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Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Univeristy of California Santa Cruz Cultural Memory And
UNIVERISTY OF CALIFORNIA SANTA CRUZ CULTURAL MEMORY AND COLLECTIVITY IN MUSIC FROM THE 1991 PERSIAN GULF WAR A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Jessica Rose Loranger December 2015 The Dissertation of Jessica Rose Loranger is approved: ______________________________ Professor Leta E. Miller, chair ______________________________ Professor Amy C. Beal ______________________________ Professor Ben Leeds Carson ______________________________ Professor Dard Neuman ______________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Jessica Rose Loranger 2015 CONTENTS Illustrations vi Musical Examples vii Tables viii Abstract ix Acknowledgments xi CHAPTER 1: INTRODUCTION 1 Purpose Literature, Theoretical Framework, and Terminology Scope and Limitations CHAPTER 2: BACKGROUND AND BUILDUP TO THE PERSIAN GULF WAR 15 Historical Roots Desert Shield and Desert Storm The Rhetoric of Collective Memory Remembering Vietnam The Antiwar Movement Conclusion CHAPTER 3: POPULAR MUSIC, POPULAR MEMORY 56 PART I “The Desert Ain’t Vietnam” “From a Distance” iii George Michael and Styx Creating Camaraderie: Patriotism, Country Music, and Group Singing PART II Ice-T and Lollapalooza Michael Franti Ani DiFranco Bad Religion Fugazi Conclusion CHAPTER 4: PERSIAN GULF WAR SONG COLLECTION, LIBRARY OF CONGRESS 116 Yellow Ribbons: Symbols and Symptoms of Cultural Memory Parents and Children The American Way Hussein and Hitler Antiwar/Peace Songs Collective -
"If You're Reading This": Patriotic Themes in Country Music Between 2000-2010 Claire S
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 From "courtesy of the red, white, and blue" to "if you're reading this": patriotic themes in country music between 2000-2010 Claire S. Carville Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Mass Communication Commons Recommended Citation Carville, Claire S., "From "courtesy of the red, white, and blue" to "if you're reading this": patriotic themes in country music between 2000-2010" (2011). LSU Master's Theses. 3985. https://digitalcommons.lsu.edu/gradschool_theses/3985 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. FROM “COURTESY OF THE RED, WHITE, AND BLUE” TO “IF YOU’RE READING THIS”: PATRIOTIC THEMES IN COUNTRY MUSIC BETWEEN 2000-2010 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Mass Communication in The Manship School of Mass Communication by Claire Carville B.A., The University of Alabama, 2009 May 2011 ACKNOWLEDGEMENTS I would first like to thank my committee chair, Dr. Lisa Lundy, whose constant guidance, insight, and encouragement was appreciated every step of the writing process of this thesis. Next, thanks to committee member and fellow country music fan, Bob Mann, for being excited about this project from the very beginning. -
MUS 110CL Module 4 Study Guide Music Playlist
MUS 110CL Module 4 Study Guide Music Playlist America’s Musical Landscape CD #2 Track 12: “Blue Yodel no. 9” Track 13: “The Ballad of Casey Jones” Track 14: “Earl’s Breakdown” Click here for the Module 4 Playlist (using Spotify). If you prefer, you can legally acquire this music by using iTunes, Zune, or any other legitimate music source. “The Little Old Log Cabin In The Lane” by Fiddlin John Carson “Soldier’s Joy” by Gid Tanner & His Skillet Lickers “Wildwood Flower” by The Carter Family “Waiting for a Train” by Jimmie Rodgers “Cool Water” by Sons Of The Pioneers “San Antonio Rose” by Bob Wills “Walkin' the Floor over You” by Ernest Tubb “Up Against The Wall, Redneck Mother” by Jerry Jeff Walker "Lovesick Blues" by Hank Williams “Don't Come Home A-Drinkin' (With Lovin’ On Your Mind)” by Loretta Lynn “Faded Love” by Patsy Cline “Redneck Woman” by Gretchen Wilson “It's Mighty Dark to Travel” by Bill Monroe & His Bluegrass Boys “Hurt" by Johnny Cash “Courtesy of the Red, White, and Blue” by Toby Keith “Not Ready To Make Nice” by Dixie Chicks Key Terms Child Ballads Broadsides Class Consciousness Race Records Rube Costumes Barn-dance Music National Barn Dance (NBD) Grand Ole Opry Singing cowboys Acuff-Rose Publishing Nashville Sound Bluegrass Composers/Musicians Fiddlin’ John Carson The Carter Family Jimmie Rodgers Gene Autry Bob Wills and the Texas Playboys Ernest Tubb Willie Nelson Waylon Jennings Hank Williams Loretta Lynn Patsy Cline Bill Monroe Garth Brooks Johnny Cash Genres Railroad or Hobo Music Event Songs Prison Songs Cowboy Music Western Swing Honky Tonk Bluegrass Outlaw Country or Redneck Rock Progressive Country Patriotic Country . -
Lëw`Single. New Album
A D V E R T I S E M E N EXPERIENCE-THE BUZZ ,ut lëw`single. New album. New lineup. is is just the beginning... www.billboard.aorn www.billboard.biz NO END IN SIGHT: US $6.99 CAN $s. VERYBEST OF FOREIGNER $6 99US $8 99CAN I 3 0> NO END IN SIGHT: * * * * *** * * * *SCII 3 907 A BXNCTCC * * * * * * * * * * * * * * -DIGIT ABL2408043A MAR10 REG A04 000 /005 tIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII o 191 47205 9 MONTY GREENLY 0035 3740 ELM AVE A A LONG BEACH CA 90807 -3402 001181 www.americanradiohistory.com Gross: $112,471,918 Attendance: 1,164,945 Shows: 70 Gross: $70,122,146. : : Attendance: 581,066 Shows: 45 HANNAH MONTANA and MILEY CYRUS BEST OF BOTH WORLDS TOUR Atten i ance: 816,421 Shows: 57 CONGRATULATIONS! Thanks for making this possible... www.americanradiohistory.com " LAST.FM VS. THE INDIES LAURIE BERKNER OWNS YOUR KIDS BMG FOR SALE II 14, rie CASSETTE TAPES FOR PRISONERS PUBLISHERS PUSH BRANDED SOUNDTRACKS HOT ON THE CHARTS: BECK, CHRIS BROWN, TOBY KEITH MIDYEAR TOURING NUMBERS ARE IN 33 THE BEST OF ¡PHONE MUSIC APPS ABBA'S GLOBAL EMPIRE WILL HD RADIO EVER MATTER? JUL 26 2008 www.billboard.com www.billboard.biz US $699 CAN 58 99 UK £5 50 www.americanradiohistory.com AUGUST 4, 1951 POP RECORDS Charts . Music Po ,.parity The Billboard's outstanding Not 1100 since ofEpoi tionniníoThe provide quicklast * upwardAchanges0 merely is to Its purpose most 0 week's chart. which moved up of the sides the da visual identification whic first entered designation á to entries h STAR Hot 1100outstandingsince draamatically * up of pos quick an unusuallyor upward chartchanges merely is to provide w chart. -
Joint Petition to Participate of the Mpaa-Represented Program Suppliers
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. ___________________________________ ) In the Matter of ) ) Docket No. 14-CRB-007-CD (2010-12) Distribution of the 2010, 2011, ) and 2012 Cable Royalty Funds ) ___________________________________ ) JOINT PETITION TO PARTICIPATE OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS Pursuant to the notice published in the Federal Register announcing the commencement of a distribution proceeding regarding the 2010, 2011, and 2012 cable royalty funds (“2010-2012 Proceeding”) and requesting petitions to participate “in either or both Phase I or Phase II of the cable royalty proceeding” from interested parties, 79 Fed. Reg. 76396 (December 22, 2014) (“Notice”), the Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations and retransmitted by cable systems who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”), hereby petition the Copyright Royalty Judges (“Judges”) to participate in both Phase I and Phase II of the 2010- 2012 Proceeding, as required by 37 C.F.R. § 351.1(b)(2)(ii).1 Historically, at the Phase I level, MPAA has represented the interests of all copyright owners of syndicated series, movies, specials and non-team sports broadcast by television 1 The Judges’ Notice seeks simultaneous petitions to participate in both Docket No. 14-CRB-007-CD (2010-12) and 14-CRB-008-SD (2010-12) on January 21, 2015. In the interest of administrative efficiency and judicial economy, MPAA favors consolidation of these two separate dockets into a single proceeding at the earliest possible opportunity. -
The Country of Country Page 1 of 4
The Country of Country Page 1 of 4 May 11, 2003 Home - Site Index - Site Search/Archive - Help Welcome, furdx - Member Center - Log Out Go to a Section Search: NYTimes.com > Magazine THE WAY WE LIVE NOW The Country of Country By ANN PATCHETT ast week, I watched ''Wag the Dog,'' the 1997 Barry Levinson film about a Hollywood producer who is hired to create a television war to cover up a domestic crisis. The first call he makes Phil Bergerson is to a character played by Willie Nelson. Every war needs a theme ARTICLE TOOLS song after all, even a fake war, and so Willie flies out to California E-Mail This Article and walks around the swimming pool, strumming his guitar and Printer-Friendly Format riffing on words like ''America'' and ''proud'' and ''free.'' Most E-Mailed Articles Country music is not Advertisement providing the soundtrack Patriotic Country-Music Lyrics to American life on an on the Web (From countrygoldusa.com) average day, unless you • "Courtesy of the Red, White, & count the crossovers, Blue (The Angry American)" by Toby Keith which means that Shania • "God Bless the USA" by Lee Greenwood Twain is played on pop • "Have You Forgotten" by Darryl Worley stations and Faith Hill • "I Raq and Roll" by Clint Black • "Where Were You" by Alan lands on the cover of Jackson fashion magazines. Most of the time, country music, like pop music, is TIMES NEWS TRACKER just a bunch of love songs Topics Alerts Music anyway, and no one Country Music really cares if there is a little extra twang in the guitar. -
Patriotic Pleasures Galore: Flying High and Tooting One's Own Horn For
Summer 2009 The Remarkable History and Symbolism of the Nation: From the establishment of the Fourth of July holiday to the story of the Star-Spangled Banner flag to the influence of immigrants over the generations, the United States of America reflects the democratic ideal. Patriotic Pleasures Galore: Following Major League Baseball, listening to country music, watching movie musicals and grabbing a bite to eat at diners show pride in the country. Flying High and Tooting One’s Own Horn for a Larger Cause: Two U.S. soldiers, a pilot and a musician, explain how they serve their country. Notable Chapter: Pulitzer Prize-winning composer and Phi Kappa Phi member William Bolcom delivered the keynote speech at the University of Michigan chapter spring initiation, offering a defense of the arts. About Us Contents Phi Kappa Phi Forum mission statement Summer 2009, Vol. 89, No. 2 Phi Kappa Phi Forum, a multidisciplinary quarterly that enlightens, challenges and entertains its diverse readers, The first organizational meeting of what came serves as a general-interest publication as well as a platform for This Issue: to be known as The Honor Society of Phi The Honor Society of Phi Kappa Phi. P Kappa Phi took place in Coburn Hall (shown at left) at the University of Maine in Orono, Phi Kappa Phi Forum 2 President’s Page Maine, in 1897. The Phi Kappa Phi name was (Issn 1538-5914) is published quarterly by By Robert B. Rogow adopted on June 12, 1900. Although the The Honor Society of Phi Kappa Phi, American Pride Editor’s Note national headquarters have been located in 7576 Goodwood Blvd., Baton Rouge, La. -
Themes of Politics and Southern Patriotism in Country Music Lyrics
HETEROGLOSSIA (9) Studia kulturoznawczo-filologiczne www.wsg.byd.pl Wydawnictwo Uczelniane Wyższej Szkoły Gospodarki, 2019 Marta Giersz Wyższa Szkoła Gospodarki w Bydgoszczy Themes of politics and southern patriotism in country music lyrics Narrative analysis “The South is no longer geography – it’s an attitude and philosophy toward government” (Applebome, 1996: 101). Patriotism is a vital part of the culture of the American province. Every country artist has in his or her repertoire songs about national symbols (like the flag, the Statue of Liberty or the World Trade Center towers) or songs praising the courage of American soldiers. Country artists are not ashamed of their love for the USA. They represent the voice of the “southern province”, the hometowns for the young soldiers who go to war, who then are seen as the local heroes, often sung about in country songs. Songs about politics and religion provide the listener with an impression that he or she also represents a conservative worldview. They share a common stand on political and religious issues, and it is difficult to present an alternative opinion in the lyrics. These lyrical themes are expressed with the use of different narratives but they all support the same ideology. Regardless of the diversity in country music styles, country lyrics share many common features. They reflect everyday life at work and home. Political issues are definitely not one of their most popular themes. Conservative social and cultural experiences influences the worldview and political opinions of the Southerners in a straightforward way: As an expression of traditionalism, country music will embody a resentment of government and an affirmation of traditional family and social values consistent with political conservatism, but also a resentment of wealth and an affirmation of equality and a critique of unfair labor practices consistent with political liberalism (Fillingim, 2003: 66).