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Chicago Jazz Philharmonic’S “Scenes from Life: Cuba!” Friday, Nov
FOR IMMEDIATE RELEASE Jill Evans La Penna James Juliano SHOUT Marketing & Media Relations [email protected] • [email protected] (312) 533-9119 • (773) 852-0506 THE AUDITORIUM THEATRE PRESENTS THE UNITED STATES PREMIERE OF ORBERT DAVIS’ CHICAGO JAZZ PHILHARMONIC’S “SCENES FROM LIFE: CUBA!” FRIDAY, NOV. 13 Musicians and Members of a Cuban Delegation Join the CJP for this Historic One Night Only Event on the Landmark Auditorium Stage CHICAGO, IL — The Auditorium Theatre of Roosevelt University is proud to announce the United States premiere of “Scenes from Life: Cuba!” composed and conducted by Orbert Davis and performed by his Chicago Jazz Philharmonic (CJP), Friday, Nov. 13 at 7:30 p.m. at the Auditorium Theatre, 50 E. Congress Parkway. Featured guest artists for this extraordinary performance will include student musicians from Cuba’s national conservatory of the arts. Tickets are $29 - $68 and are available at AuditoriumTheatre.org, by calling (312) 341-2300 or in-person at the Auditorium Theatre’s Box Office, 50 E. Congress Parkway. Subscriptions for the Auditorium Theatre’s 2015 - 2016 season and discounted tickets for groups of 10 or more are also available. For more information visit AuditoriumTheatre.org. “For over 125 years, the Auditorium Theatre has witnessed historic events that included presidents, renowned performers, world-famous arts companies and more. This United States premiere, featuring musicians from Cuba, is another historic moment to celebrate,” said Executive Director Brett Batterson. “Orbert and the Chicago Jazz Philharmonic were witnesses to the earliest days of our country’s new relationship with Cuba and will bring those emotions, as well as the rich history of Cuba’s music, to the Auditorium for an extraordinary performance.” In December 2014, Davis and Chicago Jazz Philharmonic musicians conducted a weeklong residency at Universidad de las Artes (ISA), Cuba’s national conservatory of music in Havana, culminating in the debut of this new work at the Havana International Jazz Festival. -
Chicago Venue Portfolio
CHICAGO2016 VENUE PORTFOLIO 1750 W. LAKE STREET CHICAGO, IL 60612 [email protected] 773.880.8044 PARAMOUNTEVENTSCHICAGO.COM Paramount Events is ready to help you plan a spectacular event with a delicious SET menu, but to truly make an impact, the perfect backdrop is absolutely essential. THE We have connections at some of the best venues in Chicago, including The Smith on Lake, our own private space that guarantees dedicated service and personalized attention. SCENE You’re welcome to explore the following pages, but don’t forget – we’re here for you! We know every location inside and out and will be happy to offer our suggestions as a guide. ENJOY! TABLE OF 19th Century Club 1 Garfield Park Conservatory 45 Park West 90 1st Ward at Chop Shop 2 Glessner House Museum 46 Parliament 91 CONTENTS 345 North 3 Goodman Theatre 47 Peggy Notebaert Nature Museum 92 360 Chicago 4 Gruen Galleries 48 Pittsfield Building 93 63rd Street Beach House 5 Harold Washington Library Center 49 Pleasant Home 94 A New Leaf 6 Harris Theatre 50 Portfolio Annex 95 Anita Dee Charters 7 Highland Park Community House 51 Power House 96 Aragon Ballroom 8 Hilton | Asmus Contemporary 52 Prairie Production 97 Artifact Events 9 Hinsdale Community House 53 Primitive Art 98 Auditorium Theatre of Roosevelt University 10 Humboldt Park & Boat House 54 Pritzker Military Museum & Library 99 Baderbräu 11 Ida Noyes Hall at University of Chicago 55 Promontory Point 100 Bentley Gold Coast 12 Ignite Glass Studios 56 Ravenswood Event Center 101 Berger Park 13 International -
Cedille Records CDR 90000 066 DDD Absolutely Digital™ CDR 90000 066 AFRICAN HERITAGE SYMPHONIC SERIES • VOLUME III WORLD PREMIERE RECORDINGS 1 MICHAEL ABELS (B
Cedille Records CDR 90000 066 DDD Absolutely Digital™ CDR 90000 066 AFRICAN HERITAGE SYMPHONIC SERIES • VOLUME III WORLD PREMIERE RECORDINGS 1 MICHAEL ABELS (b. 1962): Global Warming (1990) (8:18) DAVID BAKER (b. 1931): Cello Concerto (1975) (19:56) 2 I. Fast (6:22) 3 II. Slow à la recitative (7:17) 4 III. Fast (6:09) Katinka Kleijn, cello soloist 5 WILLIAM BANFIELD (b. 1961): Essay for Orchestra (1994) (10:33) COLERIDGE-TAYLOR PERKINSON (b. 1932) Generations: Sinfonietta No. 2 for Strings (1996) (19:31) 6 I. Misterioso — Allegro (6:13) 8 III. Alla Burletta (2:04) 7 II. Alla sarabande (5:35) 9 IV. Allegro vivace (5:28) CHICAGO SINFONIETTA / PAUL FREEMAN, CONDUCTOR TT: (58:45) Sara Lee Foundation is the exclusive corporate sponsor for African Heritage Symphonic Series, Volume III This recording is also made possible in part by grants from the National Endowment for the Arts & The Aaron Copland Fund for Music Cedille Records is a trademark of The Chicago Classical Recording Foundation, a not-for-profit foundation devoted to promoting the finest musicians and ensembles in the Chicago area. The Chicago Classical Recording Foundation’s activities are supported in part by contributions and grants from individuals, foundations, corporations, and government agencies including the Alpha- wood Foundation, the Chicago Department of Cultural Affairs (CityArts III Grant), and the Illinois Arts Council, a state agency. DDD Absolutely Digital™ CDR 90000 066 PROGRAM NOTES by dominique-rené de lerma The quartet of composers represented here have a par- cultures, and decided to write a piece that celebrates ticular distinction in common: Each displays remarkable these common threads as well as the sudden improve- stylistic versatility, working not just in concert idioms, but ment in international relations that was occurring.” The also in film music, gospel music, and jazz. -
Annual Report
ANNUAL REPORT Fiscal Year 2017: July 2016 – June 2017 Season 33 "I love to sing, I love connecting with my fellow members, and I love sharing our music with the community." — Jon Brockelman, Tenor 2 2 Welcome to CGMC Since 1985, Chicago Gay Men’s Chorus has been a leading voice of social justice, offering a safe and support- ive environment for LGBTQ+ performers to celebrate their talents and share our message of diversity and inclusivity through our shows. Fiscal year 2017 (from July 2016 – June 2017) included more than 40 public performances. In addition to our traditional programming, for the first time we also piloted a high school outreach program to share our message with the next generation. We plan to continue outreach programs like this in future years. The season kicked off in September 2016 with ourThe Great Gaymerican Songbook cabaret performance at Mayslake Peabody Estate in Oak Brook and the Uptown Underground on the north side of the city. Our holiday show Home for the Holidivas in December 2016 brought us to the Harris Theater, the North Shore Center for the Performing Arts in Skokie, and the Beverly Art Center. Lipsticks & Lyrics: The Dragtones, our live singing drag show in February 2017, featured several iconic girl groups, to the delight of our audience in four shows at Uptown Underground. Finally, our spring show *B-Town: From Barbershop to Boybands in May 2017 brought us back to rock the Harris Theater, North Shore Center for the Performing Arts, and the Beverly Arts Center. Outside of our regular mainstage shows, we performed at numerous community events across Chicagoland, including the Chicago AIDS Run/Walk opening ceremony, National Anthem for American Veterans for Equal Rights (AVER) memorial in Boystown and a Chicago Fire soccer game, Market Days, and Midsommarfest. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Wilson Yard (4422-4442 N Broadway) for Lease Flyer
PRIME RETAIL SPACES FOR LEASE 4400 - 4444 N BROADWAY (WILSON YARD) UPTOWN, CHICAGO, IL 60640 Commercial Commercial storefronts available in Wilson Yard development anchored by a 180,000 Space: SF Target store, 23,000 SF of small-shop retail space plus 178 apartments. ➢ 4420 N Broadway: 1,129 SF, 20’ frontage, fully built-out nail salon space (former US Nails), combinable with 4422 for 3,048 SF ➢ 4422 N Broadway: 1,918 SF, 22’ of frontage, “vanilla box” (former Bedding Experts) , combinable with 4420 for 3,048 SF ➢ 4430 N Broadway: 1,305 SF, 21’ of frontage, raw shell space with washroom roughed in, combinable with 4434 N Broadway for 2,684 SF. ➢ 4434 N Broadway: 1,379 SF, 21’ of frontage, fully built-out salon space (former Hair Cuttery), combinable with 4430 N Broadway for 2,684 SF. ➢ 4442 N Broadway: 900 SF, 18’ frontage with washroom plus office, seamless vinyl floor (former Mon Ame Chocolate shop) All spaces have 21’ ceilings with overhead mechanicals, concrete floors with garage below provides easy access for plumbing installation plus access to 2 existing “black iron” shafts for food prep Commercial co-tenants include PNC Bank, AT&T Wireless, CorePower Yoga, Subway, and WeightWatchers. 1030 N CLARK STREET, SUITE 300, CHICAGO, IL 60610 PHONE: 312.944.6270 FAX: 312.944.3759 WWW.LORDCOMPANIES.COM Location: Located at the NW corner of Broadway and Montrose, Wilson Yard is the southern gateway and the first major step in the rejuvenation of Uptown. Once the city’s second-busiest commercial area, Uptown is re-establishing itself as a vibrant destination thanks to a concentration of entertainment venues including the Aragon Ballroom, Riviera Theater, Green Mill, Double Door, The Baton Show Lounge, Chicago Magic Lounge, Uptown Lounge and the famous Uptown Theatre (under renovation), all of which draw hundreds of thousands of attendees annually. -
Scanned Document
-~.:. Association of Performing Arts Presenters .. .. : . ". VIA ELECTRONIC FILING January 13, 2010 Ms. Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street SW Washington, DC 20554 Re: Ex Parte Communication, Revisions to Rules Authorizing the Operation ofLow Power Auxiliary Stations in the 698-806 MHz Band, WT Docket No. 08-166; Public Interest Spectrum Coalition, Petition for Rulemaking Regarding Low Power Auxiliary Stations, Including Wireless Microphones, and the Digital Television Transition. WT Docket No. 08-167 Dear Ms. Dortch: The Association ofPerforming Arts Presenters ("Arts Presenters") requests that the Commission recognize the legitimate use ofwireless microphones used in the performing arts by expanding eligibility for licensing ofwireless microphones to include performing arts organizations, by permitting incumbent wireless microphone operations to relocate to spectrum in the TV Core (on or below UHF Channel 51), by adopting appropriate technical and service rules for such operations and by affording interference protection for wireless microphone operations from co-channel and adjacent channel unlicensed fixed and mobile white space operations. Arts Presenters includes nearly 2,000 members representing the nation's leading performing arts centers, including civic and university performance facilities, as well as artist agencies, managers, touring companies, national consulting practices that service the field, and a growing roster ofself-presenting artists. Arts Presenters members operate in all 50 states and range from large performing arts centers in major urban cities, outdoor festivals and rural community-focused organizations to academic institutions, artists and artist managers. For the Commission's information, attached is a copy ofthe participants listings from the January 2010 Arts Presenters conference. -
For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor
Sunday, October 3, 2010, 2:30 pm – Dominican University Monday, October 4, 2010, 7:30 pm – Symphony Center For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor Fanfare for the Common Man ............................................................................Aaron Copland Neue slavische Tänze (Slavonic Dances), op.72 no.7 (15) ........................Antonín Dvořák 7. In C major - SrbskÈ Kolo Fire and Blood, for Violin and Orchestra .............................................. Michael Daugherty 1. Volcano 2. River Rouge 3. Assembly Line Tai Murray, violin Intermission Sundown’s Promise (for Taiko and Orchestra) ................................................. Renée Baker I. Company Song VII. Transcendence II. Wa ( peace/balance) VIII. No Mi Kai (Drinking party) III. Wabi IX. Chant IV. Sabi X. Sitting V. Pride XI. Walking VI. Enkai (Banquet Feast) XII. Learning to see the Invisible XIII. Shime (Ending of celebration) JASC Tsukasa Taiko, Japanese drums and Shamisen Nicole LeGette, butoh dancer On the Waterfront: Symphonic Suite from the Film ............................ Leonard Bernstein Lead Season Sponsor Lead Media Sponsor Sponsors Bettiann Gardner Please hold your applause for a brief silence after each work. This will help everyone to enjoy every note. chicagosinfonietta.org facebook.com/chicagosinfonietta Chicago Sinfonietta 1 THE MAESTRO’S FINAL SEASON These 2010 season-opening performances mark the beginning of a season of transition as our beloved Founder and Music Director Paul Freeman takes the podium for the final time. Throughout the year Maestro Freeman will be conduct- ing pieces that have become personal favorites of his, many of which he probably introduced to you, our audience. We will also be sharing some of his compelling life story and reprinting some amazing photos from the Sinfonietta archive. -
Culturalupdate
CONCIERGE UNLIMITED INTERNATIONAL July 2016 culturalupdate Volume XXVI—Issue VII “Fireworks and temperatures are exploding!” Did You Know? ♦Independence Day♦Beach Getaways♦Festivals♦and more♦ The Wrigley Building was the first air-conditioned office building in Chicago! New/News Arts/Museums ♦Bad Hunter (802 W. Randolph, Chicago) Opens 2 Witness MCA Chicago Bad Hunter is coming to the West Loop. Slated to 15 Copying Delacroix’s Big Cats Art Institute Chicago open in late summer, Bad Hunter will specialize 15 Post Black Folk Art in America Center for Outsider Art in meats fired up on a wooden grill, along with a 16 The Making of a Fugitive MCA Chicago lower-alcohol cocktail menu. 26 Andrew Yang MCA Chicago ♦The Terrace At Trump (401 N. Wabash, Chicago) Through 3 Materials Inside and Out Art Institute Chicago The Terrace At Trump just completed 3 Diane Simpson MCA Chicago renovations on their rooftop! Enjoy a 10 Eighth BlackBird Residency MCA Chicago signature cocktail with stellar views and 11 The Inspired Chinese Brush Art Institute Chicago walk away impressed! 17 La Paz Hyde Park Art Center 17 Botany of Desire Hyde Park Art Center ♦Rush Hour Concerts at St. James Cathedral (65 E. Huron) 17 Steve Moseley Patience Bottles Center for Outsider Art Forget about sitting in traffic or running to your destination. Enjoy 18 Antiquaries of England Art Institute Chicago FREE rush hour concerts at St. James Cathedral Tuesday’s in July! Ongoing ♦5th: Russian Romantic Arensky Piano Trio No. 1 What is a Planet Adler Planetarium ♦12th: Debroah Sobol -
Local Links for SAA Web Site
LOCAL LINKS FOR SAA ANNUAL MEETING WEB SITE Updated: April 30, 2007 Locations are Chicago, IL unless otherwise noted. Telephone number in right column indcates no web site. IN TWELVE SECTIONS 1. GENERAL AND LOGISTICS 7. MUSEUMS, ARCHIVES, LIBRARIES, PARKS, AND OTHER CULTURAL INSTITUTIONS 2. ARCHIVAL ORGANIZATIONS 8. MUSIC, THEATER, AND FILM 3. BOOKSTORES 9. ORGANIZED SIGHTSEEING AND TOURS 4. COLLEGES AND UNIVERSITIES 10. SPORTS AND RECREATION 5. DINING--PART 1--DINING GUIDES AND REVIEWS 11. TOURIST SITES AND HISTORIC AREAS AND NEIGHBORHOODS 6. DINING--PART 2--NEARBY RESTAURANTS (SEE MAP) 12. TRANSPORTATION 1. GENERAL AND LOGISTICS Chicago and Illinois Tourist Office http://www.gochicago.com/ Chicago Convention and Tourism Bureau http://www.choosechicago.com/ Chicago Defender (newspaper) http://chicagodefender.com/ Chicago Greeter (volunteer city orientation service) http://chicagogreeter.com/ Chicago Magazine (monthly magazine) http://chicagomag.com/ Chicago Quick Guide http://guestinformant.com Chicago Reader (alternative weekly newspaper) http://chicagoreader.com Chicago Sun-Times (newspaper) http://www.suntimes.com Chicago Traveler http://www.chicagotraveler.com/ Chicago Tribune (newspaper) http://chicagotribune.com City of Chicago (city government) http://www.cityofchicago.org City Pass (multi-attraction pass) http://www.citypass.com Cook County (county government) http://www.co.cook.il.us Enjoy Illinois (Illinois tourism information) http://www.enjoyillinois.com/ Fairmont Chicago Hotel http://www.fairmont.com/chicago/ Fodor's Guide -
Culturalupdate
CONCIERGE UNLIMITED INTERNATIONAL March 2014 culturalupdate Volume XXIV—Issue III Arts/Museums March is the Month to Celebrate! opens Are you hosting a Mardi Gras party, want something exciting in your 1 Dayanita Singh Art Institute office for St. Patrick’s Day, having a March Madness pool and need a 14 Carlos Barberena Prospectus Art Gallery spectacular prize? Let CUI assist with your celebration requests! through ♦ Authentic King’s Cakes ♦Special Event Catering ♦Sports Tickets 2 The Surrealists Philadelphia, PA ♦Delicious Desserts ♦Destination Accomodations ♦And More! 9 Ed Clark Art Institute 9 The Way of the Shovel MCA 20 Hiroshige’s Winter Scenes Art Institute New/News 23 Outside the Lines Houston, TX Chef’s Burger Bistro (164 East Grand Avenue), from 30 The Long Road to Mazatlan Art Institute 30 John Ronan’s Poetry Foundation Art Institute Master Chef, Edward Leonard and Benny Siddu, the owner 4/27 London’s Lost Jewels Museum of London of Chicago staples such as Volare and Benny’s Chophouse, 4/15 Harris Bank Chicago: Lilli Carré MCA comes “a common thing done in an uncommon way!” 5/18 Christopher Williams: The Art Institute Previously where Boston Blackie’s resided, you will now find hand-crafted Production Line of Happiness burgers along with home-made buns. It’s not just about the burger 5/4 Treasures of the Walt Disney Archives MSI though, selections such as lamb tacos and deviled eggs are on the menu ongoing too. This type of innovative menu makes Chef’s Burger Bistro not just Chicago: Crossroads of America Chicago History Museum another burger joint. -
STATEMENT of PRINCIPLE No One Should Be Forced to Choose
STATEMENT OF PRINCIPLE No one should be forced to choose between her personal safety and dignity, and her job. But too often in the theater community this is exactly the choice that women must make. Sexual discrimination and harassment and gender-based violence often occur in the intimate and physical context of a theater production. Victims of such conduct face a stark choice between continuing to work in close collaboration with their abuser and quitting the show. Few can afford to give up a job and lose not only income, but also the opportunity for career advancement. There is a sense in the community that it is not necessarily in a victim’s best interest to report abuse because of fear that the response will be insufficient and open her up to retribution. In addition, many instances of abuse happen outside of the physical boundaries of a theater. No theater, union or guild currently takes responsible for handling such cases. However, the two people involved will most likely have to work together the next day or in another production, and the victims are left to deal with the aftermath by themselves. In the face of these realities, victims often choose silence and the abuse is allowed to continue. It is time for the theater community to break its own silence on harassment and abuse and formally address the problem. The reality is that those who behave abusively are generally in positions of power. Artistic directors hold the power to employ, playwrights have hiring approval; removing a director mid-rehearsal puts an entire production in doubt; losing a celebrity from the cast hurts ticket sales.