Karla-Souza-CV.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Karla-Souza-CV.Pdf KARLA SOUZA Su primer trabajo actoral fue a la edad de 7 años como parte de la película “Aspen Extreme”, y es ahí donde descubre su interés por la actuación. Estudia de forma profesional en Francia las disciplinas de danza, canto y actuación, y más adelante continúa con estudios en Londres (Central School of Speech and Drama) y en Moscú (gracias a una beca otorgada por la compañía de teatro Moscow Arts Theatre). En 2008, a su regreso a México, incursiona en teatro, debuta en la pantalla chica con la serie “Terminales”, y suma proyectos como “Los Héroes del Norte” y “Niño Santo”. Por otro lado, en cine, tras participar en largometrajes como “Suave Patria” y “No se aceptan devoluciones”, es en 2013 que llega “Nosotros los Nobles”, película que le catapultaría en grande, marcando un su carrera de manera definitiva. En 2016 protagoniza “Qué culpa tiene el niño”, y en 2017, “Todos queremos a alguien”. Luego de los pasados éxitos, da el salto a las producciones globales y se une al elenco de “How to Get Away with Murder’, serie de reconocimiento internacional. Su más reciente trabajo es “El Presidente”, serie para Amazon Prime. Paralelamente ha trabajado en el ámbito comercial, con diversas marcas dentro y fuera de México. TRAYECTORIA CINE 2020 The Sleepover (Jay) Dir. Trish Sie 2019 Jacob’s Ladder (Annie / Angel) Dir. David M. Rosenthal 2019 Crossbow (Cortometraje) Dir. Zach Lasry 2017 El Jesuita (Collie) Dir. Alfonso Pineda Ulloa 2017 Todos queremos a alguien (Clara) Dir. Catalina Aguilar Mastretta 2016 Guatdefoc (Ashley López) Dir. Fernando Lebrija 2016 ¿Qué culpa tiene el niño? (Maru) Dir. Gustavo Loza 2014 El Crimen del Cácaro Gumaro (Participación) Dir. Emilio Portes 2013 Nosotros los Nobles (Bárbara Noble) Dir. Gary Alazraki 2013 No se aceptan devoluciones (Jackie) Dir. Eugenio Derbez 2013 Me late chocolate (Moni) Dir. Joaquin Bissner 2013 31 días (Mayra) Dir. Erika Grediaga 2012 Suave Patria (Roxana Robledo) Dir. Francisco J. Padilla 2011 Pobres Divas (Lucy) Dir. Ángel García 2010 El Efecto Tequila (Ana Luisa) Dir. León Sermet 1993 Aspen Extreme (Kimberly) Dir. Patrick Hasburgh TELEVISIÓN 2020 El Presidente (Rosario) Amazon Studios 2014-2020 How to get away with murder (Laurel Castillo) ABC Studios 2012 La Clínica (Maripili) Cadena Tres 2011 Niño Santo (Lucia) Canana 2010-2011 Los Héroes del Norte (Prisca) Televisa 2010 Bienes Raíces (Cata) Once TV 2010 Persons Unknown (Dosette) NBC 2009 Verano de amor (Dana Villalba) Televisa 2008 Terminales (Participación) Televisa TEATRO Avenida Q Dir. Felipe Fernández del Paso La novicia rebelde Prod. Claudio Carrera REDES SOCIALES /KarlaSouzaOfficial @KarlaSouza7 karlasouza .
Recommended publications
  • Change the Narrative, Change the World How Immigrant Representation on Television Moves Audiences to Action
    Erica L. Rosenthal, Ph.D. Adam Amel Rogers, M.C.M. Emily Peterson, Ph.D. Erica Watson-Currie, Ph.D. Heesung Shin, Ph.D. Change the Narrative, Change the World How Immigrant Representation on Television Moves Audiences to Action September 2020 TABLE OF CONTENTS 01 34 Acknowledgments Content Analysis Results 34 Immigrant Characters 44 Drugs, Crime, and Incarceration 46 Immigration 02 52 Storyline vs. Character Episodes Executive Summary 56 Qualitative Findings 12 60 Introduction Conclusion 18 64 Survey Results Detailed Methodology 18 Participant Characteristics 64 Survey 19 Cumulative Exposure 69 Content Analysis 20 Storyline Impact 26 Responses to Storylines ii IMMIGRANT REPRESENTATION ON TV ACKNOWLEDGMENTS The USC Norman Lear Center Acknowledgments is led by Director Marty Kaplan and Managing Director Johanna Blakley. Define American research and entertainment teams: Sarah E. Lowe, Elizabeth Voorhees, and Noelle Lindsay Stewart. Special thanks to the entire Define American team. Content analysis coding by: Manessah Dechabert, Fernando Garcia, Natasha Hira, Victoria Houben, Tyanna James, Michelle Kim, Neha Komatreddy, Megan Ritchie, and Jessica Wang. Design by Gabriel Lee. Layout by Veronica Jauriqui. All images used in the report are the sole property of the networks the series belong to. The still photos are used under educational fair use guidelines for the explicit purpose of supporting this research report. IMMIGRANT REPRESENTATION ON TV 1 EXECUTIVE SUMMARY In 2018, Define American began a research Executive partnership with the USC Annenberg Norman Lear Center’s Media Impact Project (MIP) that Summary sought to identify and contextualize all immigrant characters on TV. As described in the report Immigration Nation: Exploring Immigrant Portrayals on Television, the study found that one-third of immigrant characters on TV were associated with crime in some way, and 11% were associated with incarceration.
    [Show full text]
  • Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
    Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media.
    [Show full text]
  • Faculty and Staff Show Off Their Art De Anza Triumphs 4-0 Art Piece They Wanted, No Matter the Theme Or Age to Display in the Show
    Visit La Voz Online DA costume contest Reduced drug Scan the QR code sentences Election Nov. 4 on the left to access See who won La Voz online from Yes on 47 Remember to your smartphone or P. 5 tablet P. 6 vote! LA VOZThe voice of De Anza CollegeWEEKLY since 1967 Vol. 48 No. 6 Nov. 3, 2014 DA Voices: How the Flint parking structure affects students Nang Hlaing STAFF WRITER “I heard people had “Parking would be less “It would take longer “It is going to be “I feel that the dented cars all the time and I would worry to get to class. You packed [and] parking renovation is a good in flat parking [lots]. where I park. Now [it] have to find parking is hard already, idea as long as they do The multiple floors is already cutthroat. and [the Flint Center] especially [at] the it at the right time. [If] actually helped a lot of parking lot is always beginning of each they do it over summer p e op l e .” filled. qu ar t e r.” it would be good.” – Nerby Kifle, – Teyanie Holland, – Lindsey Knapper, – Desiree Gonzalez, – Jessica De Los Santos, 19, film major 21, anthropology major 31, social and behavioral 24, business 18, nursing major science major administration major Faculty and staff show off their art De Anza triumphs 4-0 art piece they wanted, no matter the theme or age to display in the show. Even though most pieces on the exhibition are recent, there are also some that are quite old, including two of Barbara Allie’s mono prints titled Peru I and Peru II which are dated from 1989.
    [Show full text]
  • How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series
    UvA-DARE (Digital Academic Repository) How to Get Away with Color Color-Blindness and the Post-Racial Illusion in Popular American Television Series Martens, E.; Povoa, D. Publication date 2017 Document Version Final published version Published in Alphaville License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E., & Povoa, D. (2017). How to Get Away with Color: Color-Blindness and the Post- Racial Illusion in Popular American Television Series. Alphaville, 13, 117-134. http://www.alphavillejournal.com/Issue13/HTML/ArticleMartensPovoa.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes.
    [Show full text]
  • 130Mm Tv Time Fans Cast Their Vote on the State of Diversity on Television
    1 130MM TV TIME FANS CAST THEIR VOTE ON THE STATE OF DIVERSITY ON TELEVISION Television viewers are overwhelmingly voicing their desire for shows with diverse and strong characters. TV Time conducted this study to better understand how television audiences are responding to casting decisions across race, gender and sexual orientation. Gone are the days when our favorite characters were predominantly white, straight and male. A super- charged social consciousness is driving people to want to see characters on television who resemble themselves. Television is answering that call to action and fans are responding in overwhelming favor. TV Time is uniquely poised with volumes of fan data from people who have watched a television program and voted on their favorite characters in the TV Time app. For this global study, TV Time analyzed the top 100 favorite characters from 2015-2017, chosen by its community of 12 million registered app users. In an eff ort to understand how fans are reacting to diversity characters, TV Time tabulated 130 million character votes over the last three years. Acknowledging that there are several ways to segment the US population (and television characters) into diversity groups, this study focused on gender, ethnicity and sexual orientation. Overall, diversity among favorite characters remains relatively fl at over the past three years. However, some diversity groups are experiencing meaningful growth and appear to be leading the cultural movement toward embracing fundamental changes in the way we experience television. Published on April 23, 2018 2 CHARACTERS OF COLOR Overall, characters of color saw a 20% increase, jumping from 15% of the overall favorite characters in 2015, to 18% of the favorite character vote in 2017.
    [Show full text]
  • Review of "How to Get Away with Murder"
    Lynette Payne, [email protected] December 3, 2015 Advanced Comp Revision Murder 101: A Review of How to Get Away with Murder ABC’s How to Get Away wijth Murder began as the underdog of the Fall 2014 American broadcast network pilot season, but as it now launches its second season, the legal drama is rolling in great ratings. Producer Shonda Rimes (of Scandal and Grey’s Anatomy fame) lead the current season to eight million viewers in September, 2015. After ending the previous season in February with the shocking revelation of who killed Lila Stangard, along with yet another dead body, How to Get Away with Murder continues to captivate its viewers. How to Get Away with Murder centers on Annalise Keating, played by Viola Davis, as she teaches criminal law at the fictional college of Middleton University in Philadelphia, and takes a special interest in five of her students. The pilot episode begins in medias res, as these six characters become entangled in the plots of not one, but two separate murders. While Annalise continues to teach and represent clients at her own law firm, she and her students work through the homicides, more personally involved than ever. Davis’ character of Annalise Keating, a defense attorney and law professor, is the driving force behind the show. From the first episode, Annalise is the head bitch in charge, intimidating, cold, and utterly fascinating. Even her opening monologue is ominous: “Good morning. I don’t know what terrible things you’ve done in your life up to this point, but clearly your karma’s out of balance to get assigned to my class.
    [Show full text]
  • Nine New Shows Ordered from Abc Studios for the 2014-15 Season
    May 14, 2014 NINE NEW SHOWS ORDERED FROM ABC STUDIOS FOR THE 2014-15 SEASON ABC Picks Up “American Crime,” “Black-ish,” “Galavant,” “How To Get Away With Murder,” “Manhattan Love Story,” “Marvel’s Agent Carter,” “Secrets and Lies” and “The Whispers” from ABC Studios FOX orders New Drama “Red Band Society” ABC Studios had another banner development year with nine new shows ordered to series. New dramas “American Crime,” “How To Get Away with Murder,” “Marvel’s Agent Carter,” “Secrets and Lies,” “The Whispers,” along with new comedies “Black-ish,” “Galavant,” and “Manhattan Love Story,” were picked up at ABC. New drama “Red Band Society” was ordered at FOX. Returning ABC Studios shows “Castle,” “Grey’s Anatomy,” “Nashville,” “Once Upon a Time,” “Revenge, “Resurrection,” “Marvel’s Agents of S.H.I.E.L.D.” and “Scandal” on ABC join “Criminal Minds” on CBS, “Devious Maids” on Lifetime, “Perception” on TNT and “Cougar Town” on TBS. ABC Studios drama “Mistresses” premieres on ABC on MONDAY, JUNE 2 (10:00-11:00 p.m., ET). “Benched,” a half-hour comedy for USA is currently in production. “I am extremely proud of our slate this year. We reached our goal of remaining the number one supplier of scripted programming for ABC while finding opportunities to expand our reach at the other broadcast and cable networks,” said Patrick Moran, EVP, ABC Studios. The new series are: “AMERICAN CRIME” All over the news are reports about a young couple in Modesto, California, who were attacked in their home. Matt Skokie, a war vet, was killed, and his wife, Lily, is unconscious, barely hanging on.
    [Show full text]
  • Colour- Blindness and the Myth of a Postracial America in American Television Series
    How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society. This case study aims to demonstrate to which extent the “colour-blind approach” of the TV show reinforces the postracial illusion in the United States, i.e. the idea that the country has overcome its past of racial segregation and now offers the same opportunities for everyone, regardless of colour and race. Through a narrative analysis of the first season of the series, this chapter will argue that the depiction of race in How to Get Away with Murder is highly ambivalent. On the one hand, the show does not completely ignore race by inserting topics such as racism in the plot, giving these issues at least some visibility. On the other hand, its more general panorama reveals an intent to deracialise its main characters in a colour-blind manner.
    [Show full text]
  • Veronica Chambers Talks About 'The Go-Between' About:Reader?Url=
    Veronica Chambers talks about 'The Go-Between' about:reader?url=https://www.hypable.com/author-interview-veron... hypable.com Veronica Chambers talks about 'The Go-Between' Written by Ariana Quiñónez | Edited by Brandi Delhagen | 9:00 am EDT, May 9, 2017 6-8 minutes Critically-acclaimed author Veronica Chambers talks to us about her new YA novel The Go-Between, a high school dramedy that questions Mexican American immigrant stereotypes amidst a telenovela and Beverly Hills background. The Go-Between comes out today, Tuesday, May 9, 2017! Here’s what author Veronica Chambers had to say about her novel’s mother-daughter love story, as well as the importance of finding joy and beauty in one’s cultural heritage: Give us your elevator pitch for ‘The Go-Between’! Cammi is the rich daughter of a telenovela actress. In Mexico City, everyone knows her Mom and her family. When they move to LA, Cammi discovers the joys of anonymity. She also realizes that the kids at her new fancy prep school think she’s a scholarship student from East LA. As she goes along with their assumptions, she begins to wonder: is she playing them or is she playing herself? 1 of 6 5/2/18, 2:57 PM Veronica Chambers talks about 'The Go-Between' about:reader?url=https://www.hypable.com/author-interview-veron... Where did the initial spark of your story stem from? Initial spark for story came from me wanting to write a Latina mother-daughter story but in a totally different setting than one I’d ever created before.
    [Show full text]
  • Defense Mechanism in the Tv Series How to Get Away with Murder Season 1
    DEFENSE MECHANISM IN THE TV SERIES HOW TO GET AWAY WITH MURDER SEASON 1 A THESIS In Partial Fulfillment of the Requirements for Thesis of American Studies of English Department Faculty of Humanities Diponegoro University Submitted by: Nida Luthtiyyah 13020113140069 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2017 ii PRONOUNCEMENT The writer honestly confirms that she compiles this thesis by herself and without taking any results from other researchers in S-1, S-2, S-3 and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone‘s paper except from the references mentioned. Semarang, 31 May 2017 Nida Luthtiyyah ii MOTTO AND DEDICATION ―The world may be moving faster than us, but it doesn‘t always mean you gotta rush to catch up. As long as we‘re rotating in the same direction. Enjoy life in our own speed.‖ - Diana Rikasari ―When you live for a strong purpose, then hard work isn‘t an option. It‘s a necessity.‖ - Steve Pavlina ―We must accept finite disappointment, but we must never lose infinite hope.‖ - Martin Luther King Jr. I dedicated this thesis to my beloved parents and sister who always support me during the accomplishment of this thesis. iii DEFENSE MECHANISM IN THE TV SERIES HOW TO GET AWAY WITH MURDER SEASON 1 Written by: Nida Luthtiyyah NIM. 13020113140069 is approved by the thesis advisor On 26th May, 2017 Thesis Advisor M. Irfan Zamzami, S.S., M.Hum NIK. 198609230115091000 The Head of the English Department Dr. Agus Subiyanto, M.A.
    [Show full text]
  • Watch Trailers for New ABC 2014-15 Series
    Watch Trailers for New ABC 2014-15 Series 05.13.2014 ​ABC has released First Look videos for its new 2014-15 dramas and comedies following its Upfront presentation to advertisers in New York City on Tuesday. Check out the videos below (more will be added as they're released). EARLIER: New Fox Trailers, New NBC Trailers HOW TO GET AWAY WITH MURDER Trailer: First Look: The brilliant, charismatic and seductive Professor Annalise Keating (Viola Davis) gets entangled with four law students from her class, "How to Get Away with Murder." Little do they know that they will have to apply what they learned to real life, in this masterful, sexy, suspense-driven legal thriller from Shonda Rhimes and Betsy Beers, executive producers of "Grey's Anatomy" and "Scandal." "How to Get Away with Murder" stars Viola Davis as Professor Annalise Keating, Billy Brown as Nate, Alfred Enoch as Wes, Jack Falahee as Conner, Katie Findlay as Rebecca, Aja Naomi King as Michaela, Matt McGorry as Asher, Karla Souza as Laurel, Charlie Weber as Frank and Liza Weil as Bonnie. Written by executive producer Peter Nowalk, "How to Get Away with Murder" is executive-produced by Shonda Rhimes and Betsy Beers, directed by Michael Offer, and produced by ABC Studios. SECRETS AND LIES: Trailer: Ben Garner is about to go from Good Samaritan to murder suspect, after he discovers the body of his neighbor's young son in the woods. As Detective Andrea Cornell digs for the truth, the secrets and lies of this town come to the surface and no one is above suspicion.
    [Show full text]
  • “In a Time When She Believed Nothing Would Grow Again, She Planted Some Seeds and Gave Them Room to Grow
    Winter 2018 | 2019 FROM THE EXECUTIVE DIRECTOR We wish you all a very happy New Year and extend our gratitude for helping us Plant Seeds of Hope. Your donations provided gifts of hope for families, and you helped us reach our end-of-year appeal goal. We’re entering our 43rd year strong and look forward to This past holiday season, our theme was Plant Seeds of Hope. The artist Valerie a successful year ahead. We Lorimer generously provided us with her art and a quote that resonated with us. remain committed to always Every day we meet survivors who have faced multiple life challenges, and hope showing up for survivors, for our is the connection to a safe and healthy life for themselves and their children. communities, for our sisters, and for justice. “In a time when she believed nothing would grow again, she planted some seeds and gave them room to grow. And THANK YOU! Barbara Kappos, LCSW as they began to flourish, she felt a kernel of hope begin to Executive Director grow inside her.” BRIDGING HOPE & HEART: EMERGENCY SHELTER THRIVES Since its doors opened in March 2018, the Hope & Heart emergency shelter has served 144 women and children impacted by sexual and domestic violence. According to multiple studies on the causes of homelessness among women, more than 80 percent of those affected have previously experienced trauma. While the Hope & Heart emergency shelter allows us to assist with immediate displacement needs, we are committed to providing extended resources for those who come through our center. ELAWC strives to help end the homeless crisis affecting Los Angeles County.
    [Show full text]