ATOS JanFeb 51-1 K 12/16/08 7:48 AM Page 1
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY
JANUARY | FEBRUARY 2009 ATOS JanFeb 51-1 K 12/16/08 7:48 AM Page 2
Add a little sparkle to your playing!
6610 Crown Lane• Zionsville,PA18092 • phone (610)966-2515 • www.walkertheatreorgan.com ATOS JanFeb 51-1 K 12/16/08 8:00 AM Page 1
THEATRE ORGAN JANUARY | FEBRUARY 2009 Volume 51 | Number 1
FEATURES Perth Theatre Organ 7 Time Radio Progam A Poem to the From the Gaumont Society of Theatre Organists 20 to the Victoria Hall OHS: Revised Guidelines 26 For Restoration and Conservation A Regal 29 Rediscovery Seated one day at the Unit, which was hopeless and weak in the knees, In spite of my frenzied efforts, it gave fourth only a wheeze. 2009 ATOS Convention 36 Treasures of the Western Reservc Perhaps it was awfully rotten; the manager told me so. He used to make coats for a living, and certainly ought to know. Our Man Stan Then I sought a grand inspiration which should swell to a pulsing sob, 40 Stan Kann Remembered Placate the irate manager and nail me to my job.
I flooded the cinema temple with harmonies rich and rare, OpEd: Which blotted out mundane afflictions and left me free from care. 45 National Headquarters Then I thought of a theatre position which appeals to all, thru and thru, Where double features are verboten and comedies also taboo;
Where you go out and play up the curtain, accompany a single reel, DEPARTMENTS Then hie to your sanctorum for a half or three quarter spiel. 4 Vox Humana If you’re late, do they raise the Old Ned? Not a bit; pass it off with a laugh. Oh, they realize they’re darned lucky to number you on the house’s staff. 5 Headquarters It may be that bosses as kindly and careless, or slipshod too, Are found in the movie houses across the ocean blue: 6 Director’s Corner
It may be that someday my rest time to work time shall be 2 to 1, 8 Letters But surely ’tis only in heaven that such things are ever done. 10 News & Notes And then I work up—and that Unit no more was a burden or care, Ne’er again shall my fingers caress it—the manager gave me the air. —Anonymous 14 Vox Pops The American Organist December, 1922 16 In the Spotlight 48 Professional Perspectives 50 For the Records On the cover: News regarding the giant Christie organ of London’s Regal Marble Arch 54 Chapter News Cinema has swept throughout the theatre organ community and beyond. Long thought lost, the instrument is the largest theatre organ in Europe, and its owners have promised a strict historic restoration with no alterations. 62 Around the Circuit 65 Meeting Minutes THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ Society, Inc., 5 Third Street, Suite 724, San Francisco, California 94103-3200. Periodicals Postage Paid at San Francisco, California and at additional mailing offices. Annual subscription of $33.00 paid from 70 Obituaries members’ dues. POSTMASTER: Send address changes to THEATRE ORGAN, c/o ATOS Membership Office, P.O. Box 5327, Fullerton, California 92838, [email protected].
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Organ Stop Pizza (4/75 Wurlitzer)
The ATOS Summer Camp is a unique Adrian Phillips Music Studio opportunity for (5/106 Midmer-Losh) young enthusiasts to study and learn the art of the theatre organ through lectures, master classes, and private study. As we embark on our third annual summer camp, we will be continuing our Orpheum Theatre adventures in the great Valley of the Sun. (3/30 Wurlitzer)
This year’s teaching staff will include Martin Ellis, Donna Parker, and Jelani Eddington. The majority of the coaching sessions will take place at the fabulous Adrian Phillips Music Studio symphonic-theatre organ. We will also take trips to visit many wonderful instruments in the area, including Organ Stop Pizza, the Orpheum Theatre, and many others!
The ATOS Summer Camp is open to all participants up to 25 years of age. Registration per student is $295.00 (including all tuition, meals, and transportation to and from the venues during the event). Special arrangements will be made for out-of-town students to stay at a nearby hotel. For more information, please contact Jelani Eddington at 262/639.8788 ([email protected]) or Donna Parker at 503/642-7009 ([email protected]). ATOS JanFeb 51-1 K 12/16/08 8:00 AM Page 3
Journal of the American Theatre Organ Society Library of Congress Catalog Number ML 1T 334 (ISSN 0040-5531) Printed in U.S.A. JANUARY | FEBRUARY 2009 Volume 51 | Number 1
THEATRE ORGAN EDITORIAL OFFICE CORPORATE OFFICE ELECTRONIC ORGANS (ETONES) WEBSITE (www.atos.org) 1845 South Michigan Avenue #1905 American Theatre Organ Society, Inc. Bucky Reddish Tom Blackwell Chicago, Illinois 60616 5 Third Street, Suite 724 5370 Vinings Lake View Drive 9717 Dayton Avenue North Voice/Fax 312-842-7475 San Francisco, California 94103 Mableton, Georgia 30126-2542 Seattle, Washington 98103 [email protected] [email protected] 206-784-9203 DESIGN & TYPESETTING 206-778-2724 mobile CHAIRMAN OF THE BOARD Sleeping Giant Creative ENDOWMENT FUND [email protected] Craig Peterson Indianapolis, Indiana Michael Fellenzer 7800 Laguna Vega Drive 6041 Garver Road PRINTING & MAILING Elk Grove, California 95758 Indianapolis, Indiana 46208 916-682-9699 Johnson Press of America Pontiac, Illinois 317-251-6962 [email protected] Fax 317-251-6940 ATOS MISSION STATEMENT—The Ameri- VICE CHAIRMAN OF THE BOARD ATOS COMMITTEES & CHAIRS [email protected] can Theatre Organ Society (ATOS) is TBA the leading international organization ACQUISITIONS & EXPANSIONS INNER-CITY YOUTH/SCHOOLS PROGRAM SECRETARY Ken Double (see above at President) TBA pursuing a positive difference in con- Bob Evans serving and promoting the theatre pipe AMATEUR THEATRE ORGANIST MENTOR PROGRAM organ and its music, preserving original 798 Old Warren Road Donna Parker (see above at Education) Swansea, Massachusetts 02777 COMPETITION instruments where possible. We provide Voice/Fax 508-674-0276 Susan Cole NOMINATIONS—BOARD ELECTION support and guidance to all ATOS [email protected] P.O. Box 653 Bill Carr chapters and others, with promotional Mount Dora, Florida 32756 11815 North 77th Drive and educational opportunities to both TREASURER 352-383-6875 Peoria, Arizona 85345 those within the Society, and to the Paul Van Der Molen [email protected] 0 N 468 Willow Road 623-694-1746 public worldwide through the Internet, Wheaton, Illinois 60187 Colonel Mike Hartley [email protected] publications, conventions, and per- 630-653-4986 17 Whippoorwill Drive ORGANIST SCHOLARSHIPS sonal contact. We are passionately Fax 630-653-4987 Palm Coast, Florida 32164 Carlton Smith devoted to providing professional [email protected] 386-445-7562 2175 North Irwin Street leadership and resources so the theatre [email protected] pipe organ will thrive in the 21st century. DIRECTORS (current term) Indianapolis, Indiana 46219-2220 Don Near (2009) ARCHIVE/LIBRARY 317-356-1240 Donna Parker (2009) Jim Patak Fax: 317-322-9379 Doug Powers (2009) Rialto Square PIPE PIPER THEATRE ORGAN (title registered U.S. Jelani Eddington (2010) 5 East Van Buren Street, Suite 210 Jonathan Ortloff Patent Office) is the official publication Michael Fellenzer (2010) Joliet, Illinois 60432 CPU 274369 of the American Theatre Organ Allen Miller (2010) 708-562-8538 Rochester, New York 14627 Society, Inc. (ATOS), a non-profit John Apple (2011) [email protected] 518-572-8397 organization. © 2009 American Theatre John DeMajo (2011) [email protected] Organ Society, Inc. All rights reserved. Bucky Reddish (2011) ARCHIVAL LIAISON Jeff Weiler (see above at Journal PUBLIC RELATIONS Annual membership in the American YOUTH REPRESENTATIVE Advertising) Donna Parker (see above at Education) TO THE BOARD Theatre Organ Society is $40.00 per Tyler Morkin AROUND THE CIRCUIT PUBLICATIONS REVIEW year ($55.00 outside of the U.S.A.), 1240 East Broomfield Street, Apt 00-8 Dave Luttinen Doug Powers which includes six issues of THEATRE Mount Pleasant, Michigan 48858 4710 225th Place SW 3323 Belvoir Boulevard ORGAN. Make check or money order 906-367-1454 Mountlake Terrace, Washington 98043 Beachwood, Ohio 44122 payable to ATOS and mail to the [email protected] 425-678-8813 216-401-9671 ATOS Membership Office, P.O. Box [email protected] PRESIDENT/CHIEF EXECUTIVE OFFICER Fax 440-338-5651 5327, Fullerton, California 92838, Ken Double AWARDS & RECOGNITION [email protected] [email protected]. MasterCard 5705 80th Street North Don Near RESTORATION & PRESERVATION and VISA are accepted. St. Petersburg, Florida 33709 9700 Chapman Avenue Allen Miller Single copies of current and back issues 281-798-6205 Garden Grove, California 92841 167 Carriage Drive are available for $6.00 each (please [email protected] 714-544-1106 Glastonbury, Connecticut 06033 add $3.00 per issue sent outside of the Fax 714-539-5734 860-633-5710 JOURNAL ADVERTISING U.S.A.). Make check or money order [email protected] Fax 860-633-7230 Jeff Weiler payable to ATOS and mail with your [email protected] 1845 South Michigan Avenue #1905 BYLAWS order to ATOS Marketplace, Dennis Chicago, Illinois 60616 Jelani Eddington SIMONTON LITERARY PRIZE Unks, 4002 Westbury Ridge Drive, Erie, Voice/Fax 312-842-7475 1706 West Palomino Drive Jelani Eddington (see above at Bylaws) Pennsylvania 16506. [email protected] Racine, Wisconsin 53402 Donna Parker (see above at Education) ATOS MARKETPLACE 262-639-8788 Fax 262-639-8242 STRATEGIC PLANNING Dennis Unks Doug Powers (see above at Opinions expressed in articles and 4002 Westbury Ridge Drive [email protected] Publications Review) advertisements appearing in THEATRE Erie, Pennsylvania 16506 CHAPTER RELATIONS ORGAN are not necessarily those 814-838-8794 Craig Peterson TECHNICAL of the American Theatre Organ Society Fax 440-338-5651 7800 Laguna Vega Drive Allen Miller (see above at Restoration or the Editor. ATOS is not responsible [email protected] Elk Grove, California 95758 & Preservation) for omissions or errors that result MEMBERSHIP/EXECUTIVE SECRETARY 916-682-9699 TECHNICAL CONSULTATION PROGRAM from misrepresentation of information Jim Merry [email protected] Allen Miller (see above at Restoration provided. Advertisers and their agents P.O. Box 5327 assume all liability for advertising con- CONVENTION PLANNING & Preservation) Fullerton, California 92838 tent. Advertisements in THEATRE ORGAN Mike Kinerk 714-773-4354 DAVID L. JUNCHEN TECHNICAL do not constitute an endorsement by 2655 Pine Tree Drive SCHOLARSHIP Fax 714-773-4829 ATOS or the Editor of goods or services Miami Beach, Florida 33140 Allen Miller (see above at Restoration [email protected] offered. The Editorial Office reserves the 305-532-9000 & Preservation) right to accept, reject, or edit any and JOURNAL STAFF Fax 305-376-3679 YOUNG THEATRE ORGANIST COMPETITION all submitted articles and advertising. EDITOR Jeff Weiler [email protected] CONTRIBUTING EDITORS Jelani Eddington (see above at Bylaws) EDUCATION Donna Parker (see above at Education) Article submissions: We are pleased to Vern Bickel, Jonathan Ortloff, accept manuscripts for review. Contact Scott Smith Jelani Eddington (see above at Bylaws) YOUTH INITIATIVES: the Editor, Jeff Weiler ([email protected], PUBLISHER Doug Powers Donna Parker GEORGE WRIGHT MEMORIAL 312-842-7475) to discuss length and PUBLICATIONS MANAGER P.O. Box 6103 FELLOWSHIP content. Alden Stockebrand Aloha, Oregon 97007 THEATRE ORGAN INSTRUCTOR ADVERTISING Jeff Weiler 503-642-7009 & STUDENT LISTS Reproduction: No part of THEATRE ASSOCIATE EDITORS Fax: 503-530-8610 Jelani Eddington (see above at Bylaws) ORGAN may be reproduced in any AROUND THE CIRCUIT Dave Luttinen [email protected] form by any means without prior written THEATRE ORGAN STUDENT OF THE YEAR MUSIC Steven Ball consent from ATOS. For additional Tyler Morkin (see above at Youth REVIEWS Andy Antonczyk, THEATRE ORGAN WORKSHOPS reprint information, please contact Representative) Stanley D. Hightower Jonas Nordwall Jeff Weiler, THEATRE ORGAN Editorial PROFESSIONAL PERSPECTIVES 7221 SW 13th Office, 1845 South Michigan Avenue Edward M. Stout III Portland, Oregon 97219 #1905, Chicago, Illinois 60616, WURLITZER RARITIES Ron Mitchell 503-246-7262 [email protected]. [email protected]
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We have a fascinating set of coin- monumental legacy with a strict cidental circumstances being played out restoration, making no changes or in the pages of this issue, in the United additions. Kingdom, and in Southern California. Word has just reached this office that Jonathan Ortloff introduces the theatre the historic and iconic outdoor Wurlitzer organ community to the Organ organ (Opus 998) of Roosevelt Memorial Historical Society’s recently revised Park, Gardenia, California, was removed “Guidelines for Restoration and from its outdoor pavilion just after Conservation.” The article is the product Thanksgiving. This well-documented of a great deal of committee work and instrument is legendary. Voiced on 15", contains much food for thought. Richard 25", 35", and 50" wind, the organ posed Hills brings us exciting news regarding great challenges for its builder and will Europe’s largest theatre organ. Long pose even greater challenges for its thought lost, the great Christie organ (supposed) restorer. Let’s hope that its originally installed in London’s Regal new owner will see that it receives the Marble Arch Cinema is, in every way, as attention, conservation, and placement significant as our New York Paramount properly due such an irreplaceable Wurlitzer. Richard and his mates antique. It’s too unusual and important discovered the instrument complete and for it to be altered or injured in any way. awaiting rescue. The organ now rests in —Jeff Weiler, Editor safe storage. Its new protectors are united in their pledge to honor its (Weiler Collection)
THE ROCHESTER THEATER ORGAN SOCIETY PRESENTS A Double Feature Weekend: David Simon Peckham Gledhill Accompanying the 1976 Film In Concert on the Famed Mel Brooks’s SILENT MOVIE RTOS 4/23 Wurlitzer Starring Mel Brooks, Dom DeLuise, Marty Feldman, Auditorium Theatre Bernadette Peters, Anne Bancroft, Liza Minnelli, Burt 885 East Main Street Reynolds, James Caan, Paul Newman, and more Tickets available at the door Eisenhart Auditorium (3/12 Wurlitzer/Hybrid) 657 East Avenue Saturday, March 29 Sunday, March 30 5:30 & 7:30 2:30
TICKETS: $15 EACH, OR $25 FOR BOTH PERFORMANCES. General admission on Sunday. Limited seating for Saturday performances - Reserve now! Call 518.572.8397 or email [email protected] for tickets. See www.theatreorgans.com/rochestr for more information.
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A Call to the Membership Greetings. I hope everyone has enjoyed previous ruling that if you wish to be a a wonderful holiday season and a good, chapter member, you must also join the safe start to the New Year. national organization. They are not alone As you read this, the board of directors, in maintaining this policy. selected staff, and the new fundraising There are many chapters whose mem- committee have concluded the mid-year bers are also members of ATOS. These meeting in Las Vegas. Our thanks to chapters do not require their members to longtime member Phil Maloof, owner of join the national organization, thus the Chicago Stadium Barton behemoth six- supporting the local effort. manual console and the Roxy Kimball We believe there is a potential mem- five-manual console, for his hospitality bership resource here that should be during our visit. explored. How many of these local-only Beyond that, there is something else I Before I get to the major point of this individuals are out there? How might we would suggest that could also immediately message, a word about the mid-year best convince them that, along with their help increase the numbers. Buy a meeting: with the economy in dire straits, membership in their local chapter, mem- membership as a gift for a friend or family the board explored the possibility of bership in our national organization would member. It’s only $40. And I am sure you foregoing the in-person meeting in favor of be a good thing? How can we demonstrate wonderful people must know someone who attempting to share information via com- that the work we are doing is worth the would enjoy such a gift and thus be happy puter videoconference. There were several effort? And how can we prove to them that to maintain their membership on their own different avenues explored, one of which roughly $3.30 a month (our annual for years to come. That’s one thing that can might have provided much cost savings. national dues divided by 12) is money well be done individually to help increase our However, the difficulty in overall commu- spent for the cause of preserving and membership numbers, while the board and nication; the need to share much visual presenting the theatre pipe organ? John Apple’s committee work on other information in terms of reports, graphs, John Apple’s committee is beginning tasks to accomplish the same goal. and images; and the nature of our an effort to communicate chapter-by- Finally, when counting this and the meetings where so many opinions get chapter with local officers to find out if we preceding issue of THEATRE ORGAN, voiced—sometimes one at a time and can identify these local-only members and there is much important information on sometimes all at once—determined that, then convince them to join the national board nominations, grant applications for this meeting, the board needed to meet organization in addition to supporting their from chapters to the Endowment Fund, together as a group in person. We will chapter. information on the Summer Youth Camp, continue to explore the potential cost If one just makes a few assumptions the Adult Getaway, the resurgence of the savings of videoconferencing in the future. and runs a few numbers, it gets inter- adult competition, and other programs of We meet together just twice a year, and esting. For example, let us assume that 40 interest. And, don’t forget the interesting there is too much important work going on of our chapters have some local-only reading that should whet your appetite for to forego these sessions. members. Convincing just 10 individuals the upcoming convention in Cleveland, Part of the important work at hand is per chapter that ATOS is worthy of their with no fewer than eight gorgeous theatres focusing attention on our declining support could account for 400 new on the schedule in the Western Reserve membership numbers and figuring out a members, which could mark a serious start chapter area, all of it new convention way to turn the trend around. There are in reversing the declining ATOS member- territory. There is much contained herein several avenues ATOS will be exploring in ship trend. It is worth our efforts to make that should interest all of us. the coming years to generate attention and this the first step in the membership I hope there are theatre organ events attract new members both for ATOS and, committee’s work; we are making contact nearby, including concerts and silent equally as important, for our individual with people who already know what the films, that can help take a little of the sting chapters. theatre organ is and already enjoy its out of winter. I sincerely hope you can help Our membership committee, headed by music. This will be a long-term task as we us grow our numbers. Convince one of new board member John Apple and ably work through our chapters in groups of 8– your locals to join. Buy a membership for assisted by Atlanta chapter member John 10 at a time, but I believe it will be worth a friend. Spread the joys of theatre organ McCall and Racine, Wisconsin resident the effort. I firmly believe that you folks music around. It will make you feel good Tom Garver, is focusing on one area in who are reading this message today can all over! particular—our own chapters. indeed go to your local chapters and help —Ken Double, President and CEO There are several chapters, for example us bring these local-only members into the Central Indiana, which still apply the national fold.
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Jelani Eddington chatting online through Internet resources Later in the year we will also be such as Facebook and MySpace. seeking a candidate for the George Wright Moreover, we are all so grateful for the Memorial Fellowship—a program that outpouring of support throughout ATOS will enable a young person to attend this for the Summer Camp that has come from summer’s convention in Cleveland. The chapters and individual members. In program, now in its eighth year, has 2007 and 2008, chapters and individuals brought numerous young people from all donated in excess of $10,000 to ensure over the country to enjoy their very first that every young person who wants to ATOS convention. attend is able to do so. We thank you so Similarly, we will welcome another much for your generosity. young person to serve as Youth Repre- The 2009 ATOS Summer Camp will sentative to the Board. Our current Youth take place in Phoenix, Arizona. Once Representative, Tyler Morkin, continues again, this will be a phenomenal oppor- to serve ATOS with distinction, bringing I have been honored to serve the mem- tunity for young people to experience, great ideas and wonderful enthusiasm. bership of ATOS for nearly five years. play, and learn about the theatre organ. If His term will come to an end in July, During that time, one of my primary you know a young person who has an 2009; while we will be sorry to see him responsibilities has been to oversee a interest in the theatre organ, I would leave, we look forward to his continuing number of the programs that relate to personally encourage you to put them in involvement with the board and with young organists and enthusiasts. Indeed, contact with us so that we can make sure ATOS. Tyler has been working to one of the most significant accomplish- they are able to attend the 2009 Summer introduce a set of changes to the ATOS ments that the board has made over the Camp. Student of the Year award to help past several years is its unwavering But our work to support and encourage encourage more young people to parti- commitment to supporting and promoting young theatre organ enthusiasts extends cipate in this program. our youth. well beyond just the Summer Camp. Over In sum, this is a very exciting time By now, most of you have probably the past several years, the ATOS board within ATOS, and the investments we are read about the spectacularly successful has continued its support for the Young making in our young theatre organ ATOS Summer Youth Camps that took Theatre Organist Competition and has enthusiasts are paying great dividends. If place in 2007 and 2008. At these camps, made a number of changes to ensure that you have any questions about any of these young organists by the dozens have had program is even more successful. As a youth-related programs, please feel free to the opportunity to deepen their under- result of these efforts, I am pleased to contact me at [email protected]. standing of and appreciation for the report that in our most recent 2008 In the meantime, I remain deeply theatre organ and to improve their playing competition, we had three times the grateful for the opportunity to serve on the skills. Additionally, the young men and number of applicants than the year before. board of directors and look forward to women who have participated in these We certainly look forward to continu- continuing to represent the membership programs have made lifelong friends with ing that trend with this year’s 2009 of ATOS. each other, frequently networking and competition.
■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ CONCERTS • SILENT FILMS 6 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:00 AM Page 7 Perth Theatre Organ Time Radio Program: 26 Years Old BY JOHN FUHRMANN Every Sunday morning, listeners to With work pressures requiring time on uninterrupted for 16 years. While we RTR FM 92.1 radio in Perth, Western the weekends, in 2002 the Robinson- praise that incredible track record, I also Australia have an opportunity to hear Duggans relinquished their role as the must offer a little insight into what it was theatre organ music. Perth has two programme presenters. Concerned about like to be a guest, live on the radio with functioning and well-maintained theatre the ongoing longevity of the programme Mal. Please excuse these rather “left- organs: namely, the 3/21 Wurlitzer in the and the need to locally promote theatre handed” compliments to a person who can Karrinyup Community Centre and the 3/12 organ music, they approached TOSA no longer defend himself, but these won- Compton in the John Leckie Music Centre. President Stan Higgott and me (part owner derful memories are laughable moments of Theatre Organ Time now airs each of the Karrinyup Wurlitzer), asking us to one of the best that ATOS ever had. week with voluntary presenters. When the take on the task of preparing and present- An in-studio visit was most interesting programme commenced on 3 July 1982, ing the weekly program. and entertaining, not the least of which the late Hubert Selby played listeners’ The programmes showcase a mix of was Mal’s demeanor behind the radio requests on the Hammond organ. Hubert artists from Australia, the United States, console and at the control of the micro- was founder of the Cinema Organ Society, and the United Kingdom and occasionally phones, turntables, and CD players. United Kingdom. After only 15 broadcasts, include live interviews with visiting theatre Let me make it clear that Mal loved the it was apparent that the programme had organ concert artists. The broadcast theatre organ, and loved presenting it on wide appeal. However, due to other includes a schedule of theatre organ the radio. As John Fuhrmann and others performance engagements, Hubert was concerts, including events in the United will testify, and at the risk of angering unable to continue. States and the United Kingdom. my wonderful friends in Australia and With his collection of theatre organ A strange experience occurred at RTR elsewhere, Mal did not let his complete records from all over the world, the then- FM involving theatre organ: on one and total lack of skill as a board operator president of the Theatre Organ Society of occasion no presenter arrived for three- and producer get in the way of putting a Australia, Mal McInnes, stepped in and hour long Saturday Jazz programme that show on the air. For me, who spent over 30 presented the programme every week for followed Theatre Organ Time. The result years in broadcasting, watching Mal was the next 16 years. Mal passed away sud- was the longest theatre organ show in the hilariously fascinating. denly on 12 September 1998, after history of radio (four hours!). One listener At times, he would be all set to start a presenting that morning’s programme. rang up after three and a half hours and recording, only to forget which turntable or Mal had previously spent some months said, “You are doing a great job, but we are which CD player to activate. His hands mentoring Lesley and Gary Robinson- getting a little tired of theatre organ.” I would shake so nervously just before Duggan and sharing his vision for Theatre replied, “You’re getting tired? How do you turning on his microphone, it was amazing Organ Time with them. Lesley and Gary think I feel?!” The station management he could actually activate the switch, had been interested in theatre organ music was made aware that once again the much less speak when necessary. Hoping for years, and they had gradually devel- theatre organ had saved the day. I don’t sound brash and egotistical, the oped a fine collection of music. When they Theatre organ enthusiasts can tune in difficulties might have been made more so began hosting the programme, the two to a live broadcast of the programme on by having a longtime broadcaster in the were single; they married during their Sunday mornings at 8:00am in Perth. studio with him; after a while, I ended up tenure at the programme. Fittingly, the Alternatively, visit the website rtrfm.com.au. doing most of the introductions for the marriage reception was held in the John Remember the time difference, though: upcoming selections. Leckie Music Centre, and the Compton 8:00am Sunday in Perth is 5:00pm These memories bring a smile to my organ was prominently featured. Saturday in the Pacific time zone on the face and, hopefully, to the faces of the west coast of the United States. thousands of people all over the world who were able to enjoy the final years of Mal’s shows via the magic of Internet trans- In the Studio with the mission. Imagine 16 years of weekend late Mal McInnes programming, uninterrupted by vacation, health, family, or other issues. That is a BY KEN DOUBLE wonderful measure of a wonderful man It was August of 1998, and I was who loved his theatre organ music of every completing my first tour through Australia. type and variety, be it the lush sounds of With the final concert scheduled for Perth Larsen, the toe-tapping Blackpool style, or and the Karrinyup Centre 3/21 Wurlitzer, the inimitable George Wright. And he was the standard procedure included an proactive enough to share all that appearance on the radio with Mal McInnes wonderful music with what became, in on his weekend radio program. essence, a worldwide audience. Here, As John Furhmann has written, then, is a toast to Mal, whose legacy lives Mal was indefatigable, broadcasting on every weekend on the radio. John Fuhrmann-Order of Australia JANUARY | FEBRUARY 2009 7 ATOS JanFeb 51-1 K 12/16/08 8:01 AM Page 8 ...,.. NOW - he~s at the .._ RKO KEITH'SRICHMOND HILL who was tapped by the late Diaphone Drama Walt Disney for much of the I enjoyed reading the article, early Disney cartoon music. “Demystifying the Diaphone,” in the I remember seeing a Disney July/August issue of THEATRE ORGAN. I program or a Mickey Mouse can relate one more bit of Diaphonic lore Club show in which the late the well known Broadway Organist who that may not be known. When I bought the Oliver Wallace accompanied a has been featured at International Casino, 3/11 Barton from the Galesburg, Illinois silent movie on a two-manual and also played the deluxe RKO 86th ST. Theatre in Manhattan for 5 years. Orpheum Theatre in 1964, Dan Barton Wurlitzer on television, with heard about it and wrote me with some Walt narrating the show. SING THE SONG HITS WITH ARLO recollections of that instrument. And after Walt’s daughter, Ruth Disney - AT oun OICGAN - 40 years he remembered every detail, Beecher, was an ATOS including the name of the theatre’s owner! member. (4) The late Bob EVERY Subsequently, I visited Dan at his home in NIGHT Smith, creator and voice of AND ALSO Oshkosh on two occasions. He was the most Howdy Doody on the Howdy kindly old gentleman who loved to share his Doody Show. He played the SAT. & SUN. MATINEE stories, and he was most interested to hear Hammond on television for Sing Your Favorite Song about my installation of his instrument in Three Tons of Fun with Ben EVERY SATURDAY MIDNITE ARLO'SBirthdayClub our family home. One of the stories I Turpin. He also had a choir "ARLO'S SW/NG - at SPECIAL remember particularly well concerned the in Maine in a local church. SINGING JAMBOREE" KIDDIE SHOW one 32' Diaphone he built (Wisconsin Part of the answer lies Every SATURDAY Afternoon Theatre, Milwaukee). He told me that in not referring to the because of space limitations the lowest pipes theatre organ as an old instrument. (Weiler Collection) had to be located backstage. He was so George Wright, Billy Nalle, and Dick Leibert proud of that set of pipes, and he related that certainly dealt with it as a current-day when the organ was first used, the organist instrument, so why don’t we? Mr. Orlov may Cherish the Past only put the 32' on during the last few bars have hit the nail on the head when it comes I want you to know just how encouraged of the “Stars and Stripes Forever.” Appar- to overall visibility, when kids in New I am over the fresh air which seems to be ently the power of those pipes sent stage Bedford, Massachusetts walk out of the blowing through the musty cobwebs of the scenery tumbling to the floor, broke light theatre into the actual world, they don’t find theatre organ world, at least if its official bulbs, and blew an electrician off a ladder. it [the theatre organ] in TV, radio, or on publication is any kind of indication. Dan said the theatre’s manager came CDs. No mention in libraries either. What Nothing expresses this change more than the running up to him in a panic and insisted message does that send? Donnie Rankin, on inclusion of Ed Stout’s unvarnished com- that those pipes be disconnected, never the other hand, doesn’t see the late Crawford mentary in recent issues. I have known EMS to sound again. So, he said, after all the as old fashioned, but rather brand new. It’s III more than long enough to recall when his expense and labor to build the 32' octave, just like the light rail descendant of the very name was anathema in mainstream they only played one time for a few brief bars trolley car. Maybe we need to adopt the same theatre organ; now he has become an elder of music. Now those were “good vibrations”! thinking. Most older people fear the statesman. The funny thing is that Ed has —John R. Near, DMA destructiveness of the newer generation. remained Ed: it’s the world around him that Elsah, Illinois When they get tired of something, they throw has started to come about. I’m reminded of it away. Lawrence Welk’s music is ageless— the shaggy dog (horse?) tale of the old farmer all music is ageless. who hitches the horses to the wagon, picks Special Request Looks like the Cambridge, Massachu- his wife up at the kitchen door, and proceeds setts project is off, but watch for Worchester, towards town. Thinking of days past, the Would you do some stories on the Massachusetts. missus asks “remember when we were following organists: (1) The late Arlo Hults, Just trying desperately to keep theatre young and used to sit up here all cuddled last seen on Ding Dong School with “Our pipe organ alive and well here in New together?” The farmer’s reply ends the Miss Francis.” He played a Hammond organ England. Theatre pipe organs forever! conversation: “I ain’t moved!” Well, folks, solo and was one of the lesser-known theatre —Robert K. Legon neither has Ed. organists, as was John Gart. (2) The late Malden, Massachusetts Among the matters which have troubled Jerry Burke of The Lawrence Welk Show. him over the years, and more recently in Jerry showed much evidence of his smooth these pages, is the rampant destruction, theatre styling with plenty of Crawford expansion, and electronification of our portamentos. (3) Oliver Wallace, who was historic trust (formerly encouraged by this credited with the discovery of Crawford and journal). Several decades ago, writing in The 8 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:01 AM Page 9 l compl€teyoUR cottect,on of RecoRctinqssyjelanl eddmqton Console, a publication which, for all its faults and quirks, was ready to offer a forum to anybody willing to don the toga, I likened mainstream pl)OENlX REN,.USSaNCE PhoenixRenaissance is a true sonic tour de force. Thisalbum is the theatre organ to “a museum being looted by its curators.” If this is any world premiereof the Adrian W. Phillipssymphonic-theatre pipe organ. The 106-rankorgan, originally the Midmer-Loshfrom the less true today, it’s because there is so much less to loot. My idea of the Atlantic City High School, combines the best of symphonic, quintessential THEATRE ORGAN article is titled “How I Turned a classical,and theatreorgan design to create a truly revolutionary musical powerhouse! Among the highlights is the first-ever Style F into a Publix 4, Complete with a List of Organs Broken Up to organ/piano recording of the complete RachmaninoffPiano Make the Dream Happen.” The argument made for today’s alterations ConcertoNo. 2. Other selections include Put On A Happy Face,Music of EllaFitzgerald, Rondo In G, Send In TheClowns. is not without its own logic: if Wurlitzer, Kimball, et al., were still in the business today, they would be embracing all that is new. True INDIANA 1{,~ IndianaRevisited! features the Bartontheatre pipe organat the WarrenPerforming Arts Centerin enough, but Ford is still in its line of business, and I have yet to hear Indianapolisand is Jelani Eddington's first solo album on a Bartonorgan. The instrument, of a Model A engine being scrapped in favor of a new Ford unit. There installedoriginally in 1927 in the 3,000-seatIndiana Theatre in downtown Indianapolis,fills the Warren PerformingArts Center with a lush, booming "in-theatre"sound. Highlights include is still room for both philosophies, but only if we act very soon, before Comedy Tonight,Music From LesMiserables, Music FromAnnie, YesterdaY,Radetsky March, the galleries are bare. Overture from Zampa. The organs destroyed or compromised are not going anywhere, so we need to be putting our efforts into those which still bear some Celebrate the music of the holiday season with A FestivalOf Christmas,featuring Jelani Eddingtonat the incomparableSanfilippo theatrepipe organ. Thisalbum containssome of the semblance of their original selves and cherishing them as a part of most beloved Christmas music of all times, including Leroy Anderson's complete A Christmas what we owe to the past. The real effort will have to come from the Festivalas well as six works from his Suite Of Carols. Other highlightsinclude Sleigh Ride, The ChristmasSong, BrazilianSleigh Bells, Jingle Bell Rock,Away In A Manger,Hallelujah! Chorus players, who seem to be driving this rush from history. They may have To see our oomplete line of recordings,visit us online at more ranks at more pitches, and more pistons to muster them than www.rjeproductions.oom ever before, but are they really making more music and not just more OrderingInformation, CD on~. $18.00(U.S.). Pleaseadd $3.00for shippingand handlingper item. For sound? all orders shipped outside the USA please add $5.00 per item. Send check, money order, or credit card details (Visa/MC/Amex/Discover)with telephone number to: —Steve Levin RJEProductions LLC Port Townsend, Washington P.O.Box 44092 • Racine,WI• 53404-7002• USA LIMITED EDITION DVD/CD si0'' Includes Shipping to Continental US! The Red, White and Blue Ragtime Revue is a collaboration of two incredible musicians. It all started during an informal jam session in Wichita, KS. Organist Dave Wickerham was the featured artist at the concert. Ragtime pianist, Dick Kroeckel was in the audience. By pure coincidence, Dick was seated at the grand piano and Dave sat down at the Little River Studio Mighty Wurlitzer Theatre Pipe Organ. Within a very few moments they had melded their talents. This resulted in the booking of the concert in McKinney, Texas. Inside the DVD case, you'll find a booklet with biographies on the pair, information about the MPAC Mighty Wurlitzer as well as other trivia about the performance. TRACKS INCLUDE: Repasz Band March, The Entertainer, Memphis Blues, Kiss of Fire (Tango), Tempation Rag, 12th Street Rag, Medley: Easy Rider/ Yellow Dog Blues, Original Rags, Maple Leaf Rag, Frankie & Johnny, Scandal Walk, "Chicago" Medley: Overture/ All That Jazz/ Mama, Pineapple Rag, Medley: Dallas ©lOOBTexasTalkiesM,dia Blues/ Houston Blues, Tiger Rag, Missouri Waltz, The Sheik of Araby, The Chrysanthemum Rag, ProductionCompany, LL(. "Red, White & Blue" Medley: Yankee Doodle/ Grand Ole Flag/ Yankee Doodle Dandy/ Stars & P. 0. BOX l l 4 I l Stripes Forever, Medley: Charleston/ Doin' The Raccoon Waco, Texas 76702 JANUARY | FEBRUARY 2009 9 ATOS JanFeb 51-1 K 12/16/08 8:01 AM Page 10 OPENING OF NOMINATIONS FOR CALL FOR AWARD THE 2009 ELECTION OF DIRECTORS NOMINATIONS It is time to nominate candidates to fill and theatre organ experience, a short Now is the time to consider nominating three (3) positions for ATOS directors for platform statement, an evening/weekend someone you feel is deserving of consid- the three-year term of 2009 to 2012. All telephone number, and a photo. Statements eration for one of the ATOS honors. As a ATOS members who have maintained exceeding the one hundred fifty (150) word people organization, we need to recognize continuous membership in good standing limit will disqualify the candidate. The individuals who have done an outstanding for at least the last two years are eligible nominee’s name, city/state of residence, job in promoting, preserving, presenting, for nomination and may nominate them- contact telephone number, fax number, or and otherwise furthering the art form we all selves or be nominated by another member e-mail address are not to be included in hold so dear. in good standing, in which case written the word count. There are many unsung heroes working consent of the nominee is mandatory and 2. Candidate résumés and photo are to quietly and diligently who may be unknown must be received before the nominee’s be sent to the nominating committee chair, to anyone outside of their local chapter. name can be placed on the ballot. Bill Carr. It is strongly recommended that Please take the time to nominate these folks A nominee need have no special talent nominations be sent via “return receipt” or so they may receive the recognition they or experience in pipe organ technology or similar mail class if international. Nomina- deserve. musicianship; however, nominees should tions may also be sent digitally; however, As chair of the Awards Committee, I have a demonstrated interest in ATOS and the sender MUST verify receipt of the stand ready to help you or to provide any have the time to work toward the goals and nomination by the chair. The postmark information you may need. Nominations growth of the society. While there are deadline is January 15, 2009. may be submitted to any director or chapter certain benefits enjoyed by directors, one 3. We will use a separate mailing of liaison. of which is the reimbursement of certain ballots and résumés of the candidates. All nominations for ATOS awards must meeting-related expenses, there are also While this method is costly, we hope that it be in writing, not to exceed one typewritten responsibilities. Along with a willingness will encourage members to vote for the page. Any member of ATOS may nominate to participate in the administrative affairs candidates of their choice, thus demon- anyone for any ATOS award. of the society, it is most important that strating their interest in and support of Some of the categories are: directors faithfully attend both board and ATOS and its objectives. • Hall of Fame committee meetings. 4. If you have questions, please contact • Honorary Member The ATOS board usually meets twice a the nominating committee chair: • Organist of the Year year, the first being just prior to the annual Bill Carr • Ron Musselman Member of the Year convention, usually in the summer, and 11815 North 77th Avenue • Awards for Technical Excellence— again in mid-year, usually sometime in late Peoria, Arizona 85345 Technician of the Year January. Attendance of all directors is 673-694-1746 • Volunteer Technician Awards necessary if the decisions and actions of [email protected] There are an additional 20 categories! the board are to be truly responsive to the 5. Counting words: More information, and a complete listing membership. In addition, directors chair a. Name, city, and state in the of categories, may be found on the ATOS and/or serve on one or more committees heading do not count. website (www.atos.org), ATOS Front Desk, providing valuable input to the board. The b. Hyphenated words count as one Board meetings and reference documents, committee chairs are responsible for sub- (1) word (e.g. Vice-President, two- ATOS Policies, #4 Awards. mitting a written report of their activities term…). —Don Near, Director and recommendations prior to meetings of c. Articles and prepositions count Chair of the Awards Committee the board. (the organ caretaker = three (3) words, The board is currently taking action on an avid lover of theatre organ = six (6) several exciting programs that should words. increase public awareness of ATOS and set d. ATOS = one (1) word; MCTOS = a course for the future. This is a great time one (1) word; American Theatre Organ Attention All ATOS to become involved in the work of ATOS. Society = four (4) words. Procedure to be observed in the nomi- e. Abbreviations count as one (1) nation process is as follows: word (Asst., Mrs.). Chapter Officers 1. Each nominee shall furnish a f. Numbers count as a word [26 = Please visit the ATOS website, statement, not to exceed one hundred fifty one (1) word, 5 = one (1) word]. www.atos.org/front-desk/chapters.html, and (150) words, including the name and verify that the information for your chapter is city/state of residence, personal data, work current. If there are any changes needed, please e-mail [email protected]. 10 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:04 AM Page 11 YOUTH REPRESENTATIVE NEW ATOS MEMBERS TO THE BOARD October 11 through November 26, 2008 James F. Berg, Jr., St. Louis, Missouri A program to encourage dialogue and exchange Richard J. Bingham, Rochester Hills, Michigan of ideas between our young members and the Thomas Brooks, Crouse, North Carolina ATOS board Bob Buchholz, Kirkland, Washington The position of ATOS youth representative to the board has been Marcia Cutlip, North Reading, Massachusetts established to encourage a two-way avenue for dialogue and the Paul Dessau, Colfax, California expression of ideas from a youth perspective. The youth represen- G.S. Dugan, Indianapolis, Indiana tative will serve on the ATOS board of directors for the two-year Lydia A. Hartley, Palm Coast, Florida period from 2009–2011 and should be involved in as many ATOS events as possible. The position is available to young persons between Harry Helton, Greenfield, Indiana the ages of 15 and 24. Todd and Joan Hovermale, Anderson, Indiana ATOS will cover the approved costs associated with attending Linda and Robert Jarvis, Carmichael, California events such as the annual convention and any mid-year board Lowell Johnson, Rochester, Minnesota meetings the youth representative is required to attend. Michael H. Jones, Kevil, Kentucky All young people interested in applying for this position should Roy E. Knight, Grafton, West Virginia request an application today by contacting Jelani Eddington, ATOS Kenneth Knollman, Cincinnati, Ohio Youth Initiatives Chair, 1706 West Palamino Drive, Racine, Karsten Lettau, Hamburg, Germany Wisconsin 53402. The application forms may also be downloaded from the ATOS website, www.atos.org. If you know of a young person Livermore Public Library, Livermore, California who might be interested in serving in ATOS in this capacity, please David and Carol Lukens, Anderson, Indiana have him or her send for an application today. Be sure to include your Jeff McMahan, Moscow, Idaho mailing address. Doug Nelson, Saint Paul, Minnesota All applications must be submitted by certified mail, return Paul Pomerantz, New York, New York receipt, postmarked no later than February 28, 2009. Dallas and Jackie Reeves, Terre Haute, Indiana For more information or for general inquiries, please contact Bryan J. Richter, Novi, Michigan Jelani Eddington at the address listed above, by e-mail at Cheryll Simmerman, Wilmette, Illinois [email protected], or at 262-639-8788. Michael Sinker, Amersham, United Kingdom Skip and Cathy Stine, Lititz, Pennsylvania Edward J. Surette, Reading, Massachusetts ATOS ADULT AMATEUR THEATRE ORGANIST COMPETITION This is your chance to perform at the 2009 ATOS convention! Just enter the 2009 ATOS Adult Amateur Theatre Organist Competition. THEATRE ORGAN STUDENT All applicants will receive a written critique from the ATOS OF THE YEAR 2009 concert artist judges. The 1st, 2nd, and 3rd place winners will be The Theatre Organ Student of the Year is awarded to a young offered the option to receive a private one-on-one session with an theatre organ student who has demonstrated exceptional ATOS concert artist at the 2009 ATOS convention. Winners will have commitment to and improvement in his/her theatre organ the option to perform at the convention. studies. Amateur organ students age 27 or younger are invited Basic Competition Rules: The competition is open to adult (age to submit applications, which are due by May 1, 2009. 25 and over) ATOS members and future members. Pipe or digital For further information and an application form, please e-mail organ entry recordings will be accepted. All entries must be received or phone Tyler Morkin, Youth Representative to the Board, no later than April 1, 2009. at [email protected], 906-367-1454, or visit the ATOS website: For further competition information and application forms, www.atos.org/front-desk/forms. visit the ATOS website, www.atos.org, or contact Susan Cole at 352-383-6975 or via e-mail to [email protected]. The 2009 committee members are Susan Cole, Col. Michael Hartley, and Wayne Tilschner. JANUARY | FEBRUARY 2009 11 ATOS JanFeb 51-1 K 12/16/08 8:04 AM Page 12 ATOS ENDOWMENT FUND GRANT/LOAN APPLICANTS The purpose of the ATOS Endowment drafted and signed by both parties. Given encumbrances (such as loans or liens), Fund is to assist ATOS chapters engaged in the current financial climate, available disposition agreements and written rental theatre pipe organ programs or projects funds are limited, and preference will or lease agreements with outside parties. which will have a lasting impact on the be given to ATOS chapter owned and Summarize prior grants or gifts given preservation or presentation of the theatre sponsored projects. specifically to this project. Describe how the pipe organ as an historically American Fund disbursements are administered by project is to be used and how the project instrument and musical art form; projects the ATOS Endowment Fund financial will benefit the public and chapter. Any or programs of particular historical or secretary (ATOS treasurer). Grants are paid photos should be submitted electronically scholarly merit; and other projects or on a per-item basis, not to a chapter as a as JPG images not exceeding 500K each. programs as approved by the ATOS board of lump sum. Grantee shall submit invoices Please remember, all completed work on a directors. Only one application per chapter, for items or services prior to payment so pipe organ, as well as all future work, must organization, or person per year will be that the financial secretary may pay the meet the ATOS Guidelines for Conservation considered. providers directly. and Restoration and will be subject to All grant applications involving a theatre The 2008–2009 ATOS Endowment Fund inspection by the ATOS Technical Commit- pipe organ, or component(s) thereof, are first board of trustees: Michael Fellenzer, chair; tee. (A copy of the guidelines may be reviewed by the chair of the ATOS Paul Van Der Molen, financial secretary; obtained from the technical director or the Technical Committee to determine if the Jelani Eddington, recording secretary; Bob ATOS website, www.atos.org.) proposed project complies with at least the Maney, trustee; and Alden Stockebrand, • A breakdown of how the grant will be minimum standards as set forth in the ATOS trustee. spent. Include materials, equipment rental, Guidelines for Conservation and Restora- contracted and other professional services, tion. This review may require an inspection Instructions etc. Also provide a projected schedule of of the work in progress, organ components, In order to consider your grant applica- project activities (including starting and and/or the proposed site where the work is tion properly, the ATOS Endowment Fund completion dates). If the grant request is for to be done. Following this review, the chair board of trustees needs certain information. a portion of a restoration project, please of the ATOS Technical Committee shall Please provide the following; each item provide a comprehensive budget outline of make his/her recommendation to proceed when printed must fit on one piece of 8½ by the complete project. with consideration of the application (or 11 inch paper. Applications are to be sent • The names, addresses, and telephone not), in writing, to the ATOS Endowment electronically (via e-mail). If this presents a numbers of individuals and/or companies Fund board of trustees. problem, please contact the chair of the that will provide services to be paid for by After all applications have been reviewed, Endowment Committee. the grant. the ATOS Endowment Fund board of • A cover letter to the ATOS Endowment • A copy of your IRS letter of deter- trustees will vote to recommend awarding a Fund board of trustees; please be brief. mination, if applicable. specific monetary grant for each of the • Information about your chapter (or you Please e-mail grant application materials applications. The results of this voting will and/or your organization if this is not a no later than April 15, 2009 to: then be submitted to the ATOS board of chapter project). Include ATOS chapter or Michael Fellenzer, Chair directors for final approval or disapproval membership status, number of voting ATOS Endowment Fund Board of Trustees during their annual meeting (July, 2009). members, incorporation information as [email protected] Applicants will usually be informed of the applicable, special federal tax exempt status 317-251-6962 results following the board meeting. under Section 501(c)(3) of the Internal All submissions will be acknowledged Not more than ninety percent (90%) of Revenue Code, etc. Please list names, via e-mail; however, it is incumbent on the the accrued interest on the Endowment addresses, telephone numbers and e-mail submitting party to verify materials were Fund principal may be distributed as grants addresses of your chapter president, vice received. If you should have any questions for projects or programs. Not more than president, secretary and treasurer. or need further assistance, please contact twenty-five percent (25%) of the principal • A detailed description of the project Michael Fellenzer. Your application mate- may be loaned for projects or programs. All for which the grant is requested. Include rials will be distributed to the chair of the loans must be secured by real property, and information regarding ownership (including ATOS Technical Committee, the ATOS a promissory note establishing a reasonable any components on loan to the project Endowment Fund board of trustees, and the interest rate and payment schedule shall be and the terms of such loans), financial ATOS chair. Have you remembered the ATOS Endowment Fund in your will or trust? 12 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:04 AM Page 13 A CALL FOR DOCUMENTS THE 2009 GEORGE WRIGHT Theatre Organ Installation Document MEMORIAL FELLOWSHIP Research Project A program to bring a young person to the ATOS The ATOS Technical and Education Committees are jointly annual convention to be held in Cleveland, Ohio requesting the assistance of all ATOS members who have access and surrounding areas June 30–July 6, 2009 to original factory organ chamber and contractor blueprints, The George Wright Memorial Fellowship has been established to drawings, contracts, photos, specifications and correspon dence. pay for an interested young person between the ages of 15 and 24 The goal is to acquire historic docu ments to include in the ever- to attend his or her first ATOS annual convention. ATOS will pay expanding ATOS Archive. This request for documentation the convention registration fee, jam session fee(s), hotel, economy includes all builders of theatre pipe organs. round-trip airfare, and the cost of the banquet for the winner. Although a number of original Wurlitzer drawings are All young people interested in applying for this fellowship presently available through the Smithsonian Institution, they should request an application today by contacting Jelani Eddington, represent less than 10% of the total number generated by the ATOS Youth Initiatives Chair, 1706 West Palamino Drive, Racine, firm. We are seeking originals, or high-quality copies, of prints Wisconsin 53402, or by downloading the forms online from the and documents that do not exist in the Smithsonian Wurlitzer ATOS website, www.atos.org. If you know of a young person who collection. Equally important is the acquisition of installation might be interested, please have him or her fill out an application blueprints and technical drawings of Robert-Morton, Barton, today. Marr & Colton, Kimball, and other theatre organ builders. All applications must be submitted by certified mail, return Please assist us with this important project, before any more receipt, postmarked no later than February 28, 2009. of our history is lost. For more information or for general inquiries, please contact Contact Jeff Weiler, Archival Liaison, at [email protected] or Jelani Eddington at the address listed above, by e-mail at 312-842-7475. [email protected], or at 262-639-8788. The 113th3th AnnAnnualual RialtoRialttoo KeKeyboardeyyboarrdd PPoPopsops ConConcertncert andand tthehe JAJATOETTOOE RialtofestRialttooffeesst Weekend!WWeeekend! Saturday,Sattuurrddaaayyy,, AprilApprriil 25,25, 200922009 – 7:007::00000 p.m.p..m.m. $ 38 per personperson WithWith Artists Artists . . . JelaniJelani EddEddington,ington, JJonasonas NNordwall,ordwall, DoDonnanna PParker,arker, MMarMartintin ElEllis,lis, Rob RRichards,ichards,, AAlexlex ZsolZsoltt andand TheThe Jo Jolietliet A meAmericanrican L eegLegionggiion Band Band EnjoyEnjooyy allalll 4 ForFor ticticketskets oror moremore weekendweekendk d eeventsvvents ifinfinformation,foormatioti n, contactcontat cctt PLUS!PPLLUSUS!S! OurOur OtherOtheOtOththeheer ExcitingEExxccicititttiiiningng WeekendWWeeeeekeekendekekenendnd EveEvEvents!veenents!ntsts!s! ffoforor justjust $145.00$1$145.00!0! JATOEJAATTOE at Friday,FFrridayy,, AprilApApril 24 – $30$30 perper personperson 708708-562-8538-562-85338 VanVVaan DerDer MolenMolen WonderWWoonderr Morton:Morton: JelaniJelani EddingtonEddington & DonnaDonna PParkerarker or visitvisit us onon linee at SaturdaySaturrdday AprilApApril 2525 – $30$30 perper personperson KrughoffKrughoff WWuWurlitzer,urlitzer, JJonasonaas NNordwallordwall & MarMartintin ElEllislis www.jatoe.orgwwww..jatoe.org Sunday ApAAprilpril 26 – $$6060 pperer ppersonerson ((includesincludes dessdessertert buffet)buuffffeet) SanfilippoSanfilippo 5/5/8080 WWuWurlitzer,urlitzer, Rob RicRichardshards & AlexAlex ZsoltZsolt . #HICAGO 3T s *OLIET ),. #HICAGO 3T s*OLIET ), JANUARY | FEBRUARY 2009 13 ATOS JanFeb 51-1 K 12/16/08 8:04 AM Page 14 Please send your items of interest to the Editor. A German Organ Tour next day, we arrived at my hometown. I had destruction. In December of 2005, the organ During my first business trip to Detroit, organized a church organ concert followed was returned to Augusta with the goal of Michigan in February, 2001, I had the by two concerts in my home using my Allen reinstalling it in the theatre and, since then, chance to visit the Music Palace in GW 319. chapter members have participated in fund- Sharonville, Ohio. As an ATOS member, I Trent played wonderful concerts. He knew raising and publicity events in Augusta with knew that there was a theatre organ installed how to play German music with charac- respect to the effort. there and played by Trent Sims. I heard him teristic precision. Also, his Jesse Crawford This year, the Augusta arts community play three times, and we subsequently kept arrangements demonstrated extreme musi- presented the Westobou Festival, patterned in touch over the years. cality and excellent technique. It will be a after Spoleto, which included art exhibits, After attending the ATOS convention in pleasure for us to hear him again in the near concerts, plays, opera, and other events. The New York, I decided to become more active future. Atlanta chapter of ATOS was included as an —Helmut Sobotta official participant. in the German theatre organ scene. Together Hirrlingen, Germany with my friends Hans Volmerg and Ralf One of the very first Westobou events was Krampen, heads of the German Theatre a benefit for the Imperial Theatre’s organ Organ Club, we invited Trent Sims for a Breaking New Ground fund, held at the Imperial: a screening of The German organ tour. This started on June 11, in Augusta Three Faces of Eve, an Augusta-based true 2008, when Trent arrived in Frankfurt am story. Presented on the 51st anniversary of The Atlanta chapter has never been one the film’s world premiere, the program Main. According to a prepared schedule, the to only “color inside the lines” of what is first concert took place on Friday, June 13 at featured the master of ceremonies from the ordinary with respect to getting the theatre world premiere, the organist who played that Hans Volmerg’s home in Hamm, at his Allen organ to those outside of our regular audi- 6500. The next day we travelled to the little evening, and the special appearance of Chris ences. In 2004, we successfully promoted Costner Sizemore, “Eve” upon whom the village Brey on Rhine to play the Compton the screening of Metropolis at Atlanta’s Fox 3/9 owned by Ralf Krampen. Both concerts film is based. The event opened with a Theatre to local science fiction societies. presentation on the history of the Imperial were attended by an appreciative public. In 2006, Ken Double was enthusiastically Following dinner at a good friend’s home Wurlitzer by Atlanta chapter vice president received, both in concert and accompanying Larry Davis. (although Trent will never eat fresh Matjes short silent films, at the first-ever Macon herring again!), we travelled to the north The next evening, chapter member Ron Film and Video Festival. This year, we Carter presented masterful accompaniment to Company Fleiter in Münster to see and participated in the inaugural Westobou Arts play the Wurlitzer 2/6 Style D. On Tuesday, to Pandora’s Box to a sold-out audience at Festival in Augusta, Georgia. Sacred Heart Community Center. Sacred June 17, Trent was invited to play the In 2005, while in Augusta for an organ historic Arp Schnitger organ at the Jacobi Heart sponsors a silent film night each fall, crawl, featuring Walt Strony, to the homes of and this year’s event was their festival Church in Hamburg. That was impressive; ATOS members, we toured the Imperial what a wonderful instrument. That same offering. Ron has become an Augusta Theatre, not knowing that in only a few favorite, and the standing ovation that evening we had a stop at my parents’ home in months, the Atlanta chapter would have the the center of Germany to play another followed the film indicated the appreciation opportunity to rescue the Imperial’s long- of the audience for the artistry they had just historical organ in the village church. The removed Wurlitzer organ from potential ~ ~ ::..'3 ....,..'A';' t ..~ I:('" ,...... ,- . I • .... llr.l.; , -· •.• •• • ••• • •••••••. ••••• •,""-: Trent Sims at the Allen GW 319 in Hirrlingen, Germany (Sobotta Collection) Trent Sims at the historic Arp Schnitger organ located in the Jacobi Church, Hamburg (Sobotta Collection) 14 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 11:28 AM Page 15 witnessed, both on the screen and at the later based. His performance of “The Battle well attended by very interested and console of Sacred Heart’s Allen. of Trenton” by James Hewitt, the first music informed people who were able to share On Saturday afternoon, our chapter director of the church, featured a Revolu- their memories and add information to the presented the program that we sponsored as tionary War reenactor in full uniform, using presentation. an official part of the Westobou Festival: a his musket to turn the placards describing The Sunday afternoon event was a classical concert on the Casavant organ the musical action. Theatrical indeed! meeting at the home of Bob and Amanda at Saint Paul’s Episcopal Church. Local The Mayor of Augusta declared Polglase, featuring their Allen Renaissance member Dr. Robert Polglase proposed and September 20, 2008 as Bernard Carpenter GW4 in the most capable hands of theatre organized the program, performed by Saint Day in honor of the late legendary Augusta organist Dolton McAlpin. Following that Paul’s organist and director of music, Keith musician who served as the Imperial’s program, a handful of members made the Shafer. The audience of almost 250—includ- organist and as music director at Saint trek to Sylvania, Georgia for an afterglow at ing ATOS chapter members, American Guild Paul’s. Mr. Shafer presented the proclama- the home of Randy and Kim Magnuson. of Organists Augusta chapter members, tion to Mrs. Martha Scroggs, daughter There, chapter members were joined by local church members, festival participants, and of Mr. Carpenter, in the company of her Sylvania citizens and organists for an people off the street—streamed into the children and grandchildren. He followed the evening of music on the hybrid theatre organ. church as the hour approached. In our initial presentation by performing Mr. Carpenter’s The weekend was remarkably successful conversations, Mr. Shafer had expressed favorite composition, Mendelssohn’s “War in terms of the quality of the programs, the reservations that he was not a theatre March of the Priests”; it was definitely a quality of the music, and the overall interest organist. Despite his protestations, his crowd pleaser. in theatre organ that was generated as we program was one of high musical artistry On Sunday morning, Larry Davis and moved outside the normal channels, bringing and, at the same time, was immensely Mike Deas, chairman of the Imperial’s organ theatre organ and ATOS to new audiences. entertaining. He included Edwin Lemare’s committee, presented a program at Saint —Larry Davis “Andantino in D Flat” upon which the Paul’s on the history of Augusta’s theatres Marietta, Georgia popular tune “Moonlight and Roses” was and the Imperial Theatre organ. It was Don’t miss an issue of THEATRE ORGAN Renew your membership on time. !$& # &( '(1 ( 0# !)"' New Release Featuring Scott Foppiano www.atos.org 2007 ATOS Organist of the Year Beyond the Blue Horizon Articles and Features Added Regularly For a complete list of exciting CIC-ATOS %&$'' $#!")' #$&2&'$#2 recordings including the artistry of Ken & #''$"( ##1($($#&( &# Calendar of Events Double, Simon Gledhill, and Jelani Eddington &) ($1)#'(#&'#! ((! and Submissions visit www.cicatos.org or contact CIC-ATOS ! ( 33 #('(2!$ Recordings c/o Mike Rolfe, 1431 N. Audubon Theatre Organ Locator www.tonywhittaker.co.uk Rd., Indianapolis, IN 46219. JANUARY | FEBRUARY 2009 15 ATOS JanFeb 51-1 K 12/16/08 8:04 AM Page 16 “In the Spotlight” focuses on theatre pipe organ restoration, rebuilding, tonal finishing, and installation projects, as well as theatre organ personalities. Items of interest should be sent to the Editor. The Palace Publix #1 Wurlitzer and Weldon Flanagan The Palace Publix #1 4/20 Wurlitzer, were usually booked for a week at a time, Ambassador Hotel, Cocoanut Grove, in Los Opus 2125, and Weldon Flanagan are still and elaborate stage shows, such as The Angeles, California, then sold to WHEC in synonymous in Dallas, Texas. Although each Enchanted Forest, Minstrel Melodies and Rochester, New York by 1934, and then to a has a unique story, when the two were finally Rhapsody in Blue, were produced using man named Runyon in Colorado. connected in 1946, the times and lives of various themes to accent the movies that The 1930 Publix #1 4/20 Wurlitzer was each were permanently intertwined as a would be shown after them. still played occasionally during the 1930s, most important part of Dallas entertainment Carl Weismann was hired as the first accompanying vaudeville acts, stage shows, history. Palace Theatre organist, and later Billy and other entertainers. A special perform- The glorious Palace Theatre at 1623–25 Muth, C. Sharpe Minor, Jack Caldwell, ance by Jesse Crawford and his wife, Helen, Elm Street opened on June 11, 1921. It was Dwight Brown, and others played during the who played on a slave console, was a sell-out designed by Thomas J. Lamb of New York 1920s. Harold Ramsay became the more in 1934. The organ continued to be played and C. D. Hill and Company in Dallas. The prominent organist in the 1930s. Dwight sporadically into the early 1940s. In 1945 original owner was Earl Hulsey, through Brown continued playing into the early Dwight Brown played for a few performances, Southern Enterprises, a holding company. 1940s. In time, the most remembered and but he had become undependable and, The outside, with its three-story brick honored became Weldon Flanagan. finally, the organ was no longer used. façade, was not imposing but, upon entering In 1930, one of the most exceptional In 1946 the Interstate Company, which the lobby, smiling staff led patrons to an theatre organs in this nation was installed in by the 1930s owned (among many others) amazing auditorium. Spacious seating for the theatre: a Publix #1 four-manual, 20- the Palace Theatre, was celebrating its 40th 3,000 patrons was provided and, since there rank Wurlitzer (Opus 2125). It was purchased anniversary, and the company refurbished were neither posts nor other obstructions, on August 16, 1930. For some months prior the Palace Theatre. Heavy curtains covered every seat offered a clear view of the stage to its installation, the console was displayed the organ chamber grills on each side of the and screen. Golden accents on swirls of in the windows of Whittle Music Company. immense stage. The organ console itself had creamy white decorative plaster embellished The console, finished in a dull burnished sustained some damage, mostly from neglect the crystal lighting fixtures, and lavish gold with brilliant gold ormolu, was later and critters such as mice and rats. There maroon plush drapes and a glittering golden painted white to further showcase this fine was much water damage from a leaky roof waterfall curtain provided the perfect back- instrument. A new electric lift was pur- over the chambers, and even some to the drop for the musical preludes. A 30-piece chased in 1926 to replace the old, unstable console itself, so it, too, was covered up. orchestra was present for the opening night hydraulic lift, and the new organ console Weldon’s interest in organs began when extravaganza, and the console of a three- was placed on it at the left side of the he was only four years old. His family would manual, 11-rank Style 235 Wurlitzer (Opus orchestra pit. A piano was installed on a often take him to the Palace Theatre, and he 411), was placed in the center of the special platform behind the grillwork to the would actually cry to go down and touch that orchestra pit on a hydraulic lift. This organ left of the console. huge console. At home he began making accompanied the silent movies of the day. There were only a few of these Publix cardboard models of the console, and the Hospitality was the hallmark of this organs manufactured by the Wurlitzer Com- desire to learn to play that organ burned theatre; as the opening night programs pany, and only a very few survive. Although within him constantly. His talent was dis- stated, upon attending “the poor will walk by the time this Publix #1 Wurlitzer was covered following damage to his arm by the with kings and the rich will be blessed with purchased and the organ chambers en- rollers on a washing machine. The doctor the common touch—blessings and privi- larged, the golden heyday for theatre organs told Weldon that, as therapy to strengthen leges of the America we love as the land of was drawing to a close. Sound was added to the muscles and tendons, he should play the the free and the home of democracy.” the movies in 1927, and theatre organs in piano. Weldon’s amazing talent burst forth Another section, titled “I Am a New more than 10,000 theatres across the United during those therapy sessions. Within a few Theatre,” expressed appreciation for this States were soon being discarded. Earlier, years, he was playing piano, church organ new golden palace of dreams. For more than the small 1921 3/11 Wurlitzer had been and, later, electronic organs. At a party in the following four-plus decades, the Palace taken out of the Palace Theatre and installed 1946 for an executive of the Interstate Theatre brought vaudeville, silent movies, in the outdoor amphitheater at Fair Park in Company, Weldon was asked how his stage shows and, eventually, movies with Dallas, but that proved to be an unsuc- musical career could be helped. Weldon sound to Dallas audiences. First-run movies cessful venue. It was sold in 1932 to the immediately answered, “By letting me play 16 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:04 AM Page 17 that Palace Theatre organ.” Weldon, only 12 thousands who saw him would never forget years old at the time, proved to be a musical that. genius, and all he wanted was the chance to Weldon’s wife, Mary, was an artist in her play the Palace Theatre organ. own right. They met when they were both In 1946 Weldon was permitted to go to teenagers and she was playing an organ the theatre; upon first turning on the organ, during the state fair. It was definitely love at (Crumpler Collection) more than 100 pipes ciphered. He could see first sight and, within a short time, the two there was a lot of work to be done. He was were married. They both had jobs at determined not only to repair the damages, different churches playing the organ on but also to enhance and bring back the Sunday. Weldon’s schedule was heavy at the amazing sounds of that special Wurlitzer. Palace Theatre. He played the matinees and Weldon began taking organ lessons from a two evening performances, along with any prominent teacher at Southern Methodist special stage appearances by many movie University. He was on a work program, stars, such as James Stewart, Dorothy attending school half days then going to the Lamour, Angela Lansbury, and others. He theatre in the afternoons. He knew little of was asked to come to New York and play the repairing organs, so he began to read as Paramount organ, but Dallas was his and many books as he could from the library. Mary’s home, so he turned down a perma- When he ran into a problem, he would call nent position in New York. the Wurlitzer people, most of whom would Thousands of people became instant say, “Just go look in the trash bins behind fans of Weldon Flanagan, including a young the theatres or in the old organ chambers of man named Rodney Yarbrough. Rodney was any theatre, and you will probably find what first interested in old player pianos and you want.” He did that on more than one had begun buying, repairing, and selling occasion. Two decades of dedicated talent them. He went to the Palace Theatre and, and ingenuity, combined with a passion for after seeing Weldon playing the beautiful theatre organs, enabled Weldon Flanagan to Publix, Rodney wanted to meet him to demonstrate and bring forth that organ’s express his appreciation. Rodney was also versatility. interested in knowing all aspects of the By 1948 Weldon had the organ fairly well theatre organ and how it operated. He later repaired, and his astonishing performances were bringing in hundreds of appreciative movie patrons. By 1952 he had been appearing on a regular basis; on more than one occasion, his playing outshone the movie that followed. Within a short time Weldon was hired as the perma- nent Palace Theatre organist, and he and the Publix #1 were considered the dynamic duo of entertainment in Dallas for the next 20 years. It was such a thrill when the house lights would dim, the brilliant white spotlight cleaving through the darkness, and the first notes of the Publix #1 would literally shake the walls! As the mag- nificent console came rising up from the basement, Weldon would usually play a rousing Sousa march, followed by a current mellow ballad, and then the spectacular closing piece. As he finished, he would turn slightly toward the audience, smiling and continuing to Weldon Flanagan play, and the console would descend. The (Robert MacNeur Collection) JANUARY | FEBRUARY 2009 17 ATOS JanFeb 51-1 K 12/16/08 8:05 AM Page 18 became an organbuilder, and his knowledge and traveled all over the world giving Theatre Row, Weldon, along with many of theatre, classical, and other organs is concerts. After his formal retirement, others connected with theatre organ history quite extensive. He and Weldon became Weldon began building a Wurlitzer in his in Dallas, provided me with most interesting good friends and, from then on, they kept in living room in Plano but, sadly, poor health stories of those invaluable instruments and touch and shared their love for theatre has caused cessation of further work. their lasting impact on the entertainment organs. In time Rodney even helped tune the My own memories go back to a cold world. Although my latest book, The Theatre Palace Publix more than once, and later February night in 1948 after I had moved to Organ Murders, is fictional, it includes a he purchased two theatre organs himself, Dallas. My date took me to see and hear true history of the Palace Theatre and a restoring them and eventually installing one Weldon Flanagan and the Palace organ. My specification list for the Publix #1 that has in his home in Celina. One of Rodney’s Dad told me back in the early 1940s that if been out of print since 1955. Much fondest memories was a July 4th barbecue I ever heard a theatre organ played in a information and many stories were shared at his home when Weldon played the theatre as it was meant to be, I would never with me by Edward Millington Stout III, restored Houston, Texas Kirby Theatre forget it; I did indeed hear and see Weldon Willetta Stellmacher, George Cearley, Jr., organ for more than two hours. In 1964 Flanagan that night, and I have never Paul Harris, Weldon and Mary Flanagan, Rodney was disabled in an accident and, forgotten the memory. Over the years, I went Paul Adair, Jeff Weiler, Rodney Yarbrough, although he had purchased and was intent to the Palace Theatre many times to enjoy and many others who have been connected on restoring the San Antonio, Texas Theatre seeing Weldon and hearing his dazzling with the theatres and/or theatre organs over Wurlitzer, he was unable to complete that performances. If for some reason Weldon the years. project. wasn’t scheduled to play, it was not As to the final destination of the Palace Weldon and the Palace Publix #1 provided uncommon for people to wait until he was Publix #1, prior to the closing of the Palace the same outstanding and vivid memories to scheduled or even to ask for their money Theatre and its demolition, the organ was the patrons of the Palace Theatre for the next back if he didn’t appear. The theatre finally given to Weldon because of his long years of two decades; to this day, people still posted a printed schedule showing the times dedication, talent, and expenditures. He remember the glorious Palace Theatre organ he would be playing. kept it in his home on Haverford in Dallas and, in particular, Weldon Flanagan. The Weldon often played special music until he and his family moved to Plano, at organ had become a featured part of enter- before premier performances of blockbuster which time he decided to sell it to tainment at the Palace. As early as 1963, the movies such as Carousel, Oklahoma, The Dr. Graybeal of Fort Worth. Dr. Graybeal ownership of the organ was transferred to Music Man, and many others. People would later made a decision to sell the organ to Jim Weldon. He also had many programs that stay just to hear him again. And the sing- and Tammy Faye Bakker, who planned to were broadcast, and some later telecast, alongs were such fun! Several other stories place it in a Christian theme park they were from the Palace Theatre. By 1970 Weldon were told to me after I met Weldon in had decided to retire, but instead in 1975 he person in 1997, when I was writing a began touring for the Gulbransen Company book about the Lakewood Theatre and the 1984 installation of a 1927 Robert-Morton organ in that theatre. When I wrote Street of Dreams, A History of Dallas’ (Photos Crumpler Collection) 18 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:05 AM Page 19 building, but The PTL Club scandal had broken, and the organ was left in storage in California. The whole story may be 2009 found in my current book, by contacting Edward Millington Stout III, or by visiting www.shomler.com/calsj. Fortunately, most of the organ is now installed in the WurlitzerWeekend California/Fox Theatre in San Jose, with the console from the Chicago Uptown Theatre January 16, 17 and 18 (Opus 1060). Dr. Graybeal kept the original console until his death in 2007; his executor Five event Package $89 before January 1, 2009 was awarded the console and now has possession. In a sense, the organ is still Friday - 8:00 pm Bob Salisbury at the Wurlitzer alive in two locations. 1927 Silent film Theatre organists and these amazing instruments may “shuffle off this mortal ´7KH.LG%URWKHUµ coil,” so to speak, but these few treasured Featuring Harold Lloyd instruments now in dedicated hands will Orpheum Theater - 842 South Broadway, Los Angeles continue to bring joy and appreciation Saturday Morning - 8:00 am whenever they are played. —Jeanette Howeth Crumpler Artist to be Determined El Capitan Theatre, 6834 Hollywood Boulevard References and Acknowledgments: The Theatre Organ Murders, by Jeanette Saturday Afternoon - 1:30 pm Howeth Crumpler, 2008, Dallas, Texas, Chris Gorsuch available at www.organmurders.com Street of Dreams, A History of Dallas’ Theatre Nethercutt Collection Row, by Jeanette Howeth Crumpler, 2003, One hour collection tour followed by one hour concert Dallas, Texas, no longer in print 15200 BlBlesdoeedes Street, Sylmar, CA The Lakewood StarWalk, As Seen Through the Eyes of D.O.T. [Disciples of Trinity], by Saturday Evening - 8:00 pm Jeanette Howeth Crumpler, 1999, Dallas, Rob Richards Texas, available from D.O.T., 5810 Live Oak, Dallas, Texas 75214 Plummer Auditorium, 201 E Chapman Ave, Fullerton, CA Edward Millington Stout III, California Sunday Morning - 9:00 am Paul Adair, Dallas, Texas Willetta Stellmacher, Dallas, Texas Bill Campbell Weldon and Mary Flanagan, Plano, Texas Paramount Skating Rink, 8041 Jackson St, Paramount, CA Jeff Weiler, Chicago, Illinois Sunday Afternoon - 2:00 pm George Cearley, Jr., Dallas, Texas Jelani Eddington, Chris Gorsuch, Rodney Yarbrough, Celina, Texas Michael Hazel, Legacies Magazine, Dallas, Rus Peck Texas San Gabriel Mission Playhouse, 320 S Mission, San Gabriel The Dallas Morning News, archives from 1921 Special VIP seating for weekend passport holders only to 1970s The Kinura, 1955 The Console, 1965 and 1967 Separate additional event not included in package Texas Unique Antiques, 1974 Sunday - 7:00 pm - RON RHODE - Old Town Music Hall, El Segundo Keyboard World Tickets for this event may be ordered with your Wurlitzer Weekend Package for $20 Internet websites: www.theparamount.com, www.shomler.com/calsj, www.atos.org, www.historictheatres.org/, and Toll Free, 1.888.LATOS.22 E-mail [email protected] www.cinematreasures.org Please Order Early, some venues have limited seating Web site: www.latos.org Sponsored by Los Angeles and Orange County Theatre Organ Societies JANUARY | FEBRUARY 2009 19 ATOS JanFeb 51-1 K 12/16/08 8:05 AM Page 20 Dale Hall, Hampsthwaite by night (David Lowe Collection) A Young David Lowe at the console in its first COS home in Dale Hall Jack Fenner at the Wurlitzer in its original home at the (David Lowe Collection) Gaumont Oldham in the late1930s (David Ritchie Archive) From the Gaumont to the Victoria Hall: BY DAVID LOWE Opus 2208, a three-manual Special, was on second touch, most effectively for counter SOLO dispatched from the Wurlitzer factory on 26 melodies and accents. 8 French Trumpet 61 pipes 10" wp February 1937. It was destined for the What was the intent of this strange 8 Saxophone 61 pipes 10" wp Grand Theatre Oldham which had been animal? Wurlitzers, a highly recognised 8 Tibia Clausa 85 pipes 15" wp 8 Vox Humana 61 pipes 6" wp refurbished and was to re-open as a Super brand in the UK, were going head-to-head (large scale) Cinema under the auspices of the Gaumont in competition with the estimable John British Picture Corporation. Compton organ company. Comptons had STOPLIST This instrument was one of an identical realised the 1930s market need for theatre PEDAL pair (the other being for the Gaumont organs to evolve from silent picture accom- Diaphone 16 Cinema Watford) designed by the legendary paniment to intermission use and were Bourdon 16 Quentin Maclean. The original stoplist offering powerful, compact instruments at a French Trumpet 8 Open Diapason 8 provided, surprisingly, for a Solo String and cost well below that of Wurlitzer. Two other Tibia Clausa 8 Dulciana, but the organ was installed with British chains, Union and Granada, were Cello 8 the more usual Violin and Violin Celeste. developing small, effectively specified Flute 8 Also unusual for an instrument of this size Wurlitzer models, and the Oldham and Bass Drum was the solo-scaled Tibia and the 15" WP Watford organs were Gaumont’s solution to Kettle Drum Crash Cymbal Diaphonic Diapason with a 12-note wood the problem. The Oldham organ is, there- Tap Cymbal Diaphone extension. The three reed units fore, of considerable historical interest and were French Trumpet, Saxophone, and Vox value as an insight to the “what if” scenario 1st and 2nd Touch Trap Switch Humana. There was no 16' reed extension. of the North American theatre organ market Three adjustable toe pistons The French Trumpet, unknown in North surviving into the 1930s and beyond. ACCOMPANIMENT American Wurlitzers, was voiced to give a [NB: A variant of this style was built Contra Viol (Ten C) 16 more ‘nasal’ tone than the sweeter #2 for the Palladium Copenhagen, opened Bourdon 16 Trumpet (Style D) or Brass Trumpet and was February, 1938, with the Violin replaced by Vox Humana (Ten C) 16 incorporated in a number of UK instru- a Gamba, and no Celeste provided.] French Trumpet 8 Open Diapason 8 ments. This stop was intended to combine Maclean’s layout was thus: Tibia Clausa 8 the virtues of the powerful English Horn Saxophone 8 (especially off tremulant) with the lyrical #2 CHAMBER ANALYSIS Violin 8 or Brass Trumpets on tremulant. Although MAIN Violin Celeste (Ten C) 8 perhaps less successful in either mode, it 16 Diaphonic Diapason 85 pipes 15" wp Concert Flute 8 16 Bourdon/Flute 97 pipes 10" wp Vox Humana 8 was a very useful compromise. Arguably the Octave 4 most successful application was on the 8 Violin 73 pipes 10" wp 8 Violin Celeste (Ten C) 61 pipes 10" wp Piccolo 4 Regal/ABC Kingston instrument, where Viol 4 Joseph Seal used this stop with tremulant, Octave Celeste 4 20 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 21 Ken Stroud in concert at Dale Hall in 1984 (Photo by John Leeming) Bill Hopkinson (l), then District Secretary, and Neil Hepworth show off the The queue on the opening night at Brighouse console, newly installed in the organ’s in March, 1996 (Photo by John Leeming) second COS home, the Trinity Arts Centre, Pudsey in 1991 A New Home for a Special and Much-travelled Wurlitzer! 2 Flute 4 Twelfth 2 ⁄3 TOE PISTONS Vox Humana 4 Piccolo (Tibia) 2 Steamboat Whistle 2 Twelfth 2 ⁄3 Piccolo 2 Train Whistle 3 Piccolo 2 Tierce 1 ⁄5 Fire Gong Chrysoglott Xylophone Klaxon Snare Drum Glockenspiel Birds Tambourine Chrysoglott Surf Castanets Sub Octave Chinese Block Octave Maclean also provided no less than five Tom Tom SOLO 2ND TOUCH Sleigh Bells tremulants (Main, Diaphonic Diapason, French Trumpet 8 Solo, Tibia, and Vox Humana). The top ACCOMPANIMENT 2ND TOUCH keyboard was a coupler manual (Manual French Trumpet 8 10 Adjustable Combination Pistons Tibia Clausa 8 (Accompaniment, Pedal, and Manual III) III), a British innovation intended to make Cathedral Chimes the organ appear bigger. In this case the Triangle MANUAL III limited specification was Accompaniment Solo to Accompaniment Accompaniment to Manual III and Great to Manual III, Glockenspiel, Solo to Manual III Chrysoglott, Xylophone and Chimes. 10 Adjustable Combination Pistons Cathedral Chimes (Accompaniment, Pedal, and Manual III) Although designed by Maclean, the Xylophone Oldham organ was, in fact, opened on 14 SOLO Glockenspiel June 1937 by Jack Fenner who remained as Chrysoglott French Trumpet (Ten C) 16 resident for the next 10 years. Installation Diaphone 16 TREMULANTS Tibia Clausa (Ten C) 16 was under stage which provided excellent Main French Trumpet 8 sound egress, but flooding was a problem, Solo Open Diapason 8 French Trumpet with water knee deep on more than one Tibia Clausa 8 Tibia Clausa occasion. Saxophone 8 Vox Humana With the advent of television, audiences Violin 8 Violin Celeste (Ten C) 8 GENERAL declined rapidly in the late 1950s and early Concert Flute 8 Two Expression Pedals 1960s, and the Gaumont Oldham closed Vox Humana 8 Vibraphone on 2 December 1961. The Cinema Organ Clarion 4 Chrysoglott Dampers Society’s General Committee had already Octave 4 One Double Touch Sforzando Pedal decided that if this was to be the trend, it Piccolo 4 First Touch-Full Organ (wind) would be desirable for the society (through Viol 4 Second Touch-Percussion stops added Octave Celeste 4 One Double Touch Sforzando Pedal its Districts) to have its own instruments. Flute 4 First Touch-Snare Drum Roll Accordingly, Northern District Secretary 2 Twelfth (Tibia) 2 ⁄3 Second Touch-Cymbals Mike Slater inspected the organ for JANUARY | FEBRUARY 2009 21 ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 22 David Lowe at the console in its most recent location, the Ritz Ballroom, The Ritz Ballroom, Brighouse, now organless, at Lyn Larsen in concert at Brighouse in Brighouse (David Lowe Collection) the end of December, 2006 (Photo by Colin Sutton) August, 2006 (Photo by John Leeming) purchase, and with the generous assistance with a target of £500 (actually nearly £600 was created, with stage lighting, public of a loan from a benefactor (who asked to was raised). District Secretary Lawrence address system, etc. During the final period remain anonymous), the society was able to Whitfield arranged to re-open the organ, at Hampsthwaite, and following success purchase the organ for £100; it was removed in a more-or-less playable state, on with tonal improvements to the Trocadero beginning 15 October 1961. 26 February 1966, with guest artists Cecil Wurlitzer, organman David Pawlyn came As now, finding a home wasn’t easy, Chadwick, Eric Lord, and Trevor Willets, to Hampsthwaite and worked on the but a venue was offered in the village and the loan was repaid later that year. One instrument. He opened up Tibia toeholes, of Hampsthwaite near Harrogate, North innovation in respect of this installation was and we experimented with reservoir weights— Yorkshire. The Dale Hall adjoined a garage the provision of a slot meter (at a cost of the organ was suddenly transformed as the and petrol station and was owned by £3.11.8) which enabled members (and tremulants now did their job properly for the Rowland Dawson. The hall had been built indeed anyone) to come into the hall and first time, and we had a truly theatrical- for use as a dance venue, with stage, resi- play the organ for five shillings (25p today) sounding instrument. dent band and a Hammond Lafleur organ on per hour. Some of the names in the Visitor But it was not to last; there were fears a moveable trolley. The hall, seating about Book kept at Hampsthwaite are now familiar that the Dale Hall would fail safety inspec- 100, was decorated with wall paintings to us, including a young Phil Kelsall, who tions, and it was just not a popular venue above the coves somewhat after the style of came over to practise from time to time prior despite being out in the country. The final the Granada Tooting, and it is believed that to his appointment at Blackpool’s Tower concert at Hampsthwaite (with Arnold films may have been shown occasionally. Ballroom. Loxam) took place on 3 December 1988. However, apart from the odd organ recital Meetings were held at Hampsthwaite, Bill Hopkinson and committee had looked (one being by Reginald Foort), the hall was but the hall did have some drawbacks. In at a number of alternative venues including mainly used after World War II for sports winter the cost of heating (coal-fired boiler) Wakefield Opera House, Morley Town Hall, purposes. was thought to be too great; it’s worth and the Victoria Hall, Saltaire. The latter Roland Dawson kindly provided the recalling this was in the days when COS and was a favourite but was closed due to build- chamber area. Installation by Mike Slater, TOC had meetings rather than concerts, ing defects, and its future was uncertain. Ron Curtis, and members of the Dawson with no admission charge, free or low-cost However, a suitable venue was found in the family commenced on 8 April 1962, but venue hire, and the organists played for Yorkshire cricketing town of Pudsey which it was to be a long drawn out affair. At nothing or modest expense as well. Access was well situated and accessible relative to some point, someone decided the wooden by public transport on a Sunday was poor; the District membership. Diaphones would be too large in scale for some members walked all the way from The Trinity Methodist Chapel Pudsey the venue and some were cut up for use Harrogate, a distance of several miles, in the opened around 1899, with an impressive as trunking! Later, the resonators were days before mass car ownership. Another classical frontage and Italianate clock tower replaced locally, though they never worked problem was that new housing was being at the southwest corner. It closed around properly at Hampsthwaite, being of the developed around the hall, and the occu- 1984–5 and was purchased by local entre- wrong size. Eventually organbuilders pants could hear the organ. At one COS preneur Brian Prideaux, who vowed to Laycock and Bannister of Crosshills (near AGM (around 1982/3), a disgruntled convert the building to other uses while Keighley) were brought in to complete the neighbour came over to the hall and, in the retaining the dignity felt appropriate to a job (at a cost of £685), and it was a chance middle of George Blackmore’s performance, former place of worship. Accordingly, the remark of one of their men while tuning my placed a portable radio in the hall entrance original floor (now the basement) was to church organ that prompted me to visit the playing at full volume as a protest! But the house a shopping mall, while the main Dale Hall and discover the COS. organ gradually improved in reliability auditorium (now at balcony level) would Various fundraising activities were and, under the stewardship of District provide a room which could be used as an organised (including an electronic organ Secretaries Stan Cuss (from 1976) and Bill arts centre with theatre in the round, boxing concert at the Dale Hall in August, 1961), Hopkinson (from 1984), a better atmosphere matches, brass band concerts, dances, 22 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 23 Richard Hills plays the closing concert at Brighouse on December 10, 2006 (Photo by John Leeming) Nicholas Martin at the console for dancing at the Ritz Ballroom, Brighouse in August, 2006 (Photo by John Leeming) wedding receptions, and children’s parties, COS meetings were now history, as in October, 1937. Closure as a cinema came etc. This boded well, and so the COS events at the Trinity Arts Centre took the in 1961, and in September that year it re- General Committee (after inspection) agreed form of concerts, with paid admission—for opened for Bingo, later becoming a casino. to the (renamed) Yorkshire District com- both members and the general public— In 1981 another change of use saw a dance mittee’s recommendation that the organ but the general ambience of a club still floor installed and the creation of a fine should be re-located in this auditorium. prevailed. Indeed, members could practise ballroom, owned and operated latterly Building works were of a fairly minor nature, on the organ, and enjoy open console by Alan and Pauline Olbison, who also and the technical team, led by Bill evenings with advice on registration, etc. presented live music events and disco Hopkinson and Bernard Nichol, installed The audience size for the concert following evenings to complement the more serious the organ over a period of about 30 months. the opening was rather small, which ballroom dancing. A huge contribution was made by COS prompted some misgivings, but then things Prompted by members Michael Wilson Technical Officer John Abson, who not only picked up for a while. But the glory of the and Andrew Willans, overtures to Alan and planned but also directed and contributed Trinity Arts Centre was to fade rather too Pauline proved positive, and agreement was to the installation, travelling hundreds of quickly, and the high hopes of its owner made to re-install the Wurlitzer in its fourth miles each weekend. were to be dashed, as the arts events did not home. It would be used for public concerts One novel feature of the re-installation attract audiences, brass bands did not but, just as importantly, it was hoped to was the need to utilise a crane to lift the favour the acoustics, and the shops in the become a valued feature of the ballroom— console into the building, and this provided mall gradually closed down. Soon the only with the organ complementing the band, useful photo and publicity opportunities. events were the organ concerts (still quite thus providing a “Tower Ballroom” in Larger shutters had to be sourced (from popular), and disco-type sessions which Yorkshire. Members’ evenings and private David Pawlyn), and opportunity was also attracted a young, unruly element. The practice were also envisaged as part of the taken at this time to expand the usefulness fabric of the building began to suffer, and package. of Manual III and turn it into a modest Solo concerts became increasingly difficult to The organ chambers had become dress- manual by replacing the coupler stopkeys mount; the committee even had to bring in ing rooms, and one housed a heating unit, with eight speaking stops. Funding came portable heating as the hall heating system so in order to return them to their intended from District and other sources, including a became unavailable. There were fears for use, significant (and costly) building work most welcome donation of £1000 from the the safety of the organ, so the final concert had to be undertaken to provide artist London District following a benefit concert took place in December, 1994, after which accommodation above the stage, as well as at the South Bank Polytechnic. Professional the instrument was hurriedly removed an alternative heating system. The organ assistance was also employed, where pending yet another venue search. was in good condition, so the actual appropriate, since by now the organ was 50 Once again there was a round of potential installation work by the technical team years old and required re-leathering, plus homes, including the newly refurbished (now led by Allan Foster), was relatively repairs and re-regulation of pipework. In Midland Hotel in Bradford. Other than the straightforward. This was to be profes- particular the strings were cleaned and Victoria Hall, Saltaire which was a favourite sionally (and most appropriately) assisted by regulated by Duncan Booth and now but still not practical, one stood out as being Robert Hope-Jones—a distant relative of sounded magnificent. of special interest. The Ritz Ballroom, the man from the Wirral, Cheshire, whose The organ was re-opened on Sunday Brighouse, had been built as the Ritz innovations and enthusiasm led directly to 30 June 1991 with two sellout perform- Cinema, opening on 15 March 1937. Part of the creation of the Wurlitzer theatre pipe ances, featuring Doreen Chadwick (the the Union chain, it had (unsurprisingly) organ. Once again, detailed planning was Oldham connection), Arnold Loxam, and been provided with organ chambers but carried out by COS Technical Officer John Andrew Willans—the latter’s pattern making there was no organ, possibly due to the Abson, while general leadership (and more) and joinery skills having been put to good financial difficulties which led to Union was provided by District Secretary David use during re-installation. Cinemas being taken over by ABC Cinemas Clay. David’s enthusiasm knew no bounds, JANUARY | FEBRUARY 2009 23 ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 24 and garden parties, boat trips, raffles, typical Wurlitzer disposition of their larger Saltaire, near Shipley in West Yorkshire. donations, members’ loans, and central instruments. Although other venues in Yorkshire and funding providing the means to complete the These additional ranks were obtained Lancashire were investigated, this was an job. from the USA—the Orchestral Oboe (from obvious first choice—indeed COS Technical The reopening concert at what was now Opus 1329, Sheridan Theatre, Chicago) Officer John Abson had drawn up technical the New Ritz Ballroom took place on 15 March installed 1998 and regulated by Clark proposals for an installation at this venue 1996 with Doreen Chadwick, Simon Wilson on a very welcome visit, and the many years previously. These were dug out Gledhill, Arnold Loxam, and Nigel Ogden. Harmonic Tuba (installed 1999 and so that Godfrey and team could make an It was a spectacular affair with a packed regulated by Duncan Booth)—both of which approach to the Salts Foundation. house and with much use made of presen- have surpassed expectations. (With the two Saltaire village was established in 1853 tational effects. Lighting, smoke machine, additional reservoirs and tremulants, we by Victorian mill owner, philanthropist, and and specially chosen prelude and interval now had seven tremulants for 10 ranks of businessman Titus (later Sir Titus) Salt on music became the norm at concerts which pipes—a luxury indeed.) Major alterations the banks of the River Aire about three were very much aimed at the public, with were made to the console, including an miles from Bradford, to house his mill less emphasis on the membership. Use of enhanced stoplist drawn up by Simon workers in conditions that were far superior the organ for dancing varied from what had Gledhill with advice from an international to what was the norm—though other model originally been envisaged, and comprised panel of players. The console was re-painted villages already existed in the UK at Copley tea dances on Bank (public) holidays with professionally, keyboards and pedalboard and New Lanark. If the workers were well Andrew Willans at the Wurlitzer and on a were re-wired, along with a new power housed and reasonably disciplined through few selected Saturday evenings, usually with supply for the combination action, while the church attendance, healthy recreation, and Phil Kelsall. The latter were very popular non-original “sunburst” Wurlitzer music abstinence, not only would they lead happy and well attended; although some of the Ritz desk was replaced by the original (which and contented lives, but the mill would regulars said they preferred dancing to a had been retained in storage) and a period benefit with higher production and effici- band or to records, others came specially to music desk lamp. ency. The Victoria Hall provided a library, dance to the Wurlitzer, so everyone was District Secretary Godfrey Nield and meeting rooms, and, of course, a fine concert satisfied. Unfortunately it did not prove team organised a superb convention, based hall. Today the library section is occupied possible to arrange any informal open at Brighouse, in August, 2006, and this was (happily) by the Harmonium and Reed console members’ events in the evening as greatly enjoyed by guests from both home Organ Museum. The village buildings and circumstances had changed, but occasional and abroad. An excellent CD made during mill have Listed status (Victoria Hall is master class presentations were provided, the convention includes tracks recorded at Grade 2 Star) and are within a Conservation plus private practice sessions, on Saturdays. Brighouse by Lyn Larsen and Richard Hills. Area, while in 2001 Saltaire was designated Concerts were generally well attended, The CD and Nigel Ogden’s title “Encore” by UNESCO as a World Heritage Site. The albeit with a slight downward trend, and (as are only available on eBay, for worldwide mill finally closed in 1986, was bought by at Pudsey) a variety of players, established shipping, through COS agent Richard Jonathan Silver, renovated, and today and new, from both the UK and the United Stephenson. (Go to www.ebay.com and enter houses a mix of residential and business States, were presented to appreciative “COS North” in the search box. Then choose use, including the 1853 gallery which audiences. either the convention CD or “Encore,” and includes the largest collection of David For some time it had been felt that a select the Buy It Now option. Payment must Hockney paintings in the world. Saltaire is modest increase in size of the organ could be made through PayPal.) not only a desirable location to live, but is provide greater interest and flexibility both Once again, however, there was to be also a tourist attraction with re-opened for players and audiences, so after much disappointing news for COS members. railway station, the mill attractions, the deliberation and advice it was planned During 2005 Alan and Pauline Olbison had Leeds & Liverpool canal, and parks, plus to add the two ranks which might logically announced that they planned to offer the Shipley Glen and its unique cable tramway. have come next in Maclean’s scheme—a Ritz Ballroom for sale with the intention of Salts Foundation welcomed the installation Tuba and a Krumet. The Tuba could be used taking well-earned retirement. It was soon of the organ and all the benefits it could very effectively with the French Trumpet apparent that the asking price for the bring. The COS has been fortunate that from for ‘block chords off trem’ as well as on business was far more than the society could the very first visit to the Hall the young, tremulant in the ensemble (and other find, indeed the assumption was that any professional management team, Ian Durham uses), while the Krumet would provide the new buyer would demolish the building to and Stacey Clarkin, understood the “buzz” which was missing, thus enabling an make way for residential development. So advantages of installing the organ and have approximation of some of the favoured the society was asked to remove the organ assisted and made obstacles disappear registrations of Joseph Seal, and players pending sale, and the last concert took place during the negotiations. They are extremely from Blackpool and the States. Scarcity of on Sunday 10 December 2006 with Richard keen to use the organ at various non-COS- Krumets forced an admittedly more musical Hills, who assisted with the removal that related activities. compromise, and the eventual added stops commenced the following day. (Ironically, at Chambers would be provided under the were Orchestral Oboe and Harmonic Tuba. time of writing, the venue remains open main hall on part of a balcony around the The Orchestral Oboe was winded with following planning difficulties and local basement sports hall (one room existing, one the Saxophone in the solo chamber, and moves to “save the Ritz.”) to be built). The console would live in the the Harmonic Tuba winded separately Where was the organ’s fifth home to be? space between the chambers and rise to in the main chamber, thus preserving One common feature of preceding searches stage level on a specially designed lift. on this magnum in parvo scheme the was the preference for the Victoria Hall, Egress for sound would be directed towards 24 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 25 the auditorium and via stage openings to the finished by an international specialist of player. Building work was due to start in repute prior to the re-opening. r------, July, 2008, with organ installation from late Funding is by a combination of grants, a Journal of August, and opening concerts and events substantial legacy, central COS sources, planned for April, 2009. This is a most and, of course, by donation. Several mem- American exciting project! The hall is a very fine bers have responded most generously, but example of its genre, with good, reasonably there is still some way to go to raise the Organbuilding theatrical acoustics and a seating capacity £100,000 needed to finish the job. All Quarterly Publication which should be sufficient for organ con- donations will be most welcome and may be of the American Institute certs but not too large as to be intimidating. sent to Godfrey Nield, COS Northern of Organbuilders Concerts and dances are envisioned, as well District Secretary, 194 Bradford Road, as use of the organ for other functions, Shipley, West Yorkshire, BD18 3DE, This publication is devoted to the including, of course, access to members for England. For additional questions, contact dissemination of knowledge regarding private practice and members’ events. Mr. Nield at [email protected]. the design, construction and mainte- This will be the largest and boldest COS The end result will be a vibrant and nance of pipe organs in North America. installation yet. It will cost a lot of money— secure home for the Wurlitzer in a Grade 2 Although primarily a technical journal most of it for building works and lift Star listed building, within a World Heritage for the benefit of organbuilding profes- sionals, it is also a valuable resource for (complicated and costly due to the site. This must be unique, and something architects and project consultants, church building’s “listed” status), and the COS we can all be proud of. musicians, building committees, semi- Northern technical team will be assisted Sources/Credits: Opening programmes for nary and university libraries, and anyone and directed professionally by Robert Pudsey and Brighouse, COS Northern involved with the design or renovation Rowley of Pipe Organ Problems and convention programme, Cinema Organ 170 of contemporary worship space. Solutions in order to ensure a speedy yet (“The Pudsey Wurlitzer,” by Neil Hepworth), quality installation. Robert has proved Cinema Organ 180 (“The British Wurlitzer 3/8s,” Far from being the “lost art” that the by Donald Inkster), John Abson, Allan Foster, himself with his work on other instruments average person believes it to be, organ- Simon Gledhill, Bill Hopkinson, Godfrey Nield, building in the United States and including, most recently, the New Gallery and Richard Stephenson. (Habitat) Regent Street Wurlitzer, and Canada is maturing and thriving in hundreds of small and large shops Watford Town Hall Compton. It is hoped throughout the continent. At the same that the organ’s pipework will be tonally time, serious challenges lie ahead for those promoting the pipe organ in an era of limited budgets and competing options. Readers of the Journal of American Organbuilding will benefit from the thoughtful exchange of infor- mation and ideas intended to advance LOVt fOI! SAL[! this time-honored craft. You are invited to become a sub- AVAILABLE IMMEDIATELY! scriber. Persons who are engaged full- time in the organbuilding or organ Pre-Owned Allen TO-SQ maintenance professions are also en cour - aged to request information regarding membership in the American Institute of Organbuilders. Please enter my subscription to the American Institute of Organbuilders’ quarterly publi- cation Journal of American Organbuilding. Enclosed is a check for: □ $12.00 (1 year, 4 issues) □ $22.00 (2 years, 8 issues) □ $32.00 (3 years, 12 issues) Name ______Firm or Institution ______\\ \\ 1\ \ "· Voiced by Walt Strony n;;,,;..-.,.\ * Mailing Address ______City/State/Zip ______□ Check here if mailing address is for HOME delivery. Make checks payable to: ~~.~~\ • , • Fo! more information, American Institute of Organbuilders call: (224) 521-7202 or ... Mail this form and payment to: AMERICAN INSTITUTE email: [email protected] OF ORGANBUILDERS P.O. Box 130982 / Houston, Texas 77219 L------JANUARY | FEBRUARY 2009 25 ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 26 Organ Historical Society Adopts Revised Guidelines for Restoration and Conservation In 2007, Jeff Weiler and this author were shellac and, in some cases, that chips, The Organ delighted and honored to be asked to join a divots, and other blemishes from 80 years of committee of the Organ Historical Society history will have new wood let in to make Historical Society charged with rewriting the Society’s Guide- them disappear. However, say these new lines for Conservation and Restoration. In guidelines, all of these blemishes and aged Guidelines for existence since 1973, this document was finishes testify to an organ’s passage through Conservation originally intended to stem the tide of mass time and should be preserved. To perform destruction of original material in early this very high level of restoration to an old I. PREAMBLE American tracker organs; its last revision in organ is deceptive—often we hear restorers Pipe organs that have been attributed 1986 began to address 20th century organs. say that when their work is done, the organ with extraordinary aesthetic, artistic, In the intervening 22 years, much has will look “better than new,” when in fact the documentary, historic, scientific, or social changed in American organ culture; a organ is not new. As the guidelines say, significance are a cultural inheritance to be renewed reverence for the instruments of the “Unnecessarily thorough restoration threat- passed on to future generations. Regardless 20th century has begun an effort to treat and ens historical evidence and should be of their age, it is the nature of such instru- restore them with the same respect as the avoided.” This, of course, does not stop the ments to be both historic and artistic. Each earlier trackers. The 2008 guidelines restorer from performing his due task: part of this dual nature places conditions on attempt to address the entire gamut of “While interventions should be minimized, our right to enjoy the heritage, and our historic organs in North America equally they should not stop short of making the obligation to preserve it for the future. and with the same detail and fervor. instrument durable enough to fulfill its Historic organs are an invaluable, endan- That the OHS was eager to bring function for a reasonable interval before the gered, easily damaged, and non-renewable representatives from the theatre pipe organ next restoration.” cultural resource. Faced with unprece- world speaks volumes about just how much In addition to bringing the guidelines for dented threats from building redundancies, has changed. The rabid ‘tracker backers’ of restoration up to date, there is a new empha- electronic substitutes, improper restoration, the 1970s who deplored any wind pressure sis on the documentation of original pipe transient musical fashion, and severe 7 funding shortfalls, organs are threatened as over 2 ⁄8" have since recognized that value organs. In the last decade, organ restoration in the instruments we theatre organ folks projects around the globe have begun to never before. Even with prospects for care so much about and, specifically, wanted focus more and more on documenting the restoration come other potential threats to input from those familiar with the issues work of previous generations in a detail the historical essence and content of organs. facing theatre organ restoration and hitherto unheard of, allowing scholars and These guidelines recommend a preserva- conservation. builders to study the construction of instru- tion-minded approach to restoration that These new guidelines were drafted with ments around the world without having to be saves not only utilitarian and aesthetic the most literal meanings of restoration and at each organ. The previous OHS guidelines qualities, but also the historical narrative conservation in mind (please read the gave only 45 words to documentation and encoded within an organ’s physical Definitions section carefully), and should provided no help as to how a restorer should substance. give pause to a great number of technicians go about it. For the first time guidelines and Forming the basis for these guidelines and restorers, both within the theatre organ procedures for the documentation of our are principles articulated in several broadly sphere and without. In recognizing the unique American pipe organs are included accepted international charters for historic historic significance of our beloved high- in this document. preservation. The Guidelines are provided pressure instruments, the guidelines and, by The present author invites the reader, for use by restorers, owners, restoration extension, the OHS, demand that they be be he a performer, technician, restorer, or advisors, and all with responsibility for the treated, just as the classical organ, with the enthusiast, to read the following document, stewardship of historic organs. The docu- same reverence as any other significant carefully and thoughtfully drafted by ment should be considered in its entirety, as historic work of art would be. organbuilders and conservationists of every many of the articles are interdependent. The new guidelines also seek to discour- persuasion, and to reflect on how it can II. DEFINITIONS age many results we have come to expect positively influence his work, and the work A. Conservation from “restoration” (alterations and additions of our whole sub-culture of theatre pipe All actions intended to preserve cultural aside). Most striking for the present author organ performance and restoration. property for the future. Conservation was the discussion about refinishing. With —Jonathan Ortloff activities include examination, documen- our current models of hyper-restoration, we tation, treatment, and preventive care. expect the wood finishes, even down to 1. Examination chests and walkboards, in a restored organ The investigation of the structure, will gleam with numerous new coats of materials, relevant history and condition of 26 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 27 organs, including the extent and causes of of preservation-worthiness is determined 3. Preserving Historic Context deterioration, alteration, and loss. through informed and careful judgment, Organs that have escaped relocation bear 2. Documentation (See also section III.C usually based upon examination, archival witness to the history of that place, and below) research, comparative studies, and through should be removed from their historic The recording in a permanent format consultation with relevant experts and setting only when relocation is beneficial or of information derived from conservation stakeholders. All forms of significance may necessary for their preservation. activities. Documentation records condition also be represented by the term historic. B. Treatment before and after treatment, treatment C. Preservation 1. Treatment Planning proposals, treatment reports (changes to the The protection of organs through The conservation needs of historic organs organ due to conservation activities, along activities that prevent damage or loss of should be based on adequate study of with the justification for those changes), informational content and retard deterio- archival sources, detailed physical exami- recommendations for subsequent care, and ration. The primary goal of preservation is nations, and collaboration with stakeholders relevant correspondence. Records also to prolong the existence of organs as long and experts with applicable experience. include information revealed during exami- as possible in an unchanging state. Treatment proposals detailing interventions, nation, or other conservation activities that Preservation involves management of the however tentative they must be, facilitate assist in the understanding of the organ. environment and of the conditions of use, collaboration and are appropriate means of 3. Treatment and may include treatment in order to communicating with all parties. All interventions carried out on the organ maintain an organ, as nearly as possible, in 2. Minimum Intervention with the aim of retarding further deterio- stable condition. • Intervention potentially risks erosion ration or aiding restoration. Treatment may D. Alteration or loss of historical evidence. Therefore, the take one or more forms including stabi- All changes to an organ’s substance most appropriate action in a particular case lization, maintenance, restoration, and wrought by intervention are alterations. is one which attains the desired goal with reconstruction: Alterations are of two types: interventions the least intervention; treatments should a) Stabilization that deviate from the organ’s original form, change as much as necessary, but as little b) Interventions intended to slow deteri- and those intended to restore it to a past as possible. oration. state. Both types of interventions potentially • Signs of age are evidence of historic c) Maintenance affect the content and clarity of evidence in use and testimony of the organ’s passage Regular procedures required to sustain the organ. Conservation procedures provide through time. They should be retained preservation and appropriate use, such as protection of historical integrity through whenever possible. It is often sufficient, for tuning, regulating, lubricating, or replacing safeguards detailed in the following Articles. example, to spot-treat the most distracting air filters. scars to avoid wholesale refinishing. d) Restoration III. ARTICLES • While interventions should be mini- e) All direct actions intended to return A. Alterations mized, they should not stop short of making an organ to a known or assumed past state. 1. Validity of Alterations the instrument durable enough to fulfill its The aim of restoration is to reveal lost Past alterations bear witness to their own function for a reasonable interval before the physical and aesthetic qualities, and is time, and may be valid and worthy of preser- next restoration. based on respect for the remaining historical vation in some instances. Any removal of • Whenever possible, treatments should evidence, and on clear indications of an past alterations requires careful judgment as be localized and targeted to the specific earlier state. to the relative significance of the altered and problem. Unnecessarily thorough restoration f) Reconstruction original states. Return to a state of complete threatens historical evidence and should be g) Reconstruction serves to depict van- stylistic unity sacrifices the evolved state avoided. ished or non-surviving portions of an organ. and the associated evidence of subsequent • In the extraordinary event that Reconstruction may be undertaken when history, and is appropriate only when the material evidence is so rare and important documentary and physical evidence survive removed materials are of little interest and that any loss cannot be tolerated, non- and conjecture is minimal. To avoid a false the restored state is sufficient to justify the intervention may best serve to promote sense of history, conjectural reconstruction action. preservation of the historic organ. In such should be avoided whenever possible. If 2. New Alterations cases, a reproduction may serve musical conjecture becomes necessary, measures Interventions should not modify the needs without affecting the original. should be taken to avoid deception about the known aesthetic and physical charac- 3. Reversibility origins of the reconstructed components. teristics of the organ, especially by removing All restoration involves subjective 4. Preventive Conservation or obscuring historic material or through interpretation, and submits to future All actions taken to slow deterioration by non-essential re-voicing. Enlargements or re-evaluation. Whether literally possible or controlling the agents of decay. Preventive modernizations should be strongly avoided not, reversibility remains a useful, albeit activities include control of environmental whenever possible. When the removal of idealized goal in all treatment. Whenever conditions, pest management, control of historic materials is unavoidable, the possible, treatments should be additive access, and other risk management. affected components should first be docu- rather than subtractive, adding to an B. Cultural Significance mented in their pre-restoration state. incomplete component, for example, rather Organs are worthy of preservation in Whenever possible, material removed from than replacing it entirely. both form and substance when they have an instrument should be retained as part of 4. Making Interventions Detectable been judged to have musical, artistic, the organ’s historical narrative. Restoration and reconstruction may historic, or social significance. The degree imitate period work, but it is imperative that JANUARY | FEBRUARY 2009 27 ATOS JanFeb 51-1 K 12/16/08 8:07 AM Page 28 all interventions be detectable on close both are highly important in the overall and communication between practitioners, inspection, as well as through treatment preservation of organs, conservation docu- owners, advisors, and other collaborators. documentation. Deceptive imitation falsi- mentation is the first obligation in all The treatment proposal must always be fies the historic organ as an authoritative interventions. Any substantial campaign of subject to change, as new information is record of period construction. conservation should also include full likely to emerge during the treatment 5. Correcting Historical Work descriptive documentation. phase. Although historical design, materials, or 1. Descriptive Documentation c. Treatment Report workmanship may sometimes fail the This form of recording creates a picture The restorer should keep detailed current restorer’s standards of quality, they of an organ that may be superficial, or when records of the treatments applied during the nevertheless give authoritative testimony of sufficiently detailed, could guide the intervention. Such documentation permits past makers’ knowledge, skill, or judgment, complete reproduction of the instrument. future investigators to identify the specific and deserve respect as historical evidence. Such documentation typically informs restorative alterations that were made, the Every effort should be made to retain such comparative studies, future restorations of areas affected, and the materials added or work whenever possible. similar instruments, or the design of new removed. Usually based upon the treatment 6. Conservation Methods and Materials organs. In the event of catastrophic loss of proposal, a treatment report records all Traditional methods and materials are an organ, descriptive documentation consti- details of the actual treatment, some of preferred except when non-traditional alter- tutes a form of virtual preservation, and is which will not have been possible to predict natives better serve preservation goals therefore particularly important for the in the proposal. It also includes condition (example: reversibility), without adversely rarest instruments. Descriptive documen- issues revealed during the course of affecting appearance or function. The tation consists of layout, measurements, treatment and not represented in the advantages of treatment materials and materials identification, technical specifi- proposal. Any descriptive documentation methods must be balanced against their cations, markings, decoration, and other revealed during disassembly should also potential adverse effects on future exami- construction and tonal details. Most be recorded. The treatment report should nation, scientific investigation, treatment, descriptive documentation can be recorded include preventive conservation recommen- and function. Materials newly derived from independent of restorative conservation, dations, such as maintenance procedures, endangered species should not be used in although some details are only revealed recommended environmental conditions, treatment. during disassembly. and special handling considerations. 7. Recycling Historic Components 2. Conservation Documentation 3. Preservation of Documentation Combining components from multiple Inasmuch as culturally significant Conservation documentation is an historic organs potentially creates a falsi- organs bear physical evidence of their invaluable part of the history of the historic fication that can mislead future forensic origins and subsequent history, restoration organ and should be produced and examination. Even when the components necessarily overlays present interpretations maintained in as permanent a manner as is are made by the same maker in the same and workmanship upon the historical practical. Paper documentation is recom- period, it is imperative that the transplanted record itself. It is therefore incumbent on mended, as short-lived electronic-based parts be clearly labeled and their true restorers to preserve an organ’s informa- media cannot be considered archival. origins documented. tional integrity by recording in writing and 4. Distribution of Documentation 8. Removed Materials through photographs the extent, location, Copies of examination and treatment Components and fragments that must and nature of interventions. Conservation records should be given to the owner or be removed should be labeled and given documentation is typically generated in authorized agent, who should be advised of archival storage whenever possible to three phases. the importance of these materials. When preserve historic evidence. Storage inside a. Examination (or Condition) Report access does not contravene agreements the organ itself may be appropriate when This is an assessment of condition on regarding confidentiality, strongly consider space is sufficient and there are no adverse a section by section, component by com- insuring preservation of the documents by effects on the organ. ponent level. Some descriptive data are submitting copies to the American Organ 9. Collaboration also germane to the extent that they shed Archives. If possible, store another copy of As artifacts, organs are unusually light on treatment strategies. Examination the document, or a summary in small type complex and diverse in materials and reports identify and diagnose condition if necessary, inside the organ itself. design; no individual can be expert in every issues, including the materials involved, 5. Judgment in Documentation aspect of their conservation. It is therefore and the location and extent of deterioration, Careful judgment is required in generally desirable that treatment planning past alterations, and loss. deciding the thoroughness of documen- involve collaboration with colleagues and b. Treatment Proposal tation, but under no circumstances should allied professionals having potential to The treatment proposal details the ob- practitioners fail to record interventions. contribute. Interdisciplinary collabora- jectives of the treatment and the measures Owners may require instruction in the tion, the use of independent advisors and proposed for each condition issue, importance of conservation documentation consultants, or reliance on a balanced specifying the affected component, and any and the need to provide for its costs. conservation advisory committee also conservation materials that are to be used. Adopted by the OHS National Council on provides appropriate checks and balances The proposal may be based upon, and July 12, 2008. Guidelines Revision Committee: to safeguard against conflicts of interest. structured like the examination report. Joseph Dzeda, Sebastian Glück, Scot C. Documentation When appropriate, multiple treatment Huntington (Co-Chair), Laurence Libin (ex Documentation exists in two types: alternatives may be provided. The primary officio), Jonathan Ortloff, Bruce Shull, Nicholas Thompson-Allen, John Watson (Co- Description and Conservation. Although use of the proposal is to facilitate planning Chair), and Jeff Weiler. 28 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:52 AM Page 29 A Regal Rediscovery Job Number 2688— Europe’s Largest Theatre Organ BY RICHARD HILLS (Photos Hill Collection) The organ at the Regal Marble Arch is, to my mind, one of the most characteristic cre- ations of that great artist, Herbert Norman, and as such it commands the respect and admiration of all organ lovers. The Regal is not a large theatre, and its interior decoration scheme is of an intimate and delicate character: hence the organ partakes of the same nature and blends perfectly with the beauty of its surroundings. Being a unique and individual work of art, built and designed to secure perfection, regardless of expense, it has little in common with the ordinary ‘mass production’ type of cinema organ and is a shining example of what can be done when an organ builder is given a free hand and allowed to express his individuality without being unduly hampered by commercial restrictions. —Quentin Maclean Marble Arch Odeon exterior and interior1963 JANUARY | FEBRUARY 2009 29 ATOS JanFeb 51-1 K 12/16/08 7:52 AM Page 30 PART ONE: 1927–1964 Abrahams ordered that the organ should that the Regal Christie—with the exception be the greatest theatre instrument yet con- of the saxophone rank—was installed in If ever a theatre organ was shrouded in structed in Europe and gave its designers, time for the theatre’s opening. This was the legend and mystery, it must be the giant Quentin Maclean and Herbert Norman. Jr., first example of several special saxophones Christie installed in the Regal, Marble Arch, carte blanche to draw up the lavish speci- to be built by the company; it was unusual in London. This year is the 80th anniversary of fication. It was also Abrahams’ wish that the that the resonators of the middle octaves this great instrument’s construction, and it instrument should be British if possible. were all the same length while the tuning is therefore most appropriate that now Consequently, the order for an organ of four slots were cut in varying positions up and should be the time when a new era in its life manuals and 30 units (36 ranks) was placed down them. This, it was felt, produced a begins. Often feared lost forever and the with the established organbuilders Hill, more realistic imitation of the orchestral subject of much rumour and speculation, the Norman & Beard, the makers of Christie instrument and, during the rank’s voicing, a Christie—the largest organ ever installed in Unit Organs, on the 12th November 1927. saxophonist was brought in so that an a European cinema—has finally begun its From the outset, the Christie for Marble accurate comparison could be made. The journey back to the top of the theatre organ Arch was seen as the firm’s theatre organ Regal rank is also unusual in being one of world. magnum opus, and it was decreed that only the few saxophones to extend all the way to Most theatre organ fans will be aware of the finest materials and craftsmanship 16', the bottom octave having leathered the classic early recordings made by would be employed in its construction. Hill, shallots. Quentin Maclean and Sidney Torch during Norman & Beard were, until closure in This is just one example of the lengths their residencies at Marble Arch. Both 1999, one of the oldest and most respected to which the builders went to create an Maclean’s transcription of Gershwin’s Rhap- organbuilding firms in the UK and con- instrument worthy of being considered as sody in Blue and Torch’s iconic rendition of structed prestigious instruments for such the finest. Other evidence of this quality “Hot Dog” helped, in their distinctive ways, places as Peterborough Cathedral and approach can be found in the standard of to expand the boundaries of theatre organ Westminster Abbey. Like many of its com- workmanship and choice of materials. The performance. Moreover, any tourist to petitors, the company recognised that construction includes a predominance of London will probably have visited Marble serious money was to be made in building beautiful hardwoods—the swell shutters, for Arch itself, unaware that only about 100 theatre organs and decided to join the action example, are made from rosewood, while the yards away was the site of those important in about 1926. Fearing, however, that the console case is solid mahogany and walnut. moments in British theatre organ history. Hill, Norman & Beard name would be No expense was spared! The console itself It is sad to reflect that the Regal (later brought into disrepute by building theatre features many other unusual touches. The renamed Odeon) has been gone since 1964, organs, the firm decided to name its unit tin tubes of the pneumatic combination and that its organ has now been unplayable instruments after Managing Director John action are beautifully routed into separate for longer than it was playable. Christie. trays, one for each stoprail, which are built Turning the clock back to 1927, the However, Christie Unit Organs were not of hardwood and inlaid with brass lifting Regal was designed to be the last word in lux- the first instruments the firm had supplied to handles. At the same time, the pneumatics ury and comfort. Opening on November 28, cinemas. As far back as the early 1920s, themselves (some 500 in number) are 1928, it occupied a prestigious site on the Hill, Norman & Beard organs had been all ‘ribbed’—a process which involves corner of the Edgware Road and Hyde Park installed to accompany films at some of strengthening the inside sidewalls of the Corner, overlooking Marble Arch itself. the country’s more prestigious theatres, pneumatic with cardboard so that the leather The entrepreneur behind the theatre, A. E. including the Regent, Brighton and the doesn’t blow out—making it respond faster. Abrahams, decreed that everything to go Capital, in London’s Haymarket. These were Statistically speaking, the Regal Christie into it should be the best money could buy. constructed more along the lines of concert is impressive even by today’s standards. It The auditorium was designed to resemble a organs and were not extended in the way we remains the largest and most tonally Roman temple viewed through a colon- associate with theatre organs. Nevertheless, complete theatre organ ever built in Europe, nade—highly appropriate given the Roman it is worth noting that Hill, Norman & Beard and the only one to be designed and built theme of Marble Arch itself—making the had experience producing high-pressure regardless of cost. From a music-making Regal one of the first atmospheric theatres orchestral pipework which, like Kimball in point of view, the number of luxuries built in the UK. the United States, put them in a fine position afforded the player are extensive. Of the 36 Huge murals in the circle depicted tree- to create colourful theatre organs. ranks, 13 are available at 16' in the pedal filled landscapes, picked out in bas-relief, Quentin Maclean was appointed as the division, including such rarities as the Vox and a roof pergola, entwined with grape Regal’s first resident organist, and he Humana, Oboe Horn, Saxophone, and vines, was supported by double columns. An brought the console up in the spotlight on Clarinet, as well as three contrasting string imitation sky, with twinkling stars and the opening night to join Emmanuel ranks—Violoncello, Salicional, and Viola— moving clouds, could be seen through the Starkey’s Regal Orchestra. Maclean’s assis- and many other useful reeds and flues. The pergola. According to the opening brochure, tant was Sidney Torch, who was pianist and independent 16' Ophicleide, not extended the inspiration for the colour scheme came arranger in the orchestra and became from any of the manual ranks and on 20" from a spray of beech leaves collected in resident following Reginald Foort’s depar- wind pressure, and the magnificent 32' reed, late autumn. Consequently, warm reds and ture in 1932. with full-length resonators and also on 20", browns predominated, while the carpet was We know from letters written by Maclean are of particular note. woven to resemble paving stones over which to his pupil and friend John Howlett (who leaves had been blown by an errant breeze. was later to become famous in his own right This theme was picked up in the carved as organist of the Odeon, Leicester Square) foliage decorating the organ console. 30 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:53 AM Page 31 As well as including many unusual and Marble Arch Regal exterior Odeon rare examples of imitative pipework, the specification contains numerous fine per- cussion instruments, several built by the renowned Chicago firm of Deagan. The organ was installed in two side-by-side chambers—A and B—on the right-hand side of the theatre (divided organs didn’t catch on in Britain), and its unit speci- fication is as follows: Chamber A Diapason Phonon Tibia Clausa Gedeckt Hohl Flute Viola Viole d’Orchestre Strings (2 Ranks) Viole d’Amour Tuba Horn Ophicleide (12 notes) Fanfare Trumpet Saxophone Vox Humana Open Diapason Chamber B Gemshorn Diapason Tibia Minor Orchestral Flute Violoncello Violins (2 Ranks) Muted Strings Salicional (2 Ranks) Marble Arch Oboe Horn Quintadena Regal exterior Clarinet Tuba Sonora Musette Orchestral Oboe Diaphonic Horn (32') Trumpet Cornet de Violes (4 Ranks) The following percussions were included: Piano, Marimba/Harp, Celesta, Tubular Chimes, Glockenspiel, Vibra- phone, Xylophone, Sleigh Bells, George Cathedral Chimes, and Muted Chimes. Blackmore The Regal specification was designed to be extremely orchestral, with 14 ranks Frederick Bayco of strings (including an independent string mixture), large brass sections in both chambers (including a 20" pressure set in each), and a plethora of varied flue work. This orchestral approach is also borne out in the console specification where the Orchestral manual is divided into two distinctive divisions—Orchestral String and Orchestral Woodwind. The pipework, in keeping with the rest of the instrument, was built to an incredibly high standard. Many of the string ranks are tapered, the Orchestral Flute is a wooden set of double-harmonic construction, and the Musette has quarter-length flared resonators with inverted funnel caps. All of the major Quentin chorus reeds have hooded resonators (a Hill, Maclean Norman & Beard trademark), while the mitering is some of the most beautiful this writer has seen. Interestingly enough, some of the pipework maintains a family likeness with much of the earlier classical work done by the firm. The Gemshorn Diapason, for example, has cone-tuned trebles, while the JANUARY | FEBRUARY 2009 31 ATOS JanFeb 51-1 K 12/16/08 7:53 AM Page 32 delicate Gedeckt rank could have come The crockery smash, for which a large As far as we know, the final batch of from a cathedral organ’s Choir division. number of metal plates attached to a chain changes took place during W. J. Hemsley’s All of this serves to highlight that the is dropped onto a metal plate by a long long spell as resident in the late 1940s. Marble Arch job was probably built by many wooden arm fixed indirectly to a large power Hemsley was apparently quite fond of of the same craftsmen who had been with pneumatic, is of interest; while anyone who playing heavy classical pieces (to the the firm since the merger of Hill & Son and knows the early recordings of the Regal distress of the theatre patrons) and, at some Norman & Beard in 1915. We know that the Christie will have heard the 18 notes of point in his residency, the big Diapason Marble Arch reedwork was voiced by the tuned bird whistles made so famous by Phonon was rewired to the piano stopkeys legendary Arthur Rundle, one of the great Sidney Torch. so that it also became available at 8' pitch names in British organbuilding, who is The instrument is also famous as the only on the accompaniment and solo manuals reputed to have had his own methods of theatre organ in the world to include in its and at 16', 8', and 4' on the great. getting splash and attack out of reed pipes. specification a carillon of 32 cast tower bells A comparison between the 1928 cham- The flue voicer for Marble Arch was Bob fully playable from the console. The bells ber blueprints and photographs taken by Lamb, and the Orchestral Flute in the job is were hung in a special frame in their own specialist photographer John D. Sharp prior indicative of his great skill for imitative and chamber on the left-hand side of the theatre to the organ’s removal in 1964 shows that one beautiful voicing. opposite the main organ. The bass bell plays or two ranks, including the Open Diapason, It is interesting to note the huge dif- 8' C and weighs 6.5 cwt, with the complete had also been exchanged with other ranks ference in wind pressure between the largest carillon weighing some 2½ tons. closer to the swell shutters—probably in an and smallest ranks. The largest reeds—the An unusual feature of the organ is to be attempt to brighten the chorus work and Tuba Sonora and Fanfare Trumpet—were found in the piston complement. Quentin make it more suitable for the repertoire voiced on 20" of wind, while the gentler Maclean specified that each combination favoured by Hemsley. Also at this time, the accompanimental ranks, such as the Hohl piston on the console should have its own positions of the Vox Humana and Musette Flute and Tibia Minor, were on a mere 5"— adjustable pedal combination available ranks were traded, although the chestwork rather low in theatre organ terms. By late upon pushing through to second touch. remained in place with the rackboards being 1920s standards the Regal was not a large Many theatre organs have the facility to the only items exchanged. theatre, with 2,400 seats, and it is inter- assign pre-set pedal combinations to some We know that this particular move esting to speculate on whether or not the of the manual pistons, but this really took irritated the theatre’s last resident, Gerald organbuilders felt an instrument of this size things a step further, giving the musician at Shaw, as he made reference to it in the organ presented them with a rare opportunity to the console the chance to set 40 different tuner’s book. Although the balance of the use lower pressures for quieter voices. pedal combinations—one for each of the ranks may have been improved, the failure Throughout its life in the Regal, the organ manual pistons! As one might imagine, this to move the chests meant the Vox was only was renowned for the delicacy and beauty of required yet another enormous setterboard, available at 8' and 4' on the solo manual, its softer pipework. and one wonders why Maclean thought it while the Musette became available in all It is clear from Maclean’s correspon- was worth the considerable expense. sorts of useless places! dence that this was always intended to be Although the instrument remained The instrument enjoyed a glorious career a silent film organ. Perhaps this had basically the same as when first installed, in the theatre and, particularly towards the something to do with the many imitative we know that it underwent a few alterations end of its life there, was heard frequently in voices included, but it certainly had during its life in the theatre. It is often recordings and broadcasts. The final LP was everything to do with the incredible number thought that Foort was the first to make made in early 1964 by Frederic Bayco, who of unusual traps (or effects) in the changes, but the Hill, Norman & Beard had deputised for Maclean between 1928 instrument. Many theatre organs dating from order books show that the first alterations and 1930. In addition to being a highly the same period have only a handful of basic were made at Maclean’s request. These appropriate pairing of musician and instru- sound effects, but the Regal Christie included a rescaling and revoicing of the ment, it is the best recording we have of the boasted 27: Tuba Horn and a part revoicing of the instrument from a technical point of view, Tibia Clausa trebles. Foort subsequently being made in stereo by EMI using the most Steamboat whistle Bird whistle had some changes made, but it appears from modern equipment. It may not be the most Railway whistle Horses’ hooves the order books that these were mainly exciting theatre organ record ever made, but Police whistle Quick and slow sirens centred around the console. In particular, he it enables the seasoned listener to hear Thunder Gong drum requested that the key touch be adjusted, many of the individual ranks—the 16' Surf Whip crack that smaller piston heads be fitted, and that strings, the Musette, and many of the Wind howl Ratchet the swell pedals be moved six inches to imitative orchestral voices have their place Rain Crockery smash the treble side; presumably he found the in the limelight. Aeroplane Pistol shot original central location uncomfortable. An earlier recording made by George Slap on the face Cannon effects The order books also reveal that Foort Blackmore for the Concert recording label Klaxon horn Hand bell asked for certain ranks to be cleaned and is also in stereo, and is the only time the Motor horn Anvil actions to be adjusted to ensure that all carillon was captured on wax after Torch’s Fire bell Cock crow pipes spoke throughout each stop. Evi- residency, but, in the writer’s opinion, it is Telephone bell 18 notes of tuned bird dently, the organ was beginning to show spoiled by a gross excess of added fake whistles signs of its long hours of use in the dirty reverberation. London atmosphere. A farewell concert played by Gerald Shaw, W. J. Hemsley, Bobby Pagan, 32 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:54 AM Page 33 1 !rd A,,:•111.f r,,J,o "u""lf•d Ill,, l George Blackmore, and Andrew Fenner took place on Sunday, March 15, 1964 in front of an audience of just over 600. The dismantling of the organ began a week later, and by the end of the year the Regal had become one The Commanding more hole in the ground of London town. REGAL CINEMA SITE ''"'"'•~~- ISO fl. ; o~p,h, ISO r,. ; Are.. 20,000 oq, ft, LET ON PART TWO: 1964–2008 BUILDING LEASE The Regal Christie, as with so many IJY .lJRt;SRs. organs during that period, had to be Hillier, Parker, May & Rowden 8pecial1~1 Sl,op /'rupat11 Agent , 0.11,f. l11,·1io11u,·~Th,-.,i,y/w1d removed in double-quick time. In the end it Lond.011 mul tlu /'r o11i11eca. 27 Maddox Street took just under three weeks to dismantle the Lon don W. instrument, and much of the removal took place at the same time as the theatre was being demolished. The fact that the complete instrument was removed intact ORGAN BUJLDBRS TO H.M. THE KING. says much for the perseverance and determination of the private buyer who rescued the organ. Quite apart from the 36 ranks of pipes (many of which have large CHRISTIE scale bases), it was necessary to dismantle UNIT ORGAN. the massive girders and actions used in the installation of the carillon. This was achieved with the help of printing press GILLETT & JOHNSTON technicians from The Daily Mirror—one of (TH£ CROYDON BELL FOUNDRY LTD .) England’s national newspapers—with whom the purchaser of the organ had work contacts. As the theatre was a demolition site, the ~% WOIILD'S ~"Dlll GJ!.EAIEST mcl"t.~.... CCNSOU: c, TIi i IUIIJiOTII ~0111 Ji./ ,Vl/.fL J!.0CHESTER entire organ chamber contents had to be CH•ISTlli 1/NlT 011/GAI/ INS TALUD AT Tl/IS TRIEAUI . c.u,u.o,; (Ne,,- York) removed through a service window and BRITISH BUILT THROUGHOUT . a...11<11,11,-, Carilloa<>l,Jbelbot down into five Hoover semi-trailers waiting ~- M,.n, J. & a ATKINSON, WM. HILL & SON and NORMAN & BEARD, Lro. , Old.BoadStttc, . in an alleyway behind the theatre. The only w•1r '"'D Cl'l'/Cll. , SCEPTRE HOUSE, 16 RBGAL ONl!MA CAffi.L.ON the theatre itself were the bells of the f1•Belh,8-Bdl6jcwi.) •· carillon. These were wheeled up through the 'The F'JRST J,...llod id • ONEMA TOWER CLOCKS stalls area and out onto a waiting truck ELECTRIC CLOCKS {WEIGJrr DRIVEN "' El.Ecnuq (h,n IJ,_, hon been lupplkd (ner <400inouolled;,,the_..,. COUNTY JL\U. which had police permission to be parked This is probably the equivalent of parking a BY ROYAL WARRANT TO H.M. KINC CEORCE V. truck in the middle of Fifth Avenue in New York City—arguably something that 'The entire lift lnsfllllarion in the Regal hobttnarriedou1by THE EXPRESS LIFT CO., LTD., couldn’t be done these days. Meanwhile the THE LAJ!.GF.ST BRITISH l.IJlT MANUFACTIJRERS. in :addition to Two Puseng,,r Lifts there ha,·e bttn installed large console had been disassembled into T"'·o Hydraulic Lifts, "·hich an: dcctria.lly comroI!ed, ,o diat they •re raiocd and Jo,.,e,ed by push burtoncon,rol. 1hc main its component parts so that the bottom Lift,whichis 11scdto n.1sc the whole oftheo~ tN, is opemcd by a p,ucm PlOUIJ. 11,c Comok Lift, which _j5 section could be lifted up over the orchestra arr~nged in the centre of the lug e lift, bring, the Solo Organ iM into full view of the public pit rail in order to get it out of the theatre. In many ways the time frame imposed on the removal of the organ was to prove the nail in the coffin of its re-installation. Every cable in the organ was cut with a hacksaw rather than being unsoldered, pipes were placed with minimal wrapping into crates in no particular order, and the whole H~AD Of'PICll. ,rou;s instrument was removed without particular THE EXPRESS LIFT CO., LTD., attention to labelling or record-taking. GREYCOAT STREET, WESTMINSTER, & s.w. ' · Consequently, the owner of the instrument =---=eRANCf-lES AGE=:NTS IN AI-L PARTS=---- OF THE WORLD had a massively over-complicated task when it came to re-assembly and, unfortunately, the organ remained stored under these JANUARY | FEBRUARY 2009 33 ATOS JanFeb 51-1 K 12/16/08 7:55 AM Page 34 conditions for the next 42 years. During this condition (albeit covered in 42 years’ worth there was really no question in our minds as time hardly anyone saw the organ and, as a of dust and grime), and very complete in to the appropriateness of this approach. We result, rumours about its condition and spite of its years in storage and the various also felt strongly that the craftsmanship and completeness abounded. Some people swore rumours which had abounded. That having quality of the original mechanism was so that the carillon had been sold off sepa- been said, it is obvious that an enormous high that it would be downright vandalism rately; others that the organ had been stored restoration project lies ahead, which we are not to restore it. in an open-ended building; many people currently in the stages of planning. As we all know, every project of this assumed that there would be nothing left of Theatre organ folklore has often re- nature depends on having somewhere to the instrument. All of them were wrong! counted that many of the special effects, install the organ. At present we are in In August, 2006, news of the death of the including the set of tuned bird whistles, had discussions with a potential new home, and owner and the subsequent disposal of his been removed from the instrument in order it is hoped that some decision may be made collection of instruments filtered onto the to make more room for the pipework to be about this within the coming months. theatre organ scene. Bids for the Christie moved about during the changes mentioned Likewise, every project of this nature relies were invited and, in December of that year, earlier in this article. We were delighted, on a huge amount of moral and financial a group of four people, including the writer, therefore, to find the great majority of these, support—and we certainly hope to keep you formed a small London-based consortium in including the famous bird whistles, to be updated in due course as to the progress of order to preserve the organ and its famous still with the instrument. Presumably they this ambitious restoration. carillon intact. During the following nine were disconnected but stored somewhere in Whatever happens, this wonderful months many visits were made in order to one of the chambers. The heroic console had instrument is another step closer to being assess the instrument’s condition, remove it been stored in pieces, and it was a particular heard again. For many years the word on the safely from its many barns and storage thrill to be able to see it together again— street has been that the instrument will trailers, and re-package it as best we could particularly as very few colour photographs never play again. Hopefully, with your in order for its return back to the capital. were taken of it in the theatre, and all of support and encouragement, that unhappy History has a curious habit of repeating them from some distance. prediction will not be the case. Watch this itself, and we were both amused and It has been a fascinating voyage of space—and here’s to a Regal revival! dismayed to find that a large portion of the discovery to work with the instrument, and organ had been stored above a triple garage many new and interesting facts about it are whose outside staircase had been removed coming to light as a result at some point during the previous 42 years of the continued sorting so that building modifications could be and cleaning. In particular made to an adjoining structure. This meant it has been wonderful to that for the second time in its life, large parts examine the design and of the organ—including the shutter frames, construction of the more key relays, blower shaft, and much 16' unusual ranks of pipes— pipework had to be removed through a several of which, in terms of second floor window and lowered down to the firm’s output, are unique the safety of the ground below. to this organ. Time and As previously mentioned, the pipework again we have been amazed of the instrument was removed from the by the enormous scaling theatre and stored in no particular order. of the job. The Diapason Thus we were confronted with an enormous Phonon, for example, de- pile of assorted pipes, all of which had scends to Diaphones of to be sorted into some kind of family order heroic stature, while the 16' before appropriate crating could commence. octave of the Tibia Clausa has Sorting out thousands of pipes into ranks is to be seen to be believed! rather like the world’s biggest jigsaw puzzle, Likewise, many of the 8' offsets are of much and is still in progress at the time of writing. larger scale than might be expected, Fortunately, Hill, Norman & Beard were meaning that in many cases several quite meticulous in their stamping of pipe- soundboards are needed to accommodate work, making the job possible, if extremely the pipes of a rank which might otherwise time-consuming. fit neatly onto one in other instruments. Anyone who has driven trucks of organ So, a new chapter has indeed begun in parts through cold February nights will the life of this great instrument; but what of know the feeling of wondering whether or the future? It is our intention to restore the not they have completely taken leave of instrument and its carillon as historically their senses. We certainly experienced that as possible, preserving the relays, console feeling many times during the removal of the combination action, and setterboards intact. Christie, but above all we felt a great sense There has been much written on that subject of excitement that such a historic instrument in these pages of late, but as this instrument might once again play. We were particularly is such a one-off, and has such an important encouraged to find the organ in restorable place in European theatre organ history, 34 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:55 AM Page 35 Regal Marble Arch Flute Mixture 8 Violins (2 ranks) 4 Orchestral Flute 8 Harp 8 Muted Strings (2 ranks) 4 Tuba Sonora 4 Celesta 8 Salicional 4 Musette STOPLIST 8 Diapason Phonon (2nd 8 Quintadena 2 Orchestral Piccolo 1 PEDAL Touch) 5 ⁄3 Salicional Quint 8 Piano 8 Tuba Horn (2nd Touch) 4 Octave Violoncello 8 Vibraphone PEDAL A Cathedral Chimes (2nd Touch) 4 Violins (2 ranks) 4 Xylophone 16 Phonon Bass Muted Chimes (2nd Touch) 4 Muted Strings (2 ranks) 4 Sleigh Bells 16 Tibia Bass Snare Drum Tap 4 Salicet 8 Tubular Chimes 2 16 Bourdon Snare Drum Roll 2 ⁄3 Salicet Twelfth 16 Contra Viole Tom-Tom Tap 2 Salicetina TRAPS/COUPLERS 16 Ophicleide Wood Block Roll Echo Mixture Choke Cymbal Tap 16 Tuba Horn Tambourine Cornet de Violes (4 ranks) Triangle Tap 16 Saxophone Castanets Octave 2 ORCHESTRAL WOODWIND 10 ⁄3 Stopped Quint Jingles Sub Octave 8 Tibia Clausa Sand Block 16 Contra Tibia Minor CARILLON COUPLERS 8 Gedeckt Horse Trot 16 Contra Trumpet Solo 8 Viola Snare Drum Roll (2nd Touch) 16 Bassoon Accompaniment 8 Tuba Horn Choke Cymbal 8 Tibia Minor Pedal 8 Saxophone Cymbal Tap (2nd Touch) 8 Trumpet (Stop/Start Buttons for Motor) 4 Tibia Clausa Triangle (2nd Touch) 8 Tuba Sonora 4 Stopped Flute Wood Block (2nd Touch) 8 Oboe Horn 8 Clarinet EFFECTS PEDAL B GREAT 8 Orchestral Oboe Block Tap 32 Diaphonic Horn Chamber A Only 4 Tibia Minor Crockery Smash 16 Violone 16 Contra Tibia Clausa 4 Clarion Klaxon 16 Contra Salicional 16 Bourdon 2 Flageolet Motor Horn 16 Bassoon 16 Contra Viola 8 Vibraphone (2nd Touch) Bird Whistle 16 Clarinet 16 Tuba Horn 4 Xylophone (2nd Touch) Syren 8 Violoncello 16 Saxophone 4 Sleigh Bells (2nd Touch) Pistol Shot 8 Salicional 8 Diapason Phonon 8 Tubular Bells (2nd Touch) Telephone Bell 8 Clarinet 8 Tibia Clausa Cock Crow TRAPS/PERCUSSIONS 8 Synthetic ’Cello 8 Gedeckt Police Whistle Snare Drum Tap 16 Piano 8 Viola Boat Whistle Snare Drum Roll 8 Piano 8 Viole d’Orchestre Train Whistle Tom-Tom Tap 16 Tibia Clausa (2nd Touch) 8 Strings (2 ranks) Snare Drum Roll/Bass Drum Wood Block Tap 8 Tuba Horn (2nd Touch) 8 Tuba Horn and Crash Cymbal Tambourine Cathedral Chimes (2nd Touch) 8 Fanfare Trumpet Bass Drum Roll/Bass Drum Castanets Muted Chimes (2nd Touch) 8 Saxophone and Crash Cymbal 1 Jingles 5 ⁄3 Stopped Quint Piano Soft TRAPS/COUPLERS Sand Block 4 Octave Diapason Piano Sustain Thunder (2nd Touch) Snare Drum Roll (2nd Touch) 4 Tibia Clausa Cymbal Tap Cymbal Roll Choke Cymbal 4 Stopped Flute Cymbal Roll Cymbal Crash Cymbal Tap (2nd Touch) 4 Viola Gong Drum Bass Drum Roll Triangle (2nd Touch) 4 Strings (2 ranks) Block Tap Loud Bass Drum Tap 4 Tuba Horn Cannon Soft Bass Drum Tap 2 SOLO 2 ⁄3 Stopped Twelfth Chinese Gong Pedal Traps to 2nd Touch 2 Piccolo SOLO A Fire Alarm Great to Pedal Pizzicato 2 Octave Viola 16 Contra Tibia Clausa Hand Bell Solo Octave to Pedal 3 1 ⁄5 Tierce 16 Trombone Crockery Smash Solo to Pedal Brilliant Mixture 16 Vox Humana Ratchet Orchestral to Pedal 16 Piano 8 Tibia Clausa Thunder, Rain, Wind Howl, Surf, Great to Pedal 8 Piano 8 Fanfare Trumpet Plane, Snare Drum Roll Accompaniment to Pedal 8 Fanfare Trumpet (2nd 8 Saxophone Anvil ACCOMPANIMENT Touch) 8 Vox Humana Siren Chamber A only 4 Glockenspiel (2nd Touch) 4 Tibia Clausa Tom-Tom 16 Bourdon 8 Cathedral Chimes (2nd 4 Vox Humana Slap-on-the-face 16 Strings (2 ranks) Touch) 8 Marimba Cow Bell 16 Contra Viole d’Amour 8 Muted Chimes (2nd Touch) 4 Celesta Pistol Shot 8 Open Diapason Solo to Great 2nd Touch 4 Glockenspiel 8 Tibia Clausa Solo to Great Pizzicato 4 Orchestral Bells PIANO CONTROLS 8 Gedeckt Solo to Great Cathedral Chimes Loud/Soft 8 Hohl Flute Orchestral to Great Muted Chimes Mandolin Effect 8 Viole d’Orchestre Accompaniment to Great Bird Whistle (18 Notes) Damper 8 Strings (2 ranks) 8 Viole d’Amour ORCHESTRAL SOLO B CHRISTIE Cancel Bars 8 Tuba Horn Chamber B Only 16 Contra Tuba Sonora to all divisions 8 Saxophone 16 Bass Clarinet 8 Vox Humana ORCHESTRAL STRINGS 8 Orchestral Flute SWELL PEDALS COUPLED 4 Stopped Flute 16 Violone 8 Quintadena 4 Hohl Flute 16 Muted Strings (2 ranks) 8 Tuba Sonora 4 Strings (2 ranks) 16 Contra Salicional 8 Clarinet 4 Octave Viole d’Amour 8 Gemshorn Diapason 8 Orchestral Oboe 2 2 ⁄3 Stopped Twelfth 8 Violoncello 8 Musette 2 Piccolo 8 Synthetic ’Cello JANUARY | FEBRUARY 2009 35 ATOS JanFeb 51-1 K 12/16/08 7:55 AM Page 36 Treasures of the Western Reserve The IN-THEATRE Convention! BY DOUG POWERS AND TOM RATHBURN The 2009 ATOS Convention in Cleveland and Northeast Ohio: June 30–July 5 The Western Reserve Theatre Organ those wishing to remain for an open console about that later! After lunch, we will host the Society welcomes you to the Treasures of the jam session 2009 young artist competition at the 3/18 Western Reserve. July, 2009 marks the Kimball in the Cleveland Palace Theatre inaugural ATOS visit to Northeast Ohio, and just blocks away. you may be surprised to learn this will be Convention Lorain Palace Theatre—Donnie the “IN-THEATRE” convention. With one Opening Concert Rankin at the Original 3/10 Wurlitzer exception, every theatre organ venue is a The Thursday evening concert will be yet 1920s movie palace or theatre. We will not July 1 another IN-THEATRE concert. This time be visiting any pizza parlors or schools, but Akron Civic Theatre—Chris Elliott we will be treated to a Wurlitzer that is we will see eight different theatres with eight at the 3/19 Wurlitzer virtually the same as it was when installed in theatre organs, one large venue with a On Wednesday afternoon there will be a 1928. For those who crave an unadulterated, virtually original Wurlitzer, and one church seminar, with our opening night reception original factory-produced sound, THIS IS with not one, but two magnificent dueling following in the opulent Renaissance Hotel IT! It has been estimated that there are no concert pipe organs. Also, four of our major lobby. Afterwards we will take a short bus more than 40 theatre pipe organs remaining attractions are located in downtown ride to the Akron Civic Theatre to expe- in their original homes. This convention has Cleveland—only blocks away from our rience an extraordinary renovated Eberson four of them! Donnie Rankin is the ATOS convention hotel. atmospheric theatre with fully functioning 2007 Young Artist winner and a member of The convention hotel will be the historic twinkling lights along with two original WRTOS. This large neighborhood theatre Renaissance Cleveland Hotel, built in 1918. cloud machines! We are in for a genuine has been restored, and you will be taken Its architecture echoes the grandeur of the treat as Chris Elliott will accompany the back in time. many 1920s movie palaces we will visit. silent film, The Mark of Zorro, at the The completely restored and updated hotel completely restored 19-rank Wurlitzer. boasts a lavish grand lobby providing a Friday, July 3 luxurious backdrop for our opening night Grays Armory—Richard Hills at the reception. And the best news is your highly Thursday, July 2 3/15 Wurlitzer discounted room rate of only $94.00 per Cleveland Masonic Auditorium and Friday morning we saunter a few blocks night! Performing Arts Center—Brett Valliant over to the Cleveland Grays Armory. In at the 4/28 Wurlitzer 1969 Warner Brothers made a corporate Prelude June 30 This theatre is indeed unique as it holds decision to donate several remaining organs both a large concert pipe organ and a theatre from their theatres to theatre organ groups Playhouse Square Center Tours and pipe organ. The 4/60 Austin was installed across the country. WRTOS was involved Ron Rhode Concert—3/18 Kimball in 1918 and still rocks the room to this day. in removing this donated Wurlitzer Style Our prelude offers the chance of a The Wurlitzer is a transplant by Western 240 from the Warner Theatre in Erie, lifetime. The Playhouse Square Center in Reserve members. In 1924, Opus 793 was Pennsylvania. A 32' wood Diaphone and downtown Cleveland is the second-largest installed in the Granada Theatre, Santa two ranks have been added. Otherwise, the theater complex in the United States (second Barbara, California as a 4/17 Special. organ is original, and essentially with factory only to New York City‘s Lincoln Center) and Having spent many subsequent years in a voicing intact. From across the pond, the the largest theatre restoration project in the private residence in Pasadena, it grew to 28 incomparable Richard Hills will bring his world. The entire complex has been com- ranks. WRTOS has kept this organ at 28 thrilling talent to this acoustically live and pletely renovated, and you will be treated to ranks but, by making appropriate changes historic hall. Friday afternoon will include a backstage tour of four 1920s movie in pipework, has created a nearly all- the ATOS membership meeting and our palaces. After dinner on your own, the con- Wurlitzer instrument. Brett Valliant will second seminar. vention prelude continues with Ron Rhode perform our inaugural concert on an On Friday evening, we offer the Grays in concert at the Palace 3/18 Kimball. The installation that has been in the works for Armory Wurlitzer for an open console jam music continues after Ron’s performance for nearly three years. And that Austin? More session. Otherwise, this will be a free night, 36 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:57 AM Page 37 affording you the opportunity to enjoy lightening strike that makes you sit up and Playhouse Square attractions—the Rock take serious notice! You won’t want to miss Sunday, July 5 and Roll Hall of Fame or other world-class these dueling beasts in an acoustically State Theatre—Cleveland Ohio, museums, Cleveland Indians baseball, or stunning room. and Combined ATOS/OHS Spectacular other Cleveland nightlife. If scheduled, the Your dinner will be at the Columbus at the Masonic Auditorium world-famous Cleveland Orchestra will Athenaeum, a historic building with several On Sunday, we will experience an event perform live, right outside our convention small theatres where a catered meal will be that has not occurred in over 50 years. This hotel, for an incomparable Independence provided. This is located right between the will mark the first time a theatre organ will Day concert on Public Square, complete church and the theatre—only blocks apart. be heard in Cleveland’s State Theatre since with fireworks. After dinner, we will take a very short ride to the 1950s. The Allen Organ Company and the Ohio Theatre, located downtown in the Jonas Nordwall will team up to show off a heart of Capitol Square. Here we will state-of-the-art digital theatre organ in the Saturday, July 4 experience another gorgeous movie palace sumptuous State Theatre. Digital instru- First Congregational Church with with its original organ. This time it’s a ments have come a long way, and having one John Schwandt and David Peckham— Robert-Morton that has had a massive installed and played in a 1920s movie Dueling Organ Concert amount of professional rebuilding and palace just makes the excitement and AND Clark Wilson at the Ohio upgrades. The 32-rank Morton will be put realism even more thrilling. This will be a Theatre 4/32 Robert-Morton through its paces by the house organist, heart-warming and stirring occasion for us After the annual ATOS meeting Saturday Clark Wilson. Clark has been the organist all. The optional banquet and awards cere- morning, we will head downstate to at the Ohio Theatre for many years and will mony will take place at the State Theatre Columbus. Here, we will visit the First be performing a thrilling concert with a short immediately following the concert. Our Congregational Church, just minutes from silent comedy. That, coupled with the thanks go to the Allen Organ Company and the heart of downtown Columbus, the state sensuous and spectacular movie palace the Playhouse Square Center staffs for capital. The sanctuary is blessed with two experience, will make this a must-see event making this happen. extraordinary pipe organs—a modern 77- for theatre aficionados and theatre organ History in the Making: The American rank von Beckerath in the gallery and, in enthusiasts everywhere—don’t miss it! Theatre Organ Society and the Organ front, the original and completely restored Historical Society in Partnership 66-rank, 1936 Kimball. The Kimball is the The closing concert will take us back to thundering herd that gets you right in the the Masonic Auditorium where we will chest—and the von Beckerath is the experience an extravaganza of musical PSC Palace Theatre Allen Theatre at PSC (Photo by Marc Braun) PSC State Theatre Restored 1924 Lobby Canton Palace Theatre Kilgen (Photo by Tom Rathburn) JANUARY | FEBRUARY 2009 37 ATOS JanFeb 51-1 K 12/16/08 7:57 AM Page 38 entertainment. This will be a “RialtoFest” graced the NBC Studios in Hollywood, style pops concert that will feature the Monday, July 6 California. It was subsequently installed in Wurlitzer, the Austin, a concert grand Encore the home of actor Joseph Kearns, where it piano, a pops ensemble, and multiple was recorded by Ann Leaf, Reginald Foort, Canton Palace 3/11 Kilgen with musicians all teaming up to create the Lyn Larsen, George Wright, and many David Wickerham and the Mansfield musical time of your life! This will also others. Jim Riggs will make this final Renaissance Theatre 3/20 Wurlitzer mark a FIRST for ATOS: we will be joining concert worth double the price of with Jim Riggs the Organ Historical Society as they open admission. What a thrilling end to our But wait—there’s more! Our special their convention in Cleveland. Both groups convention! encore presentation will be not one, but will celebrate the music and art of the King So, there you have it. One luxury hotel TWO in-theatre concerts on two notable of Instruments as partners and with some at fantastic pricing, 14 top-notch artists theatre organs. The Canton Palace Theatre fun and excitement. You will be enter- from around the country, ten 1920s is the home of another original instru- tained by Peter Conti (organist at Macy’s, theatres and venues, two state-of-the-art ment—a Kilgen Wonder Organ. This is an Philadelphia), Jelani Eddington, Rob digital instruments, one von Beckerath, extraordinary treat as there are so few Richards, Chris Elliott, and Alex Zsolt at one Kilgen, one Robert-Morton, two Kilgens in theatres, let alone intact instru- the Steinway, along with a large stage Kimballs, and five Wurlitzers. So now you ments that are in concert-ready condition. band. Please note that this concert will be know why we call this the IN-THEATRE It has been completely rebuilt with a new open to the public with general seating, so Convention, and what we mean by combination action and sees regular use be sure to get there early! Treasures of the Western Reserve. throughout the year entertaining local This will be the first time such a DON’T MISS the 2009 ATOS Canton residents. David Wickerham will complex production has been presented at convention June 30 to July 6 in Cleveland, have the assignment of showing us how an ATOS convention, and we believe you Ohio (and a little beyond). Please visit our fantastic a sound this company created so will find it to be a thrilling conclusion to slideshow at www.wrtos.org/convention- many years ago. It is truly a rousing our IN-THEATRE experiences in slideshow. experience that will surprise and delight Cleveland and Northeast Ohio. See you there! you. After the Canton Palace, we will head Event artists and venues are subject to south to Mansfield, Ohio to hear the three- change should conditions develop beyond manual, 20-rank Wurlitzer that originally our control. Ohio Theatre (CAPA) East 4th Street Entertainment District First Congregational Church von Beckerath (Photo by Doug Powers) Akron Civic Theatre (Photo by Tom Rathburn) 38 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:57 AM Page 39 The Best Event Ever! “Bob Ralston took our concert venue up three levels (good, better, best!) with his recent concert visit to The Kirk of Dunedin (Jan. 18–19, 2008). Mr. Ralston made our theatre organ “the Duchess" sing like she was new. Both concerts were entirely sold out. People even bought tickets in seats that are behind archways, and we never sell those tickets. Bob's mastery and showmanship with the organ and piano captured our crowds. Add to this his energy, tremendous humor and personal ATOS connection. It was the best event ever! We could have easily sold out a third show” —Rev. Jerry Rittenhouse, senior pastor Membership The Kirk of Dunedin, Dunedin, Florida Brochures BOB RALSTON Now Available Jim Merry P.O. Box 5327, Fullerton, CA 92838 17027 Tennyson Place | Granada Hills, CA 91344-1225 All fees are negotiable, 818-366-3637 phone | 818-363-3258 fax allowing your chapter to 714-773-4354, Fax 714-773-4829 www.BobRalston.com | [email protected] make a handsome profit. [email protected] PARTYON THE PIPES APRIL FEATURING 17th-20th KEN DOUBLE, KAY McABEE, 2009 MARK GIFFORD, and JACK DOLL. FOUR ALL MEALS & GROUND TRANSPORTATION PROVIDED DAYS OF INCLUDING TO AND FROM AIRPORT, BUS, OR TRAIN. THREE HOME VISITS INCLUDING JACK MOELMANN, FOOD, RICH & PAM MASCHING, AND JIM & DEE RYAN. FUN, AND 8 PIPE ORGANS, AND 10 CONCERTS PREGLOW THURSDAY PM, APRIL 16th, WICKS ORGAN ORGAN. FACTORY TOUR AND THE HOME OF DENNY AMMANN. $269,00 INCLUDES TRANSPORTATION, AND ONE MEAL $20 PLUS LODGING JANUARY | FEBRUARY 2009 39 ATOS JanFeb 51-1 K 12/16/08 7:57 AM Page 40 Our Man Stan My first awareness of Stan Kann was in honor. The organ had A 1990s Los Angeles photo of Stan with his October, 1971, when he performed on the been modified to some prized 1946 Lincoln 3/11 Barton at the Michigan Theatre in degree to emulate a Continental downtown Lansing. Stan had been hired by theatre organ, but re- A young Stan Kann (r) Butterfield Theatres of Detroit to perform tained most of its poses with two of his at all of their remaining outstate movie churchy roots. Still, the St. Louis neighbor- hood buddies in this theatres that were still pipe organ equipped, tape of the party I was 1930s photo including the Capitol in Flint and the allowed to hear much later belied the fact Taken on Saturday, September 27, 2008, two Temple in Saginaw. The vehicle was the that Stan could convincingly pull off an days before his death, Stan played his final 1925 silent version of The Phantom of the impromptu pops concert on this quasi- performances on the St. Louis Fox Wurlitzer Opera, starring Lon Chaney, and Stan was theatre instrument, and was falling-down during the theatre’s open house and promotion of their upcoming Radio City to perform a brief concert and accompany funny besides! Christmas Spectacular show the venerable classic. While I wasn’t aware After that, I watched for any TV appear- of who Stan was or what he did, my 16-year- ance by Stan, which included numerous old brain was very stimulated that the cameos on The Tonight Show, when hosted bear out the fact that he was always a pro, theatre chain would present something by Johnny Carson, and at least once on The no matter what. featuring the organ in prime time. I bor- Mike Douglas Show, during which Stan In 1975, I encountered Stan again, this rowed my parents’ car and selfishly went performed a brief silent film accompa- time at the no-host cocktail party that alone, not wanting to sit with anyone who niment on the studio Hammond organ. I kicked off the ATOS convention in San would potentially blab throughout the show, clearly recall that Douglas seemed nervous Francisco. The instant we entered the as I didn’t want to miss a note. When it was that Kann was not being funny during this ballroom where the party was being held, I over, I was duly impressed not only with the segment and appeared to quickly run to a recognized the voice and the laugh across performance, but with how skillfully Stan commercial in order to cut it short. I felt the room. Try as I might, I was unable to get played around the holes, all of which I knew shortchanged and mildly embarrassed for his attention, as his back was turned to me, well. Unbeknownst to me at the time, one of Stan, who took it well and simply moved on regaling some hilarious stories to the the locals with a Wicks church organ to the next segment. The years would later assembled multitude. As I stood behind installed in his home held a party in Stan’s him, I took note of the dark hair coloring that had been hurriedly combed in, but 40 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:57 AM Page 41 clearly failed to make it all the way down Stan on his performance. Stan was honored never addressed anyone except by the name the back of his head. It made me smile. and embarrassed all at once, as most any of of their instrument. “Mr. Organ,” she said Somehow, it just seemed like Stan. us would be. When he recovered from the sternly, “can’t you do something about the During the process of helping a friend shock of seeing Wright, he asked him what tuning of your instrument?” Stan nervously move, an ancient Air-Way vacuum cleaner he thought of the organ. “I love it!” Wright tried to explain to her what was going on was unearthed in a dark corner of his said, “but your tibias stink!” Once again, and why it was out of his control, but to no basement. He intended to set it on the curb, Stan was befuddled. “Well…what do you avail. This exchange went on for a while, but instead, I offered to take it off his hands, think we should do with them?” George until Williams was summoned, and it was as I was sure I knew of a willing recipient. quickly said, “Well, if you’re game, I’m decided a break could take place until the I called Stan out of the blue, who anxiously willing to stay up all night to help you get organ technicians dealt with the tuning accepted the donation and extolled the them right.” So, Stan went to the manager, problem. Indeed they came quickly, but virtues of that particular make and model. who happened to be a fan of Wright’s music again, the heat built up and the organ slid As soon as the package arrived safely at his and a collector of the then-new Hi-Fi series out of tune. Finally, Williams reluctantly home, he graciously called to tell me so and of LPs, and asked permission. Without edited out the bass part of Stan’s score for how much he appreciated it. hesitation, the manager told Stan to let the session. It could be grafted in later. The During the 1994 ATOS convention in Wright do whatever he wanted to the organ, cellist, while stern, seemed impressed with Chicago, I was made aware that Stan was and so they went to the job of regulating the Stan’s professionalism and his willingness coming in by train and, since I was driving, pipes, and making adjustments at the to accommodate her request so quickly I offered to pick him up. Stephen Ross and reservoirs and tremolos. Stan said George’s and efficiently. “Mr. Organ, where are you I met Stan at Union Station, and just watch- early morning private concert after all of the from?” In an attempt to be pleasant in ing Stan struggle those bags up the long work was complete was one of the most return, he said, “St. Louis, ma’am. St. Louis, flight of steps was alone worth the trip. Stan memorable events in his life. About a Missouri.” She replied, “Oh, really? St. always seemed to be a displaced silent month later, Wright called Stan, and told Louis? Perhaps you know my son, Leonard movie character. What most people didn’t him he was putting together a studio Slatkin.” Stan said, “THE Leonard Slatkin? realize was that this was no conjured-up recording organ in Pasadena. He said he Conductor of the St. Louis Symphony character; this was Stan. When we arrived couldn’t get the sound of the Foundation Orchestra?” She smiled and said, “Yes, and at the Palmer House, I volunteered to get Tibia out of his head, and asked if it would I’m going to call and tell him I worked with him up to his room. The desk clerk handed it be possible for him to borrow the rank to you today.” Stan completed the session, him the now-familiar credit card type room see if he could try to incorporate its tonal forgot about the exchange and sometime key. “What’s this?” he asked. “Your key, sir,” characteristics into one of his own sets. later, returned to St. Louis to perform at the the clerk flatly responded. Stan giggled. Once again, Stan went to the manager, who Fox Theatre. One can only imagine the look “Oh my gosh! I’ve never seen anything like beamed when told that Wright liked the of surprise on Stan’s face when Leonard this!” he exclaimed. I told him I’d show rank well enough to want to copy it, and Slatkin waited in line to speak to Stan after him, and up to the room we went. When we immediately agreed to the loan. Stan the performance. “My mother was very got there, my arms were full of his luggage, packed it up and sent it off, and finally, insistent that I come to hear you play,” said and he asked what he had to do to get in. many months later, a set of large scale the congenial conductor, who further ex- “Just slide the key card into the reader until Wurlitzer tibias arrived back in St. Louis. pressed how much he enjoyed the show. the green light comes on, and then pull it Was it the original set? Stan said he never Perhaps my most memorable time with out,” I said. Stan dutifully pulled the card knew, but it did give him a story to tell for Stan was when he came to play for us at the out of his pocket, shoved it into the reader, 50 years! Grand Ledge Opera House. During his first and just as I had said, the light turned During the time he lived in Los Angeles, rehearsal, things were going well, but I green. “Hey! Look at that!” he exclaimed, Stan was a studio musician for the movie noticed he would play for a few moments, feeling he had quickly mastered the new studios. One day, he was called by one then stop and giggle. Each time, the laugh- technology. He returned the key card back of the major movie studios to come in ter would become more explosive. He into his jacket pocket, and grabbed the and meet with composer/conductor John finally called for me, and remarked how fast handle just as the light returned to red and Williams to discuss the organ part in a new the organ responded. It never occurred to the door relocked. He struggled with it for score. As soon as they met, Williams said, me that he was so used to the delay at the a few seconds. “What do I do now?” he “Say…aren’t you the same Stan Kann for St. Louis Fox, that an organ that spoke so asked. “Just do what you just did again” I whom nothing goes right? And I want you quickly might befuddle him. “Here, let me said. We went through this exercise about in my movie…why?” Both laughed and set show you,” he said. He tried several times three more times until I finally let go of forth to discuss Williams’ new score, which to start, but stopped abruptly and fell the luggage and said in my best Oliver called for reinforcement in the bass by the forward in gales of laughter. When he Hardy voice, “Ohhhhh, give me that thing, Wurlitzer organ installed there. Kann was finally composed himself to speak, he Stanley!” We shared a great laugh over that the studio’s go-to guy whenever the organ giggled, “How does it know what I’m going one. was to be used. On the day in question, to play before I play it?!?” Stan once told me about a performance several rehearsals were required to get the Getting to really know him on that trip he gave at the St. Louis Fox in the ’50s. music just right. As the day wore on, the was an unforgettable four days. We talked Unbeknownst to him, George Wright was organ chambers became hotter and hotter, about his life and career, and he offered traveling across the country and made a throwing the organ further and further out many anecdotes that involved such well- point to stop in St. Louis for the show. After- of tune. The woman playing cello near the known comedians as Johnny Carson and ward, Wright stood in line to congratulate organ console was not amused, and she Phyllis Diller. No one ever gave me a JANUARY | FEBRUARY 2009 41 ATOS JanFeb 51-1 K 12/16/08 7:57 AM Page 42 greater compliment in my life than Stan, and was considered to be one of the finest who at one point turned to me and said, and most complete of its kind. He also “Say, you’re pretty funny!” The Happiest Man in the World collected classic automobiles, ranging over Knowing that Stan had a penchant for Stan Kann, the legendary organist for the the years from Pierce-Arrows to Rolls- old cars, I took him to our local R. E. Olds St. Louis Fox Theatre and beloved enter- Royces to regal “block long” Lincoln Museum, which features the automobiles tainment icon, died at St. Louis University Continentals from the 1940s. produced in Lansing by both the Olds- Hospital of complications related to a heart Stan moved to Los Angeles in 1975 and mobile and REO firms. We walked in the procedure on Monday, September 29, 2008. became a favorite on all the major talk front door, and I clearly remember how He was 83. shows in the 70s, 80s, and 90s. He ap- animated the clerk in the ticket booth Stanley Gustavus Kann, born on Decem- peared 77 times on The Tonight Show with became the instant he recognized Stan. ber 6, 1924, began playing the “window Johnny Carson, 89 times on The Mike As we walked through the museum, com- sill” at the age of four while listening to the Douglas Show, and 32 times on The Merv paring the two makes of autos created by radio, and he was at the organ by the time Griffin Show, plus appearances on Joan Ransom E. Olds, Stan spoke with authority he reached 14. He went on to major in Rivers, Gypsy Rose Lee, Dinah Shore, and from his vast mental storehouse of auto- organ at Washington University in St. Louis, numerous others. Stan appeared as an actor motive minutiae. In the meantime, everyone where he received a B.A. in Music. in the popular television sitcoms Gimme a we passed seemed to know who he was, and Stan played the St. Louis Fabulous Fox Break, and The Two of Us. He also recorded greeted him accordingly. Stan handled it Theatre’s 4/36 Mighty Wurlitzer pipe organ organ sequences for the feature film The beautifully. As far as he was concerned, it for 22 years, from 1953 to 1975, performing Fury and the television series M*A*S*H. was just the two of us. He wasn’t there to between movies and at special events. This From 1988 to 1998 Stan was Wednesday impress anyone. Both then and now, I set a record among American theatre organ- night organist for the Los Angeles Founder’s remember thinking about the number of ists for the longest continuous engagement Church of Religious Science, playing their people I’ve met over the years who seemed in one theatre. During those years he also 4/31 Wurlitzer pipe organ. to think they were celebrities who really performed on his personal 3/13 Wurlitzer In 1998 Stan returned to his hometown weren’t, and yet, here I was with a real one theatre pipe organ (from the St. Louis of St. Louis for hip replacement surgery, who was totally unaffected by his own fame. Loew’s State Theatre) installed at Ruggeri’s and he began playing the Mighty Wurlitzer I was proud to be with him, and proud to Restaurant in St. Louis. From 1964–1975 for tour groups at the Fabulous Fox Theatre. have known him. the NBC Radio Network broadcast his In collaboration with his close friend and —Scott Smith, Contributing Editor performances nationally every Saturday colleague of over 60 years, St. Louis piano night. and organ legend Richard “Dick” Balsano, Stan became a St. Louis television per- the duo performed four organ/piano con- The first time I saw Stan Kann, he was sonality in 1950 as co-host and musical certs at the Lincoln Theatre in Belleville, playing the “Birth of Passion” waltz. Almost director of the locally produced live Illinois and a special 1999 New Year’s Eve 50 years later at St. Louis Party on the Pipes program To the Ladies, which in 1952 engagement, ringing in the new millennium in April, 2008, he again played the “Birth became The Charlotte Peters Show, and ran at St. Louis’ historic Bevo Mill restaurant. of Passion” in his concert at the Fox. Later until 1963. Following that, he co-hosted Stan was a featured performer at two at lunch, I told him how his playing of the The Noon Show with Marty Bronson from ATOS national conventions, was inducted waltz brought back so many memories. 1963–1972; for his work on these pro- into the ATOS Hall of Fame in 1999, and Way back when, I, Alden Stockebrand, grams, he received the Silver Circle Award was named ATOS Organist of the Year in John Hill, and others would take one or two from the National Academy of Television 2003. In 2004 he performed a series of trips a year to St. Louis. First we’d head to Arts and Sciences in 1997. theatre organ concerts across the country Highland, Illinois to pick up Harry Heth, When Phyllis Diller appeared as a guest and in England. The St. Louis chapter of the who was a voicer for Wicks Organ Company host on The Charlotte Peters Show, she American Guild of Organists recognized (and later an ATOS president). Then we’d discovered Stan’s comedic talent and Stan in 2001 with their highest honor, head on to St. Louis to Ruggeri’s Restaurant unconventional penchant for collecting the Avis Blewett award, presented to for dinner and would listen to Stan at the vacuum cleaners. She called her friend individuals who have made a significant Wurlitzer. Then, of course, we’d all head Johnny Carson, and this eventually led to contribution to the musical life of St. Louis over to the Fox to hear more Stan organ Stan’s first appearance on The Tonight Show and beyond. In 2005, a feature-length, solos. Stan was always on the go, shuffling (June 8, 1966). The hilarious results of his professionally produced motion picture between events, but always seemed to find vintage vacuum cleaners falling apart on entitled Stan Kann: The Happiest Man in time for his friends. the air launched a new career for Stan, and the World was released by filmmaker Mike During one visit to St. Louis, there were he became a much-sought-after one-of-a- Steinberg. Chronicling Stan’s amazing life many conventions in town, and we couldn’t kind television comic for the next three and career, its world premiere was at the St. find a hotel anywhere. I asked Stan if he decades. To television audiences, he was Louis Fabulous Fox Theatre, and it was knew where we might find a hotel, and in- the diminutive comic with the funny gad- later aired twice on PBS. stantly he offered us rooms at his beautiful, gets that never seemed to work. Sometimes Stan enjoyed enduring popularity with palatial home. items from his vacuum cleaner collection theatre organ buffs and was a featured artist I have always admired Stan, not only for were featured, to unpredictable and often for each of the St. Louis Theatre Organ his fantastic playing, but also for his hysterical results. Society’s annual Party on the Pipes organ personality and wit. There will never be Stan’s collection of restored vintage weekends. Always generous with his time another like him. vacuums eventually numbered over 150 and talents, Stan twice allowed himself —Kay McAbee 42 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:58 AM Page 43 to be “auctioned off” to help raise money for the St. Louis Archdiocese’s Cathedral concert series. The winning bidders received tours of the Fabulous Fox Theatre, a private concert on the Fox Wurlitzer, and a personal showing of Stan’s famed vacuum cleaner collec- tion. Always happiest when he was busy and on the go, to the very end Stan maintained an active sched- ule of concerts, silent movie accompaniments, and special appearances. St. Louisans truly loved Stan Kann and instantly recognized him in public. He loved them back, and he had a magical knack for making everyone he met feel as if they were his personal friend. It was nearly impossible to have dinner in a St. Louis restaurant with Stan with- out being approached by well-wishing fans. He was always accommodating and friendly, listening attentively and adding humorous comments as they related often heart- warming stories about going on dates to the Fox Theatre with their future wife or husband, and nostalgically recalling the beautiful music Stan had coaxed out of the Mighty Wurlitzer that night. Sometimes one of the selections he played had become their The console was adorned with a “favorite song.” large floral display, sitting to the Stan’s final performances on the Fox left were two of Stan’s cherished 4/36 Mighty Wurlitzer were on the Saturday vacuums, and a life-sized color before his death, playing for enthusiastic cutout of Stan stood on the right. A PBS camera crew recorded the memorial Stan’s famous collection of vintage and rare crowds during a Fox Theatre open house. vacuum cleaners numbers over 150 machines A public memorial celebration of Stan’s celebration, as well as interviews with (Photo by David Torrence Photography) life was held at the theatre on Sunday, Stan’s friends and admirers; and a week An early 1950s photo of Stan with his parents, October 5, 2008, and a large crowd of many later, on Monday, October 13, 2008, a Bessie and Stephen Kann hundreds turned out. On the next day, the special program dedicated to Stan’s life and Getting ready to ride the elevator up— front page of the St. Louis Post-Dispatch legacy was aired on St. Louis public St. Louis Fox 4/36 Wurlitzer—August, 2008 newspaper prominently featured coverage television. The Fox Theatre has established of the event, including a large color photo- a Stan Kann Scholarship Fund to encourage public display of Stan Kann memorabilia graph, taken at the memorial celebration, of and support aspiring theatre organists and commemorating his life and career. the Fox Wurlitzer console that Stan had will, in the near future, unveil a permanent As the crowd of people attending the presided over for more than three decades. memorial celebration began filing out JANUARY | FEBRUARY 2009 43 ATOS JanFeb 51-1 K 12/16/08 7:58 AM Page 44 through the cavernous Fox lobby, they discovered that tables had been set up for the purpose of distributing large iced happy face cookies. Mary Strauss, owner of the Fox Theatre, had thoughtfully provided them as a take-home keepsake, and the cookies were a perfect metaphor for the sweet happy guy we all loved. Stan’s effervescent personality, wacky self-deprecating humor, and zest for life made him unforgettable. Yet for all of his success, achievements, and celebrity, he remained a modest and unpretentious individual. He was a kind and gentle soul. He loved to be hugged. He would call just to say “hi,” and call to check up on you if My heartfelt thanks to Mary Strauss, Staff of the 1950–52 St. Louis chanel 5 live you were sick. Uniquely gifted as an Judy Feinberg Brilliant, Pat Vogelsang, television show To the Ladies; Stan Kann (r) entertainer, and unfailingly upbeat, funny, and Norman Delaney for their generous St. Louis Fabulous Fox Theatre owner, Mary and friendly with everyone he met, Stan and invaluable cooperation and assistance Strauss, and Stan share a laugh during an Kann will be fondly remembered and antique car show hosted by the Fox in in preparing this tribute article and for August, 2008 tremendously missed by his friends and providing many of the photographs. Also, legions of fans worldwide. The world was a special thank you to Richard Balsano, a little nicer place when he walked among Marty Bronson, Chris Elliott, and James us. Grebe for their help with fact-checking and for providing additional important information. —Richard Rogers TheIncomparable gtan Kann rt11©JDU©if rr©Jm Orr~©JrriU$'1( ◊ C© 1(!J10~ ◊ l/@1«:IJAMl1'itilC©U9 ~f!:1?)11' Stan Kann: $25 The Happiest Man in the World includesdomestic shipping DVD An intimate film celebrating Stan's amazing career and lifelong obsessions with music and collecting. Includes interviews, clips of his many television appearances and footage of Stan in action. Stan Kann CD's Also Available: Pipes and Power - $20 Stan at The Lincoln Theatre Organ Meet Me at The Fox - $20 Stan at The Fabulous Fox Wurlitzer Prices are per item includin g U.S. shippin g. Intern ational orders please add $5.00 per item . Send check or money order to: The Stan Kann Scholarship Fund P.O. Box 190111 St. Louis, MO 63119-6111 All sales benefit The Stan Kann Scholarship Fund Also available online at: to encourage and support aspiring theatre organists. www. fabu lou sfox.com /Stan Kann .aspx 44 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:29 AM Page 45 BY SCOTT SMITH Make 1938. No Little Plans: The Need for a National Headquarters These very words have been a shining beacon for the whole of my adult life. Over those years, I’ve been involved in many ventures, both successful and unsuccessful, but no matter what the goal, I’ve made Burnham’s words my candle to follow. So again, I trot out my favorite words of hope, direction, and inspiration to try to sell all of you on an issue Make no little plans; they have no very close to my heart. For as many good ideas, programs, and plans magic to stir men’s blood and probably that our national organization carefully creates, monitors, and acts upon over the course of time, I do themselves will not be realized. Make not believe there is a more pressing issue at this very moment than that of the pursuit of a real big plans; aim high in hope and work, national headquarters for ATOS. When I speak with non-organ types, or those whose interest is at the remembering that a noble, logical entry level, the inevitable question is always posed: “So, where is your national headquarters?” Of diagram once recorded will never die, course, we all know the answer. A little bit here, and a little bit over there. It’s sort of like an organ whose but long after we are gone will be a divisions are all floating, but can’t be coupled together. Still, they show up on the same living thing, asserting itself with specification. What we need is a national headquarters that ever-growing insistency. includes the ATOS Archives, the Marketplace, —Daniel H. Burnham, American architect and urban planner a museum, offices for an Executive Director, JANUARY | FEBRUARY 2009 45 ATOS JanFeb 51-1 K 12/16/08 8:29 AM Page 46 Development Director, Membership Serv- committee myself, but not at the expense of aren’t we doing this? All we do currently is ices, plus education and performance someone who could better do the job by offer advertising space in our bimonthly space. It needs to be somewhere near a having a special skill to accomplish this publication to any artist willing to purchase major or secondary airport so that it is much-needed task. it, which directs people to various different easily accessible to those wanting to visit To me, the lack of a national head- sources. [Note: The listings in THEATRE and so those wishing to do scholarly quarters clearly indicates that we really ORGAN’s “Shopping for Recordings” research can do so more readily. Initially, I don’t take ourselves seriously, that we don’t department are provided at no charge. Ed.] felt that an old theatre somewhere in the respect ourselves or our interest. There That only seems to dilute our purposes. geographic center of the continental United appears to be no national sense of commit- Only during one week of the year do we States would be ideal, especially one that ment or sense of purpose. To an outsider, it offer many of these recordings and books in has been restored and/or preserved well, would appear that ATOS is nothing but a one location: at our national convention, with, of course, a first-class restored big floating party. Is this our legacy? and one has to travel to that often-distant instrument installed in the main audito- My personal metaphor for this situation location to snag whatever it is that we want. rium, and a smaller one for teaching in a is: we’ve been dating this girl now for 54 The majority of ATOS members and the studio equipped for silent film showings. years. Isn’t it time we married her and gave vast population of those who might possibly But now, having given the concept her a house in which to live? be interested in these items may not be able considerable thought, I believe the obvious If members are concerned with long- to, or even want to, attend a convention… choice is one that has been quietly and term financial commitment by the member- ever! Why then do we treat them like proudly standing before our eyes for some ship, there certainly must be methods to get second-class citizens? Why can’t we do the time, the place where so many of our around this, to insulate ATOS, perhaps by same thing as OHS? Or possibly do it even beloved instruments were born. That place creating a separate organization to pay the better? What about something like the would be at 908 Niagara Falls Boulevard staff and operate the facility rented by Organ Clearinghouse? We currently have (U.S. Route 62), in North Tonawanda, New ATOS? no network set up to relocate organs for sale York—the Wurlitzer Building. My research indicates that space in the or donation. Why not? Is there a better way Its proximity to the Riviera Theatre, also building is rather inexpensive, and we need to promote the theatre organ than to get it in North Tonawanda, and Shea’s Theatre in only rent as much of the building as we into the public arena? What are we waiting neighboring Buffalo would reunite two absolutely require, until our spatial needs for? The ATOS Free-location Service could locations previously used for demonstration increase. The exterior of the building and be an easy way to secure new homes for instruments and the factory. Why would we its place in our history make as strong a orphaned instruments at no cost to anyone, want to create an artificial landmark when statement as we could possibly make to the therefore inviting universal participation. we already have a real one? world. By working with the building owner, There is, however, something equally The photo accompanying this article the exterior of the building, with its fish important and absolutely imperative that we should offer a clue as to the prominence of pond and rows of flowers, could be restored need to accomplish in the short run, and the building as an American cultural icon at to its former beauty. It’s a win-win situation that is unity. With that, we can create a plan one time in its life. Look carefully. This was for everybody. for the future and move on an exciting new the cover of Wurlitzer’s product brochure of While no one appreciates a lively path. Without it, we will crumble, and our automatic phonographs for the year 1938. exchange of opinions more than me, I’m half-baked ideas will fall into half-baked No phonographs appeared on the cover; rather disappointed in the exchange that pieces. Intentional or not, it would appear only the building was shown. No one can has been going on over the past year in that the dedicated work performed by our dispute the genius of Wurlitzer’s marketing these pages. While valuable with regard national board of directors is designed with department for successfully creating what to the debate over preservation versus roadblocks, disaster, and frustration as a we today call an “image” with “Gee Dad, ergonomics, it has gone on long enough to primary goal. I’m told ATOS has something it’s a Wurlitzer!” in the Twenties. One need come down to no more than a urinary flow like 35 standing committees. Thirty-five! only to ponder for a nanosecond that the competition. The time has come for ATOS Just what they all do and what their goals same brilliant group of people felt strongly to focus on and address matters of real may be was undoubtedly a good idea at one that the Wurlitzer building had more real importance which have languished for oh- time, but how does anyone expect our cachet than their phonograph changers. so-long, and this, my friends, is easily at the intrepid board to get anything done? How Incredible! In today’s market-driven econ- top of the list. many of those committees are dormant and omy, the idea is not only counterintuitive, We need not only to create and maintain will remain so? The committee I’m on has it’s unthinkable, and yet, there it is: a ATOS HQ, but what I call Theatre Organ not met nor communicated in nearly two factory building on the cover of a sales Central. Other agencies are performing years. What about the others? We need to brochure whose household product was sold duties that we should be carrying out. So reprioritize, scale down, and find a more nationwide. why aren’t we doing them? Is it lack of efficient way to accomplish our goals In the strongest possible terms, I’d like foresight? Laziness? Cheapness? All of the realistically, else our board will be grinding to urge the ATOS board of directors to above? For example, in addition to many its wheels indefinitely. The current board establish a national headquarters search fine classical organ recordings, the much- will continue to pass on the tradition of and development committee that specif- revered Organ Historical Society actively handing off seemingly impossible tasks to ically focuses on this locale. We need sells a wide variety of theatre organ the next board and the next without persons skilled in commercial real estate, recordings and books through brilliant resolution. Just like Congress. law, and fundraising to fill the available marketing, both on the Internet and through Much as we hate to think about it, the positions. I’d love to serve on such a the United States Postal Service. Why theatre organ would survive just fine 46 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:29 AM Page 47 without ATOS. Our national organization you to find anyone who grew up with a more dream stage toward reality. It needs to start appears to exist primarily for legal purposes racially or culturally diverse upbringing right now. We need to seek that notion of and, by default, maintains a rather than me. But the fact remains that we are musical immortality: the concept of our art stepfatherish relationship with the chapters, what we are, and we have been that way being that living thing that asserts itself which often seem rather disinterested in since the beginning, over 50 years ago. with ever-growing insistency. If we are to much of what national has to offer (unless We’re told by population experts that within continue on this path, it is our destiny. it’s an award or a no-strings financial gift). the next 35 years, our nation’s racial Furthermore, the chapters don’t really makeup will change and, for the first time Learn More About appear to want involvement when help or since we drove out the natives, non- (God forbid) advice is offered. Not really. Hispanic whites will be in the minority. The Wurlitzer Building Without ATOS, individual chapters and They say the changes in our culture will be Those with Internet access can view a independent clubs would continue to do quick, and they will be dramatic. The panorama of modern-day factory pictures exactly what they do right now, be they questions are: just where does that leave by photographer Jacob Kedzierski by active or dormant. Conventions would us? Do we do something now, or wait until viewing www.pbase.com/lettuce76/wurlit probably go on, but would likely be scaled it’s too late? Above all, what do we need to zer_building or by reading Ken Mountain’s down, less frequent, and locally produced. do to get this ball rolling right now, before Wurlitzer: The Man, The Myth, The Music at The right to vote doesn’t seem to generate time runs out? www.nthistorymuseum.org/Collections/wurl much enthusiasm, so that wouldn’t be So here is the critical mass of this essay. itzer.html missed. The biggest difference to us would A working national headquarters will not be the absence of this publication, and that only benefit the membership; it will signify would represent a major loss. This publi- to the world that we have all agreed that this cation, and not the seemingly endless is the best and only way to coalesce and stream of conventions and weekends, is our solidify what we have and point us toward a legacy. Without it, the documentation of our brighter future. It brings us, the members, efforts for serious acceptance in the world of and all of our assorted pieces/parts plus a the arts would go unreported. All of our few new ones, to a logical and harmonious collective hard work and that of those who conclusion. It needs to move beyond the came before us would be lost and seemingly pointless. The mere thought gives me a very cold, empty, lonely feeling. Never doubt that a small group of thoughtful, Let’s face it. Racially and culturally, our organization is not terribly diverse. We’re committed citizens can change the world. whiter than a loaf of Wonder Bread with the crusts cut off. Don’t get me wrong. I’m not Indeed, it is the only thing that ever has. drawing any lines in the sand, and I defy —Margaret Mead, American cultural anthropologist ACTIONS CHESTS CONSOLES PERCUSSIONS REGULATORS TRAPS TREMOLOS . l' .... _, CROME ORGAN COMPANY POST OFFICE BOX 18212 - RENO, NEVADA 89511 TELEPHONE 775 - 852 - 1080 QUALITY ~ RELIABILITY ~ AUTHENTICITY ROB RICHARDS TOURING ORGAN JANUARY | FEBRUARY 2009 47 ATOS JanFeb 51-1 K 12/16/08 8:29 AM Page 48 The Great ATOS Spoof BY EDWARD MILLINGTON STOUT III created a monumental spoof by forming an as its goal the elimination of mediocrity, imaginary organization whose goal was misinformation, and mismanagement in gaining control over the ATOS power matters musical, mechanical, and mana- structure. The four friends met every gerial by the ingrown, self-serving, and self- Tuesday evening over a jug of lamp oil perpetuating, the uncaring, musically masquerading as red wine, with the sole oblivious, spitefully political elements within purpose of drafting the “mandate” for the ATOS leadership. imaginary organization, which had the The focus of the probable supersedure solidity of cotton candy. They labored over is what CRAS officials term the “totally every sentence, infusing as much acidic degenerated forum of non-information” causticity as possible in an effort to make THEATRE ORGAN magazine. “No amount of it apparent to even the most basic “silo- four-color photography and slick paper can sucker” that this was clearly a spoof. make up for the tragic disservice that this Furthermore, the new organization’s once-fine magazine has done by encouraging mandate was written in the traditional “Tom and even promoting the trite, banal, and B’hend style,” with run-on sentences and arbitrary in matters of vital concern to the loaded with editorial notes. The entire spoof, survival of the theatre organ and its music!” to be known as “The CRAS Letter” was stated a spokeswoman of the organization This essay is really a tribute to one of written by the four buffs with all of Tom’s which, until now, has operated under a cloak the most outrageous and generous men editorial notes included. Tom published of anonymity. to inhabit the theatre organ world, the The CRAS Letter in early 1979 in his Among the startlingly bad features of the late Tom B’hend. Tom, fondly known as Console magazine. To everyone’s surprise, meretriciously, seductively slick journal, the “Chiquita Banana,” was the publisher and large numbers of ATOS members wrote in most flagrantly pernicious misallocation of editor of The Console magazine, often wanting to know how to join CRAS. Today’s space is the record review, which not only referred to as “The National Enquirer of the ATOS administration and editorial staff is promotes an abominably low level of Organ World.” Tom would do anything to secure enough to reprint the historic performance, but also permits an unin- stir the pot and would never print a rumor, document that truly shook and changed the formed public to be fleeced by unscrupulous as a rumor had far too much integrity. He papers in the old board’s cage. charlatans peddling their shabby wares. The would only print an alleged rumor with We share with you now excerpts from the blatant misuse of the term “artist” even to elastic truth. Tom B’bend often hosted CRAS Letter. describe the worst console hacks who visitors at his Pasadena home, sometimes persist in recording for posterity their gross known as “the house that poor taste built.” COMMITTEE TO RESTORE ATOS ignorance of the fundamentals of melody, He used his connections and charm to STANDARDS (CRAS) harmony, and rhythm is even worse than afford visiting organists the opportunity of NEW GROUP ENJOYS SURPRISING the antics of the hacks themselves! Of rummaging through most of the theatres in SUCCESS course, the breeding pen of a great many of the Los Angeles area. FALTERING ATOS today’s so-called theatre organists is that During the 1960s and ’70s THEATRE San Francisco, California veritable snake pit of ill-mannered children ORGAN magazine was tightly controlled by January 23, 1979 who have been rendered even more sense- a conservative power structure that pre- less by repeated renditions of “Raindrops vented any critical or dissenting views from ATOS doomed? Amid continuing reports Keep Falling on My Head,” the pizza parlor, passing through their editorial intestinal of the failure of the Old Guard “ATOE” the recorded output of which receives the track. Tom’s homey Console magazine was manipulators to uphold the standards of, and same fawning, mindless adoration of the the only opportunity for presenting varied in indeed even to respond to, the needs of magazine’s reviewing staff. commentary and opinion. The general its membership, an organization counting In the too-distant past, the ATOE dissatisfaction with the ingrown, boring, among its number several very well known founders (some of whom are believed to still and dribble-filled pages of THEATRE and surprisingly high-level theatre organ be active) established as the basic viable ORGAN magazine led several dedicated notables has elected to make itself known for fundamental the concept to perpetuate, theatre organ lovers into contributing to the the purpose of restoring to the organ loving “preserve and further the use and under- Console’s sparking pages. public these standards. The Ad Hoc Com- standing of the Theatre Pipe Organ…” as In early 1979, four dedicated and suc- mittee, officially chartered as the Committee well as “(1) restoring, in their home cessful professional theatre organ devotees to Restore ATOS Standards (CRAS), has set (environment) where possible the remaining 48 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:30 AM Page 49 SPECIAL SPECIAL SPECIAL SPECIAL SPECIAL £0MMITTEETO RESTOREATOS STANDARDS(C~ NEWGROUP ENJoYS SURPRISINGSUCCESS I (Weiler Collection) I Faltering ATOS San Francisco, California January 23, 1979 ATOS doomed? Amid continuing reports of the failure of the Old Guard "ATOE" manipulators to uphold the standards of, and indeed even to respond specimens of the instrument…(3) arranging to, the needs of its membership, an organization counting among its number for…the rehabilitation of (Theatre Organs) no several very well-known and surprisingly high-level theatre organ notables longer wanted…” (assumed so due to the removal from their original environment or has elected to make itself known for the purpose of restoring to the organ- “musical home”—Ed.) loving public these standards. The Ad Hoc Committee, officially chartered This mandate they have forgotten. Any as the Committee to Restore ATOS Standards (CRAS), has set as its goal the given issue of the THEATRE ORGAN magazine will almost certainly contain a myriad of elimination of mediocrity, misinfonnation and mismanagement in matters pictures, ill-conceived, inane comments, musical, mechanical, and managerial by the ingrown, self-serving, and self- and utterly misleading technical “expertise” perpetuating, the uncaring, musically oblivious, spitefully political marshaled, as if by design, to celebrate elements within ATO_S.leadership. mindless, thoughtless, heedless and, dare we say, wanton destruction of the Theatre Pipe The focus of the probable supersedure is what CRAs officials term Organs (the once-proud Monarchs of the the "totally degenerated forum of non-infonnation" THEATREORGAN magazine . Movie Palaces) through the insensitive alter- "No amount of four-color photography and slick paper can make up for the ation, modification, and cancerous expansion of these instruments, compounded by tragic disservice that this once-fine magazine has done by encouraging and adherence to the shoddiest standards of even promoting the trite, banal, and arbitrary in matters of Vital concern craftpersonship and tonal integrity. These are to the survival of the theatre organ and its music!" stated a spokeswoman presented as shining examples of “how-to-do- it,” when in reality they would form a of the organization which, until now, has operated under a cloak of anonym- veritable encyclopedia of abuse…this to the ity. It was stated that the official magazine, which is, after all, the very Theatre Pipe Organs themselves, the one Vital communication link among ATOSmembers worldwide has deteriorated Sonorous Sultans of the Silent Screen. And let us not cry poverty! If the widespread use of swampwood, flakeboard, nails, staples, bathtub caulking, white glue, sewer pipe, deadly PVC, duct tape, drier hose and plastic; raucous tonal scheming, cocka- Theatre Organ hobby, once so worthy and mamie layouts, hasty erection, chain saw enjoyable, and now deteriorated into a fatuous young Robert Lent, who are aware of the joinery, scrapyard winding, rat trap wiring, social bureaucracy which brazenly spurns priceless value of the original mechanisms. It and junk heap pipework, deplorably “voiced” even reasonable attempts at reform. “This is is rumored Robert has a bowl of hot glue and and tuned; all controlled from the cat-house our mission.” Cheerios for breakfast every morning. The decorated consoles were at all a function and Now, have we the members and directors ATOS is making an effort to educate its expression of material poverty, we could of the ATOS learned anything about our membership to appreciate and protect the almost sympathize; but this is an irrefutable mission and responsibility since Tom original electro-pneumatic control mecha- case of something much worse—a poverty of published the CRAS Letter 29 years ago? nisms. In general terms, the authors of the taste. Although the “Spoof” was very much over CRAS Letter would be most pleased at the CRAS’s technical staff has viewed with the top, the “pearl of absurdity” was formed progress being made within the ATOS. The speechless horror the dangerously ignorant around a grain of truth. The original ATOE THEATRE ORGAN journal is clearly more incitement to wrongdoing provided in each Charter clearly mandated for the preser- interesting, and the record reviews by Andy and every issue, both in written word and in vation of these historic and irreplaceable Antonczyk seem to have both bite and diagram, in certain columns and features. treasures in musical history. Later the objectivity. There are many spokes in the These offenses, any one of which, taken Charter was watered down to justify adding wagon wheel that lead to the central separately, would instantly and irrevocably 12 inches to the neck of the Stradivarius. The hub of our responsibility in celebrating the bring condemnation to the practitioners (so- arguments for preservation opposed to achievements in our past history and called—Ed.) in any other historical discipline, alteration and expansion have soiled many rewarding excellence in both preservation are promoted and indeed encouraged by the pages within the past several months, but the and performance. Each spoke has its specific ATOS. It is to these offenses, enumerated fact remains: we are in danger of losing the orientation, but collectively we all try to above, that CRAS has elected to direct its very few unaltered original theatre organs, support the hub of our goal to preserve the corrective campaign. Through its members in the very instruments that define our interest. theatre organ and its music. It is reassuring ATOS chapters through the world, CRAS will, Will we see organs like the magnificent Byrd to see the original ATOS Charter reprinted in utilizing scientific concepts, proven in the Wurlitzer become experimental worksta- the journal as a positive re-enforcement of business world, endeavor to restore the tions? Perhaps not, as there is a growing our mutual responsibility. standards established by the founders of our wave of both organists and technicians, like JANUARY | FEBRUARY 2009 49 ATOS JanFeb 51-1 K 12/16/08 8:30 AM Page 50 REVIEWS The Mosque Wurlitzer, installed in 1928, were greeted by a grandfatherly gentleman REGINALD FOORT had fallen into disrepair due to 10 years of with a British accent. He walked us past the idleness before the Cook recordings. About pianos to the second floor organ section of EDDIE WEAVER two years before Foort made these historic the building. After he sat down and played Memories of the cuts, the organ was refurbished under the “Parade of the Wooden Soldiers” on an direction of Harold Warner, assisted by Orga-Sonic spinet, my mother’s piano was Mosque Tommy Landrum and Mac Murrell. An history, the organ was delivered to our home, This CD, Memories of the Mosque, is interesting anecdote to this Wurlitzer is that and I got 10 free introductory organ lessons a genuine golden nugget capturing the Warner, although he gave new life to this with my new friend, Reginald Foort! I heard performances of two theatre organ iconic organ, actually expired in one of its some of the best theatre organ stories of my veterans on a fine 3/17 Wurlitzer in the chambers; one news story of the time said life during those lessons, and today I acoustically wonderful venue of the that his ghost haunts the place! treasure those fond memories. Richmond, Virginia Mosque. The Mosque’s The 12 cuts performed by Eddie Weaver The 10 Foort cuts on this CD are: “She hard plaster and tiled walls, in this huge and on this CD are: “Dance of the Hours,” Didn’t Say Yes, She Didn’t Say No,” “Mood cavernous almost 4,600-seat auditorium, “Secret Love,” “Georgy Girl,” “Stumbling,” Indigo,” “Valencia,” “Laura,” “My Hero,” make the instrument reverberate with “Sweet Georgia Brown,” “Somewhere My “Blue Moon,” “Canadian Capers,” “The thrilling force and crystal clarity. The actual Love,” “I Ain’t Down Yet,” “It’s Alright Doll Dance,” “Lullaby of Broadway,” and recording sessions of each artist also With Me,” “Thoroughly Modern Millie,” “St. Louis Blues.” Reggie’s style affords us represent interesting tidbits in theatre organ “I’ll Go Home with Bonnie Jean/Coming concert arrangements of every cut. He was a history. Through the Rye,” “Something Stupid” and true perfectionist who always plays with During the Weaver recordings, originally “The Impossible Dream.” What is most passion and sincerity. His pedal run in released under the Concert Recording label, impressive about Eddie’s playing is his “Valencia” gives me the same chills today the auditorium was naked in that it was extremely clever arrangements and inven- as when I first heard it many years ago with undergoing refurbishment; all the drapes, tive registrations. Eddie studied organ at the Cook releases. It’s really hard to say tapestries, and carpeting had been removed, the Eastman School of Music in Rochester, which one of the Foort tunes is my favorite converting the gargantuan auditorium into a for a career as a church organist. Later, in that I really love them all. In my personal huge echo chamber. The historic Foort he studied the theatre organ style with the theatre organ listening, I’ve worn out at least recordings, re-released in this CD by famous Henry Murtagh. Weaver’s musician- three copies of the vinyl pressings of Foort’s permission of the Smithsonian Institution, ship is uniquely his own. It’s very Cook releases. I am ecstatic that I now have were made by the legendary recording entertaining and very musical. I especially these original cuts in digital form that were engineer Emory Cook, who was a pioneer in found his rendition of “Sweet Georgia made directly from the Smithsonian the development of high-fidelity recording Brown” ingenious and his concert arrange- masters. and sound reproduction in the 1950s. ment of “Dance of the Hours” extremely This historic release of Eddie Weaver exciting as it builds to a thundering climax. and Reginald Foort in Memories of the The legendary British organist Mosque is available for $20, including Reginald Foort was a Fellow of the Royal shipping and handling, at www.pipeorgan College of Organists. His classical presentations.com. Any serious theatre training afforded him the ability to organ enthusiast needs to add this CD to play Bach to boogie with ease. At the their collection as a valuable reference. time these recordings were originally —Andy Antonczyk released, Foort had been playing the organ for over 50 years. In his native England, Foort played organs from St. Paul’s cathedral to vaudeville. He once toured the country with a custom- SCOTT FOPPIANO built five-manual Möller theatre organ weighing over 25 tons. In the United Beyond the Blue States, he was a featured organist at Horizon the famed New York Paramount. Scott Foppiano’s new CD, Beyond the I personally got to know “Reggie” Blue Horizon, is rousing, sensitive and when he worked for Baldwin in gorgeous. This 3/18 Barton organ was Chicago. My mother took me down- originally installed in the in the Indiana town to look at a grand piano that she Theatre in Indianapolis. Under the thought would look great in our supervision of Carlton Smith, it was re- living room. When we walked into installed in its new venue, the Warren the piano and organ showroom, we Center for the Performing Arts. The sound of 50 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:30 AM Page 51 Compact discs, cassettes, videos, books, and music to be reviewed should be sent to the Editor, Jeff Weiler, 1845 South Michigan Avenue #1905, Chicago, Illinois 60616. Items must be received three months prior to the issue date in which the review will appear. 6~ ...... Playsthe BartonTheatre Pipe Organ with Scott using the beautiful sale of this CD will be used for the main- WarrenPerforming Arts Center, Indianapolis Chrysoglott and Glockenspiel on tenance of this and other theatre organs in this instrument to simulate Indiana by members of the Central Indiana delicate falling raindrops. The Chapter of ATOS. Tibia and Vox Humana combi- —Andy Antonczyk nations used in Irving Berlin’s “What’ll I Do?” are throbbing and melodious. The next cut on this CD is a STAN KANN group of songs made popular by Judy Garland and presented as The Happiest Man a medley: “Somewhere, Over in the World the Rainbow,” “I’m Nobody’s The Happiest Man in the World is an Baby,” “The Boy Next Door,” 2007ATOS Organist of the Year intimate and endearing video biography of “The Trolley Song,” “The Man the life of Stan Kann, theatre organist, That Got Away,” “You Made Me comedian, and vacuum cleaner aficionado. Love You,” “Easter Parade,” and “Zing! this instrument is amazingly clean and The video gives a charming account of Went the Strings of My Heart.” I especially articulate, and it is one of my current Stan’s various entertainment careers, his enjoyed Mr. Foppiano’s interesting segues favorite organ transplants. The recording by lifelong obsessions, and his passion for and elusive jazz chords. The next song, Chris Gorsuch is extremely clear and music. He certainly was an example of “Thine Alone,” is quiet and dreamy, until authentically represents the way the living one’s passions and dreams. the end where Scott uses full Tibias and instrument sounds in the auditorium. This video movie is comprised of various Strings. His use of second touch for reed Scott Foppiano, the 2007 ATOS Organist footage of Stan during his lifetime, including accents and his key changes make for grand of the Year, is a most capable artist. His some archival recordings of his appearances beginning and ending of this famous Victor registrations are sensitive, and his playing on The Tonight Show with his famed Herbert composition. The jazzy “Body and is passionate. His beautiful jazz harmoni- vacuum cleaner collection, as well as other Soul” has been a time-tested favorite since zations are melodious and memorable. The national television shows as the Guru of it was written in 1930, and it is ensconced CD is paced like a concert performance Gadgets. His quirky personal interests and in the Barton’s rich compliment of Tibia, from beginning to end, and I found that the his musical talent, combined with his pace and order of songs made me want to Vox Humana and Saxophone voices. listen to this CD completely in one sitting. Arthur Sullivan’s “The Lost Chord” has a I especially liked the console riser on majestic and regal quality on this this disc, “Beyond the Blue Horizon.” instrument. I was appropriately over- Although this song has been recorded by whelmed by the incisive reeds and the many other organists, Scott’s transition from end of this composition. The middle the verse to the chorus of this song is both section of “When Day Is Done” features refreshing and exhilarating. The musical the Barton’s pressure action piano in a crescendo almost made me want to stand up bright and jazzy chorus, in sharp and applaud at the end. “Lover Come Back contrast to the soft and ethereal to Me” is introspective, and the shimmering beginning and ending of this number. tibias contrast beautifully to Scott’s intricate Scott’s selection of the Eric Coates counter-melody. Following is Glenn Miller’s “Dam Busters’ March” is a superb signature tune, “Moonlight Serenade,” choice of exit music to this concert- which translates wonderfully into a lush like album. theatre organ ballad with subtle but Beyond the Blue Horizon is a persistent rhythm. “What Goes Up Must wonderful and carefully staged disc. Come Down” is a zippy tune in the Sidney I have listened to it many times, and Torch style that gives Scott a chance to I still find it fresh and entertaining. show off some of the solo voices of this The organ sounds great in the instrument, as well a the tuned percussions. Warren Center, and Scott’s perform- Puccini’s “Nessun Dorma,” from the grand ance is totally top-notch. Copies are opera Turandot, builds and builds until available for $20 postage paid by the sound reaches a huge and thrilling writing Mike Rolfe, 1431 North sfortzando climax. In a quieter vein, “Here’s Audubon Road, Indianapolis, That Rainy Day” is effectively arranged, Indiana 46219. Proceeds from the JANUARY | FEBRUARY 2009 51 ATOS JanFeb 51-1 K 12/16/08 8:31 AM Page 52 REVIEWS what he did and that one of his thought they could play the piano also I H'lll\ PURE greatest passions was making thought they could just quickly adapt and others join in his happiness. That’s play the theatre organ. Although it’s true NOSTALGIA what made him Stan Kann: The that there were musicians of the gifted Tony Whittaker Happiest Man in the World. This variety, the average neighborhood theatre at the Compton Organ delightful video biography is most likely had a neighborhood organ player Fentham Hall available in DVD format for $25, cranking out facsimiles of tunes of the day including shipping and handling, before, during, or after the photoplay by writing the Stan Kann performance. This recording captures that Scholarship Fund, P.O. Box nostalgia perfectly. 190111, St. Louis, Missouri Tony Whittaker’s website is as interest- 63119-6111. Your check should ing as this CD: www.tonywhittaker.co.uk. Including be payable to the Stan Kann You can get music arranged. You can get music from Scholarship Fund. Please be music lessons. You can get the entire track ALJOLSON GERSHWIN sure to include your shipping list of this disc and listen to a few of the GLEN MILLER address and your telephone remarkable cuts; maybe you’ll even order HENRY MANCINI number. your own copy of Pure Nostalgia. You can and medleys from —Andy Antonczyk rest assured that this CD represents a SOUTH PACIFIC genuine accomplishment in that it has PHANTOM OF THE OPERA 20 Tracks r------captured a facet of the past in the theatre organ genre that is not too often preserved TONY for posterity and made commercially unique improvisational skills, made him a WHITTAKER available to enjoy or to augment our home unique commodity and led to many appear- libraries. ances on national television. Interlaced with Pure Nostalgia —Andy Antonczyk the historic video footage are insightful According to the CD booklet notes, Tony commentaries from people who knew or Whittaker “…is a versatile musician who worked with Stan spanning many years of brings something new to the Cinema Organ DAVE WICKERHAM his lifetime. All of the music on this video is circuit. A professional player for 30 years by Stan himself. equally at home on Pipes, Piano and DICK KROECKEL We get a rare glimpse of Stan’s humor Electronic instruments.” Well, I guess. Pure through the actual interview comments he Nostalgia is Tony’s debut album on a theatre Red, White & Blue made for this video. Much of his humor was pipe organ. “Tony’s relaxed easy style and due to accidents that happened to him and professional approach to his music makes Ragtime Revue how he was able improvise on the situation for an entertaining album.” Well, I guess. The Red, White & Blue Ragtime Revue in a comical way, laughing at himself, thus Although it would have been my recom- is actually a DVD/CD boxed set recording encouraging laughter by those who wit- mendation to have this rarified Compton of a live ragtime concert collaboration of nessed the events. The peculiar way he organ tuned before Mr. Whittaker made this fine musicians: organist Dave Wickerham reacted to many situations going on around recording, I found the condition of the organ and ragtime pianist extraordinaire Dick him is absolutely hilarious. His musical to be quite effective for the “Scottish Kroeckel. The actual concert took place last ability to adapt, being able to play in Medley,” especially when the artist was year at the 400-seat Courtroom Theater of churches, roller rinks, restaurants, and imitating bagpipes. the McKinney Performing Arts Center, with theatres, gave him a rich career in what he The other 19 tracks on this CD are also its 1926-vintage 3/17 Wurlitzer and a really loved most. His genuine love for quite interesting in that I have not often Boston grand piano. The combination of working and interacting with people, along heard theatre organ songs registered and these extraordinary artists and the venue’s with his fascinating personality, made him executed like they are immortalized on this fine instruments produced an authentic and magnetically attractive as an entertainer. CD. I am certain that most listeners would highly entertaining ragtime-style concert. Although this 67-minute biographical find it as unique as I did, as it captures a The DVD disc included in this set, although video was made in 2005, I had not seen it dimension of theatre organ nostalgia not it is suggested for use with a video-capable until after Stan’s recent untimely death. It is often found on commercial recordings. iPod, plays perfectly in a standard DVD a fitting tribute and celebration of Stan’s life There was time in the heyday of theatre player or on a computer using standard as a musician and as an entertainer. He organ when there were many more theatre media players. certainly had a personality all his own, and organs to be played than there was talent to The CD starts out with a rip-roaring, he was quite an accomplished theatre play them. Many musicians of the time who snappy version of “Repasz Band March.” organist. It is apparent that Stan had fun at 52 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:31 AM Page 53 The other songs that follow are “The organ. The slick and professional four-color Entertainer,” “Memphis Blues,” “Kiss of glossy presentation has loads of information Fire” (Tango), “Temptation Rag,” “12th about the Wurlitzer, the McKinney Per- Street Rag,” a medley of “Easy Rider” and forming Arts Center, Dave Wickerham, and “Yellow Dog Blues,” “Original Rags,” Dick Kroekel. “Maple Leaf Rag,” “Frankie & Johnny,” As an aside, it is interesting that “Scandal Walk,” a Chicago medley (an THEATRE ORGAN has received several overture, “All That Jazz,” and a hilarious items for review that have included both video version of “Mama”), “Pineapple Rag,” audio and video presentations. Perhaps a medley of “Dallas Blues” and “Houston this is the beginning of a new multimedia Blues,” “Tiger Rag,” “Missouri Waltz,” trend in album presentation? Frankly, I “The Sheik of Araby,” “The Chrysan- really enjoy watching the artists as well themum Rag,” a red-white-and-blue medley as listening to them. consisting of “Yankee Doodle,” “Grand Old The Red White and Blue Ragtime Flag,” “Yankee Doodle Dandy,” and “Stars Revue is not sold in stores; it is only and Stripes Forever,” and a smash-finish available at www.texastalkies.com for medley of “Charleston” and “Doin’ the $30 including shipping and handling. Raccoon.” There is a very limited supply; order Although ragtime music may be a yours soon so you won’t be dis- cultivated taste for some, if you are rag appointed! aficionado, you will truly appreciate this —Andy Antonczyk CD, especially if you enjoy ragtime on the Wurlitzer. I personally believe this genre of music works quite effectively on the theatre Donna Parker Productions, Inc.—P.O. Box SHOPPING FOR RECORDINGS 6103, Aloha, Oregon 97007, 503-642-7009 Allen Organ Company— JATOE–Joliet Area Theatre Organ Pipe Organ Presentations— P.O. Box 36, Macungie, Pennsylvania Enthusiasts—P.O. Box 212, Joliet, Illinois 60434, 760-324-0470, [email protected], 18062-0338, 610-966-2202, 708-562-8538, [email protected] www.pipeorganpresentations.com www.allenorgan.com/www/store/maincds.html JAV Recordings— Bob Ralston—SPOTOMA, 17027 Tennyson Steven Ball— 888-572-2242, www.greatorgancds.com Place, Granada Hills, California 91344-1225, 818- 734-846-3627, www.stevenball.com JBL Productions— 366-3637, www.bobralston.com Banda (George Wright recordings)— 8933 Wagon Road, Agoura, California 91301, Rob Richards—www.robrichards.com 720-733-2905, fax 720-733-2137, www.organhouse.com/jbl_productions.htm Jim Riggs Recordings—25A Crescent Drive [email protected], Lancastrian Theatre Organ Trust— #185, Pleasant Hill, California 94523 http://theatreorgans.com/cds/banda.html Coming http://theatreorgans.com/lancast/lanc1.htm Rosa Rio—1847 Wolf Laurel Drive, Sun City soon: www.georgewrightmusic.com Michael’s Music Service—4146 Sheridan Drive, Center, Florida 33573, 813-633-0902 Ed. Benoit—30110 West Latham Street, Buckeye, Charlotte, North Carolina 28205, 704-567-1066, Paul Roberts, Cardinal Productions— Arizona 85326, 623-327-1437, [email protected] www.michaelsmusicservice.com P.O. Box 22035, Beachwood, Ohio 44122, Canterbury Records—626-792-7184 Midnight Productions, Inc.— http://theatreorgans.com/cds/roberts/ Central Indiana Chapter–ATOS— 800-788-1100, [email protected], Roxy Productions— 1431 North Audubon Road, Indianapolis, Indiana www.theatreorgan.com 480-695-8568, [email protected] 46219, www.cicatos.org MSS Studios—www.organ.co.uk Texas Talkies Media Production Company— Cinema Organ Society— Musical Contrasts—[email protected], P.O. Box 23413, Waco, Texas 76702. www.cinema-organs.org.uk www.lynlarsen.com www.texastalkies.com Dickinson Theatre Organ Society— NOR-CAL Theatre Organ Society— T-V Recording—408-248-6927, [email protected] 302-995-2603, www.dtoskimball.org P.O. Box 625, Berkeley, California 94701-0625, Walter Strony—www.waltstrony.com Ken Double—281-798-6205 510-644-2707, www.theatreorgans.com/norcal/ Wichita Theatre Organ— www.KenDoubleEntertainment.com Organ Historical Society— 316-655-8177, [email protected], R. Jelani Eddington Organ Recordings— Box 26811, Richmond, Virginia 23261, www.nyparamountwurlitzer.org P.O. Box 44092, Racine, Wisconsin 804-353-9226, fax 804-353-9266, Tony Whittaker—www.tonywhittaker.co.uk 53404-7002, www.rjeproductions.com [email protected], www.organsociety.org Mark Herman Productions LLC— Organ Stop Pizza—480-813-5700 x200, P.O. Box 5059, Fort Wayne, Indiana 46895, www.organstoppizza.com www.markhermanproductions.com JANUARY | FEBRUARY 2009 53 ATOS JanFeb 51-1 K 12/16/08 8:31 AM Page 54 0 ATLANTA CENTRAL INDIANA Atlanta, Georgia—Our chapter participated Indianapolis, Indiana—The days are be- in a special event in Augusta, Georgia during coming shorter. Cold weather and the winding the month of September: the first-ever down of hurricane season signify the summer’s Westobou Arts Festival sponsored by the end and the final two concerts of the Central Augusta Arts Council. Included were: a Indiana chapter’s concert season. special film screening; a silent film presen- On September 14, Hurricane Ike arrived tation; a classical organ concert with very just in time for Ken Double’s performance at theatrically presented selections; a residence the Barton in the Warren Center for the Allen GW-4; and a pipe-digital combination. Performing Arts. Unfortunately, the wind and These events gave much opportunity for the rain “blew” some of the audience away from chapter to make itself known to a new the concert, resulting in lower-than-usual Artist John McCall (l) with David and Lori audience. Look for Larry Davis’ article in “Vox Burud and their Allen GW-4 attendance. Those who did come found that Pops” on page 14. (Photo by Elbert Fields) power to the organ had been disrupted, and Our October meeting took place on Sunday, Warren Center maintenance crews scrambled October 12, at the Sharpsburg residence of to find the source of the power failure. After a members David and Lori Burud. They have an BUFFALO AREA delay of almost half an hour, the problem was Allen Renaissance GW-4 installed in a Buffalo, New York—The onset of Western identified and the show went on, with Ken custom-built music room. The artist of the day New York’s infamous winter weather did not presenting a most enjoyable concert. was our own John McCall. Maintaining his stop our blizzard of theatre organ events. October 12 brought much nicer weather, exuberant and infectious style, John took Several artists had a chance to entertain us at and CIC members gathered at John and attendees on a varied and musically diverse the Riviera Wurlitzer. We welcomed Ron Joanne Jones’ lovely home for a very short journey. The resources of the Allen were put to Reseigh in October. Jerry Nagano made his meeting and a nice performance by Mr. Jones the test, making for an enjoyable afternoon. Riviera debut in November, and we hope he at his Allen R311. Afterwards, members The host and hostess were gracious, and we will become a regular on the Western New enjoyed refreshments and participated in open hope we can soon return. York circuit. Finally, we were extremely console. Everyone had a great time, and we The Strand Theatre, Marietta, Georgia fortunate to secure Jelani Eddington for our appreciate the Jones’ hosting us! installation is in the beginning stages of Christmas concert; our originally scheduled October 24 reminded us that it was indeed design; console, shades, percussions and artist had to cancel. fall as our artist, Ron Rhode, arrived from chests are being readied for an anticipated The Lockport Theatre Organ Society is warm and sunny Phoenix to find some very spring installation. It’s hoped that the theatre hoping to raise funds to complete the instal- cool Indianapolis weather. For his program, will be ready for its first musical, which will lation of their recently acquired Glockenspiel, Ron provided a thrilling accompaniment to the be staged in December, 2009. Xylophone and Sleighbells. Certainly, no 1925 silent, The Phantom of the Opera, at the Wiring of the four-manual Page console is theatre organ would be complete without these 3/26 Wurlitzer at Manual High School. under way. We hope to replace the temporary instruments! —Justin Nimmo two-manual Wurlitzer console with the Page —Andrew Wos and Bruce Woody Tim Needler, President console this spring. Andrew Wos, President 317-255-8056, [email protected] —Rick McGee 716-684-8414, [email protected] Bucky Reddish, President 770-948-8424, [email protected] CONNECTICUT VALLEY CENTRAL FLORIDA Thomaston, Connecticut⎯A meeting of Pinellas Park, Florida—We held a potluck Connecticut Valley Theatre Organ Society was dinner to kick off the resumption of our held September 14 at the home of Al and general membership meetings in September. Rhoda Singer in Litchfield, Connecticut. The Members enjoyed good food while catching up Singers are the proud owners of a 2/15 1926 on events that took place during our summer Skinner (Opus 618) with a roll player. The hiatus. Members provided the entertainment organ is completely unaltered and still plays at open console. on its original chest leather. Work sessions on the chapter organ Juan Cardona, Norm Andre, and Allen continued through the summer and fall. The Miller played a program including light new console has been removed from storage, classical and show tunes for an appreciative cleaned, and prepared for stopkey installation. audience consisting of CVTOS members, The new relay has finally arrived, and we are Mr. and Mrs. Singer, and several of their planning the installation to cause as little friends. The music was visually enhanced by down time of the instrument as possible. Our the Singers’ vast collection of Western and Emily Remmington, organist who played for mini-concerts once a month at the Pinellas cowboy artifacts, sculptures, books, and art in the world premiere of The Three Faces of Eve, Park auditorium continue to be a popular draw the music room. at the Imperial console, Augusta, Georgia for the local residents. CVTOS members John Angevine and Norm (Photo by Elbert Fields) In September, Rosalie LeBlanc was ap- Andre had worked on the organ to return it to pointed to complete Bob Logan’s term on the playable order. The roll-playing mechanism is board of directors. not currently functioning. However, John —Gary Blais Angevine and Allen Miller are investigating Cliff Schaffer, President replacing the original rubber tracker bar 407-207-1792, [email protected] tubing and recovering the player motor 54 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 55 The deadline for receipt of Chapter News items by the Editor is the FIRST of the month TWO months prior to the THEATRE ORGAN publication date (that’s the first of every odd- numbered month). Please note that ATOS policy prohibits inclusion of music titles played at programs or menu items served at chapter functions. Text may be edited for space and clarity. Due to space considerations, please submit a maximum of 250 words of text. Submission as a Microsoft Word file attached to an e-mail (to [email protected]) is our first preference; second is text in an e-mail; finally, typewritten hard copy may be sent via postal mail to the Editor (address on masthead). Please submit a maximum of two photos (no less than 3 x 2 inches with resolution of at least 300 dpi), preferably sent as a .jpg file attached to an e-mail. Photos may be sent to the Editor via postal mail; they will not be returned. IMPORTANT: Please name your text file with your chapter name, and name your photos with your chapter name followed by the numerals one or two. Your text MUST include your chapter name and principal city/state of operation; your chapter correspondent’s name; and the name, telephone number, and e-mail address of your chapter’s president. A caption and appropriate credit to the photographer MUST be included with photos; please put this information at the end of your text document. pneumatics. A collection of approximately who accompanies silent films professionally, 500 rolls are waiting to be heard once again. presided at the five-manual Wurlitzer. To add Skinner built a number of residence pipe to the fun, the Brenograph, a sophisticated organs with player mechanisms during the carbon arc effects machine, was used to show 1920s. The voicing is orchestral, and the vintage slides. moderate sound level is not overpowering. Our annual fall concert on Sunday, Residence pipe organs were designed to play October 26 featured Scott Foppiano, the 2007 orchestral transcriptions and melodic popular ATOS Organist of the Year. The concert was music of the time. held in conjunction with the Kimball Theatre CVTOS is very appreciative to our gracious Organ Society at the beautiful Oriental hosts, Al and Rhoda Singer. It is a rare treat Theatre in Milwaukee, where a 3/40 Kimball to hear and see a pipe organ in absolutely is installed. The Oriental was built in 1927 original, unmodified condition. and incorporates East Indian décor, with huge TOSDV members at the Conroy Allen: Bill —Jon Sibley Buddha statues, porcelain lions, and hundreds Gellhaus, Wayne Zimmerman, hosts Bob and Meredith Sibley, President of elephants. Scott played a wonderfully varied Vicky Conroy, Anna Bonelli Downey, Tom 860-345-2518 program, showing off the lush sounds of the Rotunno, and Dick Auchincloss Kimball. (Photo by Dick Auchincloss) —Sandy Knuth Dean Rosko, President EASTERN MASSACHUSETTS 262-886-1739, [email protected] Wellesley, Massachusetts—The Eastern Massachusetts chapter of the American DELAWARE VALLEY Theatre Organ Society is about to launch Telford, Pennsylvania—Bob and Vicky its 56th concert season. We are all eagerly Conroy of Moorestown, New Jersey, members anticipating the first event, A Red, White, of the Theatre Organ Society of the Delaware Blue, and Ragtime Spectacular, featuring Valley, opened their home and their hearts to Dave Wickerham at the Mighty Wurlitzer and us on Saturday afternoon, July 19. The name Dick Kroeckel at the grand piano. of the event was Summerfest 2008. TOSDV Our September social featured Chandler was represented by officers Anna Bonelli Noyes at the EMCATOS Wurlitzer. We’d heard Allen Miller at the console of the Skinner Chandler in performance at the Methuen (Photo by Jon Sibley) Downey; Wayne Zimmerman, Sr.; Bill Gellhaus; and Tom Rotunno. Board member Dick Memorial Music Hall and were very pleased Auchincloss and family were also present, as with his approach to the theatre organ. was Louis Rabouin; the Garden State Theatre The audience of about 50 showed their Organ Society was represented, too. I had a appreciation to the artist with many healthy chance to speak at great length with Mike rounds of applause. We hope you’ll return and Cipolletti from GSTOS, and I enjoyed listen- play for us again sometime, Chandler; you’ll ing to his selection of tunes at the organ. Many always be welcome. organists showed their talents at the Allen 317, Allen Miller took control of the 4/34 Unit including Wayne Zimmerman, Sr.; Don Hansen; Orchestra at the Shanklin Music Hall for our and Charlotte Stacey, a GSTOS member from a October social. This was a special occasion. family of well-known theatre organists. Many of you may know that Allen fell ill at the Bob, Vicky, and family were very gracious ATOS annual convention. He missed a great and welcoming to all. There were at least 50 deal of the event but was discharged from the hospital in Indianapolis in time to attend the Norm Andre (Photo by Jon Sibley) guests. The catered buffet was delicious, and the swimming pool was inviting. We’re looking annual banquet and the afterglow festivities. forward to more Summerfests at the Conroys. The October 14 social marked the first time DAIRYLAND Thank you so very much, Bob and Vicky. that Allen had played the organ for an Racine/Milwaukee, Wisconsin—We trav- —Anna Bonelli Downey, President audience since that time. He remarked that he eled to Gurnee, Illinois for our September 21 215-723-7716, [email protected] was not sure that he was up to presenting a social. We were invited to the home of Diane program, but he would do his best. And his Chaloupka who has a Wicks pipe organ with best is what the audience received. We were glass shutters. The organ was originally treated to some wonderful playing. Allen has installed in Martinelli’s Restaurant in Crystal not lost his mastery of the Wurlitzer! He Lake, Illinois, where Larry Roou was the chief augmented his live selections with some organist. So it was only fitting that Larry performances that had been captured in the played for us. He entertained us for an hour, Shanklin Wurlitzer’s record/playback system. and even did a sing-along with songs from the We thank Allen for a marvelous afternoon of good old days. We had such a good turnout good music and camaraderie. that the overflow crowd sat outside on the beautiful summer-like day. The Dairyland chapter had a Halloween fun day on October 12, when the classic silent Two new presidents: Anna Bonelli Downey film The Phantom of the Opera was shown at and Mike Cipolletti (Photo by Dick Auchincloss) Fred Hermes’ home in Racine. Dennis Scott, JANUARY | FEBRUARY 2009 55 ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 56 We are pleased to announce that EMCATOS’ Since the Wonder Weekend, Ralph Ringstad, Series information. These free noon concerts bid to host the 2011 ATOS annual convention Jr. played the 4/23 Robert-Morton organ to are held monthly from September to June at has been accepted by the ATOS board of accompany the silent film The Phantom of the Proctors Theatre and feature local, and directors. We have begun work on what will be Opera for an enthusiastic audience of about sometimes nationally recognized, artists. The a convention to remember. 900, and Paul Citti performed before other 2008–09 club officers were introduced: chair, —Bob Evans, President films and for a children’s Halloween party. Frank Hackert; vice chair, Norene Grose; 508-674-0276, [email protected] The month before all of this excitement, a secretary, Maude Dunlap; and treasurer, picnic, installation of new officers, and Marion Hackert. celebration of GSTOS’ 35th anniversary took The group held a Halloween party on place at Nina Heitz’ home in New Hope, October 13. Members and guests came in Pennsylvania. The sounds of the organ played haunting attire and were treated to a potluck by various talented members at open console supper and, as a special “treat,” selections on could be heard across the expansive grounds organ and cello by Carl and Cathy Hackert. and filled the historic home throughout No “tricks” were served up at the celebration, the day. Three new officers joined current just good fun, good music and camaraderie. members: treasurer, Catharine Oliver; vice The first two concerts of the season featured president for crews and program chair, Carl Hackert and Rob Kleinschmidt, with Catherine Martin; and secretary, Virginia guest Ned Spain, on September 16; and Ned Messing. Spain, with guests Carl Hackert and vocalist —Catherine Martin Charlie Petersen, on October 14. Michael Cipolletti, President On September 11, chapter member Al Chandler Noyes (Photo by Bob Evans) 732-899-1588, [email protected] Moser received the 2008 Organ Club Volun- teer of the Year award from chair Frank Hackert in recognition of his role as coordinator of the pre-movie organ preludes, as well as his music-related community involvement. Congratulations to Al on his receipt of this honor. Other events participated in by our mem- bers included an October 19 organ recital for the American Guild of Organists by Claudia Bracaliello at St. Luke’s Episcopal Church in Catskill, New York; and the presentation of the silent classic The Phantom of the Opera by Charles Jones on October 24 at St. Pius X Church in Loudonville, New York. Jelani Eddington (Photo by Tony Rustako) Allen Miller at the Shanklin Music Hall —Norene Grose (Photo by Bob Evans) Frank Hackert, Chair 518-355-4523 GARDEN STATE Little Falls, New Jersey—The Wonder Weekend was fantastic! We were entertained in style by Jelani Eddington; Rio Clemente; Lew Williams; Dennis James; Ralph Ringstad, Jr.; and the Silver Starlite Orchestra. The Bob Balfour Memorial Wonder Morton performed perfectly. Members of Garden State Theatre Organ Society and Friends of the Loew’s Theatre volunteered their time and energy. Everybody worked together, and the audience had a great time. What more could you ask for Lew Williams (Photo by Tony Rustako) from an inaugural series of events? From solo organ concert, to background jazz piano, to silent film accompaniment, and then on HUDSON-MOHAWK Carl and Cathy Hackert at the to organ and big band music together, the Schenectady, New York—The 2008–09 Halloween party weekend was filled with activities and chances season of the Hudson-Mohawk chapter began to socialize. We toured the Loew’s and the on September 15 with the traditional banquet Stanley Theatres. We honored crew chief Bob on the stage of Proctors Theatre in Martin, the crew members, and all of those Schenectady. In addition to wonderful organ who have been part of this tremendous effort music provided by our talented club artists, over the past ten years. And as great as it was, the occasion saw the announcement of this was just the beginning, with much more the 2008–09 schedule, including monthly to come. meeting dates and MVP Gold Organ Concert 56 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 57 participate in open console. Ralph Doble, past On October 19, we welcomed the return of president of LOLTOS, was among those another friend. John McCall is not only an present, and it was great reminiscing about the excellent organist, he is the epitome of the fine early days. Southern gentleman. It was a superb program, The Phipps Center for the Arts in Hudson, as well as an ideal occasion for those who Wisconsin presented Dennis James on brought a guest. John always gets the most out September 28 in a rescheduled concert from of our wonderful Wurlitzer. this past season. Clark Wilson opened Our professional concerts will begin on the 2008–09 organ series accompanying the January 11 with a new face; Jim Riggs is best 1925 silent classic The Phantom of the Opera known as the house organist at the Art Deco at the Wurlitzer. Clark’s incredible mastery palace, the Paramount Theatre in Oakland, was a tremendous hit with the audience. California. Jim has taken wonderful 1920s Additional information on forthcoming con- Ampico piano rolls which will be heard on the Al Moser (left) and Frank Hackert at the certs and events may be found online at Steinway concert grand with Jim’s organ volunteer appreciation party www.thephipps.org. embellishments. —Kim Crisler In February, we welcome the return of Dave JOLIET AREA Terry Kleven, President Wickerham; in March, Jelani Eddington. Joliet, Illinois—We had a wonderful social 651-489-2074, [email protected] We still have a supply of Jelani Eddington’s at the Rialto on August 31 with Juan Cardona Something Wonderful CD, recorded and from Newtown, Connecticut. Juan gained produced by MTOS, and the CDs will be on many new fans with his unique style and sale. They make great gifts for friends, tasteful registrations. Several members asked neighbors, and relatives. You’ll be doing them to have him back again soon. a great favor, and MTOS as well. On Sunday, September 14, we were for- —Chaz Bender tunate to again have Dean Rosko from John Fischer, President Milwaukee, Wisconsin. Dean plays for the 941-927-6852 Milwaukee Brewers baseball team. We always enjoy Dean; his easy style and his appropriate selections are a big hit. In spite of the bad weather, we had a really good turnout. Karl Eilers at the Matson Wurlitzer October 25 was a great day, with a social at (Photo by Kim Crisler) the Hammond factory in Addison, Illinois. We had over 75 members and guests turn out to hear Jay Valle from Detroit. Jay has been playing for over 50 years and has over 27 CDs to his credit, as well as being a teacher. His music at the new Hammond B3 made us want to get up and dance. Jay has a degree in music, and it shows. We were also entertained by Mark Herman. A few songs featured vocalist Mark Demmin who, by the way, could Dave Cogswell (Photo by George Milburn) sing the phone book and we would be thrilled. We would like to thank Scott May for putting this social together. John Clark of Hinsdale passed away re- cently—a great organist and fan of THEATRE ORGAN. If anyone has a recording of John at Bill Brown plays the Matson Wurlitzer during any event, please let us know; his widow open console (Photo by Kim Crisler) would greatly appreciate any recordings since she has none. MANASOTA —Barbara Petry Sarasota, Florida—Where did the summer Jim Patak, President go? 708-562-8538 In July, several Manasota Theatre Organ Society members were among those attending LAND O’LAKES the ATOS gathering in Indianapolis. It was an Minneapolis/St. Paul, Minnesota—Twenty- exciting and extremely well-run convention. John McCall (Photo by George Milburn) eight chapter members and friends were in We saw many familiar faces as we kicked attendance at our October 26 meeting at off our season of meetings and concerts. It MOUNT BAKER Marilyn Matson’s home in Spring Valley, was great to hear our longtime friend, Dave Cogswell, playing the Forker Wurlitzer on Bellingham, Washington—“Get organized,” Minnesota. Karl Eilers was the artist for the they said. So we did. Mount Baker Theatre afternoon, playing the 2/8 Wurlitzer. Following September 21. In introducing the program, Chaz Bender said: “Dave is just always there Organ Society is now a chapter of the his concert light refreshments were served, American Theatre Organ Society. and we heard six members and guests and willing to step in whenever we need an organist.” JANUARY | FEBRUARY 2009 57 ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 58 0 As a result of rewiring and upgrades to the We were back at the Middletown Paramount NORTH TEXAS theatre’s air conditioning system, we have not on Halloween for our annual silent film Dallas/Fort Worth, Texas—The chapter has been able to meet at the Mount Baker Theatre, show featuring the horror classic The Phantom had a busy two months. On August 31 the home of our 2/14 Wurlitzer. This summer, our of the Opera, accompanied by Bernie chapter presented its newly completed trav- temporary venue has been Central Lutheran Anderson, Jr. at our 3/12 Wurlitzer. Bernie did eling organ to the public at the Arts on the Church which has a 2/5 Robert-Morton organ an outstanding job of bringing the infamous Lawn fine arts festival held at the Tucker Hill originally installed in Pendleton, Oregon’s phantom to life on the big screen. Many thanks Residential Community in McKinney, Texas. Alta Theatre. Performers included organists to Paramount director Maria Bruni and Several arts groups, along with the North Andy Crow, Jeff Fox, and Vernon Greenstreet, technical director Darryl Hey for all their Texas chapter, presented programs. Over 900 vocalist Susan Snortland, and pianist Chet assistance with the production. Thanks to people attended this festival. Benjamin Hansen. Paramount organ crew members Lowell Kolodziej was the organist, and he played for On October 19, we celebrated the American Sanders, Jack Stone, and Tom Stehle, our over two solid hours. The organ was well Guild of Organists’ Year of the Organ with an Wurlitzer was in top form. received. Several inquiries were made into the Organ Spectacular at St. Paul’s Episcopal Elsewhere, organist Juan Cardona, Jr. organ’s application, including some by local Church in Bellingham. The organ is a 1914 opened the classic film series at the Bardavon educators. Skinner organ, originally built for the Alaska Theatre in Poughkeepsie, playing in the house The rest of September and part of October Theatre in Seattle and twice rebuilt. The at our 2/10 Wurlitzer for the screening of The were spent in completing the tweaking and musical program was provided by organists Great Gatsby. Across town at Vassar College, fine tuning of the voices of the traveling organ. Wade Dingman, Dorothy Watson, Hal Logan, organist John Baratta performed at our trav- Then it was time to spend a week checking and Vernon Greenstreet, joined by Steve eling Allen theatre organ, accompanying a over and tuning the chapter’s 3/17 Wurlitzer Menefe on the trumpet and narrator David silent feature for a film class. Thanks to John at the McKinney Performing Arts Center. On Baines. Nearly 300 people filled the church. Vanderlee, Bob Strang, and Lowell Sanders for October 24 and 25, the chapter presented its Admission was by donation to the Bellingham their assistance in preparing the organs for annual showing of The Phantom of the Opera Food Bank, which received $800 and 485 these events. with Rick Mathews at the console. pounds of food. —Tom Stehle On November 2 the chapter held its —David Baines John Valentino, Chairman regularly scheduled meeting. Upon comple- Vernon Greenstreet, President 646-469-5049, tion of its business, Danny Ray presented a 360-714-8235, [email protected] [email protected] program of theatre organ delights at the traveling organ console. Danny was instru- mental in designing the organ’s stoplist. —Kenneth Brown Don Peterson, President 972.422.7757, [email protected] Bernie Anderson at the Middletown Vernon Greenstreet, Hal Logan, Dorothy Paramount Theatre (Photo by Tom Stehle) Watson, and Wade Dingman at the console during Organ Spectacular (Photo by Charles Pearson) NEW YORK Mike Tarzis at the traveling organ console New York, New York—Autumn in New (Photo by Don Peterson) York started with an open console session and mini-concert on September 20 at the ORANGE COUNTY Middletown Paramount Theatre. Members and Fullerton, California—Greetings from guests had an opportunity to play and enjoy Orange County! the chapter’s 3/12 Mighty Wurlitzer and to Our concert series for 2008 continued with socialize over refreshments in the lobby. A a September performance by Lance Luce at highlight of the day was a mini-concert played the Plummer auditorium 4/37 Wurlitzer. for us by organist Earle Seely. Earle invited as Earle Seely and Girl Scout Troop 698 with Lance has had extensive experience playing special guests members of Girl Scout Troop at the Organ Grinder in Toronto, as well as 698 which meets at the church in Boonton, their leaders at the Middletown Paramount Theatre (Photo by Tom Stehle) Radio City Music Hall in New York. New Jersey where he is organist. The girls had Lance accompanied a bouncing ball sing- a great time, had a chance to try playing along of “Get Out and Get Under,” a popular the Wurlitzer, and earned merit badges for song from the day when automobile reliability learning about the theatre organ. 58 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 59 issues would often force the driver to stop for RIVER CITY repairs. The sing-along was a perfect intro- Omaha, Nebraska—On September 20, Patti duction to our feature silent film, Get Out and Simon conducted a theatre pipe organ Get Under, from 1920, starring Harold Lloyd workshop at the Markworth residence for and directed by Hal Roach. chapter members and guests. The workshop Upcoming artists next year at Plummer included basic technique, registration, pres- include Cameron Carpenter, Rob Richards, entation of a musical selection (including and Chris Elliott. introductions and endings), and much more. Visit our web site at www.octos.org for a Many attendees were accomplished organists, schedule of concerts. but they found that a workshop of this type was —Randy Bergum a new experience. Patti’s teaching methods Ed Bridgeford, Chairman enhanced everyone’s playing techniques. 714-529-5594, [email protected] Thanks for coming to Omaha, Patti. The annual fall organ concert and potluck was held Sunday, September 21, with more Attendees at Patti Simon’s workshop PUGET SOUND (Photo by Ed Zollman) Seattle, Washington—On October 12, Puget than 100 in attendance at the Markworth Sound Theatre Organ Society members and home. Jerry Pawlak was the afternoon’s friends were in for a treat when they arrived at organist. An accomplished electronic organist, the Lavine home in Gig Harbor, known as Jerry has been at the pipes for almost six years Wurlitzer Manor, to hear Charlie Balogh pres- now. He’s become one of the chapter’s ent the 4/48 Wurlitzer in concert. Although favorites, thanks to the encouragement of the Charlie does little concertizing these days, he Markworths. They also made their Kimball was the main instructor at the ATOS adult 3/24 theatre pipe organ available to Jerry for organ camp in August, held this year at practice. Jerry’s program included a variety of Wurlitzer Manor. He fell in love with the favorites. Patti Simon was in town with her instrument and was pleased to be invited back husband Ed Zollman for the semi-annual to perform for PSTOS. Charlie plays full time Kimball tuning as well as for her workshop; at Organ Stop Pizza in Mesa, Arizona, and she wowed the audience with several selec- many of his numbers brought back memories tions and a duet with Jerry. Chapter member of Seattle area Pizza & Pipes. A lifelong Janet Domeier, an accomplished pianist and musician, Charlie was fully in command of the organist, also played duets with Jerry. Shane Krepp and Dr. Claire Bushong, Dana On October 26, our chapter meeting was College Chapel, Blair, Nebraska huge instrument. Known for his rhythmic (Photo by Jerry Pawlak) playing, he demonstrated well the solid beat held at Dana College in Blair, Nebraska to heard on his many recordings. dedicate the Allen organ donated to the Once again, PSTOS expresses heartfelt college by chapter historian and member Tom Jeffery. Since Shane Krepp, our young ROCKY MOUNTAIN appreciation to the Lavines for so generously Denver, Colorado—A musical family welcoming everyone to their home, decorated organist, is attending the college, and since the band room was in need of an electronic reunion occurred at our September 14 club in every corner for Halloween. It’s always such social at Holiday Hills. Approximately 125 a pleasure to enjoy their warm hospitality. theatre organ, Tom was kind enough to donate the organ. Shane Krepp was the featured members and guests watched and listened as Plans for the 2010 ATOS convention are Jim Calm performed at the George Wright 4 beginning to take shape, with PSTOS mem- performer at the Allen, with open console following. Members and guests then went digital organ affectionately known as “George bers hopping on board as volunteers for II.” Calm family members joined in on other the many tasks necessary to make it an to the college’s chapel, where Dr. Claire Bushong, Assistant Professor of Music, and instruments and/or were part of a re-creation outstanding event. of an old time radio show. Jim was joined by —Jo Ann Evans her students performed at the chapel’s Van Daalen tracker organ. Shane performed a sister Janice, daughter Christine Myers, and Tom Blackwell, President son-in-law Rob Myers. Jim’s parents, Bill and 206-784-9203, [email protected] classical duet with piano student Jennifer Oerman. The group proceeded to the student Mary Calm, presented an episode from the cafeteria, where 40 had dinner in the radio show The Bickersons, with theatre organ President’s Dining Room. It was a great mood music provided by their son. It was a fun opportunity for many to experience the and enjoyable afternoon as we all took a stroll beautiful college campus. down memory lane. —Jerry Pawlak Sunday, October 26, it was Footloose II. The Bob Markworth, President Rocky Mountain chapter welcomed to the 402-573-9071, [email protected] famed Denver Paramount Theatre’s stage well- known theatre organ artist David Wickerham, along with local dance troupes The Rockyettes and 23 Skidoo, for a fun-filled afternoon of upbeat organ music performed by David at the Paramount Wurlitzer. The excitement level ran high, and everyone had a great time watching, listening, and getting into the beat. Charlie Balogh at Wurlitzer Manor (Photo by Jo Ann Evans) JANUARY | FEBRUARY 2009 59 ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 60 For additional photos of all our events, horseshoe console with ranks from the original Museum with our good friend Jerry Nagano plus our online newsletter describing both instrument as well as those of other builders, playing the accompaniment to Buster Keaton’s past and future events, visit our website, plus a large collection of percussions and 1924 romp, Sherlock, Jr. Jerry’s smooth www.RMCATOS.org. traps. Pam displayed her talent at the console, playing blended well with the movie. There —Jim Burt presenting a variety of rare songs that were many kids and their families in the Jim Burt, President happened to catch her interest and, subse- audience, and they had a great time seeing 970-385-9490, [email protected] quently, the interest of the listeners. And how it was done before movies came with Richard’s skills were apparent in the work he soundtracks. has done assembling the instrument, which We passed the popcorn at the Towe Auto included constructing some parts from Museum, where Paul Quarino played for us scratch. He has shared this ability with others and accompanied three short spook spoofs for in the club. our Halloween program. —Ken Iborg —Beverly D. Harris Jim Ryan, President Carol Zerbo, President 314- 416-0146, [email protected] 916-624-9182, [email protected] Jim Calm at the console, with family (Photo by Bill Kwinn) Jack Jenkins at Midwest Music (Photo by Gary Broyles) Matthew Bason at Fair Oaks (Photo by Beverly Harris) David Wickerham at the Paramount Wurlitzer, with The Rockyettes (Photo by Bill Kwinn) ST. LOUIS St. Louis, Missouri—Chapter members who could not attend the August meeting missed seeing the many changes member Jerry Roberts has made to his spacious Allen dealership; its current location formerly housed a church. They also missed a top-notch concert by Jack Jenkins at the Allen organ. It Pam Mashing performing for the October was that scarce but wonderful combination of meeting (Photo by Gary Broyles) a quality facility, instrument, and organist. In Greg De Santis at Fair Oaks recent years, Jack has been involved with a SIERRA (Photo by Beverly Harris) music therapy program, along with other Sacramento—We had a cool time at the Fair music-related activities, including his position Oaks installation of our 3/13 Wurlitzer when as a church music director. The buffet meal Greg De Santis of Santa Rosa warmed up the Jerry provided post-concert was just another manuals and gave us an ear party in the first bonus to a fun afternoon. half of our Hot August Pipes event. Then, in In September, our hosts were Dave and the second half of our concert, Matthew Bason Jo Ann Bartz, with Dave providing the musical from the United Kingdom heated things up portion of the program. Dave tackles chal- even more and had those old pipes smoking. lenging arrangements by renowned theatre Both of these cool guys had so much fun, and organists that few others would even attempt. we had fun swinging along with their excellent His recent upgrade to a larger Allen three- playing. We almost didn’t want the music to manual provided plenty of support to bring quit. But there was something just as tasty those arrangements to life for all to appreciate after the music: our ice cream social. and enjoy. Then in September we had a good time Richard and Pam Masching have a theatre- at our second Wurlitzer at the Towe Auto Jerry Nagano (Photo by Beverly Harris) style pipe organ. It has a three-manual 60 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 61 SOONER STATE SOUTHERN JERSEY At the October meeting, the chapter elected Tulsa, Oklahoma—On September 19, the Franklinville, New Jersey—A large number officers: president, Dusty Miller; vice presi- Sooner State chapter met with the German- of our members live in the part of south Jersey dent, Gary Coller; secretary, Roy Wainwright; American Society for its annual variety show. that is considered to be the suburbs of treasurer, Emmitte Miller; membership Their lovely old building contains a 1929 Philadelphia, Pennsylvania. Thus, many of us chairman, Herb Inge. The October meeting Geneva organ. We had piano/voice duets, are fans of the Phillies baseball team, and we also featured an open console session. Ten piano/organ duets, and some “gee-tar” music were overjoyed when the Phillies won the members took the challenge to play for their with vocals. World Series. The real miracle of the event peers, a record number. Our new banner, given to us by the Pearl M. was that the win was achieved despite the —Roy Wainwright, Secretary and Julia J. Harmon Foundation, was on stadium’s lack of an organ. We were used to Dusty Miller, President display. The Harmon Foundation is a Tulsa- the old stadium, recently demolished, that 717-795-2775, [email protected] based organization that, among other had an electronic organ which sounded its activities, donates banners to non-profits. We stentorian tones through unusual public appreciate their generosity. address loudspeakers. The organist in those The October meeting featured Carolyn Craft days was the late Paul Richardson, a member in concert. Carolyn, one of the chapter’s most of Southern Jersey Theatre Organ Society. He accomplished organists, played music from played “Take Me Out to the Ballgame,” which the 1920s to the ’70s. She introduced her we fear is becoming forgotten. The seventh guest, Dr. Joyce Bridgman, a university music inning stretch nowadays is observed by a poor educator and very accomplished pianist. They soloist singing “God Bless America” a played several creative duets of gospel and cappella. The new stadium badly needs an spiritual music. organ to enliven the crowd and get that old One of the highlights of the program was the team spirit going. debut of a completely renovated 1902 Kimball On Saturday November 1, we had a three- grand piano which once graced the Mayo hour meeting at the Broadway Theatre in Hotel (a very historic building in downtown Pitman, New Jersey that featured open console Wayne Zimmerman at the Capitol Theatre, Tulsa). The piano is a gift from members Don on the 3/8 Kimball. The members taking part York, Pennsylvania (Photo by Roy Wainwright) and Dee Miller. We are so proud to have a in the open console delighted us with many grand piano and greatly appreciate their new pieces of music in their repertoires. generosity. Our president and ragtime piano During the business portion of the meeting, VALLEY OF THE SUN artist, Bill Rowland, introduced the new grand Charles (Chuck) Gibson took over as treasurer. Phoenix, Arizona—Our September 21 by playing a rag that was written in 1902. Ernie Wurth, the previous treasurer, is moving chapter meeting was held in the Phoenix —Barbara Purtell out of the area, and we thank him for many College Bulpitt Auditorium. The major agenda Bill Rowland, President years of faithful, effective service. We are for the meeting was the nominations for the 918-355-1562 looking for a replacement for Richard Crane, upcoming election of the chapter board of our secretary. directors. We then watched an excellent video Our members who are active in the Atlantic produced by chapter member Fred Watson. City Convention Hall Organ Society updated The video showed the work being done on the us on the doings of that organization. The Phoenix College Wurlitzer and the people ballroom 4/55 Kimball is ready to be shipped involved in the restoration. to the Crome Organ Company for rehabil- October 5 found us at the Orpheum Theatre itation. Our member Chuck Gibson is taking with chapter member Ken Winland at the on the job of re-winding the instrument, console. Ken is a soft-spoken man who would including the restoration of the 5hp blower for rather play the organ than use up a lot of time the Tuba. In the main hall, the first windchest talking. Most of his selections were played in of the 7/457 Midmer-Losh is on its way to medleys and songs with cities or states in their being rebuilt. We now have measurable titles. One number he did announce was a progress on this immense project. piece he had written for his wife for their 30th Participants at the German-American Society —Fred Oltmann wedding anniversary. joint meeting (Photo by Ayla Hughes) Joseph Rementer, President We were saddened by the September 13 856-694-1471 passing of Bob Inman. Bob was a long-time member of our chapter. He had worked on our chapter newsletter, helped in organ restora- SUSQUEHANNA VALLEY tion, did our chapter website, and helped with York, Pennsylvania—Wayne Zimmerman, publicity in general. He will be missed. popular theatre organist from the Philadelphia —Madeline LiVolsi area, presented a program all about Bill Carr, President September—music with “September” in the 623-694-1746, [email protected] title, music by composers born in September, music made famous by performers born in September, etc. Wayne used the full resources Dr. Joyce Bridgman (left) and Carolyn Craft of the 3/20 Wurlitzer organ at the Capitol (Photo by Bill Rowland) Theatre in York. It has never sounded better. JANUARY | FEBRUARY 2009 61 ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 62 IJ Theatre Organ Programs and Performances We strive for accuracy; however, the information Avalon Casino Theatre—One Casino Way, GEORGIA contained in Around the Circuit is presented Catalina Island, 310-510-2414 (4/16P). Friday and Fox Theatre—600 Peachtree Street NE, Atlanta, as submitted. ATOS is not responsible for errors Saturday, 6:15pm, preshow concert, John Tusak. 404-881-2119 (4/42M). Larry Douglas Embury resulting from unreported changes to schedules, www.visitcatalina.org plays before each show. www.foxtheatre.org venue, and contact information. El Capitan Theatre—6838 Hollywood Boulevard, Rylander Theatre—310 West Lamar Street, Los Angeles, 800-DISNEY6 (4/37W). Organ played Americus, 229-931-0001 (3/11M). Call for informa- for weekend intermissions and special showings. tion and tickets. ALASKA House Organist: Rob Richards; Staff Organists: State Office Building—333 Willoughby Avenue, John Ledwon and Ed Vodicka. HAWAII Juneau, 907-465-5689 (2/8K). Organ concerts www.elcapitantickets.com Friday at 12:00 noon. www.pstos.org/instruments/ Palace Theatre—38 Haili, Hilo, 808-934-7010 ak/juneau/state-bldg.htm Nethercutt Collection—15200 Bledsoe Street, (4/13RM). Hawaiiana show every Wednesday, Sylmar, 818-367-2251 (4/74W). Guided tours twice occasional silent movies, concerts and special ARIZONA a day, Tuesday through Saturday, at 10:00am events featuring the organ. Bob Alder, Tommy Organ Stop Pizza—1149 East Southern Avenue, and 1:30pm. Free admission by reservation. Stark and Dwight Beacham. www.palacehilo.org Mesa, 480-813-5700 (4/74W). Winter organ hours: Organ is played at the end of each tour. Organ Sunday through Thursday, 4:30pm to 9:00pm; concerts on Fridays at 8:00pm, Saturdays at ILLINOIS Friday and Saturday, 4:30pm to 10:00pm. 2:00pm and 8:00pm. Reservations required in Arcada Theatre—105 East Main Street, Summer organ hours: Sunday through Thursday, advance. www.nethercuttcollection.org St. Charles, 630-845-8900 (3/16GMC). Organ 5:30pm to 9:00pm; Friday and Saturday, 5:30pm Old Town Music Hall—140 Richmond Street, El interludes Friday and Saturday nights. http:// to 10:00pm. Charlie Balogh, Lew Williams. Segundo, 310-322-2592 (4/26W). Bill Field at the onestientertainment.com/arcada/arcada.htm www.organstoppizza.com Wurlitzer. www.otmh.org Beggar’s Pizza—3524 Ridge Road, Lansing, Orpheum Theatre—203 West Adams, Phoenix, Orpheum Theatre—842 South Broadway, Los 708-418-3500 (3/17BH). Tuesday and Saturday 480-460-7699 (3/30W). Silent Sundays Film Series. Angeles, 310-329-1455 (3/14W). Saturday, 6:00pm to 9:00pm: Glenn Tallar. Pre-show concerts 2:30–3:30pm. Concerts and 11:30am; organ is featured as part of the guided www.beggarspizza.com/loca_lansing.php film accompaniments are provided by Ron tour of theatre. www.laorpheum.com Lincoln Theatre—103 East Main Street, Belleville, Rhode. www.silentsundays.info Plummer Auditorium—201 East Chapman, 618-233-0018 (3/15H). Movie overtures: Friday, Fullerton, 714-870-2813 (4/36W). November 9, David Stephens; Saturday, volunteers. CALIFORNIA (NORTH) 2:00pm, Ben Hur, accompanied by Clark Wilson. www.lincolntheatre-belleville.com Bob Hope Theatre (Former Fox California)—242 Rialto Square Theatre—102 North Chicago Street, Main Street, Stockton, 209-337-4673 (4/21RM). COLORADO Joliet, 815-726-6600 (4/27H). Organ pre-shows Organ played monthly for classic and silent Denver Paramount Theatre—Glenarm at 16th and intermissions: Jim Patak or Sam Yacono. movies, special occasions, and public tours. Street Mall, Denver, 303-466-3330 (4/20W). Theatre tours with Jim Patak at the console. Castro Theatre—429 Castro, San Francisco, February 15, 2:00pm, Pipes and Stripes III, Mighty Tivoli Theatre—5021 Highland Avenue, Downers 415-621-6120 (4/21W). Intermissions played Wurlitzer twin consoles. www.RMCATOS.org Grove, 630-968-0219 (3/10W). Theatre organ nightly by David Hegarty, Warren Lubich. Holiday Hills Ballroom—2000 West 92nd Avenue, interludes on Friday and Saturday, Freddy Arnish. Fox Theatre—308 West Main Street, Visalia, Federal Heights, 303-466-3330 (4/33GW4Q). All www.classiccinemas.com 559-625-1369 (4/24W). Thirty-minute organ events are at 2:00pm. January 18, Everyone’s a Virginia Theatre—203 West Park Street, prelude, with guest organist, to frequent classic Musician; March 8, Dancing Without the Stars. Champaign, 217-356-9063 (2/8W). Organ played movies. www.foxvisalia.org www.RMCATOS.org prior to monthly film series, Champaign-Urbana Grand Lake Theatre—3200 Grand Avenue, DELAWARE Theatre Company performances, and many Oakland, 510-452-3556 (3/18W). Intermissions: other live shows throughout the year. Warren Friday, Warren Lubich; Saturday, Kevin King. Dickinson High School—1801 Milltown Road, York, organist. www.thevirginia.org Wilmington, 302-995-2603 (3/66K). Concerts at Harmony Wynelands—9291 East Harney Lane, 8:00pm unless otherwise noted. www.geocities/ MARYLAND Lodi, 209-369-4184 (3/15RM). Tasting room open com/dtoskimball or www.dtoskimball.org Friday, Saturday, and Sunday, 11:00am to Weinberg Center for the Arts—20 West Patrick 5:00pm, or by appointment. Bob Hartzell, live FLORIDA Street, Frederick (2/8W). All shows at 8:00pm. Ray Brubacher performing Friday, January 9, 2009, and recorded performances. Grace Baptist Church—8000 Bee Ridge Road, www.harmonywynelands.com showing The General and Friday, April 3, showing Sarasota, 941-922-2044 (4/32W). For concert The Mark of Zorro; May 8: An Evening of Charlie Johnson’s Alexander Valley Winery—8333 schedule see www.mtos.us Chase. Highway 128, Healdsburg, 707-433-2319 Polk Theatre—127 South Florida Avenue, (3/10RM). Daily, in tasting room, from 10:00am to Lakeland, 863-682-7553 (3/12RM). Movie MASSACHUSETTS 5:00pm. overtures: Friday and Saturday, 7:15pm; Sunday, Knight Auditorium—Babson College, Wellesley Paramount Theatre—2025 Broadway, Oakland, 1:45pm. Bob Courtney, Sandy Hobbis, and Heidi Avenue, Wellesley, 508-674-0276 (4/18W). 510-465-6400 (4/27W). Public tours on first and third Lenker. November 15, 2:30pm: Dave Wickerham at Saturdays at 10:00am. Movie overtures, Thursdays Roaring 20’s Pizza and Pipes—6750 US Highway organ and Dick Kroeckel at grand piano; at 6:30pm. www.paramounttheatre.com 301, Ellenton, 941-723-1733 (4/41W). Sunday January 11, 2009, 2:30pm: Mark Herman with Stanford Theatre—221 University Avenue, Palo through Thursday evenings: open 4:30pm to vocalist Anthony Snitker; April 19, 7:30pm: Phil Alto, 650-324-3700 (3/21W). Organ played before 9:00pm; organ performance: 5:00pm to 9:00pm. Kelsall. www.emcatos.com and after the 7:30pm movie by David Hegarty, Friday and Saturday evenings: open 4:30pm to Shanklin Music Hall—130 Sandy Pond Road, Jerry Nagano, or Bill Taylor. Call ahead to verify 10:00pm; organ performance: 5:00pm to Groton, 508-674-0276 (4/34 Wurlitzer). April 19, the theatre is open for the evening. 10:00pm. Saturday and Sunday afternoons: 2:30pm, Phil Kelsall plays the Wurlitzer, bringing Towe Auto Museum—2200 Front Street, open 12:00 noon to 2:30pm; organ perform- the sounds of the magnificent Tower Ballroom to Sacramento, 916-442-6802 (3/16W). Sunday ance: 12:30pm to 2:30pm. Wednesday, Friday, Massachusetts. Tickets: 508-674-0276. concerts, 2:00pm; free with museum admission. Saturday afternoons, Sunday evenings, and www.emcatos.com www.toweautomuseum.org alternating Mondays: Dwight Thomas. Tuesday, Thursday, Saturday evenings, Sunday afternoons, MICHIGAN CALIFORNIA (SOUTH) and alternating Mondays: Bill Vlasak. Fox Theatre—2211 Woodward Avenue, Detroit, Arlington Theatre—1317 State Street, Santa www.roaring20spizza.com 313-471-3200 (4/36W and 3/12M). Lobby organ Barbara, 805-963-4408 (4/27RM). All concerts on Tampa Theatre—711 Franklin Street, Tampa, 813- played for 45 minutes prior to selected shows. Saturdays, 11:00am. 274-8981 (3/14W). Movie overtures: Bob Baker, Bill Call theatre for dates and times. www.members.cox.net/sbtos Brusick, Bob Courtney, Sandy Hobbis, Richard Frank, and Bob Logan. www.tampatheatre.org 62 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 63 Codes used in listing: A=Austin, B=Barton, C=Compton, The deadline for receiving Around the Circuit listings is the 10th of every odd-numbered CHR=Christie, E=Estey, GB=Griffith Beach, H=Hybrid, K=Kimball, month. Send information for inclusion to: Dave Luttinen, 4710 225th Place SW, Mountlake M=Möller, MC=Marr and Colton, P=Page RM=Robert-Morton, Terrace, Washington 98043, 206-963-3283, [email protected]. Listings may also be W=Wurlitzer. Example: (4/19W) = 4-manual, 19-rank Wurlitzer added, modified, or cancelled on the ATOS Calendar of Events web page Schedules subject to change. (www.atos.org/calendar). Michigan Theatre—603 East Liberty, Ann Arbor, Bardavon 1869 Opera House—35 Market Street, Palace Theatre—617 Broadway, Lorain, 440-245- 734-668-8394 (3/13B). Daily Intermissions before Poughkeepsie, 914-473-2072 (2/8W). Organ 2323 (3/10W). Occasional preshow and evening films, plus silent films and special played before selected movies. Call or check intermission use, and special events. occasions. Dr. Henry Aldridge, Director; Dr. Steven the website for details. www.bardavon.org www.lorainpalace.org Ball, Staff Organist; Stephen Warner, Newton Empire Theatre—581 State Fair Boulevard, Palace Theatre—276 West Center Street, Marion, Bates, and Loren Greenawalt. Syracuse, 315-451-4943 (3/11W). All concerts start 740-383-2101 (3/10W). Occasional pre-show and The Mole Hole—150 West Michigan Avenue, at 7:30pm unless stated otherwise. special events. www.marionpalace.org Marshall, 616-781-5923 (2/6 B/K). Organ daily, www.jrjunction.com/estmim Renaissance Theatre—138 Park Avenue, Scott Smith, recorded artist. Forum Theatre—236 Washington Street, Bing- Mansfield, 419-522-2726 (3/20W). Frequent use, Public Museum of Grand Rapids Meijer Theatre— hamton, 607-762-8202 (4/24 Robert-Morton). including free summer concert series. 272 Pearl Street NW, Grand Rapids, 616-459-4253 Saturday, March 28, 7:30pm, Steven Ball. www.culture.ohio.gov/project.asp?proj=renaissa (3/30W). Tours by appointment, and ATOS guests www.theatreorgans.com/btoc nce welcome to hear organ weekly at noon on Lafayette Theatre—Lafayette Avenue, Suffern, Thursdays. Story time slide program during school 845-369-8234 (2/11W). Saturday, 11:00am, Earle OKLAHOMA year. Organ played on Sundays, 1:00pm to Seeley. Saturday evenings and Sunday before Tulsa Technology Center—129th E Avenue (Olive) 3:00pm. matinee: John Baratta, Earle Seeley and Jeff and 111th Street, Tulsa, 918-355-1562 (3/13RM). Redford Theatre—17360 Lahser Road, Detroit, Barker. Third Friday of each month, programs and open 248-350-3028 (3/10B). Movie overtures: Friday, console. Long Island University—385 Flatbush Extension, members.aol.com/SoonerStateATOS 7:30pm; Saturday, 1:30pm and 7:30pm. Guest Brooklyn (4/26W). Organ undergoing repairs. organists include: John Lauter, Newton Bates, Jennifer Candea, Dave Calendine, Brian Middletown Paramount Theatre—19 South Street, OREGON Carmody, Gil Francis, Tony O’Brien, Emily Seward, Middletown, 845-346-4195 (3/12W). Pre-show Bijou Theatre—1624 NE Highway 101, Lincoln City, Lance Luce, and Gus Borman. music, concerts and silent films presented by the 541-994-8255 (Electronic). Silent film series on www.redfordtheatre.com New York Chapter of ATOS and the Middletown Wednesdays at 1:00pm. Paramount Theatre. www.nytos.org www.cinemalovers.com Temple Theatre—203 North Washington, Saginaw, 989-754-7469 (3/11 Barton). Organ Proctor’s Theatre—432 State Street, Schenectady, Elsinore Theatre—170 High Street SE, Salem, 503- played before selected events. 518-346-8204 (3/18W). Noon concert series, 375-3574 (3/25W). Silent film programs Wed- www.templetheatre.com Tuesdays, unless stated otherwise. nesdays at 7:00pm. Rick Parks, organist. www.proctors.org www.elsinoretheatre.com MINNESOTA Heights Theatre—3951 Central Avenue NE, NORTH CAROLINA PENNSYLVANIA Columbia Heights, 763-789-4992 (4/11W). Movie Carolina Theatre—310 South Green Street, Blackwood Estate—Blackwood Lane, Harrisville, overtures every Friday and Saturday. Greensboro, 336-333-2600 (3/6H-Electronic). 724-735-2813 (3/20W-H). Private residence near Organ played before and after the Carolina Pittsburgh hosts several concerts; proceeds MISSOURI Classic Film Series. www.carolinatheatre.com benefit charities and scholarship recipients. Fox Theatre—527 Grand Boulevard North, www.blackwoodmusic.org St. Louis, 314-534-1678 (4/36W). Tours of the Fox NORTH DAKOTA Keswick Theatre—291 Keswick Avenue, Glenside, Theatre conducted every Tuesday, Thursday and Fargo Theatre—314 North Broadway, Fargo, 215-237-1995 (3/19M). Open console at Saturday (except holidays) at 10:30am. Tuesday 701-239-8385 (4/21W). Organ plays Friday, membership meetings as announced in The Lift. tour: $5 for adults and $3 for children (12 and Saturday, and Sunday evenings, before and www.keswicktheatre.com between performances. Short organ concerts: under). Thursday and Saturday tours: $8 for adults Keystone Oaks High School—1000 Kelton and $3 for children. For parties of less than 20, no Lance Johnson, Steve Eneboe and Tyler Engberg. www.fargotheatre.org Avenue, Pittsburgh, 412-921-8558 (3/19W). All reservations are needed. www.fabulousfox.com concerts on Saturdays at 7:30pm. NEW JERSEY OHIO www.aol.com/wurli2/ Broadway Theatre—43 South Broadway, Pitman, Collingwood Arts Center—2413 Collingwood Roxy Theatre—2004 Main Street, Northampton, 856-589-7519 (3/8K). Organ played before most Avenue, Toledo, 419-244-2787 (2/7H). Organ 610-262-7699 (2/6W). Organ is played 6:30pm to movies and all stage shows. Harold Ware, John played monthly before classic movie showings. 7:00pm and intermissions. Henry Thomas. Breslin, Nathan Figlio, Janet Norcross, Bob House organists: Paul Jacyk and Dick Lee. $10 www.Roxytheaternorthampton.com Nichols. admission. www.collingwoodartscenter.org The Historic Ohio Theatre—3114 Lagrange Street, TENNESSEE Loew’s Jersey Theatre—54 Journal Square, Jersey Tennessee Theatre—604 South Gay Street, City, 973-256-5480 (4/23RM). Organ played Toledo, 419-241-6785 (4/11H). Organ pre-show for movies (6:30pm to 7:00pm). Knoxville, 865-684-1200 (3/16W). Organ played before selected movies and events on a regular before movies throughout the year and at free basis. www.gstos.org/ww Masonic Auditorium and Performing Arts First Monday concerts, the first Monday of every The Music Hall at Northlandz—Route 202 South, Center—3615 Euclid Avenue, Cleveland, 216- month at 12:00 noon. Subject to cancellation Flemington, 908-982-4022 (5/39W). Organ played 432-2370 (4/28W). Organ is currently being due to other scheduled events. several times daily; call for exact times. Bruce installed by WRTOS, Inc. www.tennesseetheatre.com Conway, Harry Ley, Bruce Williams. www.aasrcleveland.org/tour/aud1-ljpg.htm Newton Theatre—234 Spring Street, Newton, Ohio Theatre—55 East State Street, Columbus, TEXAS 973-579-9993 (2/4E). Friday evening intermissions, 614-469-1045 (4/34RM). Organ overtures and Jefferson Theatre—345 Fannin, Beaumont, 409- John Baratta. intermissions. www.capa.com 835-5483 (3/8RM). Organ played occasionally Palace Theatre—605 Market Avenue North, before shows and for concerts. Symphony Hall—1040 Broad Street, Newark, 973- www.jeffersontheatre.org 256-5480 (3/15GB). Used for special events. Canton, 330-454-9181 (3/12Kilgen). Frequent pre- www.gstos.org show and intermission use; occasional concert. www.cantonpalacetheatre.org UTAH Edison Street—3331 South Edison Street, Salt Lake NEW YORK Palace Theatre—Cleveland’s Playhouse Square, City, 801-485-9265 (5/36W). All shows start at Auditorium Theatre—885 East Main Street, 1515 Euclid Avenue, Cleveland, 216-771-1771 7:30pm. Check website for details: Rochester, 585-544-6595 (4/23W). All shows are (3/15K). Organ pre-shows for summer film series www.organloftslc.com Sunday at 2:30pm. January 25, Dave and special events. Wickerham. February 15, The Eastman Group. http://playhousesquare.brinkster.net/cinema/ Peery’s Egyptian Theatre—2415 Washington March 29, Simon Gledhill. Boulevard, Ogden, 801-395-3200 (3/24W). Silent www.theatreorgans.com/rochestr films; entrance and exit music at some other programs. www.peerysegyptiantheater.com JANUARY | FEBRUARY 2009 63 ATOS JanFeb 51-1 K 12/16/08 8:13 AM Page 64 IJ Theatre Organ Programs and Performances VIRGINIA Phipps Center for the Arts—109 Locust Street, New Victoria Centre—High Street, Howden-le- Byrd Theatre—908 West Carey, Richmond, Hudson, 715-386-8409 (3/16W). All shows: adults, Wear, Crook, County Durham, 011-44-0-1388- 804-353-9911 (4/17W). March 20, 7:30pm, silent $22; students w/ID, $15. Saturday January 31, 762467 (3/18W). Concerts on Saturdays at film The General accompanied by Jack 2:00pm, Jelani Eddington. Saturday, March 14, 7:00pm and Sundays at 2:30pm. Moelmann. Mini-concert with Jeff Barker before 7:30pm, Dave Wickerham. Saturday, June 6, www.theatreorgans.com/uk/netoa film. Tickets $15. For information on this show 7:30pm, Ron Rhode. Ossett Town Hall—Market Place, Ossett, ONLY, call 618-632-8455. Overtures Saturdays, AUSTRALIA Wakefield, West Yorkshire, 011-44-0-1132-705885 7:15pm and 9:30pm, Bob Gulledge. (3/13 Compton/Christie). All concerts on www.byrdtheatre.com Capri Theatre—141 Goodwood Road, Good- Sundays at 2:30pm. Doors open at 2:00pm. wood, SA, (08) 8272 1177 (4/29H). Organ used February 1, Howard Beaumont. March 1, Walter WASHINGTON Tuesday, Friday, and Saturday evenings. Sharp. April 5, Phil Kelsall. June 7, David Ivory. Kenyon Hall—7904 35th Avenue SW, Seattle, Dendy Cinema—26 Church Street, Brighton, July 5, David Lowe. October 4, Steve Austin and 206-937-3613 (2/17W). Check website for music, VIC, (03) 9789 1455 (3/15W). Organ before films, John Nunns. November 1, Willie Stephenson. mirth, movies and much more! Organists: Saturday evenings. December 6, Keith Beckingham. Tom Roughton, Andy Crow and Lou Magor. Karrinyup Center—Perth, WA (61) 9447-9837 Rye College—The Grove, Rye, East Sussex, 011- www.kenyonhall.org (3/21W). All concerts on Sundays at 2:00pm. 44-0-1424-444058 (2/6W). All concerts on Lincoln Theatre Center—712 South 1st Street, Mt. Orpheum Theatre—380 Military Road, Sundays at 2:30pm. January 25, Byron Jones. Vernon (Style D W). Organ played Friday Cremorne, NSW, (02) 9908-4344 (3/15W). February 22, Christ Stanbury and Matthew through Tuesday before the film. Saturday night, Sunday afternoon, intermissions, Bason. March 29, Cameron Lloyd and Steve www.lincolntheater.org Neil Jensen. Tovey. April 26, Penny Weedon. May 17, Chris Powell and Jean Martyn. September 27, Mt. Baker Theatre—106 North Commercial, Wurlitzer Gala Day with Len Rawle and Brighton Bellingham (2/14W). Shows at 2:00pm. Sunday, CANADA and Hove City Brass. October 18, John Mann. January 11, all-Gershwin program with Casa Loma—1 Austin Terrace, Toronto, Ontario, November 15, David Warner and Robert organ/piano duo Dorothy Watson and Hal 416-421-0918 (4/19W). All concerts on Monday Gurney. December 6, David Ivory. Logan. Sunday, February 8, full-length silent at 8:00pm. www.theatreorgans.com/toronto www.geocities.com/ryewurlitzer movie accompanied by Jeff Fox. Second Sunday monthly, 2:00pm, open console. UNITED KINGDOM Singing Hills Golf Course—Albourne near Brighton, 011-44-0-1273-835353 (3/19W). Con- Paramount Theatre—911 Pine Street, Seattle, The Assembly Hall—Stoke Abbot Road, certs each month from October to March. All 206-467-5510 (4/20W). Twelfth Annual Silent Worthing, Sussex, 011-44-0-1903-206206 (3/23W). concerts at 3:00pm. Movie Mondays at 7:00pm, with Dennis James All concerts on Sundays at 3:00pm, unless accompanying all films. January 5, 2009, noted otherwise. Dances Saturday, 7:15pm. Stockport Town Hall—On A6, Main Road thru Hunchback of Notre Dame; January 12, The Civic Hall—North Street, Wolverhampton, West Stockport, 011-44-0-1617-643979 (4/20W). Lunch- Magician; January 19, The Bells; January 26, Der Midlands 011-44-0-1902-552121 (4/44C). Friday time concerts at 12:00 noon, first Monday of Golem. www.theparamount.com concerts 12:00 noon to 12:30pm before the tea each month except August. dance. Steve Tovey or Cameron Lloyd. www.voxlancastria.org.uk/concerts WISCONSIN Concerts Saturdays at 2:00pm. Theatre Organ Heritage Centre and Hope- Hermes Basement Bijou—Racine, 262-639-1322 http://geocities.com/comptonplus/civic_hall.ht Jones Museum—Alexandra Road, Peel Green, (5/35W). For bus tour, contact Eileen at Racine ml Eccles, Manchester (2/6W). Lunchtime con- County Convention Bureau, 262-884-6407, or Fentham Hall—Marsh Lane, Hampton-in-Arden, certs Wednesday every week, 1:00pm. Fred Hermes for appointment. Open console Solihull, 011-44-0-1564-794778 (3/11C). All con- www.voxlancastria.org.uk/heritage on weekends. certs on Sundays at 3:00pm. Victoria Hall—Victoria Road, Saltaire, Shipley, Organ Piper Music Palace—4353 South 108th www.cos-centralandwales.co.uk West Yorkshire BD18 3JS, 011-44-1274-589939 Street, Greenfield (Milwaukee), 414-529-1177 Kilburn State Theatre—197-199 Kilburn, High (3/10W). www.cosnorth.co.uk (3/27H). Organ hours: Tuesday, 5:30pm to Road, Kilburn, London (4/16W). www.atos- 9:00pm; Wednesday, 5:30pm to 10:00pm with london.co.uk live band; Thursday, 5:30pm to 9:00pm; Friday, 5:00pm to 9:45pm; Saturday, 12:30pm to 9:45pm; Sunday, 12:30pm to 8:45pm. Ron Reseigh, Ralph Conn, and Dean Rosko. JACKJACKJACK MOELMANNMOELMANNMOELMANN P.O. Box 25165 Scott Air Force Base, Illinois 62225-0165 Phone: 618-632-8455 Fax: 618-632-8456 Cell: 618-558-8455 E-mail: [email protected] www.JackMoelmann.com 64 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 65 IJ MINUTES OF THE ATOS Ken Double reported that Susan Cole and Tyler Morkin reported on Youth Initiatives. Colonel Mike Hartley are taking over the He described the videos that have been BOARD OF DIRECTORS Adult Theatre Organ Competition. This event posted to YouTube. Some of these videos ANNUAL MEETING should be back on track by next year. have been viewed as many as 1,300 times. The adult event once called the Adult This is a very effective way to attract HYATT REGENCY HOTEL, Theatre Organ Camp will now be called the potential theatre organ fans. Adult Theatre Organ Getaway. Each adult There is no cost to post videos on YouTube. INDIANAPOLIS, INDIANA will pay his or her own tuition for this event. Tyler mentioned especially the postings by Don Near raised the issue of “Interested the New York chapter about their touring THURSDAY, JULY 3, 2008 Directors.” Basically, this term refers to mem- program with their Allen organ and its President Ken Double called the meeting bers of the ATOS board of directors who are presentation to high school music students. to order at 9:03am, EDT. paid for services by ATOS or one of its This program has been very successful and is Secretary Bob Evans conducted the roll chapters. The California Corporation Code well worth a look. call: allows for directors to be compensated for Ken Double then told the board that the Officers Present: Ken Double (President); services as long as the whole board is aware Internet and other forms of digital commu- Craig Peterson (Vice-President); Bob Evans of this situation and approves. Further dis- nication will soon become the chosen form (Secretary); Paul Van Der Molen (Treasurer). cussion was tabled until more research is of communication. If ATOS is to attract new Directors Present: Jelani Eddington, Michael done. members under 45 years old then we had Fellenzer, Allen Miller, Don Near, Donna President Double reported that Dr. Marie best get our message out to the public in Parker, Doug Powers, Carlton Smith, Tyler Juriet and Dr. Karl Saunders have agreed to digital format. Morkin. Staff Members Present: Jim Merry, co-chair the fundraising committee. President Double then asked for a motion Executive Secretary, Jeff Weiler, Parlia- Ken had hoped for more progress but is to accept the standing committee reports as mentarian and Journal Editor, Dennis Unks, confident that this committee will meet and submitted. Motion Van Der Molen to accept ATOS Marketplace Manager, Mike Kinerk, begin work sometime late this fall. Work has the standing committee reports as Convention Planning Coordinator, Jim Patak, begun on the design for a fundraising submitted. Carried: Unanimous Archives, Bucky Reddish, E-Tones Chairman. brochure for ATOS. The approach will be one Ken then broached the subject of an ATOS Guests Present: John Apple, John DeMajo, of caution to be sure we do things right the mission and vision statement. Doug Powers and Michael Johnston first time. has created a draft mission and vision Directors Absent: Vern Bickel, Michael Mike Kinerk congratulated the Indianapolis statement for our organization. The draft Cierski chapter on their preparation for this conven- mission statement is as follows: President Double declared a quorum tion. He stated that the chapter overcame The American Theatre Organ Society present and made some brief introductory many difficulties. Mike then stated that plans (ATOS) is the international leader dedicated remarks. are well underway for the 2009 annual to pursuing a positive difference in conserv- OLD BUSINESS: convention in Cleveland, Ohio sponsored ing and promoting the theatre pipe organ Hearing no objections or new corrections by the Western Reserve chapter of ATOS. and its music, preserving original instruments to the board meeting minutes of June 11, This convention will offer many in-theatre where possible. We provide support and 2008, those minutes were declared ap- installations. guidance to all ATOS chapters and others, proved by the president. Seattle will be the site of the 2010 annual with promotional and educational oppor- President Double commented on the convention and plans are coming along for tunities to both those within the Society, and status of the Summer Youth Camp. He stated that event. Other proposed conventions are to the public worldwide through the Internet, that enrollment at this time was approxi- Atlanta or Detroit in 2011, and Eastern publications, conventions, and personal mately ten students. He expected that the Massachusetts in 2012. Seldom has ATOS had contact. We are passionately devoted to total enrollment this year might be around bids this far in advance. providing professional leadership and sixteen. He spoke about funding for the Mr. Kinerk also reminded us that resources so the theatre pipe organ will thrive camp and stressed the importance of Birmingham is hosting an ATOS regional in the 21st century. securing outside sources of funding to insure convention on Thanksgiving weekend in The board discussed these draft state- that this worthwhile event continues. 2009. ments for some time. Many suggestions were LEATHERSUPPLYHOUSE Restoration • Consultation • Installation QUALITYLEATHERS for MusicalInstruments-Clocks-Organs Scott Smith Pipe Organs Mike Madeira 1494 Lake Lansing Road • Lansing, Michigan • 48912 345 Hazel Avenue Garwood, NJ 07027 Telephone 517-485-5421 [email protected] Phone:908-389-1000 Fax: 908-789-0647 www.leathersupplyhouse.com Tuning • Maintenance • Cleaning JANUARY | FEBRUARY 2009 65 ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 66 IJ offered regarding the wording of the mission recording other than for archival purposes The board of directors appointed the and vision statements. without first securing artist’s consent in writing. following officers for 2008/2009: In order for ATOS to compete for grant and Unauthorized audio and/or video recordings • President: Ken Double corporate funding, our mission and vision of Artist’s performance shall be strictly • Vice president: Craig Peterson statements must be relevant. An update is prohibited. • Secretary: Bob Evans long overdue. Carried: Unanimous • Treasurer: Paul Van Der Molen Motion (Evans) to accept the draft ATOS The board discussed this motion at great ATOS Officers’ Reports: Mission Statement as written. This motion was length. Some board members argued to The treasurer’s report was received and later amended by Bob Evans to include a leave the present policy alone as many approved. A summary of this report will be change suggested by Jelani Eddington. This convention attendees consider this their printed in the September/October THEATRE change modifies the first line: prime reason for attending the annual ORGAN. Paul Van Der Molen reported that The American Theatre Organ Society (ATOS) conventions. Several argued that these the economy has lessened the dividends is the leading international organization performances are the artist’s intellectual received for our various accounts. Paul also pursuing a positive difference… property and are protected by copyright. The noted that Jeff Weiler has reduced the cost of Carried: Unanimous point was strongly made that distribution of producing the journal by some $35,000 while Doug Powers offered a draft version of a audio and video via the Internet added still maintaining the high quality of the vision statement. Simply put, a vision another dimension to the problem. Audio and publication. statement should tell the reader where the video can now be distributed to thousands at President Double expressed his disappoint- organization wants to be in ten years. The one time via Internet sites. The two groups ment with the lack of an update from the following draft was offered by Doug: (those for the adoption of this amended technicians working on the Lowell Ayers A growth in the number of active theatre policy and those who wanted to keep the Wurlitzer project at Macy’s in Philadelphia. The organs, membership expansion, and public status quo) reached a compromise where completion of this instrument is expected awareness brings a new generation of theatre recording will be allowed at the 2009 during the fall of this year. organ audiences, supporters, technicians, Cleveland convention but prohibited at all The secretary collected the Self-Dealing and artists into the fold of a flourishing ATOS. ATOS-sponsored events after that time. The Transaction and Code of Ethics statements Professional leadership provides abundant majority of the board agreed that ATOS would from the new board members. The secretary financial, technical, and educational offer a highlights recording of convention also distributed copies of the written summary resources, facilitating a thriving theatre organ performances in accordance with the policy of the board’s actions to be given to the presence worldwide. change initiated by the above motion. members at large during the ATOS annual Much discussion followed the introduction The board recessed for lunch at 12:02pm membership meeting. of this draft vision statement. and reconvened at 1:10pm. Vice president Craig Peterson reported in his Motion (Eddington) that the ATOS board NEW BUSINESS: capacity of chapter relations committee adopt the vision statement as presented. President Double introduced Ray Compton, chair. As of July, 2008 ATOS consists of 78 Carried: Unanimous a marketing specialist, to the board. active and 36 inactive chapters. The ATOS President Double then asked Jelani Mr. Compton spoke to the board regarding board of directors issued the Mount Baker Eddington to speak to the motion that he marketing strategies that were possible for the chapter in Washington a charter in April. distributed by e-mail. promotion of theatre organ concerts by local A group in Toronto is in the process of Motion: (Eddington) that, effective following chapters. Ray spoke passionately about his completing the application for an ATOS the 2009 Cleveland convention (1) ATOS experiences with different marketing strate- chapter charter. policy paragraphs 9(g) and (h) be REPEALED gies and stated emphatically that there was Executive secretary Jim Merry reported that in their entirety; (2) that the following policy be no magic formula in marketing. Ray has the trend of decreasing membership contin- ENACTED: agreed to work with two or three chapters in ues. This decrease is largely due to members g. (i) No person in attendance at any live a pilot program aimed at increasing passing on or becoming too ill to continue musical performance, workshop, or event attendance at chapter-sponsored theatre membership. Recruitment of new members sponsored in whole or in part by ATOS (therein organ events. by each local chapter is the most effective “Event”), including at any ATOS annual or President Double then spoke about this way of stopping this membership decrease. It regional convention, shall make, copy, year’s lack of candidates for election to the is incumbent upon each chapter to sell ATOS distribute, transmit, post to the Internet, or ATOS board of directors. Three candidates membership. otherwise disseminate any audio, video, or were nominated for the three vacant seats. In President Double made the point that those other recording of that event, or any part previous years five or six members would seek chapters who have “friends of the chapter” thereof. election. He stated that this situation was could swell the ranks of ATOS by recruiting (ii) ATOS may make an audio or video unusual and should never happen again. Ken new ATOS members from the group of friends recording of an event for archival purposes, reminded the board that part of its duty is to of the chapter. The board shared many ideas provided that prior written consent is obtained promote candidacy for the ATOS board of on how to increase membership. from the performer(s) involved in the event. directors. Ken urged members of the current Standing Committee Reports: ATOS shall not make use of such a recording board to encourage qualified members Please note that all written committee other than for archival purposes without first to run for office. The board discussed the reports were accepted earlier in the meeting. securing the consent of the performer(s) situation at great length. The following summaries were presented: involved in the event. President Double then recognized outgoing Archives/Library: Jeff Weiler and Jim Patak h. Flash photography shall not be permitted ATOS board members: reported that we are rapidly running out of at any time during a concert. • Vern Bickel room at our present location (Rialto Theatre (3) and that Paragraph 8 of the standard • Mike Cierski Building). Jim reported that Robert Ridgeway convention artist contract contained in the • Carlton Smith has restored some of the deteriorating ATOS Convention Handbook (Addendum 1, Ken thanked these three for their service to tape recordings from the archives. Robert Page 31) be AMENDED to read as follows: the American Theatre Organ Society and Ridgeway is in the process of creating an ATOS reserves the right to make an audio wished them well for the future. ATOS web-cast of theatre organ recordings. and/or video recording of artist’s perform- The three new ATOS directors were seated: The general idea of this broadcast will be to ance for archival purposes, and ATOS shall be • John Apple create a new hour-long web-cast each the sole owner of any such recording • John DeMajo month. Robert has access to the ATOS including any copyright interest(s) therein. • Bucky Reddish archives and also owns an extensive collec- ATOS shall not make any use of such a Ken welcomed the three new directors. tion of private recordings. President Double 66 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 67 set a target date of the first part of 2009 for the • Scholarships • Handles all confidential information profes- initial broadcast. This may be a source of • University/Advanced Degree sionally. Develops consultative relationship commercial sponsorship in the future. Coordination with the board of directors and clients (ATOS ATOS Marketplace: Dennis Unks reported • Inner City Youth Program chapter officers and members). that sales are generally down in the Market- Technical • Demonstrates self-direction and self- place. Dennis suggested that the ATOS Tasks and/or sub-committees: pacing; makes practical suggestions and anniversary book might be a good incentive • Restoration and Preservation carries out effective solutions. item to offer to new members. • Technical Consultation • Establishes appropriate priorities and Dennis wants to expand the variety of • Junchen Scholarship completes assignments efficiently. merchandise in the Marketplace and History (Historian and Archival Liaison) • Demonstrates consistency of perform- suggested that we might want to consider Tasks and/or sub-committees: ance in meeting deadlines; follows schedules offering theatre organ recordings for sale. This • Maintain archives and procedures. is a potential source of significant income for • Oversee acceptance of archival material • Establishes constructive work relations; the society. The board discussed the new paid position fosters team spirit; builds support and alliances Strategic Planning: Doug Powers reported of President/CEO. Doug Powers spoke to the between and among board members, that about 14% of the surveys have been appointment of Ken Double as the new officers, and chapters. returned. This is about 4% over the average President/CEO. He stressed that Ken is the • Organizes tasks in an efficient manner; number of returns (10%) for surveys in general. right man for the job. Doug stressed that a sets goals and deadlines; develops strategies; The analysis of the surveys was not complete large part of the board’s responsibility is to anticipates obstacles and defines alternative at this time but will be available in the future. provide for the successful continuation and strategies. Many of those who responded to the survey growth of ATOS. He feels that the creation of Duties: made many handwritten remarks this paid position is in keeping with that The President/CEO will be responsible for, President Double then explained the draft responsibility. The entire board agreed that but not limited to the following duties: reorganization and restructuring document Ken is the logical and right choice for the Fund Raising from the following general submitted by Craig Peterson. Ken had asked position of President/CEO of the American sources: Craig to generate a draft document that Theatre Organ Society. • Current membership would address a new structure for ATOS The intention is that the position will be self- • Corporations, foundations, other committees. funding from fundraising efforts by the new interested entities This is the restructuring plan as presented: President/CEO. The announcement of Ken’s • Governmental entities Six major divisions with tasks and/or sub- appointment will be made at the ATOS • Self-generated written grants committees annual membership meeting during the • Other sources as appropriate Fund Raising and Development (President/ convention. • Work with the ATOS Strategic Planning CEO and Treasurer) Jelani Eddington suggested that the job Committee to develop a long-term business Tasks and/or Sub-Committees: description for the President/CEO as pre- plan that will be reviewed by the executive • Strategic Planning sented be amended with the following first committee and approved by the board of • Fund-Raising clause added: Subject to the supervision and directors. • Grant Writing oversight of the board, Marketing and Promotions: • Endowment Fund Administration (Organ Motion (Eddington) that the ATOS board • Generating national recognition for ATOS. Projects) of directors adopts the amended job • Through other ideas and programs that • Acquisitions and Expansions description. will broaden the reach and recognition of • Establish Additional Endowment Funds Carried: Unanimous ATOS as an art form, including education, (Youth Camp, Headquarters, The amended job description is included broadcasting, more exposure via the Internet, Administrative/Staffing, Scholarships, etc.) below. recording, and use of other media outlets. Membership (chairperson and vice-chair- JOB DESCRIPTION Sponsorships: person) PRESIDENT/CEO OF THE AMERICAN THEATRE • Develop sponsorships that would help Tasks and/or sub-committees: ORGAN SOCIETY support THEATRE ORGAN (journal), annual • Membership Growth Position Title: President/Chief Executive and regional conventions, a proposed ATOS • Chapter Relations Officer of the American Theatre Organ national concert tour, and other opportunities. • Bylaws Society • Develop “sponsorship bundles” that • Conventions Reports To: board of directors and executive would enable corporations or any interested • Nominations/Elections committee of the American Theatre Organ individuals to support any of the activities of • Awards and Recognition Society the American Theatre Organ Society on a • E-Tones Classification: independent contractor national or chapter level. Public Relations and Marketing Salary: $82,500 (all inclusive) Chapter Relations: Tasks and/or sub-committees: Summary Description: Subject to the • Work with chapter leaders to assist in the • Theatre Organ journal supervision and oversight of the board, the recruitment effort. • Around the Circuit President and CEO of the American Theatre • Work toward returning all chapter mem- • Web Site Organ Society will be responsible for the day- bers to full ATOS membership. • National Concert Tour to-day management of the organization. In • Help ATOS become a better vehicle for • ATOS Marketplace addition he or she will develop strategies for aggressively seeking new chapters. • “Around the Circuit” fund raising, recruitment of new members, Operations: • Web Site and making the society more visible and • Handle the day-to-day operations of Education attractive to the public. ATOS (these to be specified as the position Tasks and/or sub-committees: Competency Expectations: advances). • Educational Presentations Success in the job will be determined by the • Outline, with the board of directors, the • Amateur Organist Competition Board of Directors and measured against the responsibilities of the President/CEO and the • Adult Theatre Organ Getaway duties listed below as well as the following ATOS board of directors. Set up, by mutual Youth Initiatives and Outreach competencies: agreement, a “line of demarcation” between Tasks and/or sub-committees: • Effectively conveys and receives ideas, the responsibilities of the President/CEO and • Young Organist Competition information, and direction both oral and the ATOS board of directors. • Summer Youth Camp written. JANUARY | FEBRUARY 2009 67 ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 68 IJ • Carry out any reasonable directive from HYATT REGENCY HOTEL The president entertained a motion to the ATOS board of directors for the smooth accept the minutes of the Annual Member- operation of the organization. BALLROOM ship Meeting held on July 4, 2007. Experience: Motion: Rob Vastine; Second: Bob Salisbury • Practical experience in theatre/arts man- JULY 6, 2008 10:00AM President Double then called upon several agement. President Ken Double called the annual board and staff members to report. • Practical experience in public relations. meeting of the ATOS Membership to order at Executive secretary Jim Merry spoke of the • Practical experience in fund raising. 10:04am. With approximately 200 members decline in ATOS membership. Jim stated that • Practical experience in advertising. present a quorum was present pursuant to the primary reasons were that some members • Experience in/with the performing arts. ATOS Bylaws Section 3.5(a). were in poor health and some had passed Jelani Eddington will review the bylaws and Following brief introductory comments, the away. He mentioned the need for local submit to the board a draft document that President introduced the officers, directors, chapters to recruit new members. He stated will include the two new positions of chairman and staff of ATOS. that local chapters are the front line in of the board and vice chairman of the board. Officers 2008–2009: President, Ken Double; securing new members for our organization. The board for possible adoption will review this Vice president, Craig Peterson; Secretary, Bob Jim also mentioned the fact that some document. Evans; Treasurer, Paul Van Der Molen chapters have a “friends” or “associate” Good of the Order: Directors elected for the term 2007–2011: category of membership, while others require The ATOS mid-year meeting will be held on John Apple, John DeMajo, and Bucky that any member of the chapter belong to January 3, 2009. Travel days will be Friday, Reddish ATOS. This sparked some discussion of the pros January 2 and Sunday, January 4. The Other Directors: Doug Powers, Don Near, and cons of requiring membership in ATOS location will be announced in the future. Donna Parker, Jelani Eddington, Allen Miller and a chapter having “friends” or “associate” President Double discussed the policy (excused), Michael Fellenzer, and Tyler Morkin members. regarding the master of ceremonies at (ATOS Youth Representative 2007–2009) Mike Kinerk, convention planning coordi- annual conventions. Currently the chapter ATOS Staff: Jim Merry (executive secretary), nator, noted that for the first time in recent does not choose the master of cere- Jeff Weiler (ATOS journal editor/parliamen- history, ATOS has conventions scheduled for monies. President Double would like to see tarian), Jim and Dolores Patak (ATOS three or four years in advance. the local host chapter choose the master of archives), Robert Ridgeway (convention Jelani Eddington reported that six young ceremonies. reviewer), Michael Kinerk (ATOS convention organists entered the Young Theatre Organist Motion (Fellenzer) that section 9L of planning coordinator). Competition this year. This is an encouraging the ATOS Policies be repealed. Carried: The President acknowledged outgoing increase in entries. Unanimous directors Michael Cierksi, Carlton Smith, and President Double then strongly encouraged Jeff Weiler announced that we would be Vern Bickel. the membership to seek qualified candidates using Johnson Press of America, located in The membership listened to a report of the to run for the ATOS board of directors. He Pontiac, Illinois, as our printer for the next year. damage incurred in the floods in Cedar stated that each and every member should Johnson Press has proposed a solution that will Rapids, Iowa. Darren Ferreter reported that solicit individuals to run for the board. decrease the costs of our overseas mailings. both the Cedar Rapids Paramount and its NEW BUSINESS: The United States Postal Service has Wurlitzer were damaged severely. The President Double reported that he is actively significantly changed the method by which console is in need of complete restoration or and aggressively approaching entities for overseas publications are handled. This replacement. fundraising. We have created a mission and change has resulted in sharply increased rates OLD BUSINESS: vision statement for the organization. Ken to send the Journal overseas. Secretary Bob Evans prepared a report to Double explained that the mission and vision The board will meet informally on Friday, the membership outlining the significant statements are necessary for the active July 4 from approximately 9:00–10:30am for achievements of the board over the past solicitation of grants and other funds. purposes of reviewing the electronic binder year. The minutes of the board meetings (mid- ATOS Mission Statement: and listening to a presentation about the year and all teleconferences up to April 11, The American Theatre Organ Society (ATOS) videos posted on YouTube. No formal business 2008) had been published in the journal. One is the leading international organization will be conducted. addition was made to the report: the addition dedicated to pursuing a positive difference in The meeting recessed at 5:27pm EDT and of information about the new profit split conserving and promoting the theatre pipe continued in session throughout the conven- between ATOS and the local chapters was organ and its music, preserving original tion. President Double declared the meeting not included in the report. The new profit instruments where possible. We provide adjourned at the close of the banquet on July sharing structure allows for the local chapter support and guidance to all ATOS chapters 8, 2008. to retain 60% of the profits and ATOS to and others, with promotional and educa- /s/ Bob Evans, Secretary receive 40% of the profits from an annual or tional opportunities to both those within the Business was conducted following Robert’s regional convention. Society, and to the public worldwide through Rules of Order. Jeff Weiler, parliamentarian. The president entertained a motion to the Internet, publications, conventions, and accept the secretary’s report. personal contact. We are passionately Motion: John Valentino; Second: Robert devoted to providing professional leadership 2008 ANNUAL MEMBERSHIP Salisbury and resources so the theatre pipe organ will MEETING OF THE Treasurer Paul Van Der Molen presented the thrive in the 21st century. treasurer’s report to the membership. He ATOS Vision Statement: AMERICAN THEATRE ORGAN stated that ATOS is in good financial shape. A growth in the number of active theatre He noted that because of the economy and organs, membership expansion, and public SOCIETY (ATOS) the investment market the dividends on some awareness brings a new generation of theatre (HELD DURING THE 2008 of the accounts were down. Generally, organ audiences, supporters, technicians, however, the society is on sound financial and artists into the fold of a flourishing ATOS. ANNUAL CONVENTION IN footing. Professional leadership provides abundant INDIANAPOLIS, INDIANA) The President entertained a motion to financial, technical and educational re- accept the treasurer’s report. sources, facilitating a thriving theatre organ Motion: Rob Vastine; Second: Ron Carter presence worldwide. President Double then explained that the ATOS board of directors had voted to abolish 68 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 69 the policy allowing recording at conventions. Ken Double discussed the touring show Other Discussion Items: This change in policy would not take place situation. The show originally scheduled for • Cedar Rapids Update until after the 2009 annual convention in September at the Riviera Theater in North Paul Van Der Molen reported that the Cleveland, Ohio. Many members expressed Tonawanda has been rescheduled to April of Paramount Building will be saved. ATOS will their dissatisfaction with this change in policy 2009. The Plummer Auditorium show that was write a check to the Cedar Rapids represen- and promised to communicate their con- in the planning stages has been dropped. tatives representing the amount of money cerns to the board. President Double expressed his disappoint- collected at the annual banquet and in the President Double then called upon Doug ment with the progress of the touring shows. record shop at the convention. Powers and Bob Evans to explain the new He will contact Steve LaManna for an • Radio City Music Hall Show position of president and CEO of ATOS. The update. President Double will have a report Those who attended the show reported board voted to create this paid, full time- on the touring show situation for our next that ATOS was mentioned prominently and position. Mr. Powers explained to the telephone conference. often at the show. Allen Miller will submit a membership that in order for ATOS to survive • Summer Youth Camp Update/Adult review of the show for publication in Theatre and grow, we need a full-time person to Theatre Organ Getaway Update Organ. address the many issues that face the Jonas Nordwall reported that fifteen • President/CEO Position: organization. Doug told those in attendance students had returned for this year’s session. On September 1, 2008 Ken Double will that the board felt the time had come to Jonas noted how much improvement that become the first President/CEO of the seriously address the problems of decreasing the return students had shown since last year’s American Theatre Organ Society. The board membership in our organization, adequate camp. Students helped each other greatly. has approved a job description that was funding of our programs, and public aware- Jonas was impressed with the quality of the published in the minutes of the ATOS board of ness of the theatre organ. The entire board students. The young people visited several directors annual meeting held in Indianapolis, wholeheartedly endorsed the creation paid, organbuilders’ shops and spent two evenings Indiana. As a result of the creation of this full-time leader to address these problems. at Steinway of Chicago for instruction and position the structure of the ATOS board of Bob Evans noted that the board also agreed master class sessions. Jonas noted that the directors will change slightly with the former that Ken Double was the ideal candidate for Adult Theatre Organ Getaway was a great position of President becoming Chairman of this position. His marketing, public relations, success. Patti Simon and Charlie Balogh were the Board and the former position of Vice and performance skills made Ken the logical the principal instructors. The adults that President becoming Vice Chairman of the choice. President/CEO Double will assume his attended remarked that they were impressed Board. Jelani Eddington will submit bylaw duties on September 1, 2008. The board by the educational content of the changes that will reflect these new positions. expects the position to be financed by experience. Students visited the Seattle Craig Peterson, current Vice President, will contributions from fundraising activities. The Paramount and several other venues. By all assume the Chairman’s position until such membership responded to the announce- measures Jonas considers the adult time as permanent officers are chosen. ment with a round of applause. Doug and experience a success. Allen Miller remarked • EMCATOS President, Bob Evans then Bob then explained the bylaws change that the Technical Committee is considering asked that the Uniform Chapter Charter necessitated by the creation of the President/ sponsoring a “technical weekend” modeled Agreement between EMCATOS and ATOS be CEO position. The positions of chairman of the along the lines of the youth and adult amended to include the State of Rhode board and vice chairman of the board will experiences. Island in EMCATOS’ chapter operational area. replace the former positions of president and • Convention Update Bob explained that this request was a result of vice president. Mike Kinerk reported that the Indianapolis the merger of SENETOS (Southeastern New Hearing no further business from the mem- convention was an artistic and financial England Theatre Organ Society) and bership, President Double entertained a success. Final accounting is yet to be done EMCATOS. motion to adjourn. but should be available by the next tele- Motion: (Eddington) that paragraph 3 of the Motion: Jack Moelman; Second: Ron Carter phone conference meeting. The Cleveland Uniform Chapter Charter Agreement The meeting was adjourned at 10:43am convention is shaping up well. Western between The Eastern Massachusetts Chapter Respectfully submitted, Reserve is in the process of negotiating bus of the American Theatre Organ Society and /s/ Bob Evans, Secretary ATOS contracts at this time. Most contracts with the American Theatre Organ Society be venues are signed and in place. Doug Powers amended as follows: The chapter’s oper- has described the final event featuring the ational area is Eastern Massachusetts, MINUTES OF THE ATOS BOARD Western Reserve Wurlitzer presently under Southern New Hampshire, and Rhode Island. OF DIRECTORS TELEPHONE installation in the Masonic Auditorium and Carried: Unanimous. Performing Arts Center, which will feature the Good of the Order: CONFERENCE Wurlitzer and a large Austin. This event will be John DeMajo expressed concern with out- held in conjunction with the Organ Historical of-date information regarding chapters that TUESDAY, AUGUST 19, 2008 Society. are inactive. He expressed the need to 8:00PM EDT • Web Site Re-design Update update our records. Several members ex- Tom Blackwell explained that his com- pressed concern with chapters not keeping mittee has chosen a web site designer. In the their liaisons up to date with officer changes, President Double called the meeting to first phase of the re-design or “discovery etc. All agreed that closer communication order at 8:01pm EDT. phase” the designer will conduct personal would solve this problem. Officers Present: Ken Double, President; interviews with selected stakeholders in ATOS. President Double adjourned the meeting at Craig Peterson, Vice President; Bob Evans, These interviews are very important. Through 9:47pm EDT. Secretary; Paul Van Der Molen; Treasurer. this interview process the web designer will /s/ Bob Evans, Secretary Board Members Present: John Apple, John develop a deeper appreciation and under- Please Note: The meeting was conducted DeMajo, Jelani Eddington, Michael Fellenzer, standing of ATOS. Those chosen for interviews according to Robert’s Rules of Order. In Jeff Allen Miller, Don Near, Donna Parker, Doug are Ken Double, President ATOS; Meredith Weiler’s absence, Jelani Eddington acted as Powers, Bucky Reddish. Youth Representative Sibley, President of the Connecticut chapter parliamentarian. to the Board: Tyler Morkin. Staff Present: Jim of ATOS; Tyler Morkin, John DeMajo, Donna Merry, Tom Blackwell, Jonas Nordwall. Parker, ATOS Board members; and Simon President Double declared a quorum. Moran. The web designer will develop three OLD BUSINESS: different designs from which we will choose in Standing Committee Reports: the near future. • ATOS Touring Show(s) JANUARY | FEBRUARY 2009 69 ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 70 very interested in hearing that organ again. participating right up until his untimely and I told him that it would be a gigantic project unexpected passing at the age of 70. since it would involve a complete replace- Starting in the late 1990s, the organ, ment of the leather pouches under several though well-maintained, went through long thousand pipes. The organ had not been periods when it was not used for per- playable for many years. The project began formance. In 2008, Staley suggested to the in November of 1999 with the help of Hamilton County Rescue Squad, for which Garvin Berry, then chairman of the CHS he had volunteered for 45 years, that they Alumni. Sam made some special tools for use the organ during a fundraising concert the job, organized a group of workers and program at the Tivoli. It was only the second started. When the Class of 1950 held its time that the Wurlitzer had been heard 50th reunion in April of 2000 the wonderful publicly in almost a decade. It was an Kilgen pipe organ was played for the immense success, so much so that the Photo by Bill Rowland assembly. It was quite emotional to behold musical groups participating at the event Sam Collier that pipe organ which had meant so much called for the Wurlitzer to join in the grand The Sooner State chapter lost one of to us in our high school years and hear Sam finale, demonstrating to all the popularity its faithful members in September. Sam play “Remember When.” and versatility of the instrument that Staley Collier was born June 19, 1917 and died Sam was a loving husband, father and had worked so hard to preserve. September 2, 2008. grandfather. Ruth, his wife of 52 years, died Staley was one of those treasures of the I first met Sam around 1962 when I was in 1999. He leaves two daughters, a son, and theatre organ world whose contribution was building an Artisan kit organ using a pipe a brother and their families, as well as many not in making music, but in enabling others organ console. He was interested in doing friends. We shall all miss him greatly. to be able to make music through his —Phil Judkins the same thing and wanted to know what dedication, technical ability, and advocacy. —Larry Davis was involved. Sam had grown up in Tulsa in the 20s and 30s when we had five theatre organs played regularly in downtown Tulsa Staley L. McPeak theatres and the Coliseum. He loved organ On September 24, 2008, the Rodney Yarbrough music and wanted to have an organ of his Chattanooga community lost one of its Rodney Yarbrough, 71, passed from this own for practice. Sam wanted to become treasures with the passing of Staley life on November 15, 2008 in his boyhood good enough to perform for an audience. McPeak. Staley was an educator, a long- home in Celina, Texas. Over the years Sam had several electronic time middle school teacher, later adminis- The measure of a man is not necessarily organs and, as we all know, he did achieve trator for the local school system, and indicated by deeds, but by his heart. his goal of playing quite well and performed instructor at the University of Tennessee at Although he did many a kind deed for a regularly for the Tulsa Organ Club as well Chattanooga. He also worked for 11 years, wide array of family and friends, Rodney’s as the Sooner State chapter. His last pro- including a term as director, at the heart was as wide as the world, and those gram was in June 2007 to commemorate his Chattanooga Nature Center. left grieving are true testimony to that. He 90th birthday. Staley was very active in his church, cared deeply for family and friends and Sam was fascinated by the technical side St. Elmo United Methodist, and it was there certainly for his caregiver and longtime of the organ. He was a major contributor to that he met Jon Robere, the church’s friend, Francis Adams. He also loved the installation of our Robert-Morton and organist, who was also the organist at movies, theatre organs, music of all kinds, always helped when there was any technical Chattanooga’s Tivoli Theatre. The theatre and talking with everyone who called him. activity. We used to kid him about his had been purchased by the city and was His life journey began with his parents, ability to make a tool which made a task under restoration, and most of the Tivoli’s George Ted and Jessie Yarbrough who easier and more efficient, but his tools were 1924 Wurlitzer had been removed and was preceded him in death some years ago. the secret to the success of many endeavors. being rebuilt in the basement of the Although he had no siblings, he treated his He was also a great organizer and leader. Memorial Auditorium. In 1987, through many friends as treasured family. Rodney He was president of the chapter for a couple Mr. Robere, Staley became involved in the had many mentors, including Louis Perry of terms and arranged for several upgrades project. Staley’s considerable technical and who had worked for Brook Mays Music to our organ. He knew how to make people engineering expertise became focused on Company in Dallas, Texas, and famed enjoy being around him and participate in the Wurlitzer, and every Thursday night organbuilder Otto Hofmann. He was an projects. would find him with the crew at the regular apprentice to Mr. Hofmann in learning the In 1998 Sam called me and wanted to work session. He often took parts home to special skills of organbuilding during his know how difficult it would be to get the repair. Staley assisted in the reinstallation early education in Austin, Texas. Central High School pipe organ playing. He of the organ and continued for the next two Rodney had previously attended both had graduated from CHS in 1935 and was decades as a member of the volunteer crew, North Texas State University and Southern 70 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 71 Methodist University. His appreciation of the theatre organ was further demonstrated in the early 1950s when he met another ATOS Memberships Make Great Gifts! mentor and friend, Weldon Flanagan, organist of the Palace Theatre Dallas, Jim Merry, Executive Secretary, P.O. Box 5327, Fullerton, California 92838, Texas. Weldon, his wife Mary, and Rodney [email protected] became close friends, and their friendship www.atos.org remained so until Rodney’s passing. They often talked at least once a day for many decades. At one time, Rodney co-owned an organbuilding company with Robert Sipe that built several spectacular pipe organs. Ron Rhode Concerts One of the most beautiful organs is still New Swell Shoes being played at St. Stephen’s United Methodist Church in Mesquite, Texas. x Brushed Aluminum Rodney purchased two historic theatre x Chrome Plated organs, the Kirby Theatre Wurlitzer from x Black Powder Coat Houston and the Texas Theatre Wurlitzer x Pedestal or Console Mount from San Antonio. He restored both of them I x Kick-Switch to pristine condition and, at one time, had one in his home; a disabling accident in x Piano Sustain Button 1964, however, cut short his dreams of x Reed Switch Contacts placing one in the Ritz Theatre he and his x Slide-Pots (1K-5K-10K) family had purchased in Celina in 1963. Again, his love of theatres and anything arndtorgansupply.com Contact us for our CD-ROM catalog. connected with them still kept him Ron Rhode interested in movie theatres, theatre organs, 1603 Palmcroft Dr. SE and the many people connected with them. Phoenix, AZ 85007 Arndt Organ Supply Co. L.L.C. 1018 S.E. Lorenz Drive - PO Box 129 While his physical incapacitation prevented (480) 695-8568 Ankeny, Iowa 50021-3945 him from taking part in activities in the email: [email protected] Phone: (515) 964-1274 outside world, his interest and intelligence website: www.ronrhode.com Fax: (515) 963-1215 kept him active in knowing what was going on in those worlds. He was featured in and contributed to several articles and books connected with the movie theatre and SUSAN COLE KEYBOARD PRODUCTIONS theatre organ worlds, and he was a longtime PRESENTS THE 11 TH ANNUAL VILLAGES member of the American Theatre Organ Society. A recent friend, Jeff Weiler, editor “Pop” Organ of THEATRE ORGAN, had informed Rodney that he would be featured in an Concert Series article in the January/February, 2009 issue. Rodney is survived by cousins Bonnie —Tommy Johnson O’Neill of Celina, Texas; LaVerne Rose of & Hal Vincent— Van, Texas; and Dorothy Cason and Sur Friday, January 16, 2009 Paddock of Fort Worth, Texas; and by many —Choy Lozada— friends who will miss him greatly. Friday, February 13, 2009 for booking information: —Jeanette Crumpler —Jelani Eddington— DONNA PARKER Friday, March 13, 2009 PRODUCTIONS, —Ken Double— INCORPORATED Friday, April 3, 2009 Post Office Box 6103 Aloha, Oregon 97007 Church on the Square, The Villages, FL (1.5 hours north of Orlando) [email protected] For more information contact Susan Cole. Donna Parker Donna 352-383-6975 Cell 407-252-1997 Parker Donna [email protected] 503/642-7009009 JANUARY | FEBRUARY 2009 71 ATOS JanFeb 51-1 K 12/16/08 8:24 AM Page 72 FOR SALE ADVERTISER INDEX ORGAN LESSONS ON VIDEOCASSETTE—PART I: Manual Allen Organs ...... BC Party on the Pipes, St. Louis..39 & Pedal Technique, 32 minutes, $29.95. PART II: Registration, Allen TO-5Q For Sale ...... 25 Ralston, Bob ...... 39 56 minutes, $29.95. PART III: Hymn Accompaniment, 85 minutes, Arndt Organ Supply Co...... 71 Rhode, Ron ...... 71 $29.95. Buy all three together for special price of $84.95. 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Make check or money order Organbuilding ...... 25 payable to ATOS, in US funds ONLY, and send to: Jeff Weiler, THEATRE ORGAN Editor, American Theatre Organ Society, 1845 Leather Supply House...... 65 South Michigan Avenue #1905, Chicago, Illinois 60616. Word Moelmann, Jack ...... 64 counts may be verified in advance by e-mailing Joanne, the Editorial Office Administrative Assistant, at [email protected]. Parker, Donna ...... 71 ZO!!1o~fl -~ -~--~~Services ~ t,. t •Installation • Restoration •Service & Tonal Finishing—at its best •Expert Installation of Relay Systems .. Century II Exhibition Hall, 4/38 Wurlitzer, Wichita, KS Little River Studio—Coup Residence, 4/19 Wurlitzer, Wichita, KS Wurlitzer Manor, 4/48 Wurlitzer, Gig Harbor, WA -····;N -_:.-: Washington Center for Performing Arts, 3/22 Wurlitzer, Olympia, WA ' J· ·~ ' f As Heard On ...... '...,,, t:~:· Aveni Residence, 4/60 Wurlitzer, Gates Mills, OH ' .,., I National Public Peery's Egyptian Theatre, 3/23 Wurlitzer, Ogden, UT .... ·; tt· Holdgreve Residence, 3/21 Wurlitzer, Colorado Springs, CO Radio's "Pipedreams" . " ·, ;~.--- Burnett Residence, 3/18 Kimball, Halstead, KS '" Markworth Residence, 3/24 Kimball/Wurlitzer, Omaha, NE Ed Zollman • 3310 Forest Ridge, Wichita, KS 67205 WWW.SllVIENIBALLCOMl- 316-729-6860 • [email protected] {734} 846"3627 www.zollmanpipeorgans.com 72 THEATRE ORGAN ATOS JanFeb 51-1 K 12/16/08 7:50 AM Page 73 ATOS Marketplace Prices listed INCLUDE shipping within U.S.A. THE WURLITZER PIPE ORGAN – AN ILLUSTRATED HISTORY — This long-awaited complete history of the Wurlitzer theatre organ by David Junchen is an essential reference book for every theatre organ enthusiast. With 800 pages of interesting facts, photos and appendices, each volume is sequentially numbered corresponding to the Wurlitzer organ opus list. Fabulous photos, informative tables and lists of long-forgotten Wurlitzer information…an absolute must! $140.00 WURLITZER CONSOLE ART PRINTS — Whether you attach them to your workshop walls or frame them, these prints of 12 original factory photos of spectacular consoles are a must for your collection of theatre organ memorabilia. Each one is 11" wide and 14" high, printed on heavy card stock, suitable for framing. $20.00 WURLITZER FACTORY TOUR — This video is a copy of a vintage newsreel showing various portions of the Wurlitzer factory and the actual construction of Wurlitzer pipe organs. Includes visits to the pipe shop, voicing rooms, console, cable-making departments and many other sections of the North Tonawanda factory. $24.00 ATOS 50TH ANNIVERSARY BOOK — Published in hardcover and softcover editions, this 150-page book is an absolute must for all theatre organ aficionados. Text and pictures cover the first 50 years of the American Theatre Organ Society’s history. Contains many historic photos, quotes, and informative tidbits, including photos of the first meeting of the organization. Hardcover: $35.00. Softcover: $15.00. THEATRE ORGAN BINDERS — Here is the best way to store your past issues of THEATRE ORGAN (through July/August 2006). Holds up to two full years of magazines. Includes metal wires to attach your journals to the binder. Black finish with gold lettering. Pouch on spine for identification information. $14.00 DECAL — Help promote ATOS; put these decals every- where! Three-inch self-stick adhesive back with red, gold and black printing. $1.00 LAPEL PIN — Show your support of the theatre organ by wearing this American Theatre Organ Society lapel pin. Approximately one-half inch in diameter. Bronze color with embossed lettering makes for a distinctive look. $2.50 BACK ISSUES — Complete your collection of THEATRE ORGAN. Quantities are limited. $6.00 An ATOS Marketplace order form is included in most issues of THEATRE ORGAN. Orders may also be placed online at www.atos.org/marketplace. The prices listed above are postpaid for all orders shipped within the U.S.A. See the order form for additional shipping charges on items sent outside of the U.S.A. VISA and Master Card are accepted. If you have any questions, please contact Dennis Unks, ATOS Marketplace Manager, at [email protected]. ATOS JanFeb 51-1 K 12/16/08 7:50 AM Page 74 Note-by-note voicing, tuning, and regulation are only the beginning. The accuracy of digitally-sampled tremulants and the spatial dimension of Acoustic Portrait™ actual sampled acoustics show you why Allen’s Quantum™ Q311SP and Q211SP will take the theatre organ world by storm. RENAISSANCE QUANTUM™ Q311SP Theatre/Classic Organ Three-Manual 12 Rank Theatre/17 Rank Classic Organ Featuring Independent Theatre and Classical Voices TWO COMPLETE VOICINGS: Q311SP Theatre Rank Q311SP Classical Rank 1 Posthorn 1 French Trompette 2 Tuba Horn 2 Tromba 3 Open Diapason 3 Principal 4 Tibia Clausa 4 Gedackt 5 Clarinet 5 Cromorne 6 Orchestral Oboe 6 Hautbois 7 Violin 7 Viola Pomposa 8 Violin Celeste 8 Viola Celeste 9 Dolce (same) 10 Dolce Celeste (same) 11 Concert Flute 9 Harmonic Flute 12 Vox Humana 10 English Vox Humana Xylophone 11>14 Mixture IV Q211SP Glockenspiel 15>17 Mixture III Chimes Carillon Theatre/Classic Organ Q211SP Theatre Rank Q211SP Classical Rank Two-Manual 1 English Post Horn 1 French Trompette 10 Rank Theatre/ 2 Tuba Horn 2 Tromba 17 Rank Classic Organ 3 Open Diapason 3 Principal 4 Tibia Clausa 4 Gedackt Featuring Independent 5 Clarinet 5 Cromorne Theatre and Classical Voices 6 Orchestral Oboe 6 Hautbois 7 Violin 7 Viola Pomposa 8 Violin Celeste 8 Viola Celeste 9 Concert Flute 9 Harmonic Flute 10 Vox Humana 10 English Vox Humana Xylophone 11>14 Mixture IV Glockenspiel 15>17 Mixture III Chimes Carillon Visit www.allenorgan.com for details Both the Q311SP and Q211SP Include: • Patented Quantum™ Technology with Acoustic Portrait™ about these exciting new instruments and Real Xpression™ • Stop-by-Stop and Note-by-Note Voicing • Deluxe Mechanical Stop Action • User Reconfigurable Pistons 150 Locust Street, P.O. Box 36, Macungie, PA 18062-0036 USA • Individually Adjustable Felted Keys Phone: 610-966-2202 • Fax: 610-965-3098 • Allen Ensemble™—243 Internal MIDI Voices E-mail: [email protected]