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THE ECONOMICS of EMPIRE by William Finnegan ROLLTOP
REGIS DEBRAY: NOUS SOMMES TOUS AMERICAINS HARPER'S MAGAZINE/MAY 2003 $5.95 1,0 -------_._------ THE ECONOMICS OF EMPIRE Notes on the Washington Consensus By William Finnegan -----------. ----------- ROLLTOP MANTRA OF THE OUTER BANKS Creepy but Tranquil in North Carolina By Mark Richard OUR ESSAYS, OURSELVES In Defense of the Big Idea By Cristina Nehring ROMAN BERMAN, MASSAGE THERAPIST A story by David Bezmozgis Also: Mark Slouka and Bill O'Reilly -----------. ----------- REP 0 R T THE ECONOMICS OF EMPIRE Notes on the Washington Consensus By William Finnegan In early March, President Bush, on the verge ·lectual connections with" the terrorists. The Sep- of declaring war on Iraq, was asked at a press con- tember 11 attacks were perpetrated, of course, ference why he thought "so many people around by a genocidal death cult, not by unusually de- the world take a different view of the threat that termined proponents of economic democracy. Saddam Hussein poses than you But what the Bush Adminis- and your allies." Mr. Bush replied, tration is signaling in these mud- "I've seen all kinds of protests dIed formulations (and in many since I've been the president. I less muddled statements-and, remember the protests against for that matter, in many major trade. There was a lot of people policy initiatives) is its transcen- who didn't feel like free trade was dent commitment to a set of fixed good for the world. I completely ideas about international trade, fi- disagree. I think free trade is good nance, politics, and economic de- for both wealthy and impover- velopment. -
Making Pictures the Pinter Screenplays
Joanne Klein Making Pictures The Pinter Screenplays MAKING PICTURES The Pinter Screenplays by Joanne Klein Making Pictures: The Pinter Screenplays Ohio State University Press: Columbus Extracts from F. Scott Fitzgerald, The Last Tycoon. Copyright 1941 Charles Scribner's Sons; copyright renewed. Reprinted with the permission of Charles Scribner's Sons. Extracts from John Fowles, The French Lieutenant's Woman. Copyright © 1969 by John Fowles. By permission of Little, Brown and Company. Extracts from Harold Pinter, The French Lieutenant's Woman: A Screenplay. Copyright © 1982 by United Artists Corporation and Copyright © 1982 by J. R. Fowles, Ltd. Extracts from L. P. Hartley, The Go-Between. Copyright © 1954 and 1981 by L. P. Hartley. Reprinted with permission of Stein and Day Publishers. Extracts from Penelope Mortimer, The Pumpkin Eater. © 1963 by Penelope Mortimer. Reprinted by permission of the Harold Matson Company, Inc. Extracts from Nicholas Mosley, Accident. Copyright © 1965 by Nicholas Mosley. Reprinted by permission of Hodder and Stoughton Limited. Copyright © 1985 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Klein, Joanne, 1949 Making pictures. Bibliography: p. Includes index. 1. Pinter, Harold, 1930- —Moving-picture plays. I. Title. PR6066.I53Z713 1985 822'.914 85-326 Cloth: ISBN 0-8142-0378-7 Paper: ISBN 0-8142-0400-7 for William I. Oliver Contents Acknowledgments ix Chronology of Pinter's Writing for Stage and Screen xi 1. Media 1 2. The Servant 9 3. The Pumpkin Eater 27 4. The Quiller Memorandum 42 5. Accident 50 6. The Go-Between 77 1. The Proust Screenplay 103 8. -
Barbarian Days by William Finnegan
Barbarian Days by William Finnegan Random Notes (DJE) From a review on Amazon by Michael T: Best book on surfing I have read. Yes, he does veer from surfing to explore other aspects of his life, but it all weaves together so seamlessly that it holds the reader's interest throughout. As a contemporary of Finnegan, I found the descriptions of beach life and surfing from his childhood and early adolescence very nostalgic. I felt envy at the experiences he had exploring now famous waves around the world when they were still mostly unknown. This is a masterful piece of writing. His descriptions of the experience of riding a wave are unparalleled in my experience. The personal dimension he brings to the tale, both the people he meets and the conflicts he goes through, brings the story to life. This is a page-turner. I was sad to come to the end. P.18 Surfing always had this horizon, this fear-line, that made it different from other things, certainly from other sports I knew. Everything out there was disturbingly interlaced with everything else. Waves were the playing field. They were the goal. They were the object of your deepest desire and adoration. At the same time, they were your adversary, your nemesis, even your enemy. P. 40 I felt myself floating between two worlds. There was the ocean, effectively infinite, falling away forever to horizon. I was a sunburnt pagan now. I felt privy to mysteries. The other world was land: everything that was not surfing. Books, girls, school, my family, friends who did not surf. -
9781474451062 - Chapter 1.Pdf
Produced by Irving Thalberg 66311_Salzberg.indd311_Salzberg.indd i 221/04/201/04/20 66:34:34 PPMM 66311_Salzberg.indd311_Salzberg.indd iiii 221/04/201/04/20 66:34:34 PPMM Produced by Irving Thalberg Theory of Studio-Era Filmmaking Ana Salzberg 66311_Salzberg.indd311_Salzberg.indd iiiiii 221/04/201/04/20 66:34:34 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Ana Salzberg, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 5104 8 (hardback) ISBN 978 1 4744 5106 2 (webready PDF) ISBN 978 1 4744 5107 9 (epub) The right of Ana Salzberg to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66311_Salzberg.indd311_Salzberg.indd iivv 221/04/201/04/20 66:34:34 PPMM Contents Acknowledgments vi 1 Opening Credits 1 2 Oblique Casting and Early MGM 25 3 One Great Scene: Thalberg’s Silent Spectacles 48 4 Entertainment Value and Sound Cinema -
The Center & Clark Newsletter
THE CENTER & CLARK NEWSLETTER ucla center for 17th- & 18th-century studies william andrews clark memorial library Number 64 FALL 2016 Clark Closure: The Clark Library remains closed while the seismic retrofit and renovation projects are being completed. We now anticipate reopening to the public sometime in Winter 2017. Please check back with the Library’s website for updates to this status. Director’s Column Mary Terrall, Center & Clark Interim Director One year ago, Barbara Fuchs reported in this space that the long overdue seismic retrofit and other restoration and refurbishment projects at the Clark had gotten underway, with completion and reopening anticipated in July 2016. As of this writing, we are three months past that date, with the construction lingering in its final phases, and reopening pushed back to the winter of 2017. While this delay is disappointing, it should probably not be surprising, given the complexity of the project, the age of the building, and the peculiar features of its architecture. In spite of the delayed reopening, we have to remember that the end result will be not only a more stable building—with newly restored fixtures and furniture—but also a more functional library. The new pavilion on the north side of the Clark Library A new underground book annex has been added to accommodate Medieval and Renaissance Studies. The move is now complete, and our growing collections. Facilities for readers, fellows, staff, and everyone is settled in. I would like to express particular appreciation students—in the main building and in the North Range—are all to Kathy Sanchez for her resourcefulness and her generally cheerful being upgraded and made accessible. -
The Last of the Belles and Other Stories
The Last of the Belles and Other Stories F. Scott Fitzgerald ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com This collection first published by Alma Classics Ltd in 2015 Extra Material © Richard Parker Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-405-4 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents The Last of the Belles and Other Stories 1 Jacob’s Ladder 3 A Short Trip Home 31 The Bowl 54 The Last of the Belles 82 Majesty 101 At Your Age 123 The Swimmers 140 Two Wrongs 163 The Bridal Party 186 One Trip Abroad 206 The Hotel Child 233 Note on the Texts 256 Notes 256 Extra Material 261 F. Scott Fitzgerald’s Life 263 F. Scott Fitzgerald’s Works 273 Select Bibliography 278 Other books by F. -
What If Granny Wants to Gamble? Balancing Autonomy and Vulnerability in the Golden Years
\\jciprod01\productn\A\ACT\45-3\ACT302.txt unknown Seq: 1 22-MAY-20 15:48 What If Granny Wants to Gamble? Balancing Autonomy and Vulnerability in the Golden Years Mary F. Radford* I. INTRODUCTION When I am an old woman I shall wear purple With a red hat which doesn’t go, and doesn’t suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we’ve no money for butter.1 In the late 1990s, the words of this poem inspired a global social organization known as the “Red Hat Society.” Women in the Red Hat Society “victoriously celebrate turning 50 and entering into the next phase of their lives.”2 Their signature outfit consists of a purple ensem- ble and a red hat (that doesn’t match). The women in this Society “em- brac[e] a renewed outlook on life filled with fun and friendship, fulfilling lifelong dreams.”3 The poet, Jenny Joseph, in dressing her “old woman” in the rich but mismatched palette of red and purple, highlights accurately the conflict- ing perceptions that our society holds today about older women in America. * Mary F. Radford is the Marjorie Fine Knowles Professor of Fiduciary Law at the Georgia State University College of Law in Atlanta, Georgia. She received her B.A. degree from Sophie Newcomb College of Tulane University in 1974 and her J.D. degree from Emory School of Law in 1981. She is an ACTEC Academic Fellow and served as the President of ACTEC in 2011-12. -
Department of State Key Officers List
United States Department of State Telephone Directory This customized report includes the following section(s): Key Officers List (UNCLASSIFIED) 1/17/2017 Provided by Global Information Services, A/GIS Cover UNCLASSIFIED Key Officers of Foreign Service Posts Afghanistan RSO Jan Hiemstra AID Catherine Johnson CLO Kimberly Augsburger KABUL (E) Great Massoud Road, (VoIP, US-based) 301-490-1042, Fax No working Fax, INMARSAT Tel 011-873-761-837-725, ECON Jeffrey Bowan Workweek: Saturday - Thursday 0800-1630, Website: EEO Erica Hall kabul.usembassy.gov FMO David Hilburg IMO Meredith Hiemstra Officer Name IPO Terrence Andrews DCM OMS vacant ISO Darrin Erwin AMB OMS Alma Pratt ISSO Darrin Erwin Co-CLO Hope Williams DCM/CHG Dennis W. Hearne FM Paul Schaefer Algeria HRO Dawn Scott INL John McNamara ALGIERS (E) 5, Chemin Cheikh Bachir Ibrahimi, +213 (770) 08- MGT Robert Needham 2000, Fax +213 (21) 60-7335, Workweek: Sun - Thurs 08:00-17:00, MLO/ODC COL John Beattie Website: http://algiers.usembassy.gov POL/MIL John C. Taylor Officer Name SDO/DATT COL Christian Griggs DCM OMS Sharon Rogers, TDY TREAS Tazeem Pasha AMB OMS Carolyn Murphy US REP OMS Jennifer Clemente Co-CLO Julie Baldwin AMB P. Michael McKinley FCS Nathan Seifert CG Jeffrey Lodinsky FM James Alden DCM vacant HRO Dana Al-Ebrahim PAO Terry Davidson ICITAP Darrel Hart GSO William McClure MGT Kim D'Auria-Vazira RSO Carlos Matus MLO/ODC MAJ Steve Alverson AFSA Pending OPDAT Robert Huie AID Herbie Smith POL/ECON Junaid Jay Munir CLO Anita Kainth POL/MIL Eric Plues DEA Craig M. -
Daughter Album If You Leave M4a Download Download Verschillende Artiesten - British Invasion (2017) Album
daughter album if you leave m4a download Download Verschillende artiesten - British Invasion (2017) Album. 1. It's My Life 2. From the Underworld 3. Bring a Little Lovin' 4. Do Wah Diddy Diddy 5. The Walls Fell Down 6. Summer Nights 7. Tuesday Afternoon 8. A World Without Love 9. Downtown 10. This Strange Effect 11. Homburg 12. Eloise 13. Tin Soldier 14. Somebody Help Me 15. I Can't Control Myself 16. Turquoise 17. For Your Love 18. It's Five O'Clock 19. Mrs. Brown You've Got a Lovely Daughter 20. Rain On the Roof 21. Mama 22. Can I Get There By Candlelight 23. You Were On My Mind 24. Mellow Yellow 25. Wishin' and Hopin' 26. Albatross 27. Seasons In the Sun 28. My Mind's Eye 29. Do You Want To Know a Secret? 30. Pretty Flamingo 31. Come and Stay With Me 32. Reflections of My Life 33. Question 34. The Legend of Xanadu 35. Bend It 36. Fire Brigade 37. Callow La Vita 38. Goodbye My Love 39. I'm Alive 40. Keep On Running 41. The Hippy Hippy Shake 42. It's Not Unusual 43. Love Is All Around 44. Don't Let Me Be Misunderstood 45. The Days of Pearly Spencer 46. The Pied Piper 47. With a Girl Like You 48. Zabadak! 49. I Only Want To Be With You 50. Here It Comes Again 51. Don't Let the Sun Catch You Crying 52. Have I the Right 53. Darling Be Home Soon 54. Only One Woman 55. -
Miley Cyrus Drops Music Video for “Mother's
MILEY CYRUS DROPS MUSIC VIDEO FOR “MOTHER’S DAUGHTER” WATCH HERE July 2, 2019 – Today, Miley Cyrus dropped the music video for “Mother’s Daughter,” from her recently released EP, SHE IS COMING. The track garnered 44 million streams worldwide upon release. The video was conceptualized by Miley Cyrus and the director, Alexandre Moors. WATCH HERE https://smarturl.it/MDxMCv SHE IS COMING is the first of three 6-song EPs that will make up one collection titled SHE IS MILEY CYRUS DOWNLOAD AND STREAM https://smarturl.it/SHEISCOMING The video includes Aaron Philip, Amazon Ashley, Angelina Duplisea, Casil McArthur, Lacey Baker, Mari Copeny, Melanie Sierra, Paige Fralix, Tydryn Scott and Vendela. Miley’s mother Tish Cyrus is also featured. Its release comes on the heels of Miley’s headlining performance at Glastonbury Festival this weekend, which received rave reviews, with NME declaring this is the “beginning of her very own rockstar era.” The set featured special guests Billy Ray Cyrus and Lil Nas X for “Old Town Road” and “Panini” and Mark Ronson for their hit “Nothing Breaks Like A Heart,” as well as Amy Winehouse’s “Back To Black.” In addition to playing her hit songs like “Wrecking Ball” and “We Can’t Stop” plus all 6 tracks from SHE IS COMING. The pop infused rock set also had Miley performing, for the first time, her remake of Nine Inch Nails’ “On A Roll” and “Head Like A Hole” as her Black Mirror character Ashley O, donning a purple wig. The featured performers in the Mother’s Daughter video speak about finding power and freedom in their own self-expression. -
Surfing, Gender and Politics: Identity and Society in the History of South African Surfing Culture in the Twentieth-Century
Surfing, gender and politics: Identity and society in the history of South African surfing culture in the twentieth-century. by Glen Thompson Dissertation presented for the Degree of Doctor of Philosophy (History) at Stellenbosch University Supervisor: Prof. Albert M. Grundlingh Co-supervisor: Prof. Sandra S. Swart Marc 2015 0 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the author thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 8 October 2014 Copyright © 2015 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za Abstract This study is a socio-cultural history of the sport of surfing from 1959 to the 2000s in South Africa. It critically engages with the “South African Surfing History Archive”, collected in the course of research, by focusing on two inter-related themes in contributing to a critical sports historiography in southern Africa. The first is how surfing in South Africa has come to be considered a white, male sport. The second is whether surfing is political. In addressing these topics the study considers the double whiteness of the Californian influences that shaped local surfing culture at “whites only” beaches during apartheid. The racialised nature of the sport can be found in the emergence of an amateur national surfing association in the mid-1960s and consolidated during the professionalisation of the sport in the mid-1970s. -
Unclaimed Capital Credits If Your Name Appears on This List, You May Be Eligible for a Refund
Unclaimed Capital Credits If your name appears on this list, you may be eligible for a refund. Complete a Capital Credits Request Form and return it to TCEC. 0'GRADY JAMES ABERNATHY RENETHA A ADAIR ANDY 2 C INVESTMENT ABETE LILLIE ADAIR CURTIS 2 GIRLS AND A COF FEE ABEYTA EUSEBIO ADAIR KATHLEEN SHOP ABEYTA SAM ADAIR LEANARD 21 DIESEL SERVICE ABLA RANDALL ADAIR SHAYLIN 4 RED CATTLE CO ABODE CONSTRUCTIO N ADAME FERNAND 5 C FARMS ABRAHA EDEN M ADAMS & FIELD 54 DINER ABRAHAM RAMPHIS ADAMS ALFRED 54 TOWING & RECOV ERY ABREM TERRY ADAMS ALVIN A & C FEED STORE ABSOLUTE ENDEAVORS INC ADAMS ALVIN L A & I SKYLINE ROO FING ACEVEDO ARNALDO ADAMS ASHLEY A & M CONSTRUCTIO N CO ACEVEDO DELFINA A ADAMS BAPTIST CHURCH A & S FARMS ACEVEDO LEONARD ADAMS CHARLES G A C CROSSLEY MOTE L ACKER EARL ADAMS DARREL A W H ON CO ACKER LLOYD ADAMS DAVID A WILD HAIR ACKER NELDA ADAMS DELBERT AARON KENNETH ACKERMAN AMIRAH ADAMS DIANE M ABADI TEAME ACKERS MELVIN D ADAMS DORIS ABARE JASMINE ACOSTA ARMANDO ADAMS DOYLE G ABARE KALYN ACOSTA CESAR ADAMS FERTILIZER ABAYNEH SOLOMON ACOSTA FERNANDO ADAMS GARY ABB RANDALL CORPO RATION ACOSTA GARCIA R ADAMS HALEY D ABBOTT CLYDE ACOSTA GILBERTO E ADAMS HEATHER ABBOTT CLYDE V ACOSTA JOE ADAMS JEROD ABBOTT FLOYD K ACOSTA JOSE A ADAMS JERRY ABBOTT MAUREAN ACOSTA MARIA ADAMS JILL M ABBOTT ROBERT ACOSTA VICTOR ADAMS JOHN ABBOTT SCOTTY ACTION REALTY ADAMS JOHNNY ACTON PAM ADAMS LINDA Current as of February 2021 Page 1 of 190 Unclaimed Capital Credits If your name appears on this list, you may be eligible for a refund.