Selected Bibliography for Low Brass

Adams, Peter H. Antique Brass Wind Instruments: Identification and Value Guide. Atglen, Pennsylvania: Schiffer Publishing, Ltd., 1998.

Adams, Stan R. “A Survey of the Use of to Depict Infernal and Horrendous Scenes in Three Representative Operas.” International Association Journal 9 (1981), 16-20.

Ahrens, Christian. Valved Brass: The History of an Invention. Translated by Steven Plank. Hillsdale, New York: Pendragon Press, 2008.

Anderson, Paul G. Brass Solo and Study Material Music Guide. Evanston, Illinois: The Instrumentalist Company, 1976.

Baines, Anthony. Brass Instruments: Their History and Development. New York: Dover Publications, Inc., 1993.

Baker, Buddy. The Buddy Baker Tenor Trombone Handbook. Edited by Kevin Carroll. Austin, Texas: International Trombone Association Manuscript Press, 2001.

Bate, Phillip. The and Trombone: An Outline of Their History, Development, and Construction, 2nd ed. New York: W.W. Norton and Company, 1978.

Begel, Richard. A Modern Guide for Trombonists and Other Musicians. Fort Wayne, Michigan: Richard Begel, 2002.

Benjamin, Rick. “Arthur Pryor: Ragtime Pioneer.” The Mississippi Rag 21 (1993), 5-6.

Berlioz, Hector and Richard Strauss. Treatise on Instrumentation. Translated by Theodore Front. New York: Edwin F. Kalmus, 1948. Reprint: New York: Dover Publications, 1991.

Berman, Eric M. “Performance Tasks Encountered in Selected Twentieth-Century Band Excerpts for Tuba: Their Identification, Categorization, and Analysis.” Ph.D. diss., New York University, 1981.

Bevan, Clifford. “Cimbasso Research and Performance Practice: An Update.” In Perspectives in Brass Scholarship. Stuyvesant, New York: Pendragon Press, 1997, 289-299.

Bevan, Clifford. “Final Thoughts on the Cimbasso.” TUBA Journal 26:3 (1999), 56-57; 28:1 (2000), 107-109.

Bevan, Clifford. “On the Cimbasso Trail.” Sounding Brass & The Conductor 8:2 (1979), 57-58.

Bevan, Clifford. The Tuba Family. Second Edition. Winchester, U.K.: Piccolo Press, 2000.

Bird, Gary. Program Notes for the Solo Tuba. Bloomington, IN: Indiana University Press, 1994.

Blaikley, D.J. “The Development of Modern Wind Instruments.” Proccedings of the Musical Association 12 (1885-1886), 125-138.

Blanchard, Eric. “Legato Trombone: A Survey of Pedagogical Resources.” DMA diss., University of Cincinnati, 2010.

Bone, Lloyd E., Jr. and Eric Paull, eds. Guide to the Euphonium Repertoire: The Euphonium Source Book. Bloomington, Indiana: Indiana University Press, 2006.

Bough, Thomas Wayne. “The Role of the Tuba in Early Jazz Music from 1917 to the Present: A Historical, Pedagogical, and Aural Perspective.” DMA diss., Arizona State University, 1998.

Bowman, Brian L. “The Euphonium in the United States.” Marsyas 14 (1990), 51-53.

Bowman, Brian L. Practical Hints on Playing the Baritone (Euphonium). Miami, Florida: Warner-Brothers Publications, Inc., 1983.

Selected Bibliography for Low Brass (Everett), p.2

Brewer, Robert Gary. “A Guide to the Use of Etudes and Exercises in Teaching the Tuba.” DMA diss., University of Illinois, 1991.

Bridges, Glenn. Pioneers in Brass. Detroit: Sherwood Publications, 1965.

Call, Glenn. “Music for the Euphonium.” Euphonia 3:1 (1982), 3.

Call, Robert Steven. “Tuba Studio Teaching: Three Case Studies of Highly Effective Teachers (R. Winston Morris, Harvey G. Phillips, Arnold Jacobs).” Ph.D. diss., University of Utah, 2000.

Callison, Hugh A. “Nineteenth-Century Orchestral Trombone Playing in the United States.” DA diss., Ball State University, 1986.

Carlson, Mark. “Six Sonatas for Violoncello by Bendetto Marcello, A Critical Edition with Performance Guide for Low Brass Instruments.” DMA diss., University of Wisconsin-Madison, 2008.

Carse, Adam. “Brass Instruments in the : An Historical Sketch.” Music and Letters 3:4 (1922), 378-382.

Carse, Adam. The History of Orchestration. London: Kegan Paul, Trench, Trubner, and Company, Limited, 1925. Reprint: New York: Dover Publications, 1964.

Carse, Adam. The Orchestra from Beethoven to Berlioz. Cambridge, U.K.: W. Heffer & Sons, Ltd., 1948.

Carter, Stewart. “Trombone Obbligatos in Viennese Oratorios of the Baroque.” Historic Brass Society Journal 2 (1990), 52-77.

Čížek, Bohuslav. “Josef Kail (1795-1871), Forgotten Brass Instrument Innovator.” Brass Bulletin 73 (1991), 64-75; 74 (1991), 24-29.

Claxton, Andrew. “Tuba Technique.” MM thesis, University of Reading, 1986.

Collins, William Tracy. “Berlioz and the Trombone.” DMA diss., University of Texas at Austin, 1985.

Cox, Charles. “The Trombone in the Baroque Era.” BS thesis, West Virginia Institute of Technology, 1973.

Daubeny, Ulric. Orchestral Wind Instruments, Ancient and Modern. Freeport, New York: Books for Libraries Press, 1920.

Dennis, Willie. “The History of the Trombone.” The Metronome (March 1957), 34-35.

Dick, David. “The Trombone Parts in Heinrich Schütz’s ‘Symphoniae Sacrae I’ (1629): Style and Influences.” DMA diss., University of Memphis, 2008.

Dickman, Marcus. “Richmond Matteson: Euphonium Innovator, Teacher, and Performer.” DMA diss., University of North Texas, 1997.

Dietrich, Kurt. Jazz Bones: The World of Jazz Trombone. Rottenburg, Germany: Advance Music, 2005.

Dillon, Steve. “Arthur Pryor: Poet of the Trombone.” The Instrumentalist 40:4 (1985), 34-38.

Dittmer, J.S. and Joel Elias. “Thoughts of Love – Reminiscences of Arthur Pryor.” International Trombone Association Journal 13:2 (1985), 20-23.

Drew, John. “The Emancipation of the Trombone in Orchestra Literature.” International Trombone Association Journal 9 (1981), 2-3.

Dunnick, D. Kim and Jane F. Dunnick. Teaching Brass to Beginners. Ithaca, New York: Lyceum Press, 2001.

Eliason, Robert E. “Brass Instrument Key and Valve Mechanisms Made in America before 1875 with Special Reference to the D.S. Pillsbury Collection in Greenfield Village, Dearborn, Michigan.” DMA diss., University of Missouri at Kansas City, 1968.

Eliason, Robert E. “Early American Valves for Brass Instruments.” Galpin Society Journal 23 (1970), 86-96.

Eliason, Robert E. “The Trombone in Nineteenth-Century America.” International Trombone Association Journal 10:1 (1982), 6-10.

Erdman, James. “Arthur Pryor . . . An Endangered American Legacy.” International Trombone Association Journal 27:4 (1999), 20.

Selected Bibliography for Low Brass (Everett), p.3

Everett, Micah, et al. The Low Brass Player’s Guide to Doubling. Flagstaff, Arizona: Mountain Peak Music, 2014.

Fadle, Heinz. Looking for the Natural Way: Thoughts on Trombone and Brass Playing. Detmold, Germany: Edition Piccolo, 1996.

Farkas, Philip. The Art of Brass Playing. Rochester, New York: Wind Music, Inc., 1962.

Farkas, Philip. The Art of Playing. Evanston, Illinois: Summy-Birchard, Inc., 1956.

Fasman, Mark J. Brass Bibliography. Bloomington, Indiana: Indiana University Press, 1990.

Fink, Reginald H. The Trombonist’s Handbook. Athens, Ohio: Accura Music, 1977.

Fletcher, Seth. “The Effect of Focal Task-Specific Embouchure Dystonia Upon Brass Musicians: A Literature Review and Case Study.” DMA diss., University of North Carolina at Greensboro, 2008.

Frederiksen, Brian. Arnold Jacobs: Song and Wind. Gurnee, Illinois: WindSong Press Limited, 1996.

Frizane, Daniel Evans. “Arthur Pryor (1870-1842): American Trombonist, Bandmaster, Composer.” DMA diss., University of Kansas, 1984.

Fulmer, Cassandra R. “The Role of the Bass Trombone in Haydn’s “Die Schöpfung,” Beethoven’s Ninth Symphony, and Brahms’s Fourth Symphony: A Tutorial Focusing on Historical Background and Preparation Suggestions.” DMA diss., Louisiana State University, 1998.

Galpin, F.G. A Textbook of European Musical Instruments, Their Origin, History, and Character. New York: E.P. Dutton and Co., 1937.

Gade, Per. “Anton Hansen (1877-1947): Father of Trombone Playing in Scandinavia.” Brass Bulletin 27 (1979), 27-40; 28 (1979), 13- 28, 29 (1980), 81-94.

Garofalo, Robert Joseph and Mark Elrod. Pictorial History of Civil War Era Musical Instruments and Military Bands. Missoula, Montana: Pictorial Histories Publishing Co., Inc.,1985.

Good, Richard DeForrest. “A Biography of Earle L. Louder: Euphonium Performer and Educator.” DMA diss., Arizona State University, 1996.

Gray, Harold Ross, Jr. “Music for Solo Tuba with Orchestra: A Discussion of Important Works and Annotated Bibliography.” DMA diss., University of Illinois, 1994.

Gregory, Robin. The Trombone: The Instrument and Its Music. New York: Praeger Publishers, 1973.

Griffiths, John R. Low Brass Guide. Roswell, Georgia: E. Williams Publishing Company, 1991.

Guion, David M. “Felippe Cioffi: A Trombonist in Antebellum America.” American Music 14:1 (1996), 1-41.

Guion, David M. “Great, but Forgotten Trombonists: Some Biographical Sketches.” Brass Bulletin 97 (1997), 62-73.

Guion, David M. A History of the Trombone. Lanham, Maryland: Scarecrow Press, 2010.

Guion, David M. “A Short History of the Trombone.” Available Online: [30 December 2004].

Guion, David M. The Trombone: Its History and Music, 1697-1811. New York: Gordon and Breach, 1988.

Halsell, George. “North Italian Sacred Ensemble Music of the First Third of the Seventeenth Century Calling for Participation by One or More Trombones: An Annotated Anthology with Historical Introduction and Commentary.” DMA diss., University of Texas at Austin, 1989.

Hanlon, Kenneth. “The Eighteenth-Century Trombone: A Study of its Changing Role as a Solo and Ensemble Instrument.” DMA diss., Johns Hopkins University, Peabody Institute of Music, 1989.

Selected Bibliography for Low Brass (Everett), p.4

Herbert, Trevor and John Wallace (eds.). The Cambridge Companion to Brass Instruments. Cambridge, U.K.: Cambridge University Press, 1997.

Herbert, Trevor. The Trombone. New Haven, Connecticut: Yale University Press, 2006.

Heyde, Herbert. “The Early Berlin Valve and an Unsigned Tuba at the Shrine to Music Museum.” Journal of the American Musical Instrument Society 20 (1994): 54-64.

Heyde, Herbert. “On the Early History of Valves and Valve Instruments in Germany (1814-1833).” Brass Bulletin 24 (1978), 9-32; 25 (1979), 41-50; 26 (1979), 69-82; 27 (1979), 51-62.

Heyde, Herbert. Das Ventilblasinstrument. Wiesbaden, Germany: Breitkopf and Härtel, 1987.

Hickman, David. Trumpet Pedagogy: A Compendium of Modern Teaching Techniques. Chandler, Arizona: Hickman Music Editions, 2006.

Hickman, Gary Dean. “Andre Previn’s ‘Four Outings for Brass:’ An Example of the Role of the Tuba in 20th-Century Brass Quintet Literature.” MM thesis, California State University-Long Beach, 1993.

Highfill, Joseph R. “The History of the Trombone from the Renaissance to the Early Romantic Period.” MM thesis, University of North Texas, 1952.

Hills, Ernie. “The Use of Trombone in the Florentine Intermedii, 1518-1589.” DMA diss., University of Oklahoma, 1984.

Hodapp, Jeffery Paul. “The York Tuba: Design Idiosyncrasies that Contribute to its Unique Sound.” DMA diss., University of Wisconsin-Madison, 2002.

Howe, Timothy. “Diveloping a Historical Model for Trombone Performance Practice in German and Austrian Orchestral Works from the Period 1785-1830.” DMA diss., The University of Nebraska-Lincoln, 2002.

Huff, Sharon Elise. “The Life and Career Contributions of Brian L. Bowman Through 1991.” DMA diss., University of Illinois at Urbana-Champaign, 1994.

Hutson, Danny. “The Trombone Choir in Colleges and Universities in the United States: Its Organization, Current Practice, and Repertoire.” DMA diss., University of Oklahoma, 1992.

Jenkins, Kevin Joseph. “A Study of Seven Compositions for Tuba and Electronic Sound Source.” DMA diss., Arizona State University, 1994.

Keathley, Gilbert Harrell. “The Tuba Ensemble.” DMA diss., Eastman School of Music, 1982.

Kehle, Robert. Alto Trombone Literature: An Annotated Guide. Warwick, England: Warwick Music, 2000.

Kirk, Paul Judson, Jr. “The Orchestral Tuba Player: The Demands of His Literature Compared and Contrasted with Tuba Training Materials.” Ph.D. diss., University of Colorado, 1976.

Kimball, Willford. “Alto Trombone Solo Literature: An Annotated Bibliography.” DMA diss., Arizona State University, 2001.

Kitzel, Larry. “The Trombones of the Shrine to Music Museum.” DMA diss., University of Oklahoma, 1985.

Kleinhammer, Edward. The Art of Trombone Playing. Evanston, Illinois: Summy-Birchard Company, 1963.

Kleinhammer, Edward and Yeo, Douglas. Mastering the Trombone. Hanover, Germany: Edition Piccolo, 1997.

Lane, G.B. The Trombone: An Annotated Bibliography. Lanham, Maryland: Scarecrow Press, 1999.

Lane, G. B. The Trombone in the Middle Ages and the Renaissance. Bloomington, Indiana: Indiana University Press, 1982.

Lapie, Raymond and Benny Sluchin. “Slide Trombone Teaching and Method Books in France (1794-1960).” Historic Brass Society Journal 9 (1997), 4-29.

Larkin, Curtis H. “Memories of Arthur Pryor and His Band.” The School Musician (February 1943), 8-9, 25; (March 1943), 14-15, 32. Selected Bibliography for Low Brass (Everett), p.5

Leloir, Edmond. “The Trombone with 6 Independent (sic) Valves.” Brass Bulletin 5/6 (1973), 97-105.

Lemke, Jeffrey Jon. “French Tenor Trombone Solo Literature and Pedagogy since 1836.” AMusD diss., University of Arizona, 1983.

Leonard, Charlotte. “The Role of the Trombone and its Affekt in the Lutheran Church Music of Seventeenth-Century Saxony and Thuringia.” Ph.D. diss., Duke University, 1997.

Lewis, Michael. “Solo Trombone Performances at the Gewandhaus in the Eighteenth [sic, Nineteenth] Century.” International Trombone Association Journal 20:3 (1992), 27-32.

Lindahl, Robert Gordon. “Brass Quintet Instrumentation: Tuba Versus Bass Trombone.” DMA diss., Arizona State University, 1988.

Lipton, Jamie. “An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone Through the Use of Specific Repertoire. DMA diss., University of North Texas, 2010.

Little, Donald C. Practical Hints on Playing the Tuba. Miami: Warner Brothers Publications, 1984 (formerly published by Belwin- Mills).

Lonnman, Gregory George. “The Tuba Ensemble: Its Organization and Literature.” DMA diss., University of Miami, 1974.

Louder, Earle Leroy. “An Historical Lineage of the Modern Baritone Horn and Euphonium.” DM diss., Florida State University, 1976.

Louder, Earle and David Corbin. Euphonium Music Guide. Evanston, Illinois: The Instrumentalist Company, 1978.

Macomber, Jeffrey. “A Comprehensive Performance Project in Trombone Literature with an Essay Consisting of a Study of Performance Problems in the Euphonium and Bass Trumpet Parts of Twenty-Two Selected Symphonic and Operatic Works: A Source of Ancillary Study Materials for the Trombonist with Secondary Valve Skills.” DMA diss., University of Iowa, 1988.

Mallett, Edward Keith. “The Double Bell Euphonium: Design and Literature Past and Present.” Ph.D. diss., Michigan State University, 1996.

Manson, David. “Trombone Obbligatos with Voice in the Austrian Sacred Music of the Seventeenth and Eighteenth Centuries: Representative Excerpts with Historical Introduction and Commentary.” DMA diss., University of Cincinnati, 1997.

Mason, J. Kent. The Tuba Handbook. Toronto: Sonante Publications, 1977.

McAdams, Charles Alan. “Investigation of Instrumental Music Teachers’ Knowledge of the Tuba.” Ed.D. diss., University of Illinois, 1988.

McCready, Matthew. “Euphonium/Trombone Doubling Among Service Band Euphoniumists and Orchestral Trombonists in the United States.” DM diss., Indiana University, 1989.

McKay, Kelly Collier. “The Trombone’s Evolutionary Usage and its Inclusion into the Modern Symphony Orchestra from 1750 to 1850.” MA thesis, Ball State University, 1992.

Mertens, Albert. “The Trombone in Belgium.” Brass Bulletin 5/6 (1973), 93-96.

Metcalf, John Clayton. “The Role of the Euphonium in Selected Transcriptions for Band of Orchestral Music.” DMA diss., Louisiana State University, 1989.

Meucci, Renato and William Waterhouse. “The Cimbasso and Related Instruments in 19th- Century Italy. Galpin Society Journal 49 (1996), 143-179.

Meyer, Stephen. “College-Bound Tuba Players: What They Should Know and How to Get There.” MM thesis, California State University, Long Beach, 2009.

Miles, David. An Annotated Bibliography of Selected Contemporary Euphonium Solo Literature by American Composers. TUBA Press, 1992.

Selected Bibliography for Low Brass (Everett), p.6

Miller, Frederick. “A Comprehensive Performance Project in Trombone Literature with an Essay on the Use of Trombone in the Music of Heinrich Schütz.” DMA diss., University of Iowa, 1974.

Montgomery, James. “The Use of the Trombone by G. F. Handel.” International Trombone Association Journal 13:3 (1985), 32-34.

Moore, Donald. “The ‘Concerto for Bass Trombone and Orchestra’ by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance.” DMA diss., University of Cincinnati, 2010.

Morley-Pegge, Reginald. The French Horn. Second Edition. New York: W.W. Norton and Company, 1973.

Morris, R. Winston and Daniel Perantoni, eds. Guide to the : The New Tuba Source Book. Bloomington, Indiana: Indiana University Press, 2006.

Mudge, Suzanne. “Arthur Pryor: This is Your Life!” International Trombone Association Journal 15:2 (1987), 28-29.

Necessary, Andrew Neal. “Larry Wiehe (1928-1992): Phenomenal Trombonist.” Ph.D. diss., University of North Carolina at Greensboro, 2002.

Nelson, Bruce. Also Sprach Arnold Jacobs: A Developmental Guide for Brass Wind Musicians. Mindelheim, Germany: Polymnia Press, 2006.

Nicholson, Joseph Milford. “A Historical Background of the Trombone and Its Music.” DMA diss., University of Missouri – Kansas City, 1967.

Nicholson, Joseph. “The History of the Trombone as a Solo Instrument.” International Trombone Association Journal 16:3 (1988), 34-36.

Otto, Craig. “A Checklist of Compositions with Significant Trombone Parts in the Liechtenstein Music Collection.” International Trombone Association Journal 9 (1981), 11-13.

Palm, Paul. “Baroque Solo and Homogeneous Ensemble Trombone Repertoire: A Lecture-Recital Supporting and Demonstrating Performance at a Pitch Standard Derived from Primary Sources and Extant Instruments.” DMA diss., The University of North Carolina at Greensboro, 2010.

Perry, Richard Henry. “The Tennessee Technological University Tuba Ensemble: A Short History and Summary of Original Contributions to Tuba/Euphonium Ensemble Literature.” DMA diss., University of Wisconsin-Madison, 1996.

Phillips, Harvey and William Winkle. The Art of Tuba and Euphonium. Seacaucus, New Jersey: Summy-Birchard, Inc., 1992.

Pierce, Terry. “The Trombone in the Eighteenth Century.” International Trombone Association Journal 8 (1980), 6-10.

Prout, Ebenezer. “On the Growth of the Modern Orchestra During the Past Century.”Proceedings of the Musical Association 5 (1878- 1879): 34-59.

Pryor, Arthur. “How to Play a March.” Musical Courier 26 September 1931, 45, 56.

Randolph, David Mark. “New Techniques in the Avant-Garde Repertoire for Solo Tuba.” DMA diss., Eastman School of Music, 1978.

Rasmussen, Mary. “Two Early Nineteenth-Century Trombone Virtuosi: Carl Traugott Queisser and Friedrich Auguste Belcke.” Brass Quarterly 5 (1961), 3-17.

Raum, J. Richard. “The Eighteenth-Century Trombone: Rumors of its Death were Premature.” Brass Bulletin 77 (1992), 87-101; 78 (1992), 93-97.

Reifsnyder, Robert Pennington. “The Changing Role of the Euphonium in Contemporary Band Music.” DM diss., Indiana University, 1980.

Reifsnyder, Robert. “The Romantic Trombone and its Place in the German Solo Tradition.” International Trombone Association Journal 15:2 (1987), 20-23; 15:3 (1987), 32-37.

Reinhardt, Donald. Encyclopedia of the Pivot System. Tappan, New York: Charles Colin Music Publications. Selected Bibliography for Low Brass (Everett), p.7

Roberts, James. “A Preliminary List of Seventeenth-Century Chamber Music Employing the Trombone.” International Trombone Association Journal 8 (1980), 19-22.

Roeder, Scott. “A Teaching Manual of Selected Tuba Solos from the Prescribed Music List (PML) of the Texas University Interscholastic League (UIL).” DMA diss., University of Wisconson-Madison, 2008.

Ross, C. “Brass Scoring Techniques of the 19th Century.” Woodwind World – Brass And Percussion 16:2 (1977), 49-50.

Schaefer, Jay Dee. “The Use of the Trombone in the 18th Century.” The Instrumentalist 22:9 (1968), 51-53; 23:10 (1968), 100-102; 23:11 (1968), 61-63.

Schulz, Charles August. “Two European Traditions of Tuba Playing as Evidenced in the Solo Tuba Compositions of Ralph Vaughan Williams and .” DMA diss., University of North Texas, 1980.

Shifrin, Ken. “The Saint Thomas Sonata.” International Trombone Association Journal 27:4 (1999), 30.

Shifrin, Ken. “Trombone Myth Busters No. 2: Rossini Wrote the William Tell Overture for Valve Trombones – NOT!!!” International Trombone Association Journal 25:4 (1997), 44-47.

Shifrin, Ken. “The Valve Trombone in the Nineteenth Century of France, Germany, Austria, and Bohemia, with Special focus on the Trombone Works of Dvorák.” Brass Bulletin 111 (2000), 126-144; 112 (2000), 118-126.

Sloan, Gerald. Orchestral Recordings for Low Brass. Troy, Michigan: Encore Music Publishers, 1996.

Sluchin, Benny, et al. “Slide Trombone Teaching and Method Books in France (1794-1960).” Historic Brass Society Journal 9 (1997), 4-29.

Sluchin, Benny. “Trombone Attachments: Trends and Development.” Brass Bulletin 105 (1999), 104-110.

Sluchin, Benny. “The Trombone in the Sacred Works of W.A. Mozart.” Brass Bulletin 46 (1984), 31-35.

Smith, Glenn P. “Paris National Conservatory Contest Pieces for Trombone.” International Trombone Association Journal 5 (1977), 23-24.

Solomon, Edward. “Creating Problems: Edward Solomon Re-examines the Trombone Parts in Haydn’s Great Oratorio, The Creation.” Available Online: [15 September 2001].

Solomonson, Glen Terrance. “The History of the Tuba to 1860: A Study of the Development of The Tuba Through its Ancestors.” MMEd thesis, University of Louisville, 1978.

Sorenson, Richard Allen. “Tuba Pedagogy: A Study of Selected Method Books, 1840-1911.” Ph.D. diss., University of Colorado, 1972.

Sparks, L. Richmond. “An Annotated Bibliography of Tuba Solos with Band Accompaniment.” DMA diss., Arizona State University, 1990.

Stauffer, Donald W. “A Treatise on the Tuba.” Birmingham, Alabama: Donald W. Stauffer, 1989.

Stern, David Wayne. “The Use of the Euphonium in Selected Wind Band Repertoire Since 1980.” Ph.D. diss., Texas Tech University, 2001.

Stork, John and Phyllis Stork. Understanding the Mouthpiece. Vuarmarens, Switzerland: Editions Bim, 1989.

Streeter, Thomas W. “Historical and Musical Aspects of the 19th-Century Bass Trombone. International Trombone Association Journal 3 (1975), 23-24; 4 (1976), 33-36; 5 (1977), 25-35.

Tanner, Paul and Ployhar, James. Practical Hints on Playing the Trombone. Miami, Florida: Warner-Brothers Publications, Inc., 1983.

Selected Bibliography for Low Brass (Everett), p.8

Thomas, Kelly. “Selected Intermediate/Advanced Standard Tuba/Euphonium Repertoire: A Recording and Annotated Bibliography.” DMA diss., Arizona State University, 2006.

Thompson, J. Mark and Jeffrey Jon Lemke. French Music for Low Brass Instruments. Bloomington, Indiana: Indiana University Press, 1994.

Thompson, J. Mark, ed. Solos for the Student Trombonist. Second Edition. Vuarmarens, Switzerland: The Brass Press, 2004.

Vining, David. The Breathing Book. Flagstaff, Arizona: Mountain Peak Music, 2009. (Editions available for all brass instruments.)

Vining, David. What Every Trombonist Needs to Know About the Body. Flagstaff, Arizona: Mountain Peak Music, 2010.

Weiner, Howard T., ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Lanham, Maryland: Scarecrow Press, 2008.

Werden, David and Denis Winter. Euphonium Music Guide. New London, Connecticut: Whaling Music Publishers, 1990.

Westrup, J.A. “The Misuse of the Trombone.” Musical Times 66:988 (1925), 524-525.

Whitener, Scott. A Complete Guide to Brass. Second Edition. Belmont, California: Wadsworth/Thomson Learning, 1997.

Wick, Denis. Trombone Technique. Oxford, England: Oxford University Press, 1971.

Wigness, C. Robert. The Soloistic Use of the Trombone in Eighteenth-Century Vienna. Nashville, Tennessee: The Brass Press, 1978.

Wind Instruments of European Art Music. London: Horniman Museum, Inner London Educational Authority, 1974.

Wolfinbarger, Steve. “The Solo Trombone Music of Arthur Pryor.” International Trombone Association Journal 11:1 (1983), 13-15; 11:2 (1983), 27-29; 11:3 (1983), 20-25.

Wotton, Tom S. “The Misuse of the Trombone.” (Letter to the Editor written in response to above article by J.A. Westrup.) Musical Times 66:989 (1925), 634.

Young, Jerry. “The Tuba in the Symphonic Works of and Gustav Mahler: A Performance Analysis.” Ed.D. diss., University of Illinois at Urbana-Champaign, 1980.

Zahl, Wesley. “Instruments and Instrumentation: The Brass.” Jacobs’ Band Monthly 17 (September 1932), 6-7; (November 1932), 6.

Zechmeister, Gerhard. “The Role of the (Contra)bass trombone in the Vienna Sound. Brass Bulletin 102 (1998), 19-28; 103 (1998), 93-99.

*In addition, consult the following professional journals and online sources—new materials are being created all the time!

Grove Music Online (available through the websites of selected libraries) Brass Bulletin (out of print, but often available in libraries) International Trombone Association Journal http://www.trombone.net International Tuba-Euphonium Association Journal http://www.iteaonline.org Historic Brass Society Journal http://historicbrass.org National Association of Collegiate Wind and Percussion Instructors Journal http://www.nacwpi.org The Instrumentalist http://www.instrumentalistmagazine.com