1936-12-22 [P B-11]

Total Page:16

File Type:pdf, Size:1020Kb

1936-12-22 [P B-11] sons In shooting) Bing Crosby bestowing a set of highball glasses on Girl” of w. c. Fields, who is “on the wagon” in Meets Keeps a Garbo’s Loss Weight “Boy Portrait of Comic at Work | Pasadena Hospital ... Loretta Young giving Fiance Eddie Sutherland a of candid camera Arltne Judge get- Its Wealth Laughter Held Harmful to Looks ting her son a motor scooter—so the can use her own ... Marlene Dietrich cabled her business BY SHEILAH GRAHAM. manager to pur« Lives to Abbott’s chase Christmas presents in Holly- at National Up December 22 (N.A.N.A.).—Patricia Ziegfeld, daughter Company wood for her California gift list of Billie Burke and the late Florenz Ziegfeld, is secretly engaged to Roberts Excellent in Ginger Rogers is giving herself, In the Promise—Ray John "Nip” Haggan, aon of Ben All Haggan, the noted artist.... Ac- shape of a miniature Mary of Scot- HOLLYWOOD,cording to Intimates, Greta Garbo lost 30 pounds on her non-protein land, to a chosen few—including her Major Role. diet—and has lost most of her looks as a result. Mrs. John Barrymore’s latest masculine companion. Allan new mink fur coat is the envy of all the lady stars in Hollywood. BY JAY CARMODY. Lane, T. C. U. foot Player A major studio has offered ex-King Edward $1,000,000 to make a pic- Robert always have said that no one can rib the movies so well as the movies Taylor gifting Barbara Stan- YOU ture, and $1,500,000 If Mrs. Simpson will appear as his leading lady... Ann rib themselves, down to the National this week to see “Boy Meets wyck with a ring watch instead of an can drop Harding makes her London stages ►-—-- will find that are Meets Girl” is engagement diamond. Girl.'’ You you absolutely right. “Boy debut in “Candida.” Henry IF is not a movie, of course. It is a hilarious ribbing of Hollywood, however, ample weekly stipend allowed from her Daniell had his nose bobbed because written two of the film world's more Bella and salary—primarily on clothes. and it was by witty scenarists, he was tired of * good and play* Samuel Spewack. big viuain parts., • Those Spewacks! What a gift of laughter they have! From the mo- And his first :: Elisabeth Young (Mrs. Joe Mankie- National a ment they raise tne curtain on tne.; screen assign- wicz) declined the leading role in |l Niihta, Me to r«.7S. Wed. office of the Studios’ No. 1 Mat.. SSete ts. Sat. Royal “yes resultant flood of mirth a wholesome- ment following i “Twenty-three and One-half Hours ti Mat* man” until It descends some two hours instead to SSe te MM (lae. tax.) ness that is singularly appealing. the operation was I by Air,” preferring return to later on the same scene, Meets *A GUKt AIKKT PRODUCTION* “Boy Arne Lundborg contributed the set- to play the bad. j New York stock companies to learn the Girl” is unadulterated laughter. It is baron secret of tings to the second edition of “Boy bad ini acting. “Just think. I'll but it is never offen- soon not always purse, Meets Girl.” They, like other features •‘Camille.” 1 be 33 years old,” groaned Cary sive. At the worst, it is and Grant at a MYMEETS GIW mildly of the work, keep the faith with a pe- recent party. “Don’t worry," indelicate. Charlie VttlU^SKMOIL SPtWACH biologically culiar effectiveness. Chap- soothed Bob Riskin, “In nine years* lin's memory time you'll be able to Oable In view of the fact that the play The whole thing is extremely amus- play Next Week Be*. Mea. Beale Thar. is getting worse has been running for a year in New ing and very handsome. You wiU be parts." American rsEMiesE^ionoa stage boob with the York, it probably is thoroughly under- pleasantly surprised at how wrong you years. B.A.MEyER CPxm*utr He now forgets What the stars are | j stood that the Spewacks wrote them- can be in calculating the merit of road giving each the names of his other for selves a sure-fire success. The major companies as somewhat below that of j Christmas From Gary closest friends question about the current production the Broadway brand. | Cooper to Mrs. Cooper—a fur coat * * * when Introducing ... Claudette Is how well is it played by the road •Mill Graham. Colbert is presenting them. “The • «nr drau MMWMIlt WlluT company. The answer to that major Carter Barron, Loew's division man- mate Dr. Joel Pressman with a spe- /jr miti * Green Pastures" is a "stand- is his annual party for the having cially fitted medical bag .. Fred Mac- JtttiMfmitkrJerd question "perfectly.” ager, staged | ELINA EARLE FRANCK ing-room-only” success in England, Murray will Santa to his wife George Abbott, producer, personally lads and lass (singular) of the drama play which has always been extremely sym- via an armful of Carole selected the local cast. More than one departments yesterday, starting shortly Jewels MIRAMOVAUUUMOftETOfUl toward the race. /•'JOHN HAVO IN after noon and on and on. pathetic Negro Lombard, running true to reputation ytrftJ who had seen the play in New York going Barrie and her business man- as a I.CALTHROS Every one had such a good time that Wendy practical Joker, Is giving Clark looked skeptically aside when Abbott NMee. SSe te M.1S. there won’t be times ager have parted because Wendy in- Gable complete Mata Wed. declared the road company as good as probably any good hunting equipment sisted on spending more than the (maybe Clark will now take some les- _»a^»»U»S«t«*t_teilne_toil__ that which has played Broadway so left for* other citizens during the holi- Mr. Barron long. Yet he was as nearly right as days. spoke briefly, being that kind of a host. Miss It Is given producers to be in this world. Betty Hynes spoke briefly, as did Messrs. Kelley, C" ■ Bell and Craig, all being that kind of ■W'd^ CP Oppo«il« ~D> S. Arthur Treacher is the young man surrounded by all the pulchritude. He has become sur- VI Treasury xj« lift St T> OY ROBERTS, formerly of the guests. There was peace on earth and ^B rounded for the purpose of adding humor to a sequence in Laiurence Tibbett’s new film, “Under Steve Cochran's stock nice presents,-too. Gene Ford played. company, Your Spell.” which comes to the Rialto Christmas day. combines with Owen Martin to make Andy Kelley played. Two amateurs TOMORROW! danced an Gene Ford as delirious a pair of screen writers Irish jig. Mrs. did not nor did dance an and Mias Russell Is Invariably startling and almost al- Tfa idscd oMrocttoa far as the stage ever has seen. Marie play, she Irish especially good “RENDEZVOUS” REVIVED comical. “If I Had a Million’’ Brown, the girl the boy meets, could jig. She and Irene Weber were too the dumber she gets. ways ia ynnr Christmas Holidays Miss Binnie Barnes also is on hand a trick, but a good one.—R. B, Jr. be no more inane—it almost breaks lousy being co-hostesses P„ to Is BOBBY BREEN * * * * TO PLAY LITTLE THEATER bring Happlns— and she is as she your heart while it is splitting your very pleasant drops who are neither "bulbous nor a final or two. All of these is her* and will ■ides—if she were born into the role. /"JIRLS g people again Zing... go First National's words William Powell and Boaalind Bus- and their talents have been blended That is saying a lot, but there is such a bumpy,” fn, firm >m. Itutm lbs strings of tout heart... the won* for Director William K. !§ lot to be said. Fleming Ward is the it, comprise the ensemble of the sell Seen in Fast Comedy- together by Howard. —H. M. dor that won in Let 8 movie company executive who turns “Gold Diggers of 1937.” However, be- boy you Sing Melodrama. from lion to mouse at the sound of his ing neither bulbous nor bumpy, the Again" echoes the heart of a current of Gold Diggers ought to master's voice through radio loud crop cinema manifestation of the IF I HAD A MILLION” Dixie in a stirring human speaker on his desk. Then there is be encouraging to women having talents of Bella and Samuel Spe- I gH LAST J DAYS as Toms, the cow- waist line difficulties. Those coming whose Meets drama of the Southland! Byron Shores, Larry wack. comedy. "Boy IS REVIVED AT RIALTO JOE E. BROWN boy hero of the film-going masses. to the Earle Theater on Friday average Girl." last night at the Na- B opened -- In «'<•« Bw 3 heavier than the 1933 har- CSf Mr. Shores takes all the movie cow- pounds tional. may be seen this week at the Since there are no adult boys, rolls them into one. and delivers vest of Gold Diggers. It just hap- Little Theater, where "Rendezvous” is virtually dance director, males who have not at one time or ^ "POIOJOE" to the National audience the biggest pened, Busby Berkeley, being revived. They are two of the another in a en- IIJTII or Christmas explains. indulged fantasy fi USEPIlir sap of this, any other, four authors credited with the screen A«i Othr* A*t« into titled "If I Had a Million.” the pic- season. Getting actual figures, weight play of the William Powell film about of the latest ladies of ture by that name is most properly In making all these mountains of figures course, spies and intrigue and love and en- the ensemble are revealed to be well revived at the Rialto Theater at characterization out of the molehills ciphering and deciphering and gun- Cot»M FnJf.
Recommended publications
  • Cultural Anthropology Through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-Based Sentiment
    Cultural Anthropology through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-based Sentiment Peter A. Gloor, Joao Marcos, Patrick M. de Boer, Hauke Fuehres, Wei Lo, Keiichi Nemoto [email protected] MIT Center for Collective Intelligence Abstract In this paper we study the differences in historical World View between Western and Eastern cultures, represented through the English, the Chinese, Japanese, and German Wikipedia. In particular, we analyze the historical networks of the World’s leaders since the beginning of written history, comparing them in the different Wikipedias and assessing cultural chauvinism. We also identify the most influential female leaders of all times in the English, German, Spanish, and Portuguese Wikipedia. As an additional lens into the soul of a culture we compare top terms, sentiment, emotionality, and complexity of the English, Portuguese, Spanish, and German Wikinews. 1 Introduction Over the last ten years the Web has become a mirror of the real world (Gloor et al. 2009). More recently, the Web has also begun to influence the real world: Societal events such as the Arab spring and the Chilean student unrest have drawn a large part of their impetus from the Internet and online social networks. In the meantime, Wikipedia has become one of the top ten Web sites1, occasionally beating daily newspapers in the actuality of most recent news. Be it the resignation of German national soccer team captain Philipp Lahm, or the downing of Malaysian Airlines flight 17 in the Ukraine by a guided missile, the corresponding Wikipedia page is updated as soon as the actual event happened (Becker 2012.
    [Show full text]
  • February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E.
    [Show full text]
  • Literature and Film of the Weimar Republic (In English Translation) OLLI@Berkeley, Spring 2019 Mondays, April 1—29, 2019 (5 Weeks), 10:00 A.M
    Instructor: Marion Gerlind, PhD (510) 430-2673 • [email protected] Literature and Film of the Weimar Republic (in English translation) OLLI@Berkeley, Spring 2019 Mondays, April 1—29, 2019 (5 weeks), 10:00 a.m. — 12:30 p.m. University Hall 41B, Berkeley, CA 94720 In this interactive seminar we shall read and reflect on literature as well as watch and discuss films of the Weimar Republic (1919–33), one of the most creative periods in German history, following the traumatic Word War I and revolutionary times. Many of the critical issues and challenges during these short 14 years are still relevant today. The Weimar Republic was not only Germany’s first democracy, but also a center of cultural experimentation, producing cutting-edge art. We’ll explore some of the most popular works: Bertolt Brecht and Kurt Weill’s musical play, The Threepenny Opera, Joseph von Sternberg’s original film The Blue Angel, Irmgard Keun’s bestseller The Artificial Silk Girl, Leontine Sagan’s classic film Girls in Uniform, Erich Maria Remarque’s antiwar novel All Quiet on the Western Front, as well as compelling poetry by Else Lasker-Schüler, Gertrud Kolmar, and Mascha Kaléko. Format This course will be conducted in English (films with English subtitles). Your active participation and preparation is highly encouraged! I recommend that you read the literature in preparation for our sessions. I shall provide weekly study questions, introduce (con)texts in short lectures and facilitate our discussions. You will have the opportunity to discuss the literature/films in small and large groups. We’ll consider authors’ biographies in the socio-historical background of their work.
    [Show full text]
  • By Jeeves Music: Andrew Lloyd Webber Lyrics: Alan Ayckbourn Book: Alan Ayckbourn Premiere: Tuesday, April 22, 1975
    ------------------------------------------------------------------------------ By Jeeves Music: Andrew Lloyd Webber Lyrics: Alan Ayckbourn Book: Alan Ayckbourn Premiere: Tuesday, April 22, 1975 ------------------------------------------------------------------------------ The Code of the Woosters BERTIE I obey the Code of the Woosters. It's a simple philosophy. When perhaps a chap's in trouble. I respond with alacrity. And if my fellow men have problems Whatever they might be They call on me The sterling Wooster B. For despite This easy nature Come the evening When battle dawns To see a Wooster Grab the livestock by both the horns For when a Wooster's mask of pleasure Becomes a steely stare You'll know he's there He'll never turn a hair What would a chap do without it? How would he get through without it? How could he stay true wihtout the Code of the Woosters? If you're at sea, I shall be there, even put off tea to be there Woosters have swum oceans for the Code of Allegiance duly owed to the Wooster Code What a load If a girl Is in the doldrums Not a paddle To her name I'll be there Though frankly speaking Womanizing's not my game But if she's really in a lather Wild eyed and hat askew He'll see her through Old you know who... Whenever it calls, can't ignore it, even give up Ascot for it Woosters have died gladly for the code of For that rugged, heavy load called the Wooster Code What a load Take my card In case you need me, if you're jousting a losing cause Like the chap Who wins the double I can rattle The natural laws So if you're eaten up with anguish I'll snatch you from its jaws No second's pause From one sincerely yours..
    [Show full text]
  • Selznick Memos Concerning Gone with the Wind-A Selection
    Selznick memos concerning Gone with the Wind-a selection Memo from David O. Se/znick, selected and edited by Rudy Behlmer (New York: Viking, 1972) 144 :: MEMO FROM DAVID O. SELZNICK Gone With the Wind :: 145 To: Mr. Wm. Wright January 5, 1937 atmosphere, or because of the splendid performances, or because of cc: Mr. M. C. Cooper George's masterful job of direction; but also because such cuts as we . Even more extensive than the second-unit work on Zenda is the made in individual scenes defied discernment. work on Gone With the Wind, which requires a man really capable, We have an even greater problem in Gone With the Wind, because literate, and with a respect for research to re-create, in combination it is so fresh in people's minds. In the case of ninety-nine people out with Cukor, the evacuation of Atlanta and other episodes of the war of a hundred who read and saw Copperfield, there were many years and Reconstruction Period. I have even thought about [silent-fllm between the reading and the seeing. In the case of Gone With the director1 D. W. Griffith for this job. Wind there will be only a matter of months, and people seem to be simply passionate about the details of the book. All ofthis is a prologue to saying that I urge you very strongly indeed Mr. Sidney Howard January 6, 1937 against making minor changes, a few of which you have indicated in 157 East 8znd Street your adaptation, and which I will note fully.
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]
  • September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 Min)
    September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 min) Academy Awards—1935: —Best Actor in a Leading Role (Clark Gable) —Best Actress in a Leading Role (Claudette Colbert) —Best Director (Frank Capra) —Best Picture —Best Writing, Adaptation (Robert Riskin) National Film Registry—1993 Directed by Frank Capra Cinematography by Joseph Walker Clark Gable...Peter Warne Claudette Colbert...Ellie Walter Connolly...Andrews Roscoe Karns...Shapeley Ward Bond...Bus Driver #1 (uncredited) FRANK CAPRA (director) (b. Francesco Rosario Capra, May 18, 1897, Bisacquino, Sicily, Italy—d. September 3, 1991, La Quinta, California) Broadway Bill, 1934 It Happened One Night, 1933 Lady for a Day, 1932 American Madness, 1932 Forbidden, 1931 Platinum Frank Capra is the recipient of three Academy Awards: 1939 Blonde, 1931 Dirigible, 1930 Rain or Shine, 1930 Ladies of Best Director for You Can't Take It with You (1938), 1937 Best Leisure, 1929 The Donovan Affair, 1928 The Power of the Press, Director for Mr. Deeds Goes to Town (1936), and 1935 Best 1928 Submarine, 1928 The Way of the Strong, 1928 The Matinee Director for It Happened One Night (1934). In 1982 he received Idol, 1928 So This Is Love?, 1928 That Certain Thing, 1927 For a Lifetime Achievement Award from the American Film the Love of Mike, 1926 The Strong Man, and 1922 The Ballad of Institute. Fisher's Boarding House. Capra directed 54 films, including 1961 Pocketful of Miracles, Capra also has 44 writing credits, including the screenplay of It’s 1959 A Hole in the Head, 1951 Here Comes the Groom, 1950 a Wonderful Life.
    [Show full text]
  • Selling Masculinity at Warner Bros.: William Powell, a Case Study
    Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape.
    [Show full text]
  • Power and Paranoia
    Power and Paranoia: The Literature and Culture of the American Forties Course instructor: PD Dr. Stefan Brandt Ruhr-Universität Bochum Winter term 2009/10 Bibliography (selection) “A Life Round Table on the Pursuit of Happiness” (1948) Life 12 July: 95-113. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood” (1945) Life 3 Sept.: 53. Asimov, Isaac. “Robbie.” [Originally published as “Strange Playfellow” in 1940]. In: I, Robot. New York: Gnome Press, 1950. 17-40. ---. “Runaround.” [1942]. In: I, Robot, 41-62. Auden, W.H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947. Auster, Albert, and Leonard Quart. American Film and Society Since 1945. London and Basingstoke: Macmillan, 1984. Balio, Tino. The American Film Industry. Madison: University of Wisconsin Press, 1976. Barson, Michael, and Steven Heller. Red Scared: The Commie Menace in Propaganda and Popular Culture. San Francisco: Chronicle Books, 2001. Behlmer, Rudy, ed. Inside Warner Brothers 1935-1951. New York: Viking, 1985. Belfrage, Cedric. The American Inquisition: 1945-1960. Indianapolis and New York: Bobbs-Merrill, 1973. Berman, Greta, and Jeffrey Wechsler. Realism and Realities: The Other Side of American Painting, 1940-1960. An Exhibition and Catalogue. New Brunswick, N.J.: Rutgers Univ. Art Gallery, State Univ. of New Jersey, 1981. Birdwell, Michael E. Celluloid Soldiers: The Warner Bros. Campaign Against Nazism. New York: New York University Press, 1999. Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Tele- vision, 1940-60.” In: Balio, ed., Hollywood in the Age of Television, 1990.
    [Show full text]
  • The Victor Black Label Discography
    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
    [Show full text]
  • Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
    library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey
    [Show full text]
  • FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park  Hollywood Hills
    Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns)
    [Show full text]