UNIVERSITY COLLEGE of VISUAL ARTS (Constituent College of Davangere University)

Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

REGULATION GOVERNING THE BACHELOR’S DEGREE IN VISUAL ARTS (BVA)

ANNUAL SCHEME: 2018-19 (Revised)

1. TITLE: 1.1 This Regulations shall be called as the “Davangere University Regulations Governing the Bachelor Degree in Visual Arts (BVA)”, 2018-19.

2. COMMENCEMENT: 2.1 It shall come into force from the academic year, 2018-19The Academic year shall ordinarily commence as per the University Calendar of Events.

3. DEFINITION: 3.1 ‘University’ refers to Davangere University. 3.2 ‘Student’ refers to student admitted to BVA Degree course under these Regulations. 3.3 ‘Fee’ means fee payable as prescribed by the University under these regulations. 3.4 ‘AC’ refers to Academic Council of Davangere University.

4. DURATION OF THE COURSE: The course shall be of Four Academic Years. It is called BVA Degree which has One year foundation course and Three year of specialization in any discipline such as Applied Art / Painting / Sculpture / Animation & Multimedia

5. MAXIMUM DURATION OF THE COURSE: The maximum duration of the course is as per Davangere University norms.

6. ELIGIBILITY FOR ADMISSION TO FOUNDATION COURSE: 6.1 The minimum qualification for admission to the eligibility is passing PUC/ 10+2 or It’s Equivalent. However seats shall be allocated on the basis of merit. (PUC/ 10+2)

6.2 ORAL INTERVIEW: There shall be oral interview for the candidates who seeking admission to one year Foundation course.

7. INTAKE: The total number of students to be admitted is limited to 60 seats for foundation course and if additional seats are required permission should be taken from the University from time to time.

8. ADMISSION TO I YEAR B.V.A SPECIALIZATION (Degree Course) Candidates seeking admission to I year BVA specialization course are required to have passed in the foundation course. Or they must have cleared at least any SIX papers (Theory / Practical) in Foundation course respectively. This Carryover System shall not be applicable to the other than Davangere University students. 8.1 Admission to I Year BVA degree specialization course is based on the availability of seats. 8.2 If selected, the other university candidate or other state candidate according to the admission norms of the Davangere University must seek the approval of the above said University and remit the fees within prescribed date.

9. ELIGIBILITY FOR PROMOTION: 9.1 It is must for a student to pass 6 subjects/papers (Practical/Theory) i.e. subjects to get admission to next Higher class. 9.2 I Year to II year specialization degree course: A student who seeks admission for the II year BVA Specialization degree course should have cleared at least SIX papers in I year BVA Specialization degree course. And have cleared all papers in BVA Foundation. 9.3 II year to III year specialization degree course: While seeking admission for the III year specialization degree course the student should have cleared at least SIX papers in II year specialization degree course. And cleared all papers in I year BVA Specialization degree.

10. ALLOCATION OF SEATS: 10.1 Seats shall be allocated as per the existing Government/University order in force at the time of admission. 10.2 The eligible candidates shall register their names for the BVA course as per the university guidelines.

11. DISCIPLINES OFFERED/ SPECIALIZATION COURSE: 1) Applied Art 2) Painting 3) Sculpture 4) Animation & Multimedia

11.1 SEATS ALLOTED TO EACH DISCIPLINE: Specialization course as shown below

1 Applied Art 20 2 Painting 20 3 Sculpture 20 4 Animation & Multimedia 20

11.2 In case of students from other University who want to seek admission at Davangere University BV A course for the I year (BVA) specialization, 20% of additional (each discipline) seats shall be provided for them. Such students should have completed I Year Foundation (semester or Annual system) Course in their respective Universities.

12. MEDIUM OF INSTRUCTION: The medium of instruction shall be English / Kannada. 2

13. ATTENDANCE: 13.1 Attendance requirement, progress and conduct: As per the existing norms of the Davangere university for other Bachelors’ degree programmes. 13.2 If a student represents his / her institution / University/state at National level Sports / NCC / NSS / Cultural Events, Artist Camps, Workshops, Seminar, Art Exhibitions or any other officially sponsored programs, he / she is permitted to avail maximum 40 days of attendance. 13.3 In case of accident / serious illness leading to actual hospitalization, a student has to produce the medical certificate counter signed by the District Surgeon to avail maximum 40 days of attendance. 13.4 Such cases of shortage of attendance shall be reported to the university immediately after the closer of the term and well before the commencement of the examination, either theory or practical whichever is earlier.

14. INTERNAL PROGRESS: (practical & theory subjects) 14.1 The internal assessment is based on assignments and tests. Therefore the students must Submit the assignments of all subjects and attend the internal tests in all the subjects in every Two months of the each academic year. 14.2 Each Practical paper shall carry 50 marks for internal assessment and the candidate must secure a minimum 40% of the total I.A Marks. (i.e.20 marks out of 50 is compulsory) 14.3 Each Theory paper shall carry 20 marks for internal assessment and the candidate must Secure a minimum 35% of the total I.A Marks. (i.e. 7 marks out of 20 is compulsory) 14.4 The Final Year BVA degree students should display / make presentation of their works of all subjects at the time of central evaluation.

15. COURSE STRUCTURE: 15.1 The course structure of B.V.A. its contents, regulations, scheme of teaching, examination, evaluation and syllabus shall be as approved by an Academic Council of Davangere University from time to time. 15.2 There shall be University Examinations at the end of academic year for the prescribed papers. A candidate has to pay the prescribed fee to appear for academic year examinations. 15.3 One year Foundation course has four theory papers and five practical papers. 15.4 All the disciplines /specialization courses in BVA has Two theory papers, Six practical papers. And one elective paper out of four. 15.5 Examinations for Environmental science and Indian constitution papers has to be conducted according to Davangere University norms.

16. SCHEME OF EXAMINATION: 16.1 There shall be University examination at the end of the academic year. 16.2 Each Language / Theory papers offered in each academic year shall carry a maximum of 100 marks, with 20% marks for internal assessment and 80% marks for examination. 16.3 Each practical paper offered in each academic year shall carry a maximum of 100 marks, with 50% marks for internal assessment and 50% marks for examination.

16.4 A certified copy of the list of internal assessment marks shall be sent to the University i.e., Registrar (Evaluation) duly signed by the concerned Faculty, HOD / Co-ordinator / Principal. 16.5 The student can select any One elective other than their specialization. 16.6 There shall be single evaluation for all theory papers i.e, examination evaluation conducted with external examiners. 16.7 There shall be single evaluation for all practical papers i.e., examination evaluation conducted with external examiners.

17. APPOINTMENT OF EXAMINERS: 17.1 The subject experts, outside or inside have come under the jurisdiction of Davanagere University, from Fine Art/ Visual Art Education Institutions with five years of teaching experience at UG / PG level courses have to be appointed subject wise as the members of the BOE. 17.2 Registrar,(Evaluation), Davanagere University, appoints the Chief Superintendent / Additional Superintendent of examinations.

18. MINIMUM MARKS FOR PASS IN THE EXAMINATION: 18.1 Minimum for pass, in Practical Examination is 40% (i.e. 20 marks out of 50 exam marks is compulsory) 18.2 Minimum for pass, in theory Examination is 35% (i.e. 28 marks out of 80 exam marks is compulsory) 18.3 The students who fail in any subject/s can re-appear for the examination by remitting the prescribed fee for each subject in the respective examination. However there shall not be any change in the internal assessment marks obtained by the student.

19. RE-EVALUATION: 19.1 There is no Re-evaluation for Practical Subjects 19.2 A candidate who has applied for Re-evaluation (for theory subjects only) shall be admitted to the next year after obtaining an undertaking from the student to the effect that if the candidate fails to pass in re-evaluation, his/her admission would be cancelled as per Davangere University norms.

20. STUDENT’S BEHAVIOR IN THE EXAMINATION CENTRE: As per Davangere University norms. OR 20.1 The student has to be presented during the first session of the practical examination. If he/she remains absent for the first session, he will be disqualified for attending the next sessions.

20.2 Taking the photograph of any page from the answer scripts is a punishable offence. In case a student is found taking photograph, he/she will be debarred from the examination and such a student will be suspended from the examination at least for one year. 20.3 It is a punishable offence to keep tablet/mobile phone/blue tooth/ear phone/any electronic gadgets while writing the examination. If a student is found with such gadgets he/she will be debarred from the respective annual examination and such a student will be suspended from the examination at least for one year. 20.4 If any candidate misbehaves with the room supervisor, he/she will be debarred from the respective annual examination and will also be suspended from the examination for one year The Examination Chief Superintendent has the right to debar him/her from the examination of one paper and he can debar such a candidate from the rest of the papers of the respective examination. 20.5 It is compulsory for the candidates to answer the questions of either practical/theory examination accordingly. In case he/she is showing disrespect to Indian constitution or condemns teaching or non-teaching faculty in answer script, he/she will be disqualified permanently from the entire course. 20.6 These rules and regulations of the examination are applicable to the students of UG & PG course of the Davangere University college of Visual Arts, Davangere, year 2018-19.

21. EXAMINATION RESULTS AND IT’S CLASSIFICATION: The result of the students appeared for the examination is classified as below.

a) Distinction: It is for the students those who obtain aggregate 70% and above marks in all the academic years. b) First class: It is for the students those who obtain aggregate marks is below 70% and not less than 60% in all the academic years. c) Second class: It is for the students those who obtain below 60% but not less than 50% of the aggregate marks in all the academic years. d) Pass class: It is for the students those who obtain below 50% but not less than 40% of the aggregate marks in all the academic years.

22. DECLARATION OF RANKS: Top scorers of the each disciplines (specialization) course will be given ranks respectively at the convocation of Davangere University. It is must for the top scorers to clear their each academic year in first attempt only.

23. REJECTION OF RESULTS: The students who wish to reject the result of any academic year should abide by University Regulations.

24. TRANSFER OF STUDENTS: 24.1 Transfer of students from any University to this University shall be permitted only at the beginning of the academic year as per Davanagere University regulations. 24.2 A candidate seeking transfer from another University should have cleared all the subjects of the preceding annual or Semester prescribed by the parent University and produces the required marks card/certificate. 24.3 Transfer of students form one college to another college affiliated to Davangere University is allowed only at the beginning of the academic year.

25. REPEAL AND SAVINGS: Not with standing anything contained above, provisions of any Statute, Regulations, Orders or rules in force shall be inapplicable to the extent of inconsistency with these regulations. The university shall issue such orders, instructions, procedures & prescribe such formal as it may deem fit to implement the provisions of this regulation. The decision of the Vice-Chancellor in all matters shall be the final.

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA) Structure & Scheme of the Syllabus

2018-19

Foundation Course in Visual Arts (Duration One Year)

Course Theory Practical Sl. Subjects Workload I.A Dura Subjects Exam Exam TOTAL No Code per Week Marks tion Marks Marks BVAP-FD.1 K 1 Kannada / Hindi 4 80 - 20 100 BVAP-FD.1 H 2 BVAP-FD.2 English 4 80 - 20 100 3 BVAP-FD.3 History of Indian Culture & Art 2 80 - 20 100 4 BVAP-FD.4 Materials & Methods 2 80 - 20 100

5 BVAP-FD.5 One Drawing 4 - 50 50 100 Year Design: 2D Colour & Figurative 6 BVAP-FD.6 4 - 50 50 100 Composition 7 BVAP-FD.7 Clay Modeling 4 - 50 50 100 8 BVAP-FD.8 Basics: Lettering 4 - 50 50 100 9 BVAP-FD.9 Print Making 4 - 50 50 100 10 BVAP-FD.10 Computer Basics 2 - 50 50 100 TOTAL 34 320 300 380 1000

Internal assessment: Minimum for pass, in theory internal assessment is 35% (i.e 07 marks out of 20 internal marks is compulsory) Minimum for pass, in Practical internal assessment is 40% (i,e 20 marks out of 50 internal marks is compulsory) Examination: Minimum for pass, in theory Examination is 35% (i.e 28 marks out of 80 exam marks is compulsory) Minimum for pass, in Practical Examination is 40% (i,e 20 marks out of 50 exam marks is compulsory)

Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University) 2018-19 Structure & Scheme of the Syllabus

Specialization course in Applied Art leading to Bachelor’s Degree in Visual Arts (BVA) Sl. Workload Theory Practical Subjects Code Year Subjects I.A TOTAL No. per Week Exam Exam 1 BVAP-AA:1.1 History of Advertising 2 80 - 20 100 2 BVAP-AA:1.2 History of Visual Communication 2 80 - 20 100 3 BVAP-AA:1.3 Indian Constitution 2 80 - 20 100 4 BVAP-AA:1.4 Illustration: Figure Drawing 4 - 50 50 100 5 BVAP-AA:1.5 Product Drawing 4 - 50 50 100 1 Graphic Design: Corporate Identity & 6 BVAP-AA:1.6 4 - 50 50 100 Stationary 7 BVAP-AA:1.7 Typographic Layout 4 - 50 50 100 8 BVAP-AA:1.8 Animation Basics: 2D Drawing 4 - 50 50 100 9 BVAP-AA:1.9 Computer Graphics: Basics 4 - 50 50 100 10 BVAP-AA:1.10 Basics Photography 4 - 50 50 100 TOTAL 34 240 350 410 1000 1 BVAP-AA:2.1 Advertising Art and Ideas 2 80 - 20 100 2 BVAP-AA:2.2 Visual Communication & Media 2 80 - 20 100 3 BVAP-AA:2.3 Environmental Science 2 80 - 20 100 4 BVAP-AA:2.4 Illustration: Communication 4 - 50 50 100 5 BVAP-AA:2.5 Product Design: 2D Application 4 - 50 50 100 2 6 BVAP-AA:2.6 Graphic Design: Press Ads & Poster 4 - 50 50 100 7 BVAP-AA:2.7 Calligraphic Layout 4 - 50 50 100 8 BVAP-AA:2.8 Animation Basics: 2D Cartoon Art 4 - 50 50 100 9 BVAP-AA:2.9 Computer Graphics: Flash 4 - 50 50 100 10 BVAP-AA:2.10 Digital Photography 4 - 50 50 100 TOTAL 34 240 350 410 1000 1 BVAP-AA:3.1 Creative Advertising 2 80 - 20 100 History of Design & Art of Electronic 2 BVAP-AA:3.2 2 80 - 20 100 Age 3 BVAP-AA:3.3 Illustration: Story Board 4 - 50 50 100 4 BVAP-AA:3.4 Product Design: 3D Application 4 - 50 50 100 5 BVAP-AA:3.5 Graphic Design: Campaign Planning 4 - 50 50 100 3 Creative Typographic & calligraphic 6 BVAP-AA:3.6 4 - 50 50 100 Layout Animation Basics: 2D Character 7 BVAP-AA:3.7 4 - 50 50 100 Designing 8 BVAP-AA:3.8 Computer Graphics: Web Designing 4 - 50 50 100 9 BVAP-AA:3.9 Display & Presentation - - 100 - 100 10 BVAP-AA:3.10 Creative Photography 4 - 50 50 100 TOTAL 32 160 450 390 1000

Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University) 2018-19 Structure & Scheme of the Syllabus

Specialization course in Painting leading to Bachelor’s Degree in Visual Arts (BVA) Sl. Workload Theory Practical Course Code Year Title of the Course I.A TOTAL No. per Week Exam Exam 1 BVAP-PA:1.1 Indian Art 2 80 - 20 100 2 BVAP-PA:1.2 Indian Aesthetics 2 80 - 20 100 3 BVAP-PA:1.3 Indian Constitution 2 80 - 20 100 4 BVAP-PA:1.4 Portrait Painting 4 - 50 50 100 5 BVAP-PA:1.5 Pictorial Composition 4 - 50 50 100 6 BVAP-PA:1.6 1 Mural Design 4 - 50 50 100 7 BVAP-PA:1.7 Nature Drawing 4 - 50 50 100 Re-production of Indian 4 8 BVAP-PA:1.8 - 50 50 100 Masters’ Painting 9 BVAP-PA:1.9 Computer Graphic: Basic 4 - 50 50 100 10 BVAP-PA:1.10 Jain & Daccani Painting 4 - 50 50 100 TOTAL 34 240 350 410 1000 1 BVAP-PA:2.1 Western Art 2 80 - 20 100 2 BVAP-PA:2.2 Western Aesthetics 2 80 - 20 100 3 BVAP-PA:2.3 Environmental Science 2 80 - 20 100 4 BVAP-PA:2.4 Life Painting 4 - 50 50 100 5 BVAP-PA:2.5 Creative Composition 4 - 50 50 100 6 BVAP-PA:2.6 2 Creative Mural Design 4 - 50 50 100 7 BVAP-PA:2.7 Figure Drawing 4 - 50 50 100 Re-production of Western 4 8 BVAP-PA:2.8 - 50 50 100 Masters’Painting 9 BVAP-PA:2.9 Computer Graphic: Flash 4 - 50 50 100 10 BVAP-PA:2.10 Mughal & Rajput Painting 4 - 50 50 100 TOTAL 34 240 350 410 1000 Comparative Study of Indian 1 BVAP-PA:3.1 2 80 - 20 100 & Western Art Comparative Study of Indian 2 BVAP-PA:3.2 2 80 - 20 100 & Western Aesthetics 3 BVAP-PA:3.3 Creative Life Painting 4 - 50 50 100 4 BVAP-PA:3.4 Contemporary Painting 4 - 50 50 100 3 5 BVAP-PA:3.5 Contemporary Mural Design 4 - 50 50 100 6 BVAP-PA:3.6 Creative Drawing 4 - 50 50 100 7 BVAP-PA:3.7 Miniature Painting 4 - 50 50 100 8 BVAP-PA:3.8 Computer Graphic: Advance 4 - 50 50 100 9 BVAP-PA:3.9 Display & Presentation - - 100 - 100 10 BVAP-PA:3.10 Tanjore & Mysore Painting 4 - 50 50 100 TOTAL 32 160 450 390 1000

Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University) 2018-19 Structure & Scheme of the Syllabus

Specialization course in Sculpture leading to Bachelor’s Degree in Visual Arts (BVA) Sl. Workload Theory Practical Course Code Year Title of the Course I.A TOTAL No. per Week Exam Exam 1 BVAP-SC:1.1 Indian Art 2 80 - 20 100 2 BVAP-SC:1.2 Indian Aesthetics 2 80 - 20 100 3 BVAP-SC:1.3 Indian Constitution 2 80 - 20 100 4 BVAP-SC:1.4 Antique Drawing 4 - 50 50 100 5 BVAP-SC:1.5 1 Mural Design 4 - 50 50 100 6 BVAP-SC:1.6 Composition 4 - 50 50 100 7 BVAP-SC:1.7 Portrait 4 - 50 50 100 8 BVAP-SC:1.8 Terracotta 4 - 50 50 100 9 BVAP-SC:1.9 Computer Graphics: Basics 4 - 50 50 100 10 BVAP-SC:1.10 Pottery 4 - 50 50 100 TOTAL 34 240 350 410 1000 1 BVAP-SC:2.1 Western Art 2 80 - 20 100 2 BVAP-SC:2.2 Western Aesthetics 2 80 - 20 100 3 BVAP-SC:2.3 Environmental Science 2 80 - 20 100 4 BVAP-SC:2.4 Creative Drawing 4 - 50 50 100 5 BVAP-SC:2.5 Multiple Casting 4 - 50 50 100 2 6 BVAP-SC:2.6 Creative Composition 4 - 50 50 100 7 BVAP-SC:2.7 Study From Life 4 - 50 50 100 8 BVAP-SC:2.8 Wood Carving 4 - 50 50 100 9 BVAP-SC:2.9 Computer Graphics 4 - 50 50 100 10 BVAP-SC:2.10 Stone Carving 4 - 50 50 100 TOTAL 34 240 350 410 1000 Comparative Study of Indian & 1 BVAP-SC:3.1 2 80 - 20 100 Western Art Comparative Study of Indian & 2 BVAP-SC:3.2 2 80 - 20 100 Western Aesthetics 3 BVAP-SC:3.3 Creative Sculpture 4 - 50 50 100 4 BVAP-SC:3.4 Metal Casting 4 - 50 50 100 3 5 BVAP-SC:3.5 Installation 4 - 50 50 100 6 BVAP-SC:3.6 Composition Life Study 4 - 50 50 100 7 BVAP-SC:3.7 Wood Carving 4 - 50 50 100 8 BVAP-SC:3.8 Computer Graphic: Advance 4 - 50 50 100 9 BVAP-SC:3.9 Display & Presentation - - 100 - 100 10 BVAP-SC:3.10 Stone Carving 4 - 50 50 100 TOTAL 32 160 450 390 1000

Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University) 2018-19 Structure & Scheme of the Syllabus

Specialization course in Animation & Multimedia leading to Bachelor’s Degree in Visual Arts (BVA) Sl. Class Exam Theory Practical Subjects Code Year Subjects I.A TOTAL No. Hours Duration Exam Exam History of Animation & 1 BVAP-AM:1.1 2 3 80 - 20 100 Aesthetics Visual Communication & 2 BVAP- AM:1.2 2 3 80 - 20 100 Soft skills 3 BVAP-AM:1.3 Indian Constitution 2 3 80 - 20 100 Principles of Drawing in 4 BVAP- AM:1.4 4 5 - 50 50 100 1 Animation 5 BVAP-AM:1.5 Traditional Painting-I 4 10 - 50 50 100 6 BVAP-AM:1.6 Visual Graphics-I 4 5 - 50 50 100 7 BVAP-AM:1.7 2D Animation & Story board 4 10 - 50 50 100 8 BVAP-AM:1.8 Basic 2D Character in Clay 4 5 - 50 50 100 9 BVAP-AM:1.9 Motion Graphics 4 5 - 50 50 100 10 BVAP-AM:1.10 VFX TD - I 4 5 - 50 50 100 TOTAL 34 240 350 410 1000 1 BVAP-AM:2.1 Theory of Script Writing 2 3 80 - 20 100 2 BVAP-AM:2.2 Art of Animated Film Making 2 3 80 - 20 100 3 BVAP-AM:2.3 Environmental Science 2 3 80 - 20 100 4 BVAP-AM:2.4 3D Modelling in Animation 4 10 - 50 50 100 5 BVAP-AM:2.5 Traditional Painting - II 4 10 - 50 50 100 6 BVAP-AM:2.6 2 Visual Graphics-II 4 10 - 50 50 100 Advanced 3D Animation & 7 BVAP-AM:2.7 4 10 - 50 50 100 Story board 8 BVAP-AM:2.8 3D Character in Clay 4 10 - 50 50 100 9 BVAP-AM:2.9 Lighting And Rendering 4 10 - 50 50 100 10 BVAP-AM:2.10 VFX TD - II 4 10 - 50 50 100 TOTAL 34 240 350 410 1000 1 BVAP-AM:3.1 Art of VFX Film Making 2 3 80 - 20 100 2 BVAP-AM:3.2 Business Organization 2 3 80 - 20 100 Advanced 3D Modelling in 3 BVAP-AM:3.3 4 10 - 50 50 100 Animation 4 BVAP-AM:3.4 Digital Painting 4 10 - 50 50 100 5 BVAP-AM:3.5 Visual Graphics-III 4 10 - 50 50 100 3 Advanced 3D Animation & 6 BVAP-AM:3.6 4 10 - 50 50 100 Story board 3D Character with BG in 7 BVAP-AM:3.7 4 10 - 50 50 100 Clay 8 BVAP-AM:3.8 Project Presentation 4 10 - 50 50 100 9 BVAP-AM:3.9 Display And Presentation - - - 100 - 100 10 BVAP-AM:3.10 VFX TD – III 4 10 - 50 50 100 TOTAL 32 160 450 390 1000

Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA) Structure & Scheme of the Syllabus Annual Scheme 2018-19

Foundation Course in Visual Arts - Duration One Year

Objective The objective of this intensive one year course is to provide fundamental training in drawing, perspective, design, color, clay modeling and printmaking as practical subjects and theory of art history, English and Kannada / Hindi / Sanskrit / Urdu languages is compulsory. The courses Emphasis on creating and awareness about basic design experience and textural sensibility of visual arts in the students and to promote have an advanced study in future three disciplines.

LANGUAGES

Subject Code: BVAP-FD.1K KANNADA (4 Hours per week) Subject Code: BVAP-FD.1H HINDI (4 Hours per week) Subject Code: BVAP-FD.2 ENGLISH (4 Hours per week) (1st Year UG Programme priscribed Syallabus)

THEORY SUBJECTS

BVAP-FD.3 HISTORY OF INDIAN CULTURE & ART (2 Hours per week)

Study on Life and achievements of some famous artists- Ravivarma- Venkatappa - S.M. Pandit - M.T.V. Acharya- Shilpi Siddalingaswamy sthapati etc. Leather puppetry- Ganjipha art- Rangoli- Shadangas- Fundamentals of Indian Painting- Fundamentals of Indian Sculpture- Fundamentals of Indian Architecture etc. Ajanta paintings, Sculpture and Architecture- Early Buddhist architecture of India- Bhaja, Karle, Nasik, Bedsa etc. Architecture and Sculptures at Badami, Aihole and pattadakal- Hoysalan Architecture and sculpture- Halebeedu, Belur. Study on life and achievements of K.K. Hebbar, M.F. Hussain, R.M. Hadapad etc.

References:  M.T.V Acharya - C.S. Krishna shetty, Published by: K.L.K.A.,  Drushya Kalavidaru - N. Marishamachar,  Chitrakala - M.S. Najunda rao Felicitation volume,  Soundarya shastra - Published by: K.L.K.A.  Published by:- K.L.K.A - Acharya M.T.V., Krishna shetty C.S.  N. Marishamachar - Drushya Kalavidaru  M.S. Najunda rao Felicitation volume - Chitrakala  Published by:- K.L.K.A. - Soundarya shastra

BVAP-FD.4 MATERIALS & METHODS (2 Hours per week)

Module-1: Study of colours as painting medium, colours wheel, Basic terms of colour, colour harmony, Rendering, Technique etc. Module-2: The properties of different colours and pigments transparent and opaque colours – their properties and behavior, experience of medium, water colour, tempera, gonsche, colour, acrylic. Techniques of painting in oil. Brief history of oil painting. Study of supports, priming vehicles (oils) pigment. Study of behavior of colour and their chemical properties. Preparation of canvas and other supports and grounds. Refractive index of colour. Study for technique of traditional miniature painting. Module-3: Study of techniques of mural - painting - fresco (Indian and Western), Tempera, encaustic painting. Introduction of other techniques for murals-mosaic, college, relief.

PRACTICAL SUBJECTS

BVAP-FD.5 DRAWING (4 Hours per week)

Introduction about nature and object. Exercises of simple basic Cubic’s form of square, triangle, circle, objects casts and drapery still life group etc., and exercises will be continued. Observation and study in various rendering Medias and techniques in various light conditions. Study of nature and natural structure observed in trees, plants, flowers, animals, insects, rock etc. Exercises in various media like pencil, charcoal and pen and ink drawing and rendering from life model study, drawing from memory - to develop the sense of observation and the capacity to retain and recall images and their co-ordination, outdoor sketching and rapid sketching etc. Medium: Pencil, Charcoal, Pen and Ink etc. Submission: 16 no. finished works.

BVAP-FD.6 DESIGN: 2D COLOUR & FIGURATIVE COMPOSITION (4 Hours per week)

Study of two dimensional space and its organizational possibilities. Principles of design and their application leading to an understanding of the problem of space organization, using colour, line and basic shapes, volume texture, basic design problem, study of techniques of colour application. Development of pictorial design in to content oriented paintings with representational aspect. Activation of space through form and rhythm, the pictorial composition should be rendered powerfully by drawing different types of sketches and different kinds of subjects from daily life activities, historical and mythological events and introducing pictorial space, negative and positive space. the student should be initiated to develop his won individual style technique for organizing and rendering the picture scope should give to develop his won and individual of philosophy. Medium: Poster colour and Water colour. Submission: 16 no. finished works

BVAP-FD.7 CLAY MODELING (4 Hours per week)

Clay modeling to develop visual awareness in three dimensions through manipulative skills in clay method and principals of clay modeling in round, study and rendering of natural and manmade object in clay. (Relief) Introduction to 3dimensional spaces. Develop the sense of structure, operational problem in building up structure. Operational problems in building of structure, principles of compositions and study of principles that hold the structure division of space as Positive and Negative exercises in Round sculpture. Submission: 16 no. finished works

BVAP-FD.8 BASICS: LETTERING (4 Hours per week)

Introduction to calligraphy - fundamentals of calligraphy - study of alphabets in calligraphy pen with free-hand practice of upper & lower case. Exercises:  Study of calligraphic - lettering construction of alphabetic Roman & Gothic characters  Study of creating 3D letter-forms  Study of captions / slogans with calligraphic different style Medium: Pen & Ink / brush and color. History of alphabets - History of lettering - Study of basic construction of Roman & Gothic alphabets lettering with practice of upper case & lower case. Exercises:  Study of lettering construction of alphabetic Roman & Gothic characters  Study of Upper case & lower case, optical and mechanical spacing.  Study of captions / slogans with Roman & Gothic characters Medium: Pen & Ink / brush. Submission: 16 nos. finished works. (Half imperial size)

BVAP-FD.9 PRINT MAKING LINO / WOOD CUT / MULTI COLOUR (4 Hours per week)

Exercises in various techniques of print making such as Lino, woodcut and elementary processes of printing. Anticipatory and Imaginary use of gathering Impressions, Fundamental of various methods of taking prints. Observation of Intrinsic texture of various surfaces and the texture of Natural and manmade things. Basic techniques in surface printing in one and more colour, simple methods of block making with wood are linonium, sketching of materials, preparation of surface for various texture and tonal values for multi colour block preparing surface and transferring images and selected materials with advanced techniques of combination of various printing methods. Submission: 16 no. finished works

BVAP-FD.10 COMPUTER (2 Hours per week)

BASICS:Introduction of computer and Study of the fundamentals of the computers. Study of basic knowledge about windows, Software and Hardware and etc. APPLICATION:Introduction of computer application. Study of basics in Drawing, paints etc., practices should be presentation and exercises will be continued. Submission: 16 works in CD format

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Applied Art Structure & Scheme of the Syllabus Annual Scheme 2018-19

1st Year Applied Art

PREAMBLE: The degree of Applied Art in Bachelor of Visual Art (BVA) is to provide the students with the means to become a Communication designer / Visualizer / Graphic Designer / Web Designer / Animator. In expanding area of Communication Design .Where opportunities exist for designers in various field of Communication, i.e., in Advertising, Social Communication, Publication, Education and Animation etc. The knowledge given to the student in theory subjects, Advertising Art or Visual Communication are Important to equip the students to apply this knowledge analytically and creatively towards the field of Communication Design & Animation.

THEORY SUBJECTS

BVAP-AA: 1.1 HISTORY OF ADVERTISING (2 Hours per week)

Module-1: Introduction to Advertising - Village economy- post industrial revolution economy- advertising mass production & transportation- advertising effects everybody- communication, marketing, advertising- advertising is a part of marketing- direct & indirect advertising- description of advertising- qualities of a modern advertising man- advertising & publicity- definition of advertising- advertising an art, a science, a business & a profession- advertising to sell ideas to a nation. Module-2: History of Advertising - Preprinting period: prior to 15th century- early printing period: from 15th century to 1840- period of expansion: from 1840 to 1900-period of consolidation: from 1900 to 1925- period of scientific development: from 1925 to 1945- period of business & social integration: from 1945 to the present. Module-3: The Social and Economic Aspects of Advertising - Advertising business offer employment- advertising promotes freedom of the press- functions of advertising: informative, assurance, convenience, freedom of choice, buyers guide- is the cost of advertising justified?- advertising creates demand and consequently sales- advertising reduces selling cost- advertising can reduce selling price- advertising creates employment- advertising establish reputation and prestige- truth in advertising- advertising tries to raise the standard of living- role of advertising in the society. Module-4: History of Indian Advertising - Advertising for religion-village economy in India- birth of newspaper & advertising- birth of advertising agency- emerge of foreign advertising agency- the growth of Indian advertising agency- growth of commercial art and printing- commercial art influence by the west- scope of creativity in advertising- various organizations connected with advertising- present & future of advertising in India. 16

References:  Dr. G.M. Rege - Advertising Art & Ideas  Dr. S. Luthra - Applied Art Handbook

BVAP-AA: 1.2 HISTORY OF VISUAL COMMUNICATION (2 Hours per week)

Module-1 Communication:- Introduction to Communication - What is communication? –Definition of communication- evolution of communication- system of communication- types of communication- process of communication- functions of communication- status of communication in the society -Introduction to Visual Communication - Verbal & non -verbal - audio & video communication- the formula- the purpose of communication etc., Module-2 Gestures :- Some prominent routine gestures – The Face – The Hand – Body Movement – Technical gestures - The Dance – Indian Mythology – The Dance in India – Bharat Natyam and others. Module-3 Pictures :- Paintings: Painting In India: Ajantha School of Painting – Mughal School of Painting – Rajput School of Painting – Modern Indian Painting – Illustrations – Caricatures and Cartoons and etc. Module-4 Objects :- Architecture, Sculpture and Iconography – Architecture Sculpture and Iconography in India – Costumes – conclusions. Module-5 Symbols :- What are symbols - symbolism in India - conclusions. Module-6 Scripts :- Picture Writing – Ideographic Writing – Transitional Writing – Phonetic Writing – Alphabetic Writing – Calligraphy – Calligraphy in India.

References:  Dr. G.M. Rege - The World of Visual Communication

BVAP-AA: 1.3 INDIAN CONSTITUTION (2 Hours per week)

Module-5 Local Self Government a) Urban Municipalities and Corporations b) Rural Panchayat Raj

Module-6 Special Provisions Relating to certain classes (SC/ S.T, other backward classes and women and children) Module-7 Constitution of the Election-Commission its powers and functions Module-8 a) Emergency Provisions b) Amendment of the Constitution.

PRACTICAL SUBJECTS

BVAP-AA: 1.4 ILLUSTRATION: FIGURE DRAWING (4 Hours per week)

Drawing study of full figure from life model (different age of Male and Female) and from printed magazines and Study of proportion, anatomy and perspective angles with gestures, positions, rendering with different Medias and finished with concept of specific purpose suitable to press advertising designs. Exercises will be continued. Medium: Pencil, pen & ink, monochrome color and mix-media with different techniques, etc. Submission: 16 nos. finished works (half imperial size)

BVAP-AA: 1.5 PRODUCT DRAWING (4 Hours per week)

Preparing the Drawings of different Products and Objects, same to be create with 2D effects. Study of simple products / consumer durables and the same to be finish rendering with black & white / colour tones / flat tones / half tones / collage or mixed media, etc. in different techniques and its application for press advertising design and reproduction purpose. Submission: 08 nos. finished works (quarter size)

BVAP-AA: 1.6 (4 Hours per week) GRAPHIC DESIGN: CORPORATE IDENTITY & STATIONARY

Introduction to Corporate Identity and its purpose study of its application to the various subjects or manufacturing products or consumer products or service – motif. To prepare logo type, monogram and emblem etc. Preparation of designs related to the stationary products like, label, visiting card, letterhead, envelop and cartoon box designs, wrapper, all types of packaging designs etc. Medium: Black & white, colour & mixed media. Submission: 16 nos. finished works (size: suitable to the product)

BVAP-AA: 1.7 TYPOGRAPHIC LAYOUT (4 Hours per week)

The Study of fundamental of different type faces and have the knowledge of legibility of writing, spacing, and readability of typography. Exercises of simple layout as the aspect of composition and perceptive sense of typographic layout. Medium: black & white / color. Submission: 08 half imperial size finished works

BVAP-AA: 1.8 ANIMATION BASICS: 2D DRAWING (4 Hours per week)

Introduction to the Animation and its purpose exercises: drawing of human beings, animals and manmade objects / natures. The sketches and drawing to be practices based on anatomy, proportion and perspective sense. Exercise is to be repeated. Medium: pencil, pen & ink, color markers, color pencils, etc. Submission: Weekly 50 outdoor pencil sketches and 16 nos. finished works (1/4 size)

BVAP-AA: 1.9 COMPUTER GRAPHICS: BASICS (4 Hours per week)

Introduction to Corel draw, Adobe illustrator - practicing the tools & creating special effects. The most impressive art work in the digital media, like drawings, vector arts, designs, logos and corporate designs, etc. The visuals and own concept the illustrated on digital format. Submission: 08 works in CD or DVD format

BVAP-AA: 1.10 BASIC PHOTOGRAPHY (4 Hours per week)

History of photography - introduction and basics of camera - study of photography tools -functions of a camera - handling of camera knowledge of camera’s focal length, aperture, shutter speed, focusing and types of camera and filters. Medium: Black & White / Colour. Submission: Size 16 X 20 inches printed and laminated photograph of a particular subject or as per guidance of subject lecturer.

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Applied Art Structure & Scheme of the Syllabus Annual Scheme 2018-19

2nd Year Applied Art

THEORY SUBJECTS

BVAP-AA:2.1 ADVERTISING ART AND IDEAS (2 Hours per week)

Module-1: Marketing and Market Research - The nature & scope of marketing - the nature and scope of market research- market research & product - market research & production - market research & the market - market research & marketing policies & methods - market research & channels of distribution - market research & selling performances - market research & advertising - market research & competition - market research & product development - motivation research - brand image. Module-2: Campaign Planning - What is campaign? - What is campaign planning? Campaign objectives - factors influencing the planning of advertising campaign - three main decisions in campaign planning - three basic principles of campaign planning - importance of unity & continuity - the advertising appropriation - requirement to fulfill the objectives - launching a new product Module-3: Selection of Advertising Media - Selection of appropriate media - media plan - part of the total marketing & adverting plan - how selection of media is made? Module-4: Advertising in Operation - The advertising department - the market- the marketing policy - public relations department- adverting agency & operation - how the agency works - the account executive- securing the client - selling agency service - collection of relevant data- the marketing & advertising plan - marketing & market research - media planning - advertising plan - the creative department - creative advertising - the studio - the production department- media & scheduling - why the advertising agency service? Module-5: Advertising as a Vocation - List of positions in advertising: advertising agencies - manufacturers - printing houses - market research organizations Module-6: Legal Aspects of Advertising - Status of advertising agents- outdoor advertising - advertisements in newspapers & magazines - cinematography or screen advertisements - radio & television advertising - advertising contracts - consequences of advertising – defamation - slander of goods - passing off - copyright - trademarks - miscellaneous - other laws affecting advertising - puffery & guaranteed advertisements - competitions & crosswords - indecent advertisements.

References:  Dr. G.M. Rege - Advertising Art & Ideas  Dr. S. Luthra - Applied Art Handbook

BVAP-AA: 2.2 VISUAL COMMUNICATION AND MEDIA (2 Hours per week)

Module-1 Poster :- Historical background of the Poster – The advent of the Modern Poster – The Character and Functions of Posters – Conclusion. Module-2 Theatre :- Western Theatres – Other forms – Opera – Ballet – Costume and Masks – Theatre in India – Marthi Theatre (1843 – 1880) – The Glory of 1880-1920 - Conclusion. Module-3 Magazines :- Great Britain - United States - The 19th Century - The 20th Century - Conclusions Module-4 Print media :- Comic Books - Booklets - Leaflets - Merchandising Media and Point of Sale Material - Point of Sale material - Direct Mail - Conclusion. Module-5 Books :- The Greeks Books – Roman Books - Vellum and Codex - Christianity and the Books - The Medieval Books – The Invention of Printing - Printed Illustrations - The 16th Century Books - The Early Modern Book - The Growth of Reading - The Art of the Book - 19th Century Books - The 20th Century Books - Children’s Books - Conclusion. Module-6 Films :- Photography - Sound - Colour - Wide Screens - Film Production - Animated Cartoons – Conclusion.

References: The World of Visual Communication – Dr. G.M. Rege

BVAP-AA:2.3 ENVIRONMENTAL SCIENCE (2 Hours per week)

Module-3: Ecosystems Concept of an ecosystem  Structure and function of an ecosystem.  Producers, consumers and decomposers.  Energy flow in the ecosystem.  Ecological succession.  Food chains, food webs and ecological pyramids.  Introduction, types, characteristic features, structure and function of the following ecosystem a) Forest ecosystem b) Grassland ecosystem c) Desert ecosystem d) Aquatic ecosystems (ponds, streams, lakes, rivers, oceans, Estuaries) Module-4: Biodiversity and its conservation  Introduction – Definition: genetic, species and ecosystem diversity.  Biogeographically classification of India  Value of biodiversity : consumptive use, productive use, social, ethical, aesthetic and option values  Biodiversity at global, National and local levels.  India as a mega-diversity nation  Hot-spots of biodiversity  Threats to biodiversity: habitat loss, poaching of wildlife, man-wildlife conflicts.  Endangered and endemic species of India.  Conservation of biodiversity: In-situ and Ex-situ conservation of biodiversity. Module-5: Environmental Pollution : Definition  Causes, effects and control measures of : a) Air pollution b) Water pollution c) Soil pollution d) Marine pollution e) Noise pollution f) Thermal pollution g) Nuclear hazards i. Solid waste management : Causes, effects and control measures of urban and industrial wastes ii. Role of an individual in prevention of pollution. iii. Pollution case studies. iv. Disaster management: floods, earthquake, cyclone and landslides.

PRACTICAL SUBJECTS

BVAP-AA: 2.4 ILLUSTRATION: COMMUNICATION (4 Hours per week)

Study of human figure drawing with concept of fashion trend suitable to textile industry (advertisement or publicity finished with colour / multi colour / different techniques with creative knowledge and design for fashion world, fashion magazines) aspects of Communication. Exercise: study the sensualities and sophistications practices of human and fashion drawings based on creative techniques. Medium: Pen & Ink, colour markers, mix media, etc. Submission: 16 nos. finished works (half imperial size)

BVAP-AA: 2.5 PRODUCT: 2D DESIGN APPLICATION (4 Hours per week)

Advanced study of different products / consumer durables and the same to be finish. Rendering with colour tones / flat tones / half tone / mixed media, etc. With reference to actual consumer products in different techniques and its application for press advertising design and reproduction purpose are finished with manually and computer graphic. Submission: 08 nos. finished works (quarter / A3 size)

BVAP-AA: 2.6 GRAPHIC DESIGN: PRESS ADS AND POSTER (4 Hours per week)

Introduction and study of Press Ads. The basic elements and components of press ads / layout design and practice of preparation of press ad - designs of simple products or consumer durable etc., finish the same suitable media for press or magazine advertisement. Submission: 05 nos. Finished works (suitable size)

Introduction to basic components of indoor & outdoor poster designs. Study of the basic elements and of Poster design and practice of preparation of poster designs with simple products or consumer durable or different subject. Finish the same with different technique and medium for print media (with new technique like vinyl process). Submission: 05 nos. Finished works (suitable size)

BVAP-AA: 2.7 CALLIGRAPHIC LAYOUT (4 Hours per week)

Introduction to calligraphy- importance of calligraphy- creating new calligraphic font’s style (in various languages of Kannada, Hindi, English, Tamil and Telugu or available literature etc.,) - Exercises of designing calligraphic layouts, for greeting cards, menu, certificates etc., with decorative style. Medium: Calligraphic pen (with B&W / colour with different technique) Submission: 12 nos. finished works (quarter size)

BVAP-AA: 2.8 ANIMATION BASICS: 2D CARTOON ART (4 Hours per week)

Introduction to Cartoon Art - Practice of drawing with characters & study of male, female, youngster and Children drawings with different actions etc. Medium: Pencil, pen & ink, colour markers, colour pencils. Submission: Weekly 50 outdoor pencil sketches and 16 nos. finished works (1/4 size)

BVA-AA: 2.9 COMPUTER GRAPHICS: FLASH (4 Hours per week)

Introduction to Adobe Photoshop - practicing the tools and to develop skills in creating images, photographs, layout designs for press media, poster and others media etc. Creative Visualization for the better understanding of Print and Publishing Media. Introduction to Adobe Flash - practicing the tools & creating a short animation clips, to develop skills in creating flash animation, presentation, special effects, and others etc.Exercises to be continued. Submission: 08 works in CD or DVD format

BVA-AA:2.10 DIGITAL PHOTOGRAPHY (4 Hours per week)

Introduction to Digital Photography - Practice of various consumer durables / manufacturing products, portrait and full figure of modeling (like traditional, fashion application for different subjects) etc. Medium: Black & White / colour with special effects. Submission: Size 20 X 30 inches printed and laminated photograph of a particular subject or as per guidance of subject lecturer.

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Applied Art Structure & Scheme of the Syllabus Annual Scheme 2018-19

3rd Year Applied Art

THEORY SUBJECTS

BVAP-AA: 3.1 CREATIVE ADVERTISING (2 Hours per week)

Module-1: Advertising Planning and Execution - Ideas soul of advertising- unique selling point of product- how product analyses are made? – applications of USPs- basic human motives that make people act- desire & hope- basic human desire that relate to advertised product Module-2: Executing the Theme Creatively - What is copy platform? – Copy writing- functions of advertising copy- basic ingredients of copy- approach of writing the headlines- text copy Module-3: Visualization: Invention of advertising ideas- advertising must be such that it is capable of easy perception - advertising must be interesting- advertising must use the best presentation techniques Module-4: Principles of Design - The law of balance- the law of rhythm- the law of emphasis- the law of unity- the law of simplicity- the law of proportions- eye direction- use of white space- simplicity- proportion layout Module-5: Picture V/S Words - Communication- nonverbal symbology- the importance of picture in advertising- functions of picture - analysis of picture subject- pictures is most interesting to children and different age groups- interesting factor governing pictures Module-6 Types of Advertisements - The reminder - the prestige - the humorous - the consumer - the distributor’s - the retailer’s - the travel & entertainment ads - co-operative ads - advertisements by government and public section

References:  Dr. G.M. Rege - Advertising Art & Ideas

BVAP-AA:3.2 (2 Hours per week)

HISTORY OF DESIGN AND ART OF ELECTRONIC AGE

Module-1: Advertising on Television: Introduction - Advertising on Television - Broadcast Television - Cable Television Advantages and limitations of Broadcast Television -Advantages and limitations of Cable Television etc. Planning Television Advertising: Measuring Television Audiences - Selecting Time periods - Understanding Television Advertising Rates - Placing Television Ads. Module-2: Animation Computer Generated Imagery: The work flow process - pitching the project - story board - objects - science & caricatures - motions

Module-3: Graphic Design Theory: Classic graphic design theory - human & Computer interface design Module-4: Scope of Industrial Design: Definition- introduction- process of design - industrial design rights Module-5: Textile Design: Introduction & scope of textile design - types of textile designs - process of textile designs - impact of textile design on public Module-6: Creative Process in Advertising: Introduction Creativity in Advertising - The Creative Process - Summary. Module-7: Designing & Television Advertising: Introduction - Choosing a format - Designing the page - working with Audio & Visual elements - visualizing the commercial - Summary.

References:  Dr. G.M. Rege - Advertising Excellence  Dr. G.M. Rege - Ogilvy on Advertising

PRACTICAL SUBJECTS

BVAP-AA: 3.3 ILLUSTRATION: STORY BOARD (4 Hours per week)

Introduction and the purpose of the story board. Preparation of drawings and compositions of based on figure drawing with colour scheme and with different situations for the various subject of consumer products or other any related subjects. (Frames - 04 to 10 nos. with required size) Exercise: Based on epical story illustrations -for magazine & newspaper, TV Commercial etc. Medium: Any media and advanced technology can be used for the final works. Submission: 08 nos. manually finished work (1/4 size)

BVAP-AA: 3.4 PRODUCT DESIGN: 3D APPLICATION (4 Hours per week)

Study of 3D design applications of consumer products / durables and to create in 3D format, suitable media and materials. Exercises to be continued. Medium: Thermo-cool, Straw-board, wax, white clay, any craft material & fiber casting etc. Submission: 08 nos. manually finished works

BVAP-AA: 3.5 GRAPHIC DESIGN: CAMPAIGN PLANNING (4 Hours per week)

Study of the campaign planning strategy and practice with preparing a serial campaign designs for a new launching products in the market with corporate identity - press media - outdoor media and other medias (Note: importance should be given for idea - visual concept and rendering style with original creativity). Medium: suitable to subjects conditions. Submission: 12 nos. finished work all media.

BVAP-AA: 3.6 (4 Hours per week) CREATIVE TYPOGRAPHIC AND CALLIGRAPHIC LAYOUT

Advanced practice of the creativity in typographic & calligraphic layouts with its different Indian languages - suitable to print ads, like press ad, poster, hoarding, and various purposes. Medium: Suitable to the subjects (with perspective sense) Submission: 12 nos. finished work (half imperial size)

BVAP-AA: 3.7 ANIMATION BASICS: 2D CHARACTER DESIGN (4 Hours per week)

Introduction to Character Design - Study and practice and prepare of simple drawings for character design for animation process based on particular characteristics of the related subjects and practices repeated reference to the human, animals and objects and from nature etc. Exercise: Practice of human & animal caricature with anatomical construction and proportion along with the study of facial expressions with different actions etc. Medium: Pencil, pen & ink, colour markers, colour pencils. Submission: Weekly 50 outdoor pencil/pen sketches and 16 nos. finished work (1/4 size)

BVAP-AA: 3.8 COMPUTER GRAPHICS: WEB DESIGNING (4 Hours per week)

Introduction to web designing - the presentation, web page designing, advanced web designing and web animation and effects as well as animated banner designing. The bright future in the different product or service to works. Submission: 04 nos. Project works with presentation in CD or DVD format

BVAP-AA: 3.9 DISPLAY AND VIVA-VOCE (4 Hours per week)

The Students should display their selected works of all subjects (3 years degree) at the time of central valuation and to attend viva-voce exam is compulsory.

BVAP-AA: 3.10 CREATIVE PHOTOGRAPHY (4 Hours per week)

Preparation of T.V Commercials for various consumer products / service and prepare a short films based on Creative Photography and Videography within the available facility of the institution. Submission: Min. 04 nos. format of CD or DVD (short film for T.V. Commercial and Photographs by each team work of min 2 to 4 nos. students)

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Painting Structure & Scheme of the Syllabus Annual Scheme 2018-19

1st Year Painting Objective: The objective of the specialization course in painting is to provide training in the skills for original and creative visual expression. It is planned with the conviction that the technical competence provides the most satisfactory foundation for creative and visual expression of experience thoughts and drinks which stimulate once vision to new realities it is intend that the student are exposed to all schools traditions, techniques and medial of painting practiced from the early to the modern times, the course would see to cultivate and individual personality and a professional responsibility in the students, drawing and painting still like from life (Portrait and fall figure and outdoor) composition and subsidiary subject of computer studies print making, mural weaving in practical and aesthetics, history of art and method and materials as theory papers are studied over the three years of the course.

THEORY SUBJECTS

BVAP-PA: 1.1 INDIAN ART (2 Hours per week)

Ancient Indian Art - Pre-Historic Art of India - Bimbetca, Harappa Mohenjo-Daro etc. Mouryan Sculptures and architecture - sunga, andra and later periods at Bharhut, Sanchi and Bodhgaya, Amaravati, Nagarjunakonda etc. - Mathura Sculpture - Gandara Sculptures - Kushan and later periods. Rajasthani Miniature paintings, Jain Miniature paintings, Mughal art and architecture, Deccani paintings, - Art, architecture and sculptures at Khajuraho - Architecture and sculptures at Ellora - Elephanta caves, Architecture and sculptures in Badami, Chalukayan period, Vijayanagara period etc.

Reference:  Zimmer H - Myths and Symbols in Indian Art  George Michell - The Hindu Temple: An Introduction to its Meaning and Forms  Ganguly O.C. - The Art of the Pallavas  Raymond Burnier - Hindu Medieval Sculpture  George Michell - The South Indian Temple Style  Edith Tomorry - Fine Arts in India and the West

BVAP-PA: 1.2 INDIAN AESTHETICS (2 Hours per week)

Scope of Indian Aesthetics and psychology - Rasa theory of Bharata - Study on Bhatta lollata - Dhvani theory of Anandavardhana - Theory of Abhinavagupta - Study on Advaita theory - Dvaita theory - Vishistadvaita theory - Sankhya theory - Sufi theory - Theory of Ananda K. Kumaraswamy - Theory of Rabindranath Tagore.

Reference:  Shivarudrappa G.S. - Soundarya Shamikshe  Published by K.L.K.A - Soundarya Shastra  Gnoli R - The Aesthetics Experience According to Abhinavagupta  Ghosh, Man Mohan - Natya Sastra of Bharata

BVAP-PA: 1.3 INDIA CONSTITUTION (2 Hours per week)

Module-1 Spirit of the Constitutions a) Nature and Features of Indian Constitution b) Rule of Law c) The preamble d) Citizen ship Module-2 Citizen and the Constitution a) Fundamental Rights b) Directive Principles of State Policy c) Fundamental Duties Module-3 Union Government a) President, his powers and Functions b) Council of Ministers c) Parliament d) Supreme Court Module-4 State Government a) Governor and Council of Ministers b) Legislature c) High Court and Subordinate Courts Module-5 Local Self Government a) Urban Municipalities and Corporations b) Rural Panchayat Raj Module-6 Special Provisions Relating to certain classes (SC/ S.T, other backward classes and women and children) Module-7 Constitution of the Election-Commission its powers and functions Module-8 a) Emergency Provisions b) Amendment of the Constitution.

PRACTICAL SUBJECTS

BVAP-PA: 1.4 PORTRAIT PAINTING (4 Hours per week)

Study of human figure. Specially the head on colour delineation of character of expression, gesture and posture individual interpretation. Rendering of drapery, Manner of execution advance studies complete with foreground and background, character and expression, composition in model different setting. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 1.5 PICTORIAL COMPOSITION (4 Hours per week)

Pictorial space and horizon line arrangement 2D and 3D, sub division and grouping. Composition based on objects, figures, interiors and landscape development of pictorial design into content oriented painting with representational aspect, student should be expose to various schools of traditional Indian painting detailed copy of miniature paintings from chosen style. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 1.6 MURAL DESIGN (4 Hours per week)

Advance exercises in design for mural, practice in use of different, tempera, terracotta, fresco and mosaic, workout sample projects in each relationship design and materials. Submission: 4 no. finished works

BVAP-PA: 1.7 NATURE DRAWING (4 Hours per week)

Study of nature and Natural structure observed in trees plants, Flowers, Animals, Insects, Rock etc., and rendering through various medial like pencil, charcoal, pen and ink. Study of shapes and volumes in Isolation and In group under varied conditions, in study of geometrical solids rendering of linear perspective introduction to parallel and angular perspective. Drawing from Indian and western antiques and icons. Study of human anatomy in details actions and movements of the human body with relevant structural changes, general study of animal anatomy. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 1.8 (4 Hours per week) RE-PRODUCTION OF INDIAN MASTERS’ PAINTING

Study in Indian Master Paintings like Ravivarma, S.M. Pandith, K. Venkatappa, Abanindranath Tagore, A.R. Chikatas and others. Modern trend arts by M.F. Hussain, Ravindranath Tagore, R.M. Hadapad, Adimulam and K.G. Subramanyam, etc. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 1.9 COMPUTER GRAPHICS: BASICS (4 Hours per week)

BVAP-PA: 1.10 JAIN AND DECCANI PAINTING (4 Hours per week)

Line drawing composition based on Jain Painting from miniature of Dhavalagiri, Mudabidri etc. Study from deccani miniature paintings, Style with emphasis on forms and using a media for expression.

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Painting Structure & Scheme of the Syllabus Annual Scheme 2018-19

nd 2 Year Painting

THEORY SUBJECTS

BVAP-PA: 2.1 WESTERN ART (2 Hours per week)

Art of Mesopotamia, Art of Sumeria, Art of Assyria, Egyptian art - sculpture and architecture - Greek art, sculpture and architecture - Roman art, sculpture and architecture, Etruscan art, early Christian art, Byzantine art, Romanesque art, painting, sculpture and architecture of renaissance period.

References:  Fine Arts in India and the West - Edith Tomorry.,  Michael Sullivan - Meeting of Eastern and western Art  Frederick - From Renaissance to Romanticism  Peter Burke - The Italian Renaissance: Culture and Society in Italy  Published by K.S.K.A., Volume 1 - Kalacharitre

BVAP-PA: 2.2 WESTERN AESTHETICS (2 Hours per week)

Theory of Plato - Art and Beauty theory of Aristotle - Theory of Plotinus - Theory of St. Augustine - Art and Beauty theory of Francis Bacon - Theory of David Hume - Theory of Baum Garten - Art and Beauty theory of Immanuel Kant - Art and Beauty theory of Hegel - Art and Beauty theory of Croce - Art and Beauty theory of Clive bell - Theory of Sigmund Fried - Theory of Tolstoy.

References:  Shivarudrappa G.S. - Soundarya Shamikshe  Published by K.L.K.A - Soundarya Shastra  Bhairappa S.L. - Satya mattu Soundarya  Will Durant - Story of Philosophers  Santayan - Sense of Beauty

BVAP-PA: 2.3 ENVIRONMENTAL SCIENCE (2 Hours per week)

Water resources: Use and over-utilization of surface and ground water, floods, drought, conflicts over water, dams benefits and problems. Mineral resources: Use and exploitation, environmental effects of extracting and using mineral resources, case studies. Food resources: World food problems, changes caused by agriculture and overgrazing, effects of modern agriculture, fertilizer-pesticide problems, water logging, salinity, case studies. Energy resources: Growing energy needs, renewable and non-renewable energy sources, use of alternate energy sources, Case studies. Land resources: Land as a resource, land degradation, man induced landslides, soil erosion and desertification  Role of an individual in conservation of natural resources.  Equitable use of resources for sustainable lifestyles. Module-3: Ecosystems Concept of an ecosystem  Structure and function of an ecosystem.  Producers, consumers and decomposers.  Energy flow in the ecosystem.  Ecological succession.  Food chains, food webs and ecological pyramids.  Introduction, types, characteristic features, structure and function of the following ecosystem a) Forest ecosystem b) Grassland ecosystem c) Desert ecosystem d) Aquatic ecosystems (ponds, streams, lakes, rivers, oceans, Estuaries) Module-4: Biodiversity and its conservation  Introduction – Definition: genetic, species and ecosystem diversity.  Biogeographically classification of India  Value of biodiversity: Consumptive use, productive use, social, ethical, aesthetic and option Values  Biodiversity at global, National and local levels.  India as a mega-diversity nation  Hot-spots of biodiversity  Threats to biodiversity: habitat loss, poaching of wildlife, man-wildlife conflicts.  Endangered and endemic species of India.  Conservation of biodiversity: In-situ and Ex-situ conservation of biodiversity. Module-5: Environmental Pollution : Definition  Causes, effects and control measures of : a) Air pollution b) Water pollution c) Soil pollution d) Marine pollution e) Noise pollution f) Thermal pollution g) Nuclear hazards i. Solid waste management : Causes, effects and control measures of urban and industrial wastes ii. Role of an individual in prevention of pollution. iii. Pollution case studies. iv. Disaster management: floods, earthquake, cyclone and landslides.

PRACTICAL SUBJECTS

BVAP-PA: 2.4 LIFE PAINTING (4 Hours per week)

Exercise in finishing and rendering life painting natural study of workmanship and style of great masters, students should be encouraged to develop the awareness of pictorial organization. Stress on character of the model. The study of structural organization of human forms of different age groups with anatomical construction. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVA-PAP: 2.5 CREATIVE COMPOSITION (4 Hours per week)

Making of finished painting in a selected medium, best suited to individual needs to acquire requisite skills and develop their imagination and creativity in compositional exercises to understanding the advanced technique of painting. Analytical study of objective forms for theoretic development in painting. Exercises in use of colours, values and texture. Composition exercises based on studies of object or group of objects in space. Compositional analysis of painting. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 2.6 CREATIVE MURAL DESIGN (4 Hours per week)

Exercise in different materials basic design for murals in terracotta and fresco, mosaic, plastic, wood, metal and mixed media and their study of different techniques and presentational limitation. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 2.7 FIGURE DRAWING (4 Hours per week)

Exercise in finishing and rendering life drawing, natural study of workmanship and style of great masters, students should be encourage to develop the awareness of pictorial organization stress on character of the model, the study of structural organizations human forms of different age groups with anatomical construction. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour Submission: 16 no. finished works

BVAP-PA: 2.8 (4 Hours per week) RE-PRODUCTION OF WESTERN MASTERS’ PAINTING

Study in Western Master’s Painting like Pre-historic Art, Rococo, Romantic, Realism Paintings and Modern artist styles. Cubism, Fauvism, Expressionism etc. western famous artists painting reproduction and techniques of painting composition treatment of colour etc. Submission: 16 no. finished works

BVAP-PA: 2.9 COMPUTER GRAPHICS: FLASH (4 Hours per week)

Introduction to Adobe Photoshop - practicing the tools and to develop skills in creating images, photographs, various designs, painting, poster and others media etc. Introduction to Adobe Flash - practicing the tools & creating a short animation clips, to develop skills in creating flash animation, presentation, special effects, and others etc. Exercises to be continued. Submission: 08 works in CD or DVD format

BVAP-PA: 2.10 MUGHAL AND RAJPUT PAINTING (4 Hours per week)

Development of miniature painting into content oriented painting with representational aspect, students should be exposing to various school of traditional painting in Rajput style of Bundi, Malva, Mevar and expose to Mughal miniature style.

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Painting Structure & Scheme of the Syllabus Annual Scheme 2018-19

rd 3 Year Painting

THEORY SUBJECTS

BVAP-PA: 3.1 (2 Hours per week) COMPARATIVE STUDY OF INDIAN AND WESTERN ART

Comparative study on the basic art principles of Indian and western art - Style - Composition pattern, art ideology etc. influence of company painting on Indian art - its comparative study, influence of Greek - Roman art and sculpture on Indian art - its comparative study, Comparative study in brief on western modern art and Indian modern art.

Reference:  Tomorry E. - Introduction to the History of Fine Arts in the West  Edith Tomorry - Fine Arts in India and the West  Krishna Chaithanya - History of Indian Painting  Rustam J. Mehta - Handicrafts and Industrial Arts of India  Pupul Jayakar - The Earthern Drum-an Introduction to the Ritual India  Shanth Swarop - 5000 years of Arts and Crafts in India and Pakistan  Irving Sandler - Art of Post Modern Era - Late 1960’s to 1990’s

BVAP-PA: 3.2 (2 Hours per week) COMPARATIVE STUDY OF INDIAN AND WESTERN AESTHETICS

Study on the basic principles of Indian and western aesthetics, study on ancient Greek aesthetic theories and ancient Indian aesthetic theories. Role of mind in aesthetic experience - western and Indian thoughts. comparative study on Indian modern aesthetics theories and western modern aesthetic theories.

Reference:  Shivarudrappa G.S. - Soundarya Shamikshe  Published by K.L.K.A - Soundarya Shastra  Bhairappa S.L. - Satya mattu Soundarya  Will Durant - Story of Philosophers  Santayan - Sense of Beauty

PRACTICAL SUBJECTS

BVAP-PA: 3.3 CREATIVE LIFE PAINTING (4 Hours per week)

Advanced study of human figures with emphasis on the delineation of character in term of variation of physique and expression gesture and posture individual interpretation, harmony of drawing rendering of drapery. He student efforts to acquire requisite skills and develop their imagination and creative in life painting exercises to understand the advance techniques of creative life painting. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour. Submission: 16 no. finished works.

BVAP-PA: 3.4 CONTEMPORARY PAINTING (4 Hours per week)

Compositions (thematic, subjective, or abstract) exploration of various phases of contemporary painting and aesthetic principles in order to develop a distinct personal style advance study of organization of visual space volume in relation to form, colour and space. Figurative and non- figurative composition. Use of various media to create various contemporary composition. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour. Submission: 16 no. finished works

BVAP-PA: 3.5 CONTEMPORARY MURAL DESIGN (4 Hours per week)

Advance exercises in design for mural picture in use of different materials, use of media such as terracotta, ceramics, steel, fiber glass, cement wood mosaic for mural composition on contemporary aspects and study of different mural techniques and their presentational limitation. Methods and media, technical exercises preparatory exercises to classify each students methods of visualization enlargement from preparatory and sealed drawing, one big mural for college or university campus. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour. Submission: 16 no. finished works

BVAP-PA: 3.6 CREATIVE DRAWING (4 Hours per week)

Study in figure and group with imposes on contemporary drawing and on the development of a personal idiom. Compositions (thematic, subjective, or abstract) exploration of various phases of contemporary drawing and aesthetic principles in order to develop a distinct personal style advance study of organization of visual space volume in relation to form, tones and space. Figurative and non-figurative composition. Use of various media to create various contemporary compositions. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour. Submission: 16 no. finished works

BVAP-PA: 3.7 MINIATURE PAINTING (4 Hours per week)

Development of miniature painting into content oriented painting with representational aspect students should be exposed to various schools of traditional Indian paintings, Mewar, Malva, Bundi, Kishangar, Mughal miniatures etc, detail of miniature paintings from chosen style. Medium: Poster colour, Water colour, Acrylic colour and Oil Colour. Submission: 16 no. finished works 36

BVAP-PA: 3.8 COMPUTER GRAPHICS: ADVANCED (4 Hours per week)

Advanced study of Adobe Photoshop and Adobe in-design practicing the tools and to develop skills in creating images, photographs, textile designs, creative painting, background design, 3D design and special effects etc. The visuals and own concept the illustrated on digital. Exercises to be continued. Submission: 08 works in CD or DVD format

BVAP-PA: 3.9 DISPLAY AND VIVA-VOCE (4 Hours per week)

The Students should display their selected works of all subjects (3 years degree) at the time of central valuation and to attend viva-voce exam is compulsory.

BVAP-PA: 3.10 TANJORE AND MYSORE PAINTING (4 Hours per week)

Line drawing and painting composition based on Tanjore and Mysore Traditional Style painting with emphasis on characters of various style and techniques of Tesso, gold leaf coloring etc.

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Sculpture Structure & Scheme of the Syllabus Annual Scheme 2018-19

1st Year Sculpture

BVAP-SC: 1.1 INDIAN ART (2 Hours per week)

Reference:  Zimmer H - Myths and Symbols in Indian Art  George Michell - The Hindu Temple : An Introduction to its Meaning and Forms  Ganguly O.C. - The Art of the Pallavas  Raymond Burnier - Hindu Medieval Sculpture  George Michell - The South Indian Temple Style  Edith Tomorry - Fine Arts in India and the West

BVAP-SC: 1.2 INDIAN AESTHETICS (2 Hours per week)

Reference:  G.S. Shivarudrappa - Soundarya Shamikshe  Published by K.L.K.A - Soundarya Shastra  Gnoli R. - The Aesthetics Experience According to Abhinavagupta  Ghosh, Man Mohan - Natya Sastra of Bharata

BVAP-SC: 1.3 INDIA CONSTITUTION (2 Hours per week)

PRACTICAL COURSES

BVAP-SC: 1.4 ANTIQUE DRAWING (4 Hours per week)

Drawing from Antique and other objects from different angles. Analysis of Antique and objects as line, form, plane and light, transformation of the objects into variety of simple and complex, tones and organization. Drawing from Indian icons and antiques study of anatomy. Submission: 16 no. finished works

BVAP-SC: 1.5 MURAL DESIGN (4 Hours per week)

Study of different mural techniques and their presentational limitation. Study of methods and media technical exercises preparatory exercises, to classify each student’s methods of visualization. Enlargement from preparation and scaled drawing exercises in different materials. Submission: 08 no. finished works

BVAP-SC:1.6 COMPOSITION (4 Hours per week)

Sculptural studies in relation with both architectural natural surroundings, in relief and round, execution of them are suitable medium to the conceived scale. Submission: 08 no. finished works

BVAP-SC: 1.7 PORTRAIT (4 Hours per week)

Principles of modeling a head in clay in the round additive method. Study from portrait of different age groups. Showings characteristics of planes, soft, hard and rounded forms. Submission: 08 no. finished works 39

BVAP-SC: 1.8 TERRACOTTA (4 Hours per week)

Preparation of clay as material for terracotta, various methods of relief decoration. Pottery in clay firing, Kiln designing, leading and application of temperature for baking. Submission: 06 no. finished works

BVAP-SC: 1.9 COMPUTER GRAPHICS: BASICS (4 Hours per week)

BVAP-SC: 1.10 POTTERY (4 Hours per week)

Students will be required to further develop their working approach and thus throw light upon the relationship between creative technology and experimental pottery making, preparation of clay as material of relief decoration pottery in clay firing kiln designing handling and application of temperature for baking. Submission: 08 no. finished works

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Sculpture Structure & Scheme of the Syllabus Annual Scheme 2018-19

2nd Year Sculpture

BVAP-SC: 2.1 WESTERN ART (2 Hours per week)

BVAP-SC: 2.2 WESTERN AESTHETICS (2 Hours per week)

BVAP-SC:2.3 ENVIRONMENTAL SCIENCE (2 Hours per week)

Module-1: The Multidisciplinary nature of environmental studies Definition, scope and importance need for public awareness. 41

Module-2: Natural Resources Renewable and non-renewable resources: Natural resources and associated problems. Forest resources: Use and over-exploitation, deforestation, case studies. Timber extraction, mining, dams and their effects on forests and tribal people. Water resources: Use and over-utilization of surface and ground water, floods, drought, conflicts over water, dams benefits and problems. Mineral resources: Use and exploitation, environmental effects of extracting and using mineral resources, case studies. Food resources: World food problems, changes caused by agriculture and overgrazing, effects of modern agriculture, fertilizer-pesticide problems, water logging, salinity, case studies. Energy resources: Growing energy needs, renewable and non renewable energy sources, use of alternate energy sources, Case studies. Land resources: Land as a resource, land degradation, man induced landslides, soil erosion and desertification  Role of an individual in conservation of natural resources.  Equitable use of resources for sustainable lifestyles. Module-3: Ecosystems Concept of an ecosystem  Structure and function of an ecosystem.  Producers, consumers and decomposers.  Energy flow in the ecosystem.  Ecological succession.  Food chains, food webs and ecological pyramids.  Introduction, types, characteristic features, structure and function of the following ecosystem a) Forest ecosystem b) Grassland ecosystem c) Desert ecosystem d) Aquatic ecosystems (ponds, streams, lakes, rivers, oceans, estuaries) Module-4: Biodiversity and its conservation  Introduction – Definition: genetic, species and ecosystem diversity.  Biogeographically classification of India  Value of biodiversity : consumptive use, productive use, social, ethical, aesthetic and option values  Biodiversity at global, National and local levels.  India as a mega-diversity nation  Hot-spots of biodiversity  Threats to biodiversity: habitat loss, poaching of wildlife, man-wildlife conflicts.  Endangered and endemic species of India.  Conservation of biodiversity: In-situ and Ex-situ conservation of biodiversity.

Module-5: Environmental Pollution Definition  Causes, effects and control measures of : a) Air pollution b) Water pollution c) Soil pollution d) Marine pollution e) Noise pollution f) Thermal pollution g) Nuclear hazards

i. Solid waste management : Causes, effects and control measures of urban and industrial wastes ii. Role of an individual in prevention of pollution. iii. Pollution case studies. iv. Disaster management: floods, earthquake, cyclone and landslides.

PRACTICAL SUBJECTS

BVAP-SC: 2.4 CREATIVE DRAWING (4 Hours per week)

Study of Drawing from nature like animals incidents of daily life and other any objects from the nature with creativity expressions suitable to the sculpture of 2D or 3D aspects. Submission: 12 no. finished works

BVAP-SC: 2.5 MULTIPLE CASTING (4 Hours per week)

Flexible mould with the help of gelatin roller composition rubber etc., Process of piece moulding taking a caste of it, plaster of cement designing of sculpture in relation to architecture relief and three Dimensional. Submission: 08 no. finished works

BVAP-SC: 2.6 CREATIVE COMPOSITION (4 Hours per week)

Compositions abstract or based on relevant subjects and the environment with creativity and supported by preparatory studies and techniques for developing individual creative expression. Submission: 08 no. finished works

BVAP-SC: 2.7 STUDY FROM LIFE (4 Hours per week)

Life study (male and female) building of armature studies in drawing and modeling in clay from life understanding of structure and proportions waste mould and casting full figure study in clay with emphasis an character proportions and human anatomy. Submission: 08 no. finished works

BVAP-SC: 2.8 WOOD CARVING (4 Hours per week)

Marquette for carving and elaborate practice for skillful handling of tools and materials.Preparation the Marquette is for the wood carving work, wood inlay, drawing handling the tools study of different types of wood from a design one composition using bird, animal or human figure in round and relief suitable for wood. Advanced study of Marquette for wood carving and elaborate practice for skillful preparation of the Marquette in wood inlay and study of different types of wood from a design, composition using in round and relief styles suitable for wood. Submission: 08 no. finished works

BVAP-SC: 2.9 COMPUTER GRAPHICS (4 Hours per week)

Introduction to Adobe Photoshop practicing the tools and to develop skills in creating images, photographs, various designs, painting, poster and others media etc. Introduction to Adobe In-design - practicing the tools & creating a book design, to develop skills in creating a lettering style, presentation, special effects, and others etc. Exercises to be continued. Submission: 08 works in CD or DVD format

BVAP-SC: 2.10 STONE CARVING (4 Hours per week)

1. Nature of stone soft and hard: types of stone, carving by direct method indirect carving by pointing device and in cage method for processional experience. 2. Nature of Stone and its possibilities in sculpture in round and relief composition suitable for open air Marquette’s foster visualizing of a composition within a given black, exercises with plaster and clay blocks methods of carving by stages.

Advanced study of - nature of stone soft and hard: types of stone, carving by direct method indirect carving by pointing device and in cage method for processional experience. Nature of Stone and its possibilities in sculpture in round and relief composition suitable for open air Marquette’s foster visualizing of a composition within a given black, exercises with plaster and clay blocks methods of carving by stages. Submission: 06 no. finished works

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Sculpture Structure & Scheme of the Syllabus Annual Scheme 2018-19

3rd Year Sculpture

THEORY SUBJECTS BVAP-SC: 3.1 (2 Hours per week) COMPARATIVE STUDY OF INDIAN AND WESTERN ART

Comparative study on the basic art principles of Indian and western art - Style - Composition pattern, art ideology etc. influence of company painting on Indian art - its comparative study, influence of Greco - Roman art and sculpture on Indian art - its comparative study, Comparative study in brief on western modern art and Indian modern art.

BVAP-SC: 3.2 (2 Hours per week) COMPARATIVE STUDY OF INDIAN AND WESTERN AESTHETICS

PRACTICAL SUBJECTS

BVAP-SC: 3.3 CREATIVE SCULPTURE (4 Hours per week)

Preparatory studies and exercises clarifying and developing methods and model of expression. Exercises based on the surrounding including human beings. Submission: 08 no. finished works

BVAP-SC: 3.4 METAL CASTING (4 Hours per week)

Metal casting in lost-wax process finishing and patina-theory of metal casting. Melting points of different metals oxygen and acetylene welding and its scope for sculpture materials and equipment used, electric welding etc. Submission: 08 no. finished works

BVAP-SC: 3.5 INSTALLATION (4 Hours per week)

Students are expected to explore the composition with various mixed media in order to utilize this freedom and understanding the demand of sculpture composition. Further, this sense of composition can be applied to derive and construe installation art space, site and time specific art and anatomy of various dimensions. Introduce design that connects sculpture within the context of interdisciplinary attitude between fine art / architectures. Class / studio -4 completed sculptures work in any experimental media. One installation work to be practically conceptualized. 20 drawings of composition along with basic idea of understanding installation art. Submission: 08 no. finished works

BVAP-SC: 3.6 COMPOSITION LIFE STUDY (4 Hours per week)

Composition in clay suited for a particular medium creative composition. Life study (male and female) building of armature, studies in drawing and modeling in clay from life understanding of structure and proportion waste mould and casting full figure study in drawing and modeling in clay from (male and female) with emphasis on character proportion and human anatomy. Submission: 08 no. finished works

BVAP-SC: 3.7 STONE CARVING (4 Hours per week)

BVA-SC: 3.8 COMPUTER GRAPHICS: ADVANCED (4 Hours per week)

BVA-SC: 3.9 DISPLAY AND VIVA-VOCE (4 Hours per week)

The Students should display their selected works of all subjects (3 years degree) at the time of central valuation and to attend viva-voce exam is compulsory.

BVA-SC: 3.10 WOOD CARVING (4 Hours per week)

Advanced study of Marquette for wood carving and elaborate practice for skillful preparation of the Marquette in wood inlay and study of different types of wood from a design, composition using in round and relief styles suitable for wood. Submission: 08 no. finished works

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Animation & Multimedia Structure & Scheme of the Syllabus Annual Scheme 2018-19

1st Year Animation & Multimedia

THEORY SUBJECTS

BVAP-AM:1.1 HISTORY OF ANIMATION & AESTHETICS (2 Hours per week)

Unit -1: Introduction, what is the Nature of Animation, Is it fine art?, entertainment? or both?, The Discovery of Animation, The Early Years, Early tools and Techniques of Animation, The Pioneers in Animation. Absolute Animation: Mystical Visions, Abstract Animation, The Walt Disney Studio, European Influences on Early Disney Feature Films, The Golden Age of Animation, Early Indian animation and artists, Animation in Asia Unit -2: Vocabulary of Animation, Composition of Movement, The Definition of Animation, Animation techniques, Animation pipeline. Preproduction- Idea, Story, R&D, Script to screenplay, Storyboards. Production-Layout, 3DModel, Texturing (Surfacing), Rigging/setup, Animation, 3D Visual effects, Lighting and Rendering and Post production – Color Correction, Audio Video Editing, Final Output. Unit- 3: Case studies- Early Disney, Fleischer Studios, Warners Bros & MGM studios, UPA Studios, Eastern Europe, Animation in Japan (Manga style), Late Disney, Pixar Studios, Dreamworks animation studios. Unit- 4: Scope of Indian Aesthetics and psychology - Rasa theory of Bharata- Study on Bhattalollata - Dhvani theory of Anandavardhana.- Theory of Abhinavagupta - Study on Advaita theory - Dvaita theory Unit- 5: Vishistadvaita theory - Sankhya theory - Sufi theory -Theory of Ananda K. coomaraswamy - Theory of Rabindranath Tagore.

BVAP- AM:1.2 VISUAL COMMUNICATION & SOFT SKILLS (2 Hours per week)

Unit-1: Interpersonal communication: Theories and models- Transactional analysis. Unit-2: Verbal communication and Non -Verbal communication theories and models, Types of Non- Verbal behaviour Kinesics. Unit-3: Group communication: Theories and Models- Decision Making Process, Leadership and team work, Communication patterns in group context. Unit-4: Public communication; Rhetoric model, persuasion models, Ideation and creative thinking: Lateral thinking, Designing Messages for different audiences.

Text book: Wood, Julia T: Communication Mosaics: An introduction to the field of Communication, 2001, wards worth. Larson, Charles, Persuasion-Reception and Responsibility Wards.

BVAP-AM:1.3 INDIAN CONSTITUTION (2 Hours per week)

PRACTICAL SUBJECTS

BVAP-AM: 1.4 PRINCIPLES OF DRAWING IN ANIMATION (4 Hours per week)

Unit-1: Basic Principles of Animation: Squash and stretch, Timing, Staging, Anticipation, Slow In and Out or Eases, Follow through and overlapping Action, Straight Ahead Action and Pose-To-Pose Action, Arcs, Exaggeration, Secondary Action, Appeal. 3 bouncing ball of different weight and Material (Rubber ball, Balloon and Metal ball), Interacting 2 bouncing ball of different Weight and Material (Rubber ball, Balloon and Metal ball) Unit-2: Introduction to Toonboom: The Toonboom interface: Menus, Toolbox and Properties Timeline-Play head/Frames / Key Frames/Blank frames. Basic drawing and shapes, Color Swatches and Color Mixer. Oscillating g pendulum coming to rest position, Oscillation of metal chain, whip animation. Flip book creation, Basic Assignment of Animation, Walk cycle, Stop motion Animation Workshop. Submission: 10 works

Test Book :  The Animator’s Survival Kit- Revised Edition: A Manual of Methods, Principles and Formulas for Classical, Computer, Games, Stop Motion and Internet by Richard Williams, 2nd Edition, illustrated, Publisher: Faber & Faber, 2012, 392 pages  The illusion of life: Disney animation by Frank Thomas, Ollie Johnston, Publisher: Hyperion, 1995, Original from the University of Michigan, 575 pages

Books for reference:  The Animation book: A complete guide to animated filmmaking – from flip-books to sound cartoons to 3-D animation by Kit Lay Bourne, 2nd Edition, Publisher: Three Rivers Press, 1998, 426 pages  Enchanted Drawings: The History of Animation by Charles Solomon, Publisher: Knopf, 1989, 322 pages  The complete animation course: The Principles, Practice and techniques of successful animation by Chris Patmore, Publisher: Barron’s educational Series, Inc., 2003, 160 pages

BVAP-AM: 1.5 TRADITIONAL PAINTING-I (4 Hours per week)

Unit -1: Line drawing composition based on Jain Paintings, Rajput Painting, Mysore Paintings, Thanjavur Paintings and surapura miniature paintings. Style with emphasis on forms and using a media for expression. Medium: Pencil, Pen and ink. Water colour, Poster colour, Acrylic colour and Mix media. Submission: 04 no. Well finished works. UNIT-2: Practical assignments. Software’s and Tools: Adobe Photoshop / Illustrator /Corel draw.

BVAP-AM:1.6 VISUAL GRAPHICS-I (4 Hours per week)

Unit -1: Graphic Art: Designing Concept and Developing it, Graphic Art using different colours, forms. Principles of Design: Unity & Variety, Proportion and Harmony, Complexity & Intensity, Scale, Balance, Contrast, Rhythm & Repetition and pattern, Proximity, Emphasis, Movement and Perspective. Unit -2: Elements of design: study of Line, Shapes, Negative Space, Volume, Value, colour and Texture. Digital painting using colour shape lines looking from given reference images. Copy Renaissance Artist Painting. Submission: 10 works

BVAP-AM:1.7 2D ANIMATION STORY BOARD (4 Hours per week) Unit -1: History of Storyboard, Fundamentals of Storyboard, Stages of Story boarding: Story development, Script writing, Scene Planning, writing story board. Unit -2: Camera angle planning: Camera angle, Camera Movements, Camera shots. Video storyboard and Designing: Animatic and Character and Background design. Submission: 10 works

BVAP-AM:1.8 BASIC 2D CHARACTER IN CLAY (4 Hours per week)

Unit-1: Clay Modelling to develop visual awareness in three dimensions through manipulative skills in clay method and principals of clay modelling in round, study and rendering of natural and manmade object in clay in Relief Method.

Unit-2: Introduction to dimensional spaces. Develop the sense of structure, operational problem in building up structure. Operational problems in building of structure, principles of compositions and study of principles that hold the structure division of space as Positive and Negative exercises in Round Sculpture. Submission: 6 works

BVAP- AM: 1.9 MOTION GRAPHICS (4 Hours per week)

Unit -1: Logo Animation, Typography Animation, News Channel Lower third Animation, Organic Growth Animation , Broadcast Opener, Futuristic Menu. Unit -2: Info graphic Mograph (Pre –production creating art works using graphic designing application, breaking apart components of info graphics elements, separating elements to different layers, importing elements to Mo graph software, Adding animation and Fix, Compositing and rendering with Sound, Audio video Editing. Submission: 02 works

BVAP-AM:1.10 VFX TD-I (4 Hours per week)

UNIT-1: Rotoscopy simple, Rotoscopy Sports activity, Rotoscopy fight shot, Rotoscopy Dancing character, Rotoscopy Dancing character. UNIT-2: Rotoscopy Bug/insect, Rotoscopy Animal, Rotoscopy Character with hair/fur and Cloth-1, Rotoscopy Character with hair/fur and Cloth-2, Rotoscopy Character with hair/fur and Cloth-3, Polish and portfolio presentation. Submission: 01 works

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Bachelor of Visual Arts (BVA): Animation & Multimedia Structure & Scheme of the Syllabus Annual Scheme 2018-19

2nd Year Animation & Multimedia

THEORY SUBJECTS

BVAP-AM:2.1 THEORY OF SCRIPT WRITING (2 Hours per week)

UNIT-1: Exploring ideas, Concept, Plot, Structure, Character Theme, Conflicts, Storytelling outline, Building a character, delivering a precise message through the story, Story pacing. Animation story for Children, Adults, Basics of story and Basics of Script writing Action, Scene Headings, Character Name, Screenplay, Titles and End Credits, Action, Angle, BG close up, Exterior, Fade in fade out, Pan, Parenthetical, POV, Scene Heading, Slug line, SFX, Sotto voce, Track with, Voice over, Character name, Cast List, Dialogue, Script Length, Action Description, Extension, Dual-Column Dialogue, Act numbers, Scene Numbers, short lines, dialogue paragraphs, Character Arc. UNIT-2:Editing your Script, Writing Description- Visualization, The importance of Communication, Continuity, Paring Writing Dialogue, Dialogue Checklist, writing Funny Stuff. Feature, Internet and Sample Scripts - Writing an Animated Feature, Writing a Sample Script, Creating an Animated Series - Developing your concept, Pitch your script, Public domain material, Protecting the idea, Proof of ownership, Confidentiality agreement, Piracy, Animation Industry in India, Case Study.

References: 1. Isbn:9788177226645 ,Character Animation & Film Production Projects Usin 3ds Max W/Cd, Chris Neuhahn, Wiley India Pvt.Ltd, 2006 2. Isbn: 9788126512287, Introducing Character Animation With Blender W/Cd, Tony Mullen, Wiley India Pvt.Ltd, 2007. 3. Computer Graphics & Animation, Prajapati Ak, Pragati Prakashan, 2005. 4. Isbn: 9788131208977, Timing For Animation, Harold Whitaker / John Halas, Focal Press, 2009. 5. Isbn: 9781903047463, Animation, Mark Whitehead, Pocket Essentials, 2004. 5. Isbn:9780240805828, Writing For Animation Comics & Games, Christy Marx, Elsevier India P Ltd, 2007. 6. Inspired 3d Short Film Production" Pepe Valencia & Jeremy Cantor 7. "Simplified Drawing For Planning Animation" Wayne Gilbert 8. "Illusion of Life" Frank Thomas, Ollie Johnston. 52

BVAP-AM:2.2 ART OF ANIMATED FILM MAKING (2 Hours per week)

UNIT-1: Basics of filmmaking, Types of Film Production, Development-Selection of concept, Film budget justification, Green-light. Pre-production-Area of research, Script development-types, Draft preparation. Shot, scene, Story board, Copy right (Law/Ethics), Hiring actors or models, Crew members Role of Director & Procedures. Art Director, Cinematographer, Director of Lighting, Floor Manager, Production Manager. Preparing Production board/Management, Planning and Budgeting for Production, Location scouting. Set direction & colour correction, Equipments required and tests, Finalizing props, shooting schedule, Script breakdown, Digital Video Equipments Introduction to Digital Video Equipments: Digital Video Camera-Types–Format-Major Components-Operation and Functions. Lens–Types–Aperture-Shutter. Focussing Methods. Focal Length. Depth of Field. Video signal-Types and Functions. Tripod-Types. Clapboard Usage. Light meter. Other Useful Accessories. Digital Camera-Movements-Composition-Shots Angles. Single & multi-camera operations.

UNIT-2: Production: Production-Shooting on location, Shooting script, Visualization, Selection of Dialogue, Rehearsing, Basic and Special Lighting Usage. Setup-Atmospheric Lighting, Cinematography, Principal photography, Mica arrangements. Camera placement. Tool and techniques. Online, offline, recorded & live programmes. Schedule alterations. Changes in relation to artists date / location problems. Daily call sheet, Daily progress report, Cost report. Post-Production: Post-production-Video Capturing and Footage review. Final scripting. Basic software & hardware’s. Editing, Video Editing-types. EDL Preparations, Editing Techniques- Continuity Sequence-Dynamic. Linear and Non-Linear Editing. A-B roll & its advantage, Method of Video Effects and Video Transition, Chromo-Keying. Re-recording Video. Voice-over, Sync sound, audio mixing, Role of audio & effects, Mix and composite, Finding Music. Special effect. (Sound, Visual, Graphics and Animation), Titles, Film Screening, FT (Fit for Telecast) certificate, Certificate Approving, Marketing-getting sponsors. Publicity, Film Releasing. VIDEO & AUDIO CODECS Defination and use of codecs. Codec formats & types. Storage Devices CD/DVD/BD (Blue-ray Disc). Montage, promos, Special promos.

References: 1. Television Production–GeraldMillerson, Focal press,1999.London. 2. The Technique of Television Production 2001by Gerald Millerson . Focal press. London. 3. Digital Cinematography2001–Paul Wheeler, Focal Press,. London. First edition. 4. The Essential of TV Director’s Handbook 1996–PeterJarvis, Focal Press. III-Edition, London. 5. An Introduction to digital Video (1994)–John Watkinson, Focal Press, London. 6. Video Production–Disciplines & Techniques by Thomas D. Burrows, Lynne S.Gross - MCG raw hill. 7. Lighting Techniques For Video Production – Tom Letourneau.1996.Mc will publications . Tanzania. First edition. 8. Digital Non-Linear Editing 1998– Second edition, Thomas A. Ohanian, Focal Press. London. Sixth edition. 53

BVAP-AM: 2.3 ENVIRONMENTAL SCIENCE (2 Hours per week)

Module-1: The Multidisciplinary nature of environmental studies Definition, scope and importance need for public awareness. Module-2: Natural Resources Renewable and non-renewable resources: Natural resources and associated problems. Forest resources: Use and over-exploitation, deforestation, case studies. Timber extraction, mining, dams and their effects on forests and tribal people. Water resources: Use and over-utilization of surface and ground water, floods, drought, conflicts over water, dam’s benefits and problems. Mineral resources: Use and exploitation, environmental effects of extracting and using mineral resources, case studies. Food resources: World food problems, changes caused by agriculture and overgrazing, effects of modern agriculture, fertilizer-pesticide problems, water logging, salinity, case studies. Energy resources: Growing energy needs, renewable and non-renewable energy sources, use of alternate energy sources, Case studies. Land resources: Land as a resource, land degradation, man induced landslides, soil erosion and desertification  Role of an individual in conservation of natural resources.  Equitable use of resources for sustainable lifestyles. Module-3: Ecosystems Concept of an ecosystem  Structure and function of an ecosystem.  Producers, consumers and decomposers.  Energy flow in the ecosystem.  Ecological succession.  Food chains, food webs and ecological pyramids.  Introduction, types, characteristic features, structure and function of the following ecosystem a) Forest ecosystem b) Grassland ecosystem c) Desert ecosystem d) Aquatic ecosystems (ponds, streams, lakes, rivers, oceans, Estuaries) Module-4: Biodiversity and its conservation  Introduction – Definition: genetic, species and ecosystem diversity.  Biogeographically classification of India  Value of biodiversity : consumptive use, productive use, social, ethical, aesthetic and option values  Biodiversity at global, National and local levels.  India as a mega-diversity nation  Hot-spots of biodiversity  Threats to biodiversity: habitat loss, poaching of wildlife, man-wildlife conflicts.  Endangered and endemic species of India.  Conservation of biodiversity: In-situ and Ex-situ conservation of biodiversity.

Module-5: Environmental Pollution: Definition  Causes, effects and control measures of : a) Air pollution b) Water pollution c) Soil pollution d) Marine pollution e) Noise pollution f) Thermal pollution g) Nuclear hazards v. Solid waste management : Causes, effects and control measures of urban and industrial wastes vi. Role of an individual in prevention of pollution. vii. Pollution case studies. viii. Disaster management: floods, earthquake, cyclone and landslides.

PRACTICAL SUBJECTS

BVAP-AM: 2.4 3D MODELING IN ANIMATION (4 Hours per week)

UNIT-1: Apple Practical, Strawberry Practical, Coca-Cola Can, Practical, Treasure box Practical, Human Nose sculpt Practical, Human Eyes Sculpt Practical, Human Mouth Sculpt Practical, Human Ears Sculpt Practical, Biological organ planning (Heart) Practical, Any Biological organ Finishing Practical, Human Character planning Practical, Human Character blocking. UNIT-2: Human Character body sculpting, Human Character Face sculpting, Human Character Polish & finish Submission: 02 works

BVAP- AM: 2.5 TRADITIONAL PAINTING – II (4 Hours per week)

Unit -1: Development of miniature and Folk painting into content oriented painting with representational aspect, students should be expose of Deccan miniature paintings, Mughal miniature paintings and to various Folk Indian Paintings (like Madhubani Paintings, Kalighat Pat Paintings, Warli Paintings).Style with emphasis on forms and using a media for expression. Medium: Pencil, Pen and ink. Water colour, Poster colour, Acrylic colour and Mix media. Softw Submission: 4 no Well finished works UNIT-2: Practical assignments Software’s and Tools: Adobe Photoshop / Illustrator / Corel draw .

BVAP-AM:2.6 VISUAL GRAPHICS-II (4 Hours per week)

Unit -1: Colour Theory: Overview of colour usage in painting, Colour Physics, 2 kinds of colour process (Additive & Subtractive), 3 Qualities of Colour (Hue, Value & Saturation), Contrast & Harmony, Colour Expression. Unit -2: Creative Painting: Designing composition with different colours and textures.Abstract painting using different colours, forms and Abstract monochromatic painting using textures. Submission: 08 works

BVAP-AM:2.7 (4 Hours per week) ADVANCED 2D ANIMATION & STORY BOARD

Unit -1: Exploring ideas, Concept, Plot, Structure, Character Theme, Conflicts, Storytelling outline. Unit -2: Building a character, Delivering a precise message through the story, Story pacing Etc. Submission: 08 works

BVAP-AM:2.8 3D CHARACTER IN CLAY (4 Hours per week)

Unit-1: Introduction to 3 dimensional spaces develop the sense of structure operational problem in modelling up structure from different types of materials principals of compositions. Unit-2: Study of 3 dimensional objects and models study of the structure division of space of positive and negative exercises in round sculpture. Submission: 6 works

BVAP-AM:2.9 LIGHTING AND RENDERING (4 Hours per week)

UNIT-1:Introduction to Lights, Definition and Properties of Light, 2 point and 3 point lighting, Sunlight. UNIT-2: Introduction to Rendering, Mental ray rendering, V-ray rendering.

BVAP-AM:2.10 VFX TD-II (4 Hours per week)

Unit-1: Sky replacement, Day to night technique, Matte painting (Compositional Study, Establishing Mood, Set Modelling), Matte painting (Creating Background and Middle ground and Foreground), Matte painting (Camera Projection and Adding Final Details). Unit-2: Summer Scene/Winter or Snow Scene/Rain scene painting, 2.5 D alien planet painting, Set Extension (landscape/Exterior Set extension), Set Extension (Interior Set extension), Polish and portfolio presentation. Submission: 02 works

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Davangere University UNIVERSITY COLLEGE OF VISUAL ARTS (Constituent College of Davangere University)

Specialization course in Animation & Multimedia leading to Bachelor’s Degree in Visual Arts (BVA) Structure & Scheme of the Syllabus: 2019-20

3rd year BVA ANIMATION & MULTIMEDIA

THEORY SUBJECTS

BVAP-AM:3.1 ART OF VFX FILM MAKING (2 Hours per week)

Unit 1: George Melies, Composite modes, Travel matte, Matte (filmmaking), Eugen Schüfftan and Schüfftan process, Bipack, Optical printer, Live-action effects, Blue/Green Screen Colour Separation, Action pacing, Key movie Special effects, Reyes Renderer, Utah teapot, surface shading, Z-Buffer, Go motion, Miniatures, Forced perspective miniature, miniature photography, Motion blur, Applications of motion blur, Physical effects and Digital effects, Rear projection effect, Front projection effect, Match moving, Shooting with plates. Unit 2: Computer generated effects, History of Photoshop, Art and Science of Digital Compositing, Digital animation: modelling, computer graphics lighting, texturing, rigging, animating, and rendering computer-generated 3D characters, particle effects, digital sets, backgrounds. Types of Visual Effects Simulation, Matte painting, Compositing, Motion capture, Ballpark budget, Production departments, Previz techniques, working on sets, safety, On set data acquisition, Camera report, Tracking markers, Continuity, celluloid to digital capture, Digital intermediate, Formats, VFX Software’s.

BVAP-AM:3.2 BUSINESS ORGANIZATION (2 Hours per week)

Module-1: Introduction to business - Nature of business- characteristics of business - management of business - Module-3: Ownership of a business firms - Sole proprietorship & partnership - characteristic of an ideal form of organization- features of partnership Module-4: Management of a company - Organs of a company’s management - shareholder - board of directors- chief executive - managing director - manager Module-5: Principle of management - Principles of management- functions of management - importance of organization- principles of organization

PRACTICAL SUBJECTS

BVAP-AM:3.3 ADVANCED 3D MODELING IN ANIMATION (4 Hours per week)

Unit -1: Pantomime Shot- Planning, Pantomime Shot- Layout pass, Pantomime Shot- Blocking pass, Pantomime Shot- Max Blocking pass, Pantomime Shot- Polish and finish pass. Unit -2: Monologue shot- Planning & Layout pass, Monologue shot- Blocking pass, Monologue shot-Max Blocking Pass, Monologue shot-Facial animation & lipsync, Monologue shot- Polish and finish pass, Polish and portfolio presentation. Submission: 04 works

BVAP-AM:3.4 DIGITAL PAINTING (4 Hours per week)

Unit -1: Monochromatic Painting: Painting with one colour for understanding of light and shadow, Different tones, Lines and Strokes. Monochromatic still life (Drapery, Metal, Glass, wood objects), portrait painting of old Master (from Renaissance period). Perspective Drawing: Line drawing for understanding of different types of perspective. City Landscape painting from Photograph, Painting of a monument from Photograph. Unit-2: Perspective Painting: Painting for understanding of different Hues and Saturations. Colored still life ( Drapery, Metal, glass, Wood, Objects) Natural Object Study: Detail rendering of single object for understanding of color and texture. Realistic painting of Natural objects (Leaf, Branch, Stone, Fruit, etc.) Nature Study: detail rendering of single object for understanding of colour and texture. Copy work of old master’s landscape painting etc. Weekly 2 digital sketches Human and Animal drawing from image. Submission: 08 works

BVAP-AM:3.5 VISUAL GRAPHICS-III (4 Hours per week)

Unit -1: Symbols, Icons in Corel draw, Business Card, Logo/Identity design, Application form design, Hotel Menu card designing, Calenderer Design, Brochure Design, Creating Graphs, Product packaging design, Info graphics, Polish and Portfolio presentation. Unit -2: Matte Painting: Perspective, Colour Study: Time and Day, Set Extension, Camera Matching, Polish and Cleanup. Digital Painting of Village scape/by seeing the reference images. Copy Matte painting by given image, Matte painting of village-space /city-scape by seeing the reference images. Digital painting of space city by seeing the reference images. Weekly 2 digital sketches Human and Animal drawing from image. Submission: 10 works

BVAP-AM:3.6 ADVANCED 3D ANIMATION & STORY BOARD (4 Hours per week)

Unit-1: Animation story for Children, Adults, Basics of story and Basics of Script writing Action, Scene Headings, Character Name, Screenplay, Titles and End Credits.

Unit-2: Action, Angle, BG close up, Exterior, Fade in fade out, Pan, Parenthetical, POV, Scene Heading, Slug line, SFX, Sotto voce, Track with, Voice over, Character name, Cast List, Dialogue, Script Length, Action Description, Extension, Dual-Column Dialogue, Act numbers, Scene Numbers, short lines, dialogue paragraphs, Character Arc. Submission: 08 works

BVAP-AM: 3.7 3D CHARACTER WITH BG IN CLAY (4 Hours per week)

Unit-1: Using different types of materials to develop 3D Character of Model and using the nature and creative background texture in using with 3D Character modelling and awareness in three dimensions of through the own skills in different materials method. Unit-2: Principals of clay modelling in round, study and fallow the background texture of natural and manmade objects like clay pop, cement bricks and fibre glass in round character sculpture. Submission: 6 works

BVAP-AM:3.8 PROJECT PRESENTATION (4 Hours per week)

Animated Short movie (Minimum 5 minutes) Epic Story, Social Issue, Children Story, Rural Related, Urban Related, Future Related etc.

BVAP-AM:3.9 DISPLAY AND PRESENTATION

The Final year Students should display their selected works of all subjects at the time of central valuation and to attend viva-voce exam is compulsory.

BVAP-AM:3.10 VFX TD-III (4 Hours per week)

UNIT-1: Video stabilization, Chroma Keying & Matte, 2D Camera Tracking, 3D Camera Tracking, 3D Camera Tracking and Alignment. UNIT-2: Motion graphics-Planning and Asset preparation, Motion graphics- Final Animation, Storytelling with images, Editing using video effects, Sound Design and Audio Editing, Editing a Montage, Shooting and Editing a documentary-Syncing Audio and Video. Submission: 02 no.

Reference Books 1. Jermy Birn, Digital Lighting and Rendering (3rd Edition)(Voices that Matter)- New Riders:3 edition (November21,2013) 2. The Animator’s Survival Kit- Revised Edition: A Manual of Methods, Principles and Formulas for Classical, Computer, Games, Stop Motion and Internet by Richard Williams, 2nd Edition, illustrated, Publisher: Faber & Faber, 2012, 392 pages

3. The illusion of life: Disney animation by Frank Thomas, Ollie Johnston, Publisher: Hyperion, 1995, Original from the University of Michigan, 575 pages 4. The Animation book: A complete guide to animated filmmaking - from flip-books to sound cartoons to 3-D animation by Kit Lay Bourne, 2nd Edition, Publisher: Three Rivers Press, 1998, 426 pages 5. Enchanted Drawings: The History of Animation by Charles Solomon, Publisher: Knopf, 1989, 322 pages 6. The complete animation course: The Principles, Practice and techniques of successful animation by Chris Patmore, Publisher: Barron’s educational Series, Inc., 2003, 160 pages 7. Television Production–Gerald Millerson, Focal press,1999.London. 8. The Technique of Television Production 2001by Gerald Millerson. Focal press. London. 9. Digital Cinematography2001–Paul Wheeler, Focal Press,. London. First edition. 10. The Essential of TV Director’s Handbook 1996–PeterJarvis, Focal Press. III-Edition, London. 11. An Introduction to digital Video (1994)–John Watkinson, Focal Press, London. 12. Video Production–Disciplines & Techniques by Thomas D. Burrows, Lynne S.Gross - MCG raw hill. 13. Lighting Techniques For Video Production - Tom Letourneau.1996.Mc will publications. Tanzania. First edition. 14. Digital Non-Linear Editing 1998– Second edition, Thomas A. Ohanian, Focal Press. London. Sixth edition.

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