Young Goodman Brown and Other Stories
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Beyond the American Landscape: Tourism and the Significance of Hawthorne’S Travel Sketches
The Japanese Journal of American Studies, No. 27 (2016) Copyright © 2016 Toshikazu Masunaga. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Beyond the American Landscape: Tourism and the Significance of Hawthorne’s Travel Sketches Toshikazu MASUNAGA* INTRODUCTION: 1832 After graduating from Bowdoin College in 1825, Nathaniel Hawthorne went back to his hometown, Salem, Massachusetts, where he concentrated on writing in order to become a professional writer. His early masterpieces such as “Young Goodman Brown” and “My Kinsman, Major Molineux” were written during the so-called solitary years from 1825 to 1837, and he viewed those Salem years of his literary apprenticeship as “a form of limbo, a long and weary imprisonment” (Mellow 36). But biographers of Hawthorne point out that this self-portrait of a solitary genius was partly invented by his “self-dramatizations” (E. H. Miller 87) to romanticize his younger days. In fact, he maintained social engagements, and his sister Elizabeth testified that “he was always social” (Stewart 38). He was more active and outgoing than his own fabricated self-image, and he even made several trips with his uncle Samuel Manning as well as by himself.1 While strenuously writing tales, he undertook an American grand tour alone, traveling around New England and upstate New York in 1832. He was one of those tourists who rushed to major tourist destinations of the day such as the Hudson Valley, Niagara Falls, and the White Mountains in order *Professor, Kwansei Gakuin University 1 2 TOSHIKAZU MASUNAGA to spend leisure time and to find cultural significance in the scenic beauty of the American natural landscape. -
“Alice Doane's Appeal” and “The Great Carbuncle” in the Token
Hawthorne’s Gifts: Re-reading “Alice Doane’s Appeal” and “The Great Carbuncle” in The Token alexandra urakova AMUEL Griswold Goodrich’s The Token, an annual gift S book in which Nathaniel Hawthorne anonymously pub- lished many of his early tales, has long become the emblem of his “years of obscurity.” Later in his lifetime, Hawthorne would speak about his tales as “rummaged out” “within the shabby morocco-covers of faded Souvenirs.”1 He would de- scribe “musty and mouse-nibbled leaves of old periodicals, transformed, by the magic arts of [his] friendly publishers, into a new book.”2 If the course of Hawthorne’s publication his- tory was culling his fugitive stories from old annuals for the purposes of bringing them together under his own name, I propose to recast these stories back from the “morocco-covers” of The Token and put them alongside neighboring entries to connect them to the broader generic and ideological framework of the volumes and the format of the gift book in general. Since Jane Tompkins’s seminal Sensational Designs (1986), where she touches upon Hawthorne’s publications in The To- ken, we tend to think of classic texts in terms of the cultural I would like to express my deep gratitude to the first reader of this essay, Stephen Rachman, for helping me improve it and generously sharing his ideas. I thank both him and Sonya Isaak for refining the essay’s style. I am grateful to IAS CEU for the opportunity to complete my research for this paper. 1Nathaniel Hawthorne, “Preface to Twice-told Tales,” in Nathaniel Hawthorne, Tales and Sketches (New York: Library of America, 1982), p. -
Hawthorne's Conception of History: a Study of the Author's Response to Alienation from God and Man
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1979 Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man. Lloyd Moore Daigrepont Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Daigrepont, Lloyd Moore, "Hawthorne's Conception of History: a Study of the Author's Response to Alienation From God and Man." (1979). LSU Historical Dissertations and Theses. 3389. https://digitalcommons.lsu.edu/gradschool_disstheses/3389 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
The Birth-Mark Hawthorne, Nathaniel
The Birth-Mark Hawthorne, Nathaniel Published: 1843 Type(s): Short Fiction Source: http://gutenberg.org 1 About Hawthorne: Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachu- setts, where his birthplace is now a museum. William Hathorne, who emigrated from England in 1630, was the first of Hawthorne's ancestors to arrive in the colonies. After arriving, William persecuted Quakers. William's son John Hathorne was one of the judges who oversaw the Salem Witch Trials. (One theory is that having learned about this, the au- thor added the "w" to his surname in his early twenties, shortly after graduating from college.) Hawthorne's father, Nathaniel Hathorne, Sr., was a sea captain who died in 1808 of yellow fever, when Hawthorne was only four years old, in Raymond, Maine. Hawthorne attended Bowdoin College at the expense of an uncle from 1821 to 1824, befriending classmates Henry Wadsworth Longfellow and future president Franklin Pierce. While there he joined the Delta Kappa Epsilon fraternity. Until the publication of his Twice-Told Tales in 1837, Hawthorne wrote in the comparative obscurity of what he called his "owl's nest" in the family home. As he looked back on this period of his life, he wrote: "I have not lived, but only dreamed about living." And yet it was this period of brooding and writing that had formed, as Malcolm Cowley was to describe it, "the central fact in Hawthorne's career," his "term of apprenticeship" that would eventually result in the "richly med- itated fiction." Hawthorne was hired in 1839 as a weigher and gauger at the Boston Custom House. -
'Troubled Joy' : the Paradox of the Female Figure in Nathaniel Hawthorne's Fiction
'TROUBLED JOY' : THE PARADOX OF THE FEMALE FIGURE IN NATHANIEL HAWTHORNE'S FICTION by Sciretk ROSEMARY GABY B.A. Hons. Submitted in fulfilment of the requirements for the degree of Master of Arts UNIVERSITY OF TASMANIA NOVEMBER 1984 TABLE OF CONTENTS Page Prefatory Note i Abstract .. ii Introduction .. 1 Background: The Figure of Woman in Nineteenth Century America 5 II Woman's Fatal Flaw: The Tales 25 III Hester Prynne 57 IV Zenobia and Priscilla 77 V Miriam and Hilda .. 96 Conclusion • • 115 Bibliography . 121 PREFATORY NOTE This thesis contains no material which has been accepted for the award of any other higher degree or graduate diploma in any university. To the best of my knowledge and belief the thesis contains no material previously published or written by another person, except when due reference is made in the text of the thesis. (k9)9Acs-\ The style of presentation is primarily in accordance with the MLA Handbook (New York: Modern Language Association, 1977), but some features of style, notably the use of single quotation marks for quotations of words, phrases or short prose passages, have been determined by the Style Sheet of the Depart- ment of English, University of Tasmania. ABSTRACT The figure of woman is of central importance to the whole pre- sentation of meaning in Nathaniel Hawthorne's fiction. In comparison to other writers of the nineteenth century, and especially his male compatriots, Hawthorne grants the female figure a remarkable degree of prominence and significance in his works. His presentation of woman is noteworthy not only for the depth and subtlety with which his female characters are portrayed but also for the unique way in which he mani- pulates the standard female stereotypes to explore through symbolic suggestion the whole purpose of woman's existence and the foundations of her relations with man. -
Life and Work of Nathaniel Hawthorne
H E S o : = I F E A i D V O R X cf :TATiIA::JEL H7THORN Submitted to the icu1ty of the Ci'EGOI" !LRICJLTURAL COLEG for the degree o BACHELOR OP SCIEICE ft Domestic cierice and Art 'by Redacted for privacy - - 1 June 10, 1911. Redacted fprivacy ........... eartmcnt of English and iterature Redacted for privcy LeanSchoo1aof Domestic science and. Art I. Introduction - Discussion - Biographical Sketch. TT .L.. or.s - The Scarlet .i4etter. The House of Seven Gables. The Blithedale Romance. The Marble Faun. The 77onder Book. The Golden Touch. The Miraculous Pitcher. The Twicetold. Tales. The Minister's Black Veil. Mr. Higginbotham's Catastrophe. The Great Carbuncle. David. Swan. Dr. Heidegger's Experiment. III. Conclusion - TH PERRY PICTURES. BOSTON EDITION. THE PERRY PICTURES. 12. COPYRIGHT, i 898, BY E. A. PERRY. HAWTHORNE'S BIRTHPLACE, SALEM, MASSACHUSETTS. THE PERRY PICTURES. 1 3. COPYRIGHT, 39DB, BY EUGENE A. PERRY. BOSTON EDITION. HAWTHORNE'S HOME, "OLD MANSE," CONCORD, MASSACHUSETTS. THE PERRY PICTURES. 14. COPYRIGHT, 1897, BY E. M. PERRY. HAWTHORNE'S HOME, 'THE WAYSIDE," CONCORD, MASSACHUSETTS. liathanlel Hawthorne w&s born in a1em, iviass. July 4,1804, and died in Plymouth 1.H. May 18, 1864. The family name was spelled Eathorne until the author insert- ed the '7. i:athaniel hawthorne, the father of our author was a solient, reserved, severe man, of athletic build, rather slender, and habitually of a melancholr cast cf thought; became a captain in the merchant marine; the family hay- Ing suffered a decline of fortune, and the male members mostly following the sea. -
Gjjl
A A STUDY OF THE STYLISTIC TECHNIQUE OF NATHANIEL HAWTHORNE IN THE CREATION OP BOMANCE APPROVED: 3or Professor Minor Professor g-s- gJJL Direoto' r of the^Departmena»'iu X"l#Ti'^'< t of English Dean "of ' ith* e J*"Graduat* JSt ~ 4* e gSchoo% «*, 1* j-t l A STUDY OP THE STYLISTIC TECHNIQUE OP NATHANIEL HAWTHORNE IN THE CHEATION OP ROMANCE THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Hequireaents For the Degree of MASTER OP ARTS By Mary Dell MeCrory, B. A, Denton, Texas January, 196? TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. DICTION . 10 III. SYNTAX . 33 IV. FICTIONAL DEVICES FOE PREPARATION OF THE NEUTRAL GROUND . 60 V. IMAGERY AND SYMBOLISM 86 VI. CONCLUSION 103 BIBLIOGRAPHY 107 lil CHAPTER I INTRODUCTION Prefatory to The House of the Seven Gables. Nathaniel Hawthorne writes that a romance differs from a novel In "both i Its fashion and Its material." Critics have long devoted themselves to the material of Hawthornlan romance, but few have given more than perfunctory attention to the way in which that material is fashioned. In the preface, Hawthorne alludes to certain techniques in the creation of romances The point of view in which this tal© comes under the Romantic definition lies in the attempt to connect a by-gone tlae with the very present that is flitting" away from us.' It %a a legend prolonging itself, from an epoch now gray in the distance, down Into our own broad daylight, and bringing along with it some of its legendary mist, which the reader, according to his pleasure,, may either disregard, or allow it to float almost imperceptibly about the characters and events for the sake of a picturesque effect.2 Hawthorne himself evidently understood that romance could be created with mechanical elements of style as well as with the use of "romantic" content; however, students of the romanticist are neglecting one important facet of his work when they 1 Nathaniel Hawthorne, The Complete Works of Nathaniel Hawthorne * Vol, III of 15 vols. -
The Scarlet Letter ― the Pursuit of “Some Sweet Moral Blossom” ―
The Scarlet Letter ― The Pursuit of “Some Sweet Moral Blossom” ― 文学研究科英文学専攻博士後期課程在学 熊 田 岐 子 Michiko Kumada Contents Introduction ChapterⅠ Sinful Hester and Innocent Dimmesdale in the Public Eye 1. The Pillory in the Daylight 2. The Governor’s Hall 3. The Pillory in the Night 4. The Seven Years of Hester and Dimmesdale ChapterⅡ Temptation in the Forest ChapterⅢ Chillingworth’s Evil and Hester’s Wild Nature ChapterⅣ Of “The Custom-House” ChapterⅤ Pearl’s Morals Conclusion Notes References Introduction In 1850, Nathaniel Hawthorne brought out The Scarlet Letter, which was one of his valuable romances and, moreover, came to a masterpiece throughout the world. He worked at the custom-house in his native town Salem for a living without writing his works, where he seemed to be an efficient surveyor. Although he was dismissed unexpectedly for the vicissitude of the political situation, he began to write the work, as there is no time like the present. His wife Sophia, on the other hand, gave generous support to him by her side job to make lump shades. In this period, his mother was dead of sick, who brought up her children by herself. Around him there were some women including his brilliant sisters who gave inspiration to him - 69 - and attracted him to their individualities, with the result that he found out the human heart as the first author writing women who have personalities in the history of American literature. In the opening chapter of The Scarlet Letter, “a wild rose-bush,” of which the air would be saturated with the perfume, takes root in front of the prison-door. -
HAWTHORNE* S PORTRAYAL of SIN by Vivian Newport a Thesis
Hawthorne's portrayal of sin Item Type text; Thesis-Reproduction (electronic) Authors Newport, Emma Vivian, 1901- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 12:01:54 Link to Item http://hdl.handle.net/10150/553441 e°mi 1131 45 . HAWTHORNE* S PORTRAYAL OF SIN By Vivian Newport A Thesis \ Submitted to the Faculty of the Department of English in partial fulfillment of the requirement for the degree of Master of Arts in the Graduate College University of Arizona 1939 Approved: Major Professor. \c\-iX O p - ^ / r.kT'U: u? < — P-irrt I. TIC TTmiTAP BnCKCrPOUITD or H/V CHOFFL'C lift:.............. 1 II. "jr: nT,//-rc PTrtr.:j or:’nr' or •tt /1* ’rurnr-TV't• • A . v. » - •» n c!L--Ti;r?*’rr" ,r TIF r f TIT or cir ....... 5 Characters ’ 'hose Traric Bevtiloprient In Due to Their Realization of the Inevitability of Di n ................. 5 Characters Those "ra^ic Developnent In Due i:o the Poinonous Effect of Hidden c'i n ...................................... 20 Characters *7hosei Tragic Develonnent In Due to tins Penultiny in ’Intram/r-.nent... 22 Characters 7,Those Tragic Developnent Is the Penult of ^inful Conditions Outside Thenselves............................... 45 I. 11T3,UD?TCD OF HD: ^TPITAT COTTCDDTIOH O’r °;':t in did’ TR//cc %:T:D0":riT or idititcftt’c cidjtact:::0 ............................... -
Tlie Si S Approved by Major Adviser Dean
Tlie si s Approved By Major Adviser Dean THE SYMBOLISM OF NATH AHI EL HAWTHORNE .By Sister Mary Bernard Kelly A THESIS Submitted to the Faculty of The Creighton University in Partial Fulfillment of the Bequirements for the Degree of Master of Arts in the Department of Engli sh OMAHA, 1931 CONTENTS Page Chapter I Symbolism, in General 1 Chapter II Factors Contributing to HawthorneTs Symbolism 10 Chapter III Symbolism in the Tales 17 Chapter IV Symbolism in the Four Novels 31 Chapter V Conclusion 48 42845 Chapter I SYMBOLISM IN GENERAL It is the aim of this prefatory chapter to define symbolism in some manner, to give the reader some notion of the different stages in meaning through which the word has passed and to show the different attitudes toward the word dis closed by the various epochs of civilization. Re ference has been made also, to the apparently essential element of its constitution proven by the fact of its being discarded in one epoch and its being adopted in another. The term symbolism at the present day has a wide and varied connotation. To the mathematician it has one meaning, to the psychologist another, to the artist still another. Before attesting to communicate ideas in the phases of this subject, then, it is necessary that the term be restricted and defined. Symbolism is as old as creation and began when God made the world and its created things. <d Without it there can be no language, no literature: E for words and letters are symbols; mere sounds of the voice are symbols which have been agreed upon to give certain signification. -
ANALYSIS “The Gentle Boy” (1832) Nathaniel Hawthorne (1804-1864
ANALYSIS “The Gentle Boy” (1832) Nathaniel Hawthorne (1804-1864) “The Gentle Boy” dramatizes the historical persecution of the early Quakers, who began to appear in New England in 1656. It displays most clearly two of Hawthorne’s main themes: (1) the need to balance the head and the heart; and (2) the evil of “pernicious principles” in ideologies such as Calvinism and early Quakerism that imbalance and divide the soul, leading to inhumanity and perhaps to damnation, which is “eternal alienation from the good and the true,” as exemplified by the Calvinists Young Goodman Brown, Parson Hooper and “The Man of Adamant.” The fanatical Quaker mother, Catherine, is comparable to Anne Hutchinson, who was exiled for heresy in 1637, and to Hester Prynne in The Scarlet Letter. Illustrated with drawings by Sophia Hawthorne, “The Gentle Boy” is the sentimental and ironic story of Ilbrahim, Quaker child of a martyred father and a banished mother. He is not more than six years old, the innocent victim of Quaker fanaticism on the one hand and of Puritan brutality on the other. He is found weeping on his father’s fresh grave by Tobias Pearson, an exceptional Puritan who “possessed a comprehensive heart, which not even religious prejudice could harden into stone.” The heart of Tobias “prompted him, like the speaking of an inward voice, to take the little outcast home, and be kind unto him.” Tobias and Dorothy take in the boy, a “sweet infant of the skies,” “a domesticated sunbeam” and a “victim of his own heavenly nature,” who tells tales--romances in fact. -
NATURE SYMBOLISM and MORAL ISOLATION in HAWTHORNE By
NATURE SYMBOLISM AND MORAL ISOLATION IN HAWTHORNE by JON COPELAND STOTT B.A., The University of British Columbia, 1961 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF M.A. in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August, 1964 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission,, Department of h. TV1 Q L I £ H The University of British Columbia, Vancouver 8, Canada Abstract The purpose of this thesis is to present a systematic examination of the major groups of nature symbols used by Hawthorne in his novels and tales treating moral isolation. Since Poe's and Melville's early re• marks on Hawthorne's love of allegory and his power of blackness, many critics have studied the extensive use of symbolism and the detailed anal• ysis of human nature in his works. While critics have not ignored the numerous examples of nature symbolism contained in the works, none has made a comprehensive analysis of Hawthorne's systematic patterns. Such an analysis reveals a significant aspect of the already acknowledged depth and genius of his symbolic method and shows that his use of nature sym• bolism, differing from that of both his puritan ancestors and transcenden- talist contemporaries, serves as further evidence of his great artistic originality.