Acquario’’, ‘’Giorni Dispari’’, ‘’Aprile’’, ‘’Un delitto impossibile’’, ‘’Fuori del mondo’’, ‘’Zhivago’’, ‘’Sotto falso nome’’ (soundtracks). Richard Gere (USA) actor, producer, composer and performer ‘’American Gigolo’’, ‘’Breathless’’, ‘’The Honorary Consul’’, ‘’Sommersby’’, ‘’Autumn in New York’’, ‘’The Mothman Prophecies’’, ‘’Shall We Dance?’’, ‘’The Hoax’’, ‘’I’m Not There’’ (actor); ‘’Hachiko: A Dog’s Story’’ (actor and producer); ‘’Unfaithful’’, ‘’Chicago’’, ‘’Pretty Woman’’, ‘’The Cotton Club’’ (actor, composer and performer). Rutger Hauer (NL) actor, director and writer ‘’Turkish Delight’’, ‘’Soldier of Orange’’, ‘’Nighthawks’’, ‘’Blade Runner’’, ‘’Ladyhawke’’, ‘’The Hitcher’’, ‘’The Legend of the Holy Drinker’’, ‘’Confessions of a Dangerous Mind’’, “Escape from Sobibor”; ‘’Batman Begins’’, ‘’Sin City’’ (actor); ‘’The Room’’, ‘’Starfi sh Tango’’ (director); -
PRODUCTION BIOS LEWIS CHESLER (Executive
‘BEST CHRISTMAS PARTY EVER’ PRODUCTION BIOS LEWIS CHESLER (Executive Producer) – Lewis Chesler is one of the first producers of material for the alternative television market and since has produced TV shows that stretch the boundaries of the medium beyond the conventional programming of the standard broadcasters. In a field where innovation is often discouraged, Chesler has nonetheless managed extraordinary success. He is now known for Independent features, art action pieces and award winning action adventure pieces for the family. A native of Cleveland, Chesler attended Amherst College, studying cultural history and graduating with highest honors after writing his thesis on television’s impact on political consciousness in the mass society. He worked his way through college, spending summers in the Cleveland steel mills and his winter vacations working on merchant vessels, traveling around the world. Following college, he joined the Peace Corps. In the mid-70’s, Chesler became artistic director of the Long Beach Performing Arts Centre. He produced a series of plays there, starring, among others, Stockard Channing, Jill Clayburgh, Stacey Keach, James Whitmore and Eddie Albert. He also booked the opera house, the sports arena, two theaters and the rock concert forum. He started his television career with a series of variety shows and “The Hitchhiker” series for HBO. Chesler conceived the show, its style, look and direction and brought together the main creative elements, including Academy Award®-nominated writers and actors and internationally prominent directors. One of the most enduring aspects of Chesler’s efforts during “The Hitchhiker” was the encouragement of industry acceptance of cable programming as a venue to showcase top film directors and actors such as Paul Verhoeven, Phillip Noyce, Wayne Wang, Willem Dafoe, Klaus Kinski, Kirstie Alley and Helen Hunt. -
P20-21 Layout 1
20 Friday Lifestyle | Features Friday, July 26, 2019 Blade Runner actor Rutger Hauer dies aged 75 ollywood actor Rutger Hauer, who became a global cult Hicon for his role as the scary yet thought-provoking hu- manoid android in the 1982 sci-fi classic “Blade Runner”, has died at the age of 75. Hauer’s non-profit HIV/AIDS charity, the Rutger Hauer Starfish Association, said on his website it was announcing “with infinite sadness that after a very short illness, on Friday, July 19, 2019, Rutger passed away peacefully at his Dutch home”. Dutch media said Hauer was buried at a private ceremony as the film world paid tribute. “RIP the great Rutger Hauer: an in- tense, deep, genuine and magnetic actor that brought truth, power and beauty to his films,” Mexican film-maker Guillermo del Toro Del Toro tweeted. “Rutger was to me what Marcello Mastroianni was to (Federico) Fellini, an alter ego,” fellow Dutchman director Paul Verhoeven, who gave Hauer his first big break, told the Dutch national ANP news agency. “I’m especially deeply sad that he’s Lebanese pianist, composer and playwright Ziad Rahbani performs during the Beirut Holidays 2019 Festival at the waterfront in the here no more. I am going to miss him terribly,” he said. Lebanese capital. — AFP Piercing blue eyes Set in a dystopian Los Angeles of 2019 and directed by Ridley Scott, Bladerunner catapulted the tall, blonde Dutch actor with piercing blue eyes to international stardom. His last haunting monologue in the movie as the genetically engineered replicant Roy Batty could perhaps stand as his own obituary: “I’ve seen things you people wouldn’t believe.. -
The Mill and the Cross
Mongrel Media Presents THE MILL AND THE CROSS An Lech Majewski Film 92 min., Poland, Sweden, 2011 Languages: English www.themillandthecross.com Inspired by the book THE MILL AND THE CROSS by Michael Francis Gibson Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 2 Musée du Louvre, Paris INTRODUCTION In 2005, the writer and art critic Michael Francis Gibson saw Lech Majewski’s Angelus in a cinema in Paris. Fascinated by the director’s painterly vision, he gave him a copy of his book The Mill and the Cross, an analysis of Pieter Bruegel’s painting The Way to Calvary. Majewski, whose creative journey began with painting and poetry, admired the depth of Gibson’s insight into Bruegel’s picture, so he took up the challenge of creating a visual equivalent of the Flemish master’s work. For Lech Majewski this challenge was not an entirely new one, as he had already based several of his films on paintings and painters. It was he who wrote the original screenplay for Basquiat and found Julian Schnabel to direct it; his film The Garden of Earthly Delights, with Bosch’s famous painting as a background, was hailed by Sight & Sound as a masterpiece; his unique videoart pieces were displayed at the Museum of Modern Art in New York and the Venice Biennale. -
Coffee Break Film School Instructor Guide
1 Coffee Break Film School Instructor Guide Copyright ©2019 Moviola 2 ISBN: 9781521260418 Copyright ©2019 Moviola - All rights reserved 3 Contents Introduction 9 The CBFS Philosophy 10 10 What it is 10 What it’s not 11 The All-Round Filmmaker 12 A compartmentalized reference What this guide is for 13 14 The Big Picture Course 14 Project-Based Course 16 Understanding the CBFS Unit categories 17 Visual Glossary of Terms 17 Survival Guides 18 Compendium 4 Classes 19 Video resources 20 Suggested textbooks 21 Expanded Curriculum: Big Picture Course 28 28 Unit One 28 Core 32 Signature interview 32 Going deeper 33 Survival Guides 33 Complementary reading 34 Best of the Web & Film History Unit Two 35 35 Core 39 Signature interview 39 Survival Guides 40 Going deeper 40 Complementary reading: 5 41 Best of the Web & Film History Unit Three 42 42 Core 47 Signature interview: 47 Survival Guides 47 Going deeper: 47 Complementary reading: 48 Best of the Web & Film History Unit Four 49 49 Core 53 Signature interview: 53 Going deeper 53 Complementary Reading 54 Best of the Web & Film History Unit Five 55 55 Unit Five Core 59 Signature interview: 59 Going deeper 6 60 Complementary Reading 60 Best of the Web & Film History Unit Six 61 61 Core 66 Signature Interviews 67 Survival guides 67 Going deeper 67 Complementary Reading 68 Best of the Web & Film History Expanded Curriculum: Project-Based Course 70 Unit 1 - Screenwriting 71 76 Unit 2 - Production 80 Unit 3 - Cinematography 84 Unit 4 - Lighting 88 Unit 5 - Sound 91 Unit 6 - Editing and Color Correction 95 Unit 7 - Visual Effects 7 8 9 Introduction The digital filmmaking revolution has been both a blessing and a curse. -
(6747382).Docx
Long Comment Regarding a Proposed Exemption Under 17 U.S.C. 1201 (Proposed Class #6) [ ] Check here if multimedia evidence is being provided in connection with this comment Item 1. Commenter Information This Comment is submitted on behalf of Entertainment Software Association; Motion Picture Association of America, Inc.; and Recording Industry Association of America (collectively the “Joint Creators and Copyright Owners”). The Joint Creators and Copyright Owners may be contacted through their counsel, Steven J. Metalitz, J. Matthew Williams and Naomi Straus, Mitchell Silberberg & Knupp LLP, 1818 N St., NW, 8th Fl., Washington, D.C., 20036, Telephone (202) 355-7900. The Joint Creators and Copyright Owners are trade associations representing some of the most creative and innovative companies in the United States. The Entertainment Software Association (“ESA”) represents all of the major platform providers and nearly all of the major video game publishers in the United States. ESA is the U.S. association exclusively dedicated to serving the business and public affairs needs of companies that publish computer and video games for video game consoles, handheld devices, personal computers, and the Internet. ESA offers a range of services to interactive entertainment software publishers, including but not limited to: a global content protection program; business and consumer research; government relations; and intellectual property protection efforts. The Motion Picture Association of America, Inc. (“MPAA”) is the voice of one of the country’s strongest and most vibrant industries – the American motion picture, home video and television industry. MPAA works to advance the business and the art of filmmaking and to celebrate its enjoyment around the world.