Rides Guide & Information for Guests with Disabilities
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Chessington World of Adventures Guide
Chessington World of Adventures Guide Overview One of three theme parks located in Greater London that are operated by Merlin Entertainments Group, Chessington World of Adventures combines a host of rides and shows with a world-class zoo. Whereas nearby LEGOLAND Windsor is aimed at families with kids aged 2-12, and Thorpe Park caters for teens and young adults, Chessington offers something for just about every age group. In addition to the theme park and zoo, the site is also home to the Holiday Inn Chessington, a safari-themed hotel that overlooks the Wanyama Village & Reserve area. History The origins of Chessington World of Adventures can be traced back to 1931, when a new zoo was established in the grounds of a fourteenth century country mansion by entrepreneur Reginald Goddard. The zoo was eventually acquired by the Pearsons Group in 1978, which subsequently merged with the Madame Tussauds chain to form The Tussauds Group. The newly-formed company embarked on an ambitious £12 million project to build a theme park on the site, and Chessington World of Adventures opened to the public in 1987. Attractions Africa Penguins of Madagascar Live: Operation Cheezy Dibbles User rating: (3 votes) Type: Live show Opening date: Mar 23, 2012 A new Madagascar-themed show set to open in 2015 to celebrate the "Year of the Penguins" Penguins of Madagascar Mission: Treetop Hoppers User rating: (2 votes) Type: Drop tower Height: 20 feet Manufacturer: Zamperla Model: Jumpin' Star Minimum rider height: 35 inches Opening date: 2001 Penguins of Madagascar Mission: Treetop Hoppers is a child-friendly take on the classic drop tower attraction. -
ACE's Scandinavian Sojourn
ACE’s Scandinavian Sojourn : A Southerner’s Perspective Story by: Richard Bostic, assisted by Ronny Cook When I went on the ACEspana trip back in 2009, it was by far one of the most amazing vacations I have ever experienced. In addition to getting to visit parks in a different culture than we see here, it is also a great opportunity to spend time with fellow enthusiasts and grow friendships while enjoying our common interests. When Scandinavia Sojourn was announced for the summer of 2011, I knew it was a trip I could not miss. Since the 2009 trip was my first trip to Europe I thought that there was no way the over- all experience could be better in Scandinavia. I was wrong. We landed in Helsinki, Finland around 1300 the day before we were required to be at the hotel to meet with the group. Helsinki is an interesting city and fairly new compared to many cities in Europe. Walking around the city you can see the Russian influence in the city’s architecture. In fact, many movies during the cold war would use Helsinki to shoot scenes that are supposed to be set in the Soviet Union. After making our way to the Crowne Plaza Hotel and getting a quick lunch at the hotel restaurant we decided to spend the remaining time that afternoon checking out some of the sites around our hotel. Some of these sites included the Temppeliaukio Church inside of a rock formation, the train station, Routatientori Square and National Theater, and a couple of the city’s art museums. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
Cedar Point Debuts Biggest Investment Ever
SPOTLIGHT: Hoffman's reborn as Huck Finn's Playland Pages 26 TM & ©2015 Amusement Today, Inc. August 2015 | Vol. 19 • Issue 5 www.amusementtoday.com Cedar Point debuts biggest investment ever AT: Tim Baldwin [email protected] SANDUSKY, Ohio — Ce- dar Point no longer releases investment figures, but the re- sort has revealed that the Ho- tel Breakers makeover is the biggest investment the park has ever undertaken. With Top Thrill Dragster costing $25 million in 2003, that certainly speaks to what is on display for this season — and beyond. In addition to the new hotel grandeur, Cedar Point has also made new upgrades and ad- ditions in several areas of the park. Hotel Breakers dates back to 1905, a time when most guests coming to Cedar Point Cedar Fair recently completed its largest investment ever at the Cedar Point Resort. The 2015 improvements included a were actually arriving by boat. massive makeover to the historic Hotel Breakers (above) that now gives guests the choice of staying in remodeled rooms The hotel’s historic rotunda or newly-created suites and more activities beachside during the evening hours. At Cedar Point, guests now find the new has always been configured Sweet Spot (below left) awaiting their sweet tooth along the main midway, while coaster fans are enjoying the new B&M more toward the beach side of floorless trains on Rougarou, formerly the Mantis stand-up coaster. AT/TIM BALDWIN the property. As the decades progressed, automobiles took over and eventually the hotel welcomed visitors from what was originally the back of the building. -
Dark Rides and the Evolution of Immersive Media
Journal of Themed Experience and Attractions Studies Volume 1 Issue 1 Article 6 January 2018 Dark rides and the evolution of immersive media Joel Zika Deakin University, [email protected] Part of the Environmental Design Commons, Interactive Arts Commons, and the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/jteas University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Journal of Themed Experience and Attractions Studies by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Zika, Joel (2018) "Dark rides and the evolution of immersive media," Journal of Themed Experience and Attractions Studies: Vol. 1 : Iss. 1 , Article 6. Available at: https://stars.library.ucf.edu/jteas/vol1/iss1/6 Journal of Themed Experience and Attractions Studies 1.1 (2018) 54–60 Themed Experience and Attractions Academic Symposium 2018 Dark rides and the evolution of immersive media Joel Zika* Deakin University, 221 Burwood Hwy, Burwood VIC, Melbourne, 3125, Australia Abstract The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. -
Attractions Management Issue 2 2015 Photo: Ennead Architects
www.attractionsmanagement.com @attractionsmag VOL20 Q2 2015 www.simworx.co.uk www.attractionsmanagement.com @attractionsmag VOL20 Q2 2015 For full functionality please view in Adobe Reader WARNER BROS STUDIO TOUR EXPANSION BRINGS PLATFORM 9¾ TO LIFE On the cover: Harry Potter star Warwick Davis at the Platform 9¾ launch WORLDS COLLIDE STEPPING UP DISNEY DNA Frank Gehry's Zoos increase Lifelong Imagineer Biomuseo raises the efforts to help Marty Sklar reveals game in Panama animals in the wild Walt's secrets Click here to subscribe to the print edition www.attractionsmanagement.com/subs NWAVE PICTURES DISTRIBUTION PRESENTS WATCH TRAILER AT /nWavePictures GET READY FOR THE DARKEST RIDE NEW WEST COAST USA OFFICE EAST COAST USA OFFICE INTERNATIONAL M 3D I L Janine Baker Jennifer Lee Hackett Goedele Gillis RIDE F +1 818-565-1101 +1 386-256-5151 +32 2 347-63-19 [email protected] [email protected] [email protected] DragonMineRide.nWave.com [email protected] | nWave.com | /nWavePicturesDistribution | /nWave nWave® is a registered trademark of nWave Pictures SA/NV - ©2015 nWave Pictures SA/NV - All Rights Reserved presents... NEW nWave.com | /nWavePicturesDistribution | /nWave | /nWave nWave® is a registered trademark of nWave Pictures SA/NV - ©2015 nWave Pictures SA/NV - All Rights Reserved NEW WEST COAST USA OFFICE EAST COAST USA OFFICE INTERNATIONAL Janine Baker Jennifer Lee Hackett Goedele Gillis +1 818-565-1101 +1 386-256-5151 +32 2 347-63-19 [email protected] [email protected] [email protected] blog.attractionsmanagement.com PRESERVATION The technology now exists to enable us to scan and preserve the most complex monuments, artefacts and buildings, so they can be reproduced now or in the future. -
Journal Excerpts
Girls Inc. Trip 2014 New Orleans Girls: Kelsey Amber Empress Sarah Amina Dana Amari Maya Maryan Sabrina Fatuma Hailey Habiba Anab Nicole Asnina Khadija Tiara Hinde Mychael Tori Kitt Jeronicka Samantha Deja’nae Hawa Sakira Eboné Chaperones: Ms. Bev, Ms. CT, Ms. Tess, & Ms. Roberta Going on the Trip I guess I should be honest right about now. I didn’t want to come on this trip. I would have rather been working. My mom made me go on the trip because she thought I would have fun and because I should get more involved in Girls Inc. I didn’t want to come on the trip because I wanted to stay with my mom and my sister. When I got on the bus I wasn’t as excited as everyone else but now that I am here, I am glad my mom made me come. I’ve met new people, visited new places and had loads of fun. If it wasn’t for my mom, I wouldn’t be here and for that I thank her and want to tell her myself. – Kelsey 1 Page My name is Deja’nae, I am 13 years old. I have been going to Girls Inc. for 8 years. I like Girls Inc. because it has given me lots of opportunities, this trip being one of them…What I hope to get out of this trip is an experience to see placed I’ve never seen before…I hope to take plenty of pictures and capture lots of memories. I’m nervous about being on the Mississippi River because I am afraid to be on water traveling, but I know it’s going to be worth it. -
Rural Tourism Handbook : Selected Case Studies
'• \=J> : 12 r andbook Selected Case Studies and Development Guide U.S. DEPARTMENT OF COMMERCE / United States Travel and Tourism Administration Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/ruraltourismhandOOunit ^f^ral/ourismj^fandbook Selected Case Studies and Development Guide PENNSYLVANIA STATE UNIVERSITY FEB 03 1935 DOCUMENTS COLLECTION U.S Depository Copy Compiled by: United States Travel and Tourism Administration U.S. Department of Commerce Washington, DC US ACKNOWLEDGEMENTS The United States Travel and Tourism Administration gratefully recognizes the following individuals and organizations for their assistance in the development of this publication. Without their support, the Rural Tourism Handbook would not have been possible. Writers and Editors: Sharon Calcote Louisiana Office of Tourism Baton Rouge, Louisiana Larry Friedman Nevada Commission on Tourism Carson City, Nevada Sharon Gaiptman Alaska Division of Tourism Juneau, Alaska Robin Roberts Oregon Economic Development Department Division of Tourism Salem, Oregon Providers of Rural Tourism Handbook Material and Information: Minnesota Extension Service South Carolina Department of Parks, University of Minnesota Recreation and Tourism St. Paul, Minnesota Columbia, South Carolina Pennsylvania Bureau of Travel South Dakota Department of Tourism Development Pierre, South Dakota Harrisburg, Pennsylvania Texas Tourist Development Agency Oregon Division of Tourism Austin, Texas Salem, Oregon Wisconsin -
Southern California Theme Park Attendance Study
Southern California Theme Park Attendance Joy Hogley • Wenxuan Chen • Dongmei He Applied Management Research Special Project April 27, 2005 Advisor: Gigi Johnson, Executive Director, Entertainment and Media Management Institute TABLE OF CONTENTS PROJECT SUMMARY..............................................................................................................................1 INTRODUCTION.......................................................................................................................................4 INDUSTRY OVERVIEW ..........................................................................................................................5 THE THEME PARK INDUSTRY IN THE UNITED STATES................................................................................5 THEME PARK CHARACTERISTICS..............................................................................................................6 PROFIT DRIVERS........................................................................................................................................9 PROJECT OBJECTIVE..........................................................................................................................10 THE SOUTHERN CALIFORNIA THEME PARK INDUSTRY ..........................................................................10 SUMMARY ...............................................................................................................................................14 BACKGROUND RESEARCH AND INTERVIEWS............................................................................15 -
Thunderbolt Turns 50 Coasterbash! XXIX
The FUNOFFICIAL Newsletter of ACE Western Pennsylvania Vol. 28, No. 2 June 2018 Thunderbolt Turns 50 by Brett Weissbart 2018 is a special year for Kennywood for many reasons: the park is celebrating its 120th anniversary, Thomas Town marks one of the largest investments in decades and perhaps most notable for coaster enthusiasts, Thunderbolt is celebrating its 50th anniversary! Originally designed by John Miller and opened in 1924 as Pippin, the ride reopened in 1968 after receiving a major overhaul by the park’s own Andy Vettel. The longer, faster and wilder ride received many accolades, including being named “the king of Photo by Joel Brewton coasters” by The New York Times and one of the top ten coasters in the country by the Smithsonian. Kennywood is celebrating the anniversary with special pricing, ride marathons and other events throughout the season. CoasterBash! XXIX by Sarah Windisch ACE members in western Pennsylvania and a Fred Ingersoll/Luna Park historical marker, which costs surrounding states converged again in early March around $2,000, so organizers added this to some of the at Salvatore's in the South Hills of Pittsburgh for fundraisers being held during the evening. Additionally, CoasterBash!, the region's off-season event with plenty it was announced that ACE Western Pennsylvania was of food, fun, prizes and even some dancing (you never looking for a Twitter coordinator. know what to expect!). With some return presenters The first presenter was Brian Butko, who authored and several fresh faces, CoasterBash! XXIX was plenty the Kennywood Behind the Screams; Pocket Edition of fun. -
Design of Roller Coasters
Aalto University School of Engineering Master’s Programme in Building Technology Design of Roller Coasters Master’s Thesis 24.7.2018 Antti Väisänen Aalto University, P.O. BOX 11000, 00076 AALTO www.aalto.fi Abstract of master's thesis Author Antti Väisänen Title of thesis Design of Roller Coasters Master programme Building Technology Code ENG27 Thesis supervisor Vishal Singh Thesis advisor Anssi Tamminen Date 24/07/2018 Number of pages 75 Language English Abstract This thesis combines several years of work experience in amusement industry and a litera- ture review to present general guidelines and principles of what is included in the design and engineering of roller coasters and other guest functions attached to them. Roller coasters are iconic structures that provide safe thrills for riders. Safety is achieved using multiple safety mechanisms: for example, bogies have multiple wheels that hold trains on track, a block system prevents trains from colliding and riders are held in place with safety restraints. Regular maintenance checks are also performed to prevent accidents caused by failed parts. Roller coasters are designed using a heartline spline and calculating accelerations in all possible scenarios to prevent rollbacks and too high values of accelerations, which could cause damage to riders’ bodies. A reach envelope is applied to the spline to prevent riders from hitting nearby objects. The speed and curvature of the track combined create acceler- ations that need to be countered with adequate track and support structures. A track cross- section usually consists of rails, cross-ties and a spine, while support structures can vary depending on height and loads.