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Comparing Russian Trends in the Piano Sonatas of Rachmaninoff and Medtner

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Comparing Russian Trends in the Piano Sonatas of Rachmaninoff and Medtner COMPARING RUSSIAN TRENDS IN THE PIANO SONATAS OF RACHMANINOFF AND MEDTNER BY OWEN J. HARTNETT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music in Music Literature and Performance, Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree, Doctor of Music in Music Literature and Performance. ___________________________________ Edmund Battersby, Research Director, Chairperson __________________________________ Jean-Louis Haguenauer __________________________________ Karen Shaw ii Acknowledgements I wish to thank, first and foremost, my committee chair Professor Edmund Battersby, who has been an endless source of inspiration during my many years at Indiana University. His musical genius and approach to teaching has shaped my musical thought, and has inspired me to pursue the topic of this paper. I would also like to thank Dr. Karen Shaw, whose expertise in the romantic repertoire has left a deep impression on me, and Professor Jean-Louis Haguenauer for his support during these past seven years. Of course, I owe deep thanks to my wife Amanda for her unwavering support, and for giving me the extra push when I needed it the most. I also want to thank my daughter Emerson for making me smile, and for giving me a new perspective after many long nights of research. iii Table of Contents Acknowledgements ....................................................................................................................iii List of Examples ......................................................................................................................... v Introduction ............................................................................................................................... 1 Chapter 1: National Influence in Russian Music ......................................................................... 3 Chapter 2: Nationalism in Medtner’s Sonatas............................................................................ 6 Specific Russian Influence ...................................................................................................... 6 Non-Russian Influence in Medtner’s Sonatas ....................................................................... 11 Chapter 3: Nationalism in Rachmaninoff sonatas .................................................................... 15 Specific Russian Influence .................................................................................................... 15 Non-Russian Influence in Rachmaninoff’s Sonatas .............................................................. 20 Chapter 4: Influence on each other ......................................................................................... 22 Chapter 5: Modernism ............................................................................................................. 26 Chapter 6: Program music in the piano sonatas ...................................................................... 36 Conclusions .............................................................................................................................. 38 Bibliography ............................................................................................................................. 40 iv List of Examples Example 2.1 Medtner, Piano Sonata in F Minor, Op. 5, (I) ........................................................................ 7 Example 2.2 Balakirev, Sonata No. 2 in B-flat Minor, Op.102, (I) ............................................................. 7 Example 2.3 Medtner, Sonata Romantica, Op. 53 No. 1 (I) ......................................................................... 8 Example 2.4 Medtner, Sonata-Idyll, Op. 56 (I) .......................................................................................... 8 Example 2.5 Medtner, Sonata Op. 25, No. 2 .............................................................................................. 9 Example 2.6 Medtner, Sonata-Reminiscenza, from Forgotten Melodies Op. 38 .......................................... 9 Example 2.7 Medtner, Sonata-Ballade Op. 27, (I) ................................................................................... 10 Example 2.8 Medtner, Sonate-Ballade Op. 27, (II) .................................................................................. 12 Example 2.9 Medtner, Sonata-Ballade Op. 27, (I) ................................................................................... 12 Example 2.10 Chopin, Ballade No. 3, Op. 47 ............................................................................................ 13 Example 2.11 Medtner, Sonata in G minor, Op. 22 .................................................................................. 14 Example 2.12 Liszt, Sonata in B minor .................................................................................................... 14 Example 3.1 Rachmaninoff, Piano Sonata No. 1, Op. 28 (I) .................................................................... 16 Example 3.2 Rachmaninoff, Piano Sonata No. 1, Op. 28 (I) .................................................................... 17 Example 3.3 Rachmaninoff, Piano Sonata No. 2, (I) ................................................................................ 17 Example 3.4 Rachmaninoff, Piano sonata No. 1, (II) ............................................................................... 18 Example 3.5 Rachmaninoff, Piano Sonata No. 1, (III) ............................................................................. 18 Example 3.6 Rachmaninoff, Piano sonata No. 1, (II) ............................................................................... 19 Example 3.7 Rachmaninoff Piano Sonata No. 1, (III) .............................................................................. 20 Example 3.8 Rachmaninoff Piano Sonata No. 2, (I) ................................................................................. 21 Example 4.1 Medtner, Sonata in G minor, Op. 22 .................................................................................... 22 Example 4.2 Rachmaninoff Piano sonata No. 1, (I) ................................................................................. 23 Example 4.3 Medtner, Piano Sonata Op. 25, No. 1 (II) ............................................................................ 23 Example 4.4 Medtner, Sonata-Elegy, from Sonaten-Triade, Op. 11 ......................................................... 24 Example 4.5 Rachmaninoff, Piano Sonata No. 2, (II) ............................................................................... 24 v Example 4.6 Medtner, Sonata Romantica, Op. 53 No. 1 (IV) .................................................................... 25 Example 4.7 Rachmaninoff, Etudes-Tableaux Op. 39 No. 4 ..................................................................... 25 Example 5.1 Medtner, Sonata Op. 25, No. 2 ............................................................................................ 29 Example 5.2 Medtner, Sonata-Reminiscenza, from Forgotten Melodies Op. 38 ....................................... 29 Example 5.3 Medtner, Sonata-Reminiscenza, from Forgotten Melodies Op. 38 ....................................... 30 Example 5.4 Prokofiev, Sonata No. 2, (III) .............................................................................................. 30 Example 5.5 Medtner, Sonata minacciosa, Op. 53 No. 2 .......................................................................... 31 Example 5.6 Medtner, Sonata minacciosa, Op. 53 No. 2 .......................................................................... 31 Example 5.7 Rachmaninoff, Piano Sonata No. 1, Op. 28 (I) .................................................................... 32 Example 5.8 Rachmaninoff, Piano Sonata No. 1, Op. 28 (I) .................................................................... 33 Example 5.9 Rachmaninoff, Piano Sonata No. 1, Op. 28 (II) ................................................................... 33 Example 5.10 Rachmaninoff, Piano Sonata No. 1, Op. 28 (I) .................................................................. 34 vi Introduction At the beginning of the twentieth century, the piano sonatas of Nikolai Medtner and Sergei Rachmaninoff were some of the first major works in the genre written by a Russian composer. The piano sonata had been largely ignored by the older generation of Russian composers, who preferred to concentrate on orchestral and operatic literature. A few Russian piano sonatas were written before 1900, but nothing had established itself as a firm staple in the piano repertoire. Among these were piano sonatas written by Rubinstein, Balakirev, Tchaikovsky, Glazunov, and Scriabin (at this point, only the first three). If there was any chance of the sonatas of Medtner and Rachmaninoff becoming the first major sonatas to be recognized as a grand Russian achievement, it was soon eradicated by the spread of the modernist movement. Scriabin and Prokofiev were to take the sonata form and reinvigorate the genre with innovations in harmony and form, and Stravinsky was to create a firestorm with his Rite of Spring in 1913. In this midst of all of this, Rachmaninoff’s and Medtner’s work in the sonata genre had been lost in the sweep. Both composers’ output was dismissed as neo-romantic and insignificant compared to the newer exploratory works of their colleagues. They
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