Theories and Paradigms of the Future
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Music and the Construction of Historical Narrative in 20Th and 21St Century African-American Literature
1 Orientations in Time: Music and the Construction of Historical Narrative in 20th and 21st Century African-American Literature Leisl Sackschewsky A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee: Sonnet Retman, Chair Habiba Ibrahim Alys Weinbaum Program Authorized to Offer Degree: English 2 © Copyright 2016 Leisl Sackschewsky 3 University of Washington Abstract Orientations in Time: Music and the Construction of Historical Narrative in 20th and 21st Century African-American Literature Chair of Supervisory Committee: Associate Professor Sonnet Retman American Ethnic Studies This dissertation argues that the intersections between African-American literature and music have been influential in both the development of hip-hop aesthetics and, specifically, their communication of historical narrative. Challenging hip-hop historiographers that narrate the movement as the materialization of a “phantom aesthetic”, or a sociological, cultural, technological, and musical innovation of the last forty years, this dissertation asserts that hip-hop artists deploy distinctly literary techniques in their attempts to animate, write, rewrite, rupture, or reclaim the past for the present. Through an analysis of 20th and 21st century African-American literary engagements with black music, musical figures, scenes of musical performance, and what I call ‘musical-oral’, I hope to demonstrate how prose representations of music disrupt the linear narratives of -
San Diego Public Library New Additions January & February 2010
San Diego Public Library New Additions January & February 2010 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes MP3 Audiobooks Audiovisual Materials Newspaper Room Biographies Fiction Call # Author Title FIC/ABEL Abel, Kenneth. Down in the flood FIC/ABERCROMBIE Abercrombie, Joe. Best served cold [SCI-FI] FIC/ABRAHAM Abraham, Daniel. The price of spring FIC/ACKROYD Ackroyd, Peter The casebook of Victor Frankenstein [MYST] FIC/ADAMS Adams, Jane The power of one FIC/ADIGA Adiga, Aravind. The white tiger FIC/AHERN Ahern, Cecelia The gift [MYST] FIC/ALBERT Albert, Susan Wittig. Spanish dagger FIC/ALBOM Albom, Mitch For one more day FIC/ALBOM Albom, Mitch The five people you meet in heaven [MYST] FIC/ALEXANDER Alexander, Tasha A poisoned season FIC/ALLENDE Allende, Isabel. Daughter of fortune FIC/ALLENDE Allende, Isabel. Inés of my soul FIC/ALVAREZ Alvarez, Julia. In the time of the butterflies FIC/AMMANITI Ammaniti, Niccolò As God commands FIC/ANTHONY Anthony, Jessica The convalescent FIC/ANTON Anton, Maggie. Rashi's daughters. Book III, Rachel [MYST] FIC/APODACA Apodaca, Jennifer. Dying to meet you FIC/ARMSTRONG Armstrong, Kelley. Living with the dead FIC/ARSENAULT Arsenault, Emily. The broken teaglass FIC/ARSENAULT Arsenault, Mark. Loot the moon FIC/ATKINSON Atkinson, Kate. Case histories FIC/ATWOOD Atwood, Margaret Bodily harm FIC/ATWOOD Atwood, Margaret The blind assassin FIC/ATWOOD Atwood, Margaret The year of the flood FIC/AUEL Auel, Jean M. -
RICK ROSS VS. 50 CENT Why Their Beef Is a Cash Cow
i RICK ROSS VS. 50 CENT Why Their Beef Is A Cash Cow "EXPERIENCE THE BUZZ AMERICAN IDYLL How Sony/ATV HOT ON Helped Label THE CHARTS Elliott Yamin MINEM 4 SUSAN BOYLE `HANNAH MONTANA' SILVERSUN PICKUPS MAY 2, 2009 www.billboard.com www.billboard.biz US $6.99 CAN $8.99 UK £5.50 $6.99US $8.99CAN OZ8000 ZO6£-L0806 VO HOV38 9N01 3AV W13 OtlL TT00 A1N33b9 AlNOW l' I I""' I I I"I' I' I""' I I I"I"I I"I"' I"' I I' I"I"' I I"I' I I c £00/000 VOV TOO OIäVWN6/83/88N£6TOZI # L06 1I9I0-£ HOS************************* 3313NX8# www.americanradiohistory.com C['i 111 Ai_TYL1 CP 01C 7 0 0 ' 01 tneY & en&Tory .44.10.e (Se g, 50N a. RD e,. ot; '>. * ? .''f < fr 40!, °)) ^% á. co ' EMI MUSIC PUBLISHING Sony /ATV Music ó a _t A PU rLISPINe o eattVe 4ta+ e Year "B1 Voiee `nngUard- p' 44'rshers of trey "Addicted" "Dangerous" Leavin'" "No One" "Take A Bow" Writers: Jason Null, Jared Weeks Writers: Cristian Kemo" Writers: Corron Cole. Tenus "The Writers: Kerry " Krucial" Brothers, Writers: Mikkel Eriksen, Publishers: Crazy You Publishing, Bahamonde, Kardinal Offishall, Dream" Nash, C. "Tricky" Stewart DJ Dirty Harry. Alicia Keys Tor Hermansen, Ne -Yo Primary Wave Music Donald "hAZEL" Sales, Aliaune Publishers: 2082 Music Publishers: Book of Daniel Music. Publishers: EMI Music Publish- "Akon" Thiam Publishing, Holy Corron, D Harry Productions. EMI Music ing, Pen In the Ground, Sony/ "All Summer Long" Publishers: Byefall Music LLC, Marchninenth Music, Songs of Publishing, Lellow Productions ATV Tunes LLC, Universal Music Writers: Edward King, LeRoy P. -
We're Still Standing
28 PAGE SPECIAL! ISSN 1755-7585 Issue No. 206 End of Year Issue 2009 We’re still standing INSIDE: More from the Summer Ball Willow Does Ultimate The future of Bangor Students’ Union looks more certain Frisbee and Seren can exclusively reveal plans for the future he Students’ Union as you know it can be knocked thorough and converted was quick to respond to: “We have been in Bangor are rather limited, Seren thought it will stay exactly where it is for an- into o ces, as well as a large catering hall close consultation with the Students’ Un- was important to nd out what the plans other year, before construction of the for bigger SU events. Although these plans ion user group; John Jackson and the other are for provision of suitable entertain- TArts and Innovation Centre (and the decon- are by no means de nite, Students’ Union Sabbatical O cers throughout this plan- ment in Bangor, whilst construction goes struction of the current, rather attractive President, John Jackson has said Rathbone ning process. A concern raised by the SU at ahead. Both Dr. Roberts and John Jackson building) can begin. is “the most preferable and likely option”. the beginning was the loss of their identity contributed to delivering an answer. “We Until now, the University have been In a recent within the project hope to be able to keep Time open whilst unable to give a de nite answer as to where meeting with the as a whole and the Arts and Innovation centre is built,” our Students’ Union would be operating University Regis- this is something Dr. -
Seismographic Sounds Visions of a New World
PRESS RELEASE 10 January 2016 CTM 2016 EXHIBITION SEISMOGRAPHIC SOUNDS VISIONS OF A NEW WORLD CURATED BY NORIENT WITH CONTRIBUTIONS FROM CTM, AND INCLUDING WORKS BY PEDRO REYES, TIANZHUO CHEN, RAED YASSIN, SVETLANA MARAŠ, URS HOFER, AND HANDS ON SOUND OPENING: 29.01.2016, 19H EXHIBITION RUNS 30.01–20.03.2016, DAILY 11–20H, DURING CTM (30.1.–7.2.2016) 11–22H KUNSTRAUM KREUZBERG/BETHANIEN, MARIANNENPLATZ 2, 10997 BERLIN The 17th edition of CTM Festival examines today’s rapidly collapsing borders and emerging new hybrid topographies through its New Geographies theme, as well as the tensions and essentialist backlashes that arise as a response to today’s increasingly hybrid world. The festival’s programme of concerts, performances, discourse, and more, is complemented by a special edition of the “Seismographic Sounds. Visions of a New World” exhibition, curated by Norient — the International Network for Local and Global Sounds and Media Culture. For the exhibition’s presentation within CTM 2016, Norient and CTM curated additional works by Pedro Reyes, Tianzhuo Chen, and Svetlana Maraš. “Seismographic Sounds. Visions of a New World” is a multi-authored exhibition assembling distinct music, sound art and videos created, compiled and commented by 250 artists, musicians, academics and bloggers from 50 countries. Often produced in small studios from Jakarta to La Paz, Cape Town to Helsinki, these works experiment with the possibilities of the internet age and illuminate new spaces beyond the confines of commercialism, propaganda, and bigotry. Countering pessimistic views that globalisation and digitisation have led to cultural uniformity, they foresee a changing geography of multi-layered modernities, far beyond old ideas of North versus South, West versus East. -
Sfra-Review-50.2-3-Full.Pdf
REVIEWS sfrareview.org ARTICLES SFRA UPDATES REVIEW SINCE 1971 VOLUME 50 : ISSUE 2-3 : SPRING-SUMMER 2020 50/2-3 THE OPEN ACCESS JOURNAL OF THE SPR-SUM 2020 EDITORIAL SFRAReSCIENCE FICTIONview RESEARCH ASSOCIATION COLLECTIVE ISSN 2641-2837 GENERAL EDITORS SFRA Review is an open access journal published four times a year by the Science Fiction Research Association (SFRA) since 1971. SFRA SENIOR EDITOR Review publishes scholarly articles and reviews. As the flagship journal Sean Guynes of SFRA, the Review is devoted to surveying the contemporary field [email protected] of SF scholarship, fiction, and media as it develops. EDITOR Submissions Ian Campbell [email protected] SFRA Review accepts original scholarly articles, interviews, review EDITOR essays, and individual reviews of recent scholarship, fiction, Virginia Conn and media germane to SF studies. Articles are single-blind peer [email protected] reviewed by two of four general editors before being accepted or rejected. SFRA Review does not accept unsolicited reviews. If you EDITOR would like to write a review essay or review, please contact the Amandine Faucheux relevant review editor. For all other publication types—including [email protected] special issues and symposia—contact the general editors. All submissions should be prepared in MLA 8th ed. style. Accepted REVIEWS EDITORS pieces are published at the discretion of the editors under the author's copyright and made available open access via a CC-BY- NONFICTION EDITOR NC-ND 4.0 license. Dominick Grace [email protected] SFRA Review History ASSISTANT NONFICTION EDITOR SFRA Review was initially titled SFRA Newsletter and has been Kevin Pinkham published since 1971, just after the founding of SFRA in 1970.