Welcome to Atlanta Pagan Pride Day 2015!

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Welcome to Atlanta Pagan Pride Day 2015! Welcome to Atlanta Pagan Pride Day 2015! I hope you have a wonderful day! Today is a day to learn about, and celebrate some of the rich and diverse set of practices, traditions, belief systems which take place within the greater Atlanta area. We are happily hosting a food drive for the Atlanta Community Food Bank. This is an opportunity for Atlanta pagans to share the harvest with the Thank you for coming and for adding your positive energy to the day! Blessings, Lady Arden Atlanta Pagan Pride Coordinator 2015 Harvest Ritual Middle Pillar Exercise – OTO Building the Space – Kathryn & Arthur Hinds Persephone Poem – Alena Sullivan Spreading Gratitude – Lady Arden Closing – Kathryn & Arthur Hinds Leading Out with Song – Spiral Rhythm Presentations & Classes Advice for the Seekers - House of Ravenwood, Lady Maia Are you new to the Craft or Paganism? Want to know the lay of the land? Need to know how to get started? This class is meant to assist folks in finding their way to their place in Pagan Community. The purpose is to help people find their spiritual home. We will cover things like how the Pagan-based spiritual community is structured, a few general definitions, and some assistance on how to go about finding a local group. We will also cover some things to watch out for and how to avoid some of the pitfalls of the 'unwritten rules' along the way. Come join our conversation and bring your questions as there will be time provided within the class to address the concerns of the attendees. Meet the Wild Hunt Informational and Q & A Session - Heather Howard The Wild Hunt, originally based in Oregon, now makes Atlanta its home. Heather will briefly talk about The Wild Hunt's history and mission to build an independent, reader-funded news forum dedicated to our varied religious traditions. After that introduction, she will open the floor to questions about The Wild Hunt, its coverage, its stories and Pagan Media, in general. Simple Color Magic - Lady Astraea Businesses use color to "influence" our desire for their product - the magic of drawing us to their product. We apply color to influence our abilities in ways such as wearing red to give a speech so that we are confident and therefore we are portrayed as knowledgeable. This class has a few hands on practices and shows how we are already in tune with color and practicing color magic in our every day life. The Healer's Choice, a reading by the author - Kathryn Hinds “The road opened to them as they advanced—a phenomenon all the stranger for its lack of overt drama. One moment Rossen might see nothing but a dense thicket ahead, the next he could discern a possible path through it, and the next he was in that very place, on a road as wide and level as that which they’d been riding all along. The effect was disorienting at first, almost as though they were standing still with the forest shifting around them.” –from The Healer’s Choice What is Thelema and Who is the OTO? - Dove & Serpent Oasis, Bobby Creech We will discuss Thelema's founding in 1904 by Aleister Crowley (and who he was), the Book of Law and its importance, magick within Thelema, and the focus of life, love, and liberty within the teachings of Thelema. We will also answer questions on the Ordo Templi Orientis - As the largest organizational dedicated to Thelema, we will give an overview of its history, its central message of individual liberty, sacred sexuality within its practices, its melding of Eastern and Western mysticism, and the use of initiation and ceremony in its system. ADF Druidry - Red Earth ADF One of the primary traits of ADF Druidry is the building of reciprocal relationships with the Kindreds (Gods, Nature Spirits, Ancestors). This class will deal with the various ways we build such relationships through ritual, study, and worship, as well as how they manifest and function in our daily lives. Wands - Gypsey Teague Because one simply does not serve soup with a butter knife. Therefore having just one wand and expecting it to do everything is over simplification. Introduction to Sigil Magic - John Umbras An introduction to the basic techniques and practices of using sigils. Bring a notebook and a pen and be ready to do some magic! How to Create and Use a Mini Travel Altar - A Make It, Take It Workshop A workshop on how to make travel alters and what they are used for! We will make travel alters to take home! .
Recommended publications
  • Anathema of Zos, Austin Osman Spare, Pentacle Enterprises
    Anathema of Zos, Austin Osman Spare, Pentacle Enterprises DOWNLOAD http://bit.ly/1ImR36W http://goo.gl/RxeGS http://www.barnesandnoble.com/s/?store=book&keyword=Anathema+of+Zos DOWNLOAD http://fb.me/25BECE8au http://bit.ly/1rTdfDm The Magical Revival , Kenneth Grant, 2010, Body, Mind & Spirit, 264 pages. Austin Osman Spare The Life & Legend of London's Lost Artist, Phil Baker, 2012, Painters, 324 pages. Austin Spare was described as the greatest draughtsman in England and was the enfant terrible of the Edwardian art scene but by the time of his death he was living in squalor. Plodding on; or, The jog-trot to fame and fortune , Henry Curwen, 1884, Biography & Autobiography, . Magick: Liber Aba , Aleister Crowley, Mary Desti, Leila Waddell, Jan 1, 1998, Body, Mind & Spirit, 844 pages. This profusely illustrated new edition brings together the complete texts of all four parts of Liber ABA (Book 4) in one volume under the overall title 'magick' This edition. Liturgy and Hymns for the Use of the Protestant Church of the United Brethren, Or Unitas Fratrum , Moravian Church. Liturgy And Ritual, 2012, , 382 pages. Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books. Old Testament Symbols , F. R. Webber, Ralph Adams Cram, Dec 1, 2005, Religion, 48 pages. Form, Volume 1, Issues 1-2 , Austin Osman Spare, William Henry Davies, Francis Marsden, 1971, Arts, . Art and Letter Word and Sign, Austin Osman Spare, Vera Wainwright, Apr 1, 2003, , 262 pages. The focus of life the mutterings of AДЃos, , 1921, Body, Mind & Spirit, 44 pages.
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  • Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
    Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others).
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  • Centralized List of Disapproved Publications Revised 08/01/2017
    Centralized List of Disapproved Publications 1 Revised 08/01/2017 *Each publication on this list was determined to meet the criteria of CCR Section 3134.1 on a case by case basis 100 DEADLY SKILLS Clint Emerson all pages pg 25, 177, 206, 210, 100 EUROPEAN GRAFFITI ARTISTS Frank Malt 212 100 JAPANESE TATTOO DESIGNS BY HORIMOUJA; PART II Horimouja 46, 96 100 NO EQUIPMENT WORKOUTS Neila Rey pg 12, 18, 27, 47 100 UK GRAFFITI ARTISTS Frank Malt pg 91, 184, 208 1000 TATTOOS Carlton Books 29, 35,45,88 111 MILLENNIUM Luis Royo pg 20, 21, 22, 23, 34, 120 GREAT VICTORIAN FANTASY PAINTINGS, CD-ROM AND BOOK Jeff A. Menges 42, 43, 47, 53, 54, 55 18 EIGHTEEN MAGAZINE XXX magazine 1980'S GLAMOUR: 20TH CENTURY PIN-UPS Ian Penberthy 200 UNCENSORED SEX ACTS MAGAZINE XXX magazine 2PAC VS. BIGGIE Jeff Weiss/Evan McGavery pg 68,111 30 SOMETHING MAGAZINE XXX magazine 300 UNCENSORED SEX ACTS MAGAZINE XXX magazine 300: THE ART OF THE FILM F pg 10, 31, 39, 100 40 SOMETHING MAGAZINE 4W17 WOMEN, NUMBER 4, CATALOG 2017 pg 1, 2 1,3,10,13,14,16,17,1 50 NIGHTS IN GRAY Weldon Owen 88,30,31 39,50,51,99,119,162, 500 FAIRY MOTIFS Myrea Petit 164,198,199 75 CONVENTION SKETCHES:VOLUME 10 William Stout 1,2,3,4,5,6 A CHILD OF A CRACKHEAD Shameek A. Speight pg 49, 51, 52 A CLASH OF KINGS George R. R. Martin pg 417, 467,600 89,151,174,181,198, A DICTIONARY OF MARTIAL ARTS Louis Fredic 208,218 pg 68, 69, 70, 86, A GAME OF THRONES, THE GRAPHIC NOVEL, VOLUME FOUR 142, 150, 151 A GAME OF THRONES, THE GRAPHIC NOVEL, VOLUME THREE pg 15, 84, 140, 145 51,55,83,99,100,175- A GAME OF THRONES: THE GRAPHIC NOVEL,VOLUME ONE George R.
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  • Austin Osman Spare Y Los Comienzos Del Automatismo
    Sans Soleil Especial Austin Osman Spare Sans Soleil Especial Austin Osman Spare AUSTIN OSMAN SPARE Y LOS COMIENZOS DEL AUTOMATISMO. Julián Moguillansky (este texto es una versión del publicado en “Nosotros los Brujos”, compilado por Juan Salzano, ed. Santiago Arcos Editor, Buenos Aires, 2008) La historia nos remite a 1924 como el año en que André Breton lanza su Primer Manifiesto del Surrealismo, creando así un movimiento que, por la vía del automatismo, buscaba eclipsar la censura de la conciencia para llegar a una verdad alojada en el inconsciente. Ya el propio manifiesto se encargaba de escribir una suerte de canon que desembocaba necesariamente en sí mismo: Swift, Baudelaire, Sade, Poe, Jarry, Lautréamont, Mallarmé, Nerval, Apollinaire… Sin embargo, también corría el año 1924 cuando en Londres se publica- ba un libro titulado “El anatema de Zos: un sermón a los hipócritas. Un escrito automático de Austin Osman Spare”; texto maldito e insultante que catapultaba a su entonces exitoso autor al absoluto olvido. Lejos de representar una tem- prana irrupción del Surrealismo en Inglaterra, este “Anatema” conformaba el portazo final que el primer surrealista daba al gran público. Es necesario retroceder hacia el año 1886, cuando un 30 de Diciembre en Londres nacía Spare dentro de una familia Metodista, hijo de un policía y un ama de casa. Siendo apenas un niño comienza a tomar clases de dibujo en el Lambeth Art School; luego es aceptado en el Royal College of Art en su adoles- cencia gracias a una beca. Uno de los principales eventos dentro de la temprana juventud de AOS será su encuentro con la enigmática Señora Paterson.
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  • Austin Osman Spare
    AUSTIN OSMAN SPARE In The Viktor Wynd Museum of Curiosities, Fine Art & Natural History May 2017 – September 2017 pg 103 – Introduction by Viktor Wynd pg 105 – Austin Osman Spare by Phil Baker pg 121 – AOS & Eily by Dr.William Wallace pg 131 – Bette Davis Eyes by Stephen Pochin pg 141 – A Letter from Frank Letchford Self Portrait, 1936. 98 99 Self Portrait, c.1910 (Coloured Chalk on paper). Portrait of The Artist & His Wife, March 26th 1912 (coloured chalks & ink on paper). 100 101 INTRODUCTION “Everything said from the angle of a real collector is whimsical” – Walter Benjamin Few artists have captured my imagination so strongly or held it so long as Austin Osman Spare. I first saw his work in James Birch’s & Alastair Brotchie’s homes over a decade ago & owe them a huge debt of gratitude for the introduction. I started buying & selling them shortly afterwards, building up my own collection as I could. I share my life with his work & can not imagine a day without with out one – indeed it would be an unbearable penalty for me - as I sit at my desk & write this I look up & am entranced by The Flower Girl, then to W.B. Smith, then to a sublime Self-Portrait from 1923 & I have just got of the phone from unsuccessfully bidding on another – I am glad I didn’t buy it because I would have struggled to pay what I did bid, but there again I am feeling slightly nauseous with a sense of an unfulfilled longing & what is obtained without pain does not always bring great pleasure.
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  • Chapter Five ROSALEEN NORTON's MAGICAL PRACTICE
    Chapter Five ROSALEEN NORTON’S MAGICAL PRACTICE Details of Norton’s approach to ritual magic can be gleaned from a range of magazine articles published, for the most part, during the 1950s and 1960s, several of them autobiographical, others written by journalists fascinated by Norton’s persona as ‘the Witch of Kings Cross’.1 There is also data from court hearings and police interviews associated with controversial photographs seized by NSW Vice Squad police in 1955 which showed Norton and Greenlees engaged in what were claimed to be ceremonial rites dedicated to Pan. In addition, there is a small amount of television documentary material2 and photographic documentation (both published and unpublished) to supplement the data provided by Norton herself, both in interviews and autobiographical articles.3 Finally, and not insignificantly, copies of extant unpublished letters written by the distinguished musician Eugene Goossens to Rosaleen Norton describe their shared interest in sex magic and paganism and provide important insights into the activities of Norton’s inner magical circle. The various aspects of Norton’s magical practice can be summarised as follows: a) Individual trance-magic episodes during which Norton sought to venture forth on the ‘astral planes’ in a state of mental dissociation induced by self- hypnosis. It was while on these trance journeys that Norton claimed to encounter the ‘god-forms’ of the principal deities in her magical pantheon. b) Sex magic activities with members of her magical coven, based substantially on practices derived from the magical writings of Aleister Crowley. c) Ritual magic invocations and other ceremonial activities which included improvised elements from Kundalini Yoga, Left-Hand Path Tantra and voodoo.
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  • LUCIFERIAN TANTRA and SEX MAGICK the Az Edition By
    ADAMU LUCIFERIAN TANTRA AND SEX MAGICK The Az Edition By Michael W. Ford 1 Above: Aiwass-Typhon 2 ADAMU LUCIFERIAN TANTRA AND SEX MAGICK by Michael W. Ford Dedicated to Az, the Whore who brought the fire of life to humanity, for those who may see through her eyes. To the red passion of the serpent, Goddess Shakti who instills the sight of Akoman for those willing to see… SUCCUBUS PUBLISHING MMVI 3 ADAMU – Luciferian Tantra and Sex Magick THE AZ EDITION By Michael W. Ford © 2003 - 2006 Illustrations by Elda Isela Ford SUCCUBUS PUBLISHING THE AZ EDITION thank you: Firstly, to the illustrator Elda Isela Ford, Soror Lilitu Azhdeha of The Order of Phosphorus and Black Order of the Dragon, who has been as the Scarlet Woman in practice, whose illustrations further interplay with my own textual visions. To Dana Dark, who has meant so much to me and to our Triad of magical work, who is one of the few I have ever held the sacrament of Cain with. To those countless solitary practitioners in The Order of Phosphorus and Black Order of the Dragon. I wish to thank those who have been my enemy over the years, your opposition has made me stronger, to my friends who have taught me the value of companionship and support. Finally but not least to those who have taken my books and done something to improve their own life, continuing to hear of your success in a spiritual and material sense is a reward which nothing else can compare. 4 To AZ, Whose touch is the inspiration of the spirit Whose flesh evokes orgasm and the fire of self To Az, whose hunger is eternal And whose thirst drains the spirit of God Whose shadow is of a thousand beasts To Az, from between whose legs serpents slither Who taught the fallen angels how to copulate To Az, who brought the world the spirits of the air And night demons and hags To Az, who is Shakti The Red and Divine Spirit of Woman Whose Thirst is never-ending May we feed you when we copulate.
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  • The Sorceries of Zos 1
    THE SORCERIES OF ZOS 1 The Sorceries of Zos By Austin O. Spare Get any book for free on: www.Abika.com Get any book for free on: www.Abika.com THE SORCERIES OF ZOS 2 The Sorceries of Zos Austin O. Spare taken from Cults of the Shadow by Kenneth Grant Sorcery and witchcraft are the degenerate offspring of occult traditions coeval with those described in the second chapter. The popular conception of witchcraft, shaped by the anti-Christian manifestations that occurred in the Middle Ages is so distorted and so inadequate that to try and interpret the symbols of its mysteries, perverted and debased as they are, without reference to the vastly ancient systems from which they derive is like mistaking the tip of an iceberg for its total mass. It has been suggested by some authorities that the original witches sprang from a race of Mongol origin of which the Lapps are the sole surviving remnants. This may or may not be so, but these 'mongols' were not human. They were degenerate survivals of a pre-human phase of our planet's history generally- though mistakenly- classified as Atlantean. The characteristic that distinguished them from the others of their kind was the ability to project consciousness into animal forms, and the power they possessed of reifying thought-forms. The bestiaries of all the races of the earth are littered with the results of their sorceries. They were non-human entities; that is to say they pre-dated the human life- wave on this planet, and their powers- which would today appear unearthly- derived from extra-spatial dimensions.
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  • Austin Osman Spare
    RICHARD BISHOP BOOKSELLER fine, rare, and unusual books AUSTIN OSMAN SPARE from AOS to ZOS Catalogue ONE RICHARD BISHOP BOOKSELLER 1235 SE 26th Avenue, #7 Portland, OR 97214 USA 503.704.2376 [email protected] richardbishopbookseller.com Books may be reserved by e-mail or text, or click on ‘link to buy’ or images to purchase direct. TERMS OF SALE: All items subject to prior sale and are guaranteed as described. Any item may be returned for a full refund within 10 days of receipt. Payment can be made by check, money order, credit cards, or paypal. Shipping costs are extra. Institutions may be billed according to their requirements. Catalogue design by Kate Widdows Cover image from item no. 19 Back cover image from item no. 48 AUSTIN OSMAN SPARE: A Brief Sketch “There must be few people in London interested in art who do not know the name of Austin Osman Spare.” — The Art Forum, February, 1908 ustin Osman Spare (1886-1956) was an accomplished English artist and one of the key figures of 20th century occultism. Spare became the golden boy of London’s art scene after one of his works — a bookplate he designed when he was fourteen — was shown at the Royal Academy in 1904. Spare had his first West End exhibition at the Bruton Gallery in 1907. A newspaper article announcing the Aexhibition stated, “The name of Mr. Austin O. Spare will be remembered as that of a youth, who, two years ago, when he had barely reached the age of seventeen, caused a passing sensation by the extraordinary power of his genius for draughtsmanship, as well as by the weirdness and almost insane mysticism of his pictorial inventions.” Spare had already finished two books featuring his illustrations: Earth Inferno (1905), and A Book of Satyrs (1907).
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  • Austin Osman Spare and the Zos Kia Cultus
    Austin Osman Spare and the Zos Kia Cultus By Kenneth Grant (From the Magical Revival) H.P. Lovecraft, in one of his tales of terror, alludes to certain entities which have their being "not in the spaces known to us, but between them. They walk calm and primal, of no dimensions, and to us unseen." This aptly describes Austin Osman Spare. The circumstances of his birth emphasize the element of ambivalence and inbetweeness which forms the theme of his magic. He told me he was not sure whether he was born on the last day of December 1888, or on New Year's Day, 1889; whether, as he put it, he was Janus backward-turning, or Janus forward-facing. But whichever aspect of the deity he more closely represented, it is a fact 1 that his life was a curious blend of past and future. Despite his inability to remember quite when he was born, the place was certainly Snowhill, London: he was the only son of a City of London policeman. When barely twenty years of age he began writing The Book of Pleasure, in which he used art and sex to explore the subconscious mind. The Book of Pleasure reeks of diabolism to such an extent that Mario Praz in The Romantic Agony (Oxford, 1933) refers to Spare as an English "satanic occultist", and he places him in the same category as Aleister Crowley. Spare's intense interest in the more obscure aspects of sorcery sprang from his early friendship with an old colonial woman who claimed descent from a line of Salem witches that Cotton Mather had failed to exterminate.
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  • Altered Trees and the Procession of the Æons
    20102 APPROACHING THE KABBALAH OF MAAT: Altered Trees and the Procession of the Æons Don Karr © Don Karr 2006; revised and enlarged 2007—2010. Email: [email protected]. All rights reserved. License to Copy: This publication is intended for personal use only. Paper copies may be made for personal use. With the above exception, no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, without permission in writing from the author. Reviewers may quote brief passages. From wags to witches… s comment on the Typhonian OTO, 1984’-416פ INTRODUCTION THE SECOND HALF of the twentieth century brought a great mass and variety of material published in English incorporating—if not referring to itself as—kabbalah, qabalah, cabala, and so on. In rough terms, the sources for this kabbalah material were (α) Jewish, consisting of studies (such as the works of Gershom Scholem, Joseph Dan, Moshe Idel, Elliot R. Wolfson), texts in translation (e.g., Sefer Yezirah, Sefer ha-Bahir, Zohar), and some practical instruction; (β) Western occult, primarily the Hermetic Order of the Golden Dawn,* Aleister Crowley (OTO [Ordo Templi Orientis] and A.˙.A.˙. [Astrum Argentum]),** and their descendents, consisting of practical instruction, some studies, and a few kabbalistic texts rendered from Latin translations (such as Westcott’s Sefer Yezirah from Rittangelius [Amsterdam: 1642] and Mathers’ sections of the Zohar from Knorr von Rosenroth’s Kabbala denudata [1677 & 1684]). This paper is concerned with developments following upon (β). The present survey focuses on (1) forms and uses of the kabbalistic TREE OF LIFE (2) notions of the PROCESSION OF THE ÆONS It will be shown that (1) and (2) are not independent topics.
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  • The Magical Revival (Magick)
    The Magical Revival by Kenneth Grant Contents + +++ + Introduction page 1 Return of the Phoenix 5 2 Metaphysical Bases of Sexual Magick 26 3 Dark Dynasties 50 4 Centres of Power 68 5 Drugs and the Occult 84 6 Barbarous Names of Evocation 100 7 Star Fire 119 8 Blood, Vampirism, Death and Moon Magick 137 9 Strayed Gods 150 10 Dion Fortune 173 11 Austin Osman Spare and the Zos Kia Cultus 180 12 The Death Posture and the New Sexuality 199 13 Conclusion 209 Glossary 213 Bibliography 230 Index 234 ERRATA This volume is a direct reprint from the 1972 first edition, in which there were a number of errors. These have all been markedwith an asterisk wherever they arise in the text, and have been listed on page 234. Illustrations + +++ + facing page Aleister Crowley at the age of fifty-six 20 Liber Oz (The Book of Strength) 21 The magical seals of Crowley's occult organization 52 Magical designs on the ceiling and floor of the Vault of the Adepts 53 Lam, an extraterrestial Intelligence with whom Crowley was in astral contact 84 Aleister Crowley in 1910 85 The Stele of Revealing 116 Austin Spare in the Death Posture 116-7 Formula of Zos Vel Thanatos 116-7 The Self in Ecstasy by Austin Spare 117 NU-Isis by Austin Spare 148 Black Eagle, a painting by Austin Spare of his familiar 149 The Death Posture: preliminary sensation symbolized 180 The Magical Thought-stream by Austin Spare 180 Preliminaries to the Witches' Sabbath as painted by Austin Spare 181 Line Illustrations The Qabalistic Tree of Life, showing the ten Sephiroth and twenty-two Paths 212 The Qabalistic Tree of Life, showing the system of grades according to Crowley's 213 reorganization of the A.'.A.'.
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