Rania Stephan: Film -Director

f!,i~e Stof[ies Rania Stephan: Film -Director (Born in 1960, in Beit Miri; currently living between Paris, Beirut and everything. I used to pass by a West Bank, Palestine; recorded in Beit Miri family home. Language: cinema and go right in. I don't Arabic, with large parts in French or English.) know how the idea of cinema got crystallized. In fact, when om what we said earlier, I feel I should introduce myself I was eighteen, after finishing as a film director. So I will begin with how T got into film the Bacc, my sister was in Rdirecting, how I chose to be a film director - or how film Australia and we had relatives directing chose me. It took me a lot of time to realize that I am over there, T decided to join a film director. The first time I realized this was when someone her rather than go to the called me a director. He said, "Now we are going to introduce American University of director Rania Stephan." It was when a film of mine won a prize; Beirut. I was accepted, but there was nothing I wanted to do at its title is 'Qabila' (Tribe). I made it in 1990. It was in the Los AUB. Going to Australia was a very important step, because I Angeles Video Festival. It was practically the only video art film left home and family, and started living on my own. I left from France. So I sent it, and it was accepted in the festival, and school and entered university. I left Lebanon and lived abroad. I went to Los Angeles to present the film , and I was introduced So there were three new factors in my life. It took a lot of time as 'Rania Stephan, director.' It is only then that I realized I had to grasp these. When I reached Melbourne, I didn't leave the become a film director. It is very strange how things happen. city. It took me four years to digest all the changes that were From then on, I considered 'Qabila' as my first film even though happening in my life. I was discovering myself, 1 was I had made films earlier. discovering the university and Western culture. How I got into the films -- in Lebanon it was very difficult to What did I want to do in the university? I went 'instinctively choose to be an artist. I mean in my family, there was nothing towards' the arts, and I decided I had a sort of curiosity about against art , no taboo. But in our environment, and in a situation the cinema. I thought, let me try Cinema Studies, let me try Art of war, it was very difficult for me to finish the Baccalaureate History, let me try Religious Studies, let me try Theater Studies. and say I want to be an artist. It was unrealistic. You couldn't No one was telling me what to do. On my own, I chose things earn money, there was no horizon, there was no way, no that I was 'curious about', and wanted to explore. So it was by openings towards art. I didn't know what to do. During the chance that I arrived at cinema, theater and art history. I started Baccalaureate year, I remember very well, there was a scene studying the cinema, and then something strange happened. A from life, I was in the College Protestant, and someone came door opened in my mind. Studying cinema was like a door for from France, an inspector. He came to see how the College was me, which made me understand how the world functions. functioning during the war, and he asked us what we were going Because with cinema we studied history, sociology, psycho to do. Everybody in my class knew, they had already chosen, "I analysis, linguistics, semiotics, Marxism, political history and am going to be a doctor," "I am going to be an engineer," "I am feminism. Everything went through the door of Cinema going to do biology, or agriculture." I said, "I don't know." Studies. It was as if one opened a window and light came in. 1 Everybody looked at me and said, "Shu!" ('What!' ) In fact I was understanding how everything functions, how the world is used to know very, very, very well what I wouldn't do, definitely constructed, how everything works. It was really great. I fell in not architecture, or agriculture, or anything like that, but 1 didn't love with cinema and I started specializing in film direction. know exactly what 1 would do. There were things inside of me But I didn't imagine I would make films, or that I would hold a struggling, not knowing what they are, or how to express camera in my hands. I remember that during the four years in themselves. That was on one hand. On the other, we didn't have Australia, I visited Lebanon, someone had given me a three a strong cinematographic culture at home, or in my minutes 'Super - 8 film', I was supposed to film the family, but environment. And there was the war. T was too shy even to hold the camera. Now when I look at the film, the only thing I filmed is the spaces between people. I remember very well going to the cinema on my own in Beirut. Neither my mother, nor my father, nor my sister or brother show Nobody in my class used to do that. I remember walking on in the film (laughs), only the spaces between them. I was too Hamra, I'd find an interesting movie and go in. This was • shy to point the camera at anyone. The passage between theory something not many people did. I used to watch everything, and practice was blurred and obscure, I don't know how I got from Kong Fu to Bergmann. I did not have in my head a specific through. category of films T wanted to see. I did not have a 'culture cinephelique.' I used to watch Kong Fu, action films, 'Anyway' - Cinema Studies - I did a BA with honors III 98 AI-Raida Volume XVI, Nos. 83-84 Fall/Winter 1998-1999 Australia, I came back to Lebanon after 1982. Then, something But at the same time, it was not well known, it was not very dramatic happened in my family, my mother died and the approved by the government because it was left wing, and at the family was somehow dismantled. All the children left. The same time it was not well-equipped. We made a student co whole 'dynamics' of the family changed after the death of my operative, and bought equipment, and started in this way to mother. We were very close to each other, but physically we practise film-making together. We used to work on each other's were distant, even though we were trying to maintain a close movies, and make new ones. This is how I started to make relationship with each other in spite of the distance between us. films, in the co-op circle, doing videos which are a marginal 'Definitely,' things changed in the dynamics of the family after product. T got into it bit by bit. At the same time, it was very my mother's death. difficult, I think that my relationship with Jacques (sighs), prevented me from doing something very open in my I went to France, I don't know how to tell you (pause) 'en fait,' profession. There was pressure. Our relationship was very I met Jacques in Lebanon, three months after my mother died. passionate and very ... confused. I was so involved in the I want to make a parenthesis here. I was born in 1960, so that relationship; it was difficult to do anything outside it. The only when the war started I was fifteen . So I lived four years of war door outside Jacques was the video group, unconsciously this and then I went to Australia for four years and then I came back thing was continuing without my knowing where it came from. for a year to Lebanon, in 1983, when my mother died. I was My relationship with Jacques lasted for seven years. We got here two months before she died. So T was here practically all married and then we separated. I left Jacques in 1990, about the that year. After the death of my mother, three to four months time I was starting to make my first film. I think 'ce n'est pas later, [ met Jacques. He was a graphic designer and un hazard', because in the relationship I had with Jacques, he photographer from France, and was working here. So wanted me to be totally his. It was very difficult to do anything something like a 'combinaison de deux evenements', Jacques outside my relationship with him. So, when Tstarted making the was supposed to leave Lebanon, we were going out together, film, our relationship was shaken and fell apart. It was the 'tip and I was not working because I was involved with the family, of the iceberg. ' It became obvious that it was impossible to stay and with my mother. I had finished my BA <!nd didn't know together because I had to express myself, and he was not giving what to do. So I decided to go to France, and go to the IDHEC. me the opportunity to do so. When I left Jacques, I started And at the same time I was with Jacques.

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