2020-21 MANUAL Regionals

Total Page:16

File Type:pdf, Size:1020Kb

2020-21 MANUAL Regionals 2020-21 MANUAL Regionals TABLE OF CONTENTS CHAMPIONSHIPS PERSONNEL ............................................................................................................................ 2 COACHES' CHECKLIST .......................................................................................................................................... 3 SCHEDULE OF EVENTS .......................................................................................................................................... 4 Coaches Administrative/Rules Meeting ................................................................................................................. 5 Registration ............................................................................................................................................................ 5 Tee Times and Pairings .......................................................................................................................................... 6 CHAMPIONSHIPS FORMAT ................................................................................................................................ 10 CHAMPIONSHIPS OPERATIONS ........................................................................................................................ 10 Designated Coaches.............................................................................................................................................. 10 Golf Carts ............................................................................................................................................................. 10 Pull Carts .............................................................................................................................................................. 11 Equipment ............................................................................................................................................................ 11 Officials ................................................................................................................................................................ 11 Lineups and Substitutes ........................................................................................................................................ 11 Rules ..................................................................................................................................................................... 12 Pairings/Tee Times ............................................................................................................................................... 13 Practice Facilities ................................................................................................................................................. 13 Practice Round ..................................................................................................................................................... 13 Scoring ................................................................................................................................................................. 15 Adjusted Place Standings ..................................................................................................................................... 15 Squad Size ............................................................................................................................................................ 15 Stoppage of Play ................................................................................................................................................... 15 Uniforms and Logo Policy ................................................................................................................................... 16 Ties ....................................................................................................................................................................... 16 COMPETITION SITE .............................................................................................................................................. 17 University Club of Baton Rouge .......................................................................................................................... 17 Championships Scorecard .................................................................................................................................... 18 Evacuation Plan .................................................................................................................................................... 19 Suspension of Play Procedures ............................................................................................................................. 21 Hospitality and Meals ........................................................................................................................................... 22 Merchandise ......................................................................................................................................................... 22 Championships Programs ..................................................................................................................................... 22 Parking ................................................................................................................................................................. 22 Restrooms ............................................................................................................................................................. 22 Spectators ............................................................................................................................................................. 23 Tobacco Ban ......................................................................................................................................................... 23 DRUG TESTING ....................................................................................................................................................... 24 LODGING .................................................................................................................................................................. 23 MEDIA SERVICES .................................................................................................................................................. 25 MEDICAL SERVICES ............................................................................................................................................. 26 TICKETS ................................................................................................................................................................... 26 APPENDIX A – Designation of Coaches Form .......................................................................................................................... 27 APPENDIX B – Travel Party Information Form ...................................................................................................................... 28 APPENDIX C – Official Lineup Form ........................................................................................................................................ 29 APPENDIX D – Terms of Competition – Player Substitution Procedures and Substitution Form…………………...….....30 APPENDIX E – Hard Card ......................................................................................................................................................... 32 APPENDIX F – Individual and Team Tiebreaking Procedures ............................................................................................... 33 APPENDIX G – Pace of Play Championships Information ...................................................................................................... 36 APPENDIX H – Directions .......................................................................................................................................................... 37 APPENDIX I – Boxed Lunch Order ........................................................................................................................................... 40 CHAMPIONSHIPS PERSONNEL NCAA Committee Representative NCAA Committee Representative Brad Hurlbut, NCAA Committee Brittany Basye, NCAA Committee Representative Director of Athletics Women's Golf Coach Farleigh Dickinson University Montana State University Office: 201-692-9867 Office: 406-994-7216 [email protected] [email protected] John Baldwin, NCAA Liaison Head Rules Official Director, Championships and Alliances Tina Thatcher Phone: 317-917-6442 Phone: 610-613-1409 [email protected] [email protected] Zach Christopher, NCAA Coordinator, Championships and Alliances Phone: 317-917-6112 [email protected] Louisiana State University University Club of Baton Rouge LSU Athletics Administration Building 15333 Memorial Tower Dr. North Stadium Dr. Baton Rouge, Louisiana 70810 Baton Rouge, Louisiana 70802 Scott Woodward, Director of Athletics Tournament Director Tournament Manager Drew Altavilla Marlee Heath Cell: (225) 317-5363 Cell: (225) 200-8857 [email protected] [email protected] Medical Services Media Coordinator Ken Faldetta Judy Willson Cell: (225) 910-5096 Cell: (225) 436-7986 [email protected] [email protected] General Manager Director of Golf Jared LeBouef Andres Prieto [email protected] [email protected] Office: (225) 819-0800 x 150 Office: (225) 819-0800
Recommended publications
  • WHO's GUITAR Is That?
    2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Who’s Guitar is That? -The Colorado-Alabama Connection Volume 26 No3 April/May2020 -An Amazing Story -Johnny Wheels Editor- Chick Cavallero -Blues Boosters Partners -CBS Lifetime Achievement WHO’s GUITAR is Award to Mark Sundermeier -CBS Lifetime Achievement That? Award to Sammy Mayfield By Chick Cavallero -CD Reviews –CBS Members Pages Guitar players and their guitar pet names what’s in a name, eh? Not every guitar player names his CONTRIBUTERS TO THIS ISSUE: guitars, heck be pretty hard since some of them have hundreds, and some big stars have Chick Cavallero, Jack Grace, Patti thousands. Still, there have been a few famous Cavallero, Gary Guesnier, Dr. Wayne ones in the Blues World. Most every blues fan Goins, Michael Mark, Ken Arias, Peter knows who Lucille was, B.B. King’s guitar, right? “Blewzzman” Lauro But why? Well, in 1949 BB was a young bluesman playing at a club in Twist, Arkansas that was heated by a half-filled barrel of kerosene in the middle of the dance floor to keep it warm. A fight broke out and the barrel got knocked over with flaming kerosene all over the wooden floor. “It looked like a river of fire, so I ran outside. But when I got on the outside, I realized I left my guitar inside.” B.B. Said he then raced back inside to save the cheap Gibson L-30 acoustic he was playing …and nearly lost his life! The next day he found out the 2 men who started the fight-and fire- had been fighting over a woman named Lucille who worked at that club.
    [Show full text]
  • A Week in New Orleans New Orleans Is a City Full of Inherent Tourist Draws to Keep Any Visitor Enamored F
    NEW ORLEANS A Week In New Orleans New Orleans is a city full of inherent tourist draws to keep any visitor enamored for a long stay, but when I travel, I personally like to have an inside scoop on what locals like to do. As a native of my beloved city, please allow me to introduce you to some of my favorite things to do in New Orleans. Monday: New Orleans has a peerless cocktail pedigree (the French 75, the Sazerac, the Old Fashioned, the Grasshopper, the Ramos Gin Fizz, the Pimm’s Cup.) My favorite spots to try these cocktails include: The Napoleon House (500 Chartres / (504) 524-9752), French 75 Bar (813 Bienville St. / 504-523-5433), or Cane & Table (1113 Decatur St /(504) 581-1112.) At The Hermes Bar in the annex of Antoine’s Restaurant (713 St Louis Street / (504) 581-4422) you can order from the oldest menu in town. My favorites are: Oysters Rockefeller, Oysters a la Foche, Shrimp Remoulade, Crabmeat Ravigote and Baked Alaska (a dessert, which you must order when you order your cocktails as it takes time to prepare). Afterward, listen to my dear friend, Ben Jaffe, blow his tuba and play the bass with his band: The Preservation Hall Jazz Band at Preservation Hall (726 St Peter Street / (504) 522-2841), a classic institution with live jazz at 8pm, 9pm and 10pm. Pre-purchase your tickets to avoid the line at www.preservationhall.com While Preservation Hall doesn’t serve alcohol, they allow you to bring in cocktails. Children are welcome.
    [Show full text]
  • Sustainable Futures
    ************************************************************************************************************************************************************************************************************** Earthy Birthday, P.14 * Talking Trash, P.25 * Weeds for Dinner, P.34 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. {04.17.13}{#16}{V.08}{FREE} Sustainable EarthDay Futures: 2013 The cost of innovation, P.8 Record Store Day: A musical grab bag, P.20 RARE: The art of recycling, P.18 Leave the kids at home when novelists Chuck 34 34 cascadia Palahniuk, Chelsea Cain, FOOD and Monica Drake lead 27 a raucous “Bedtime Stories for Grownups” B-BOARD A glance at what’s happening this week gathering April 24 at the 24 Wild Buffalo FILM FILM DANCE Dance Faculty Concert: 7:30pm, Performing 20 Arts Center, WWU MUSIC MUSIC Worthy Fest: 1pm-2am, Foothills Field, Deming 18 John Dennis: 6:30pm, Jansen Art Center, Lynden ART ART Music for the Masses: 7pm, Mount Vernon Presbyterian Church 16 COMMUNITY Tulip Festival Street Fair: 10am-6pm, down- STAGE STAGE town Mount Vernon 14 GET OUT Bull Riding Competition: 7:30pm, NW Wash- ington Fairgrounds, Lynden GET OUT FOOD Wine & Tulips Festival: 11am-6pm, Carpenter 12 Creek Winery, Mount Vernon VISUAL ARTS WORDS Spring Showcase Reception: 6-8pm, Jansen Art Center, Lynden 8 ./0-4[04.y.13] CURRENTS Sword fighting, archery, a bazaar and much ONSTAGE 6 more will be part of Sir Edward’s ( Improv for Education: 6-9pm, Broadway Hall You Can’t Take it With You: 7pm, Bellingham VIEWS VIEWS High School ! ½/ April 20 at the Bullshot Crummond: 7pm, Bellingham Arts 4 Academy for Youth Deming Logging Show Grounds The Secret Garden: 7pm, Lincoln Theatre, MAIL MAIL Mount Vernon The Three Musketeers: 7:30pm, Sehome High 2 School Cinderella: 7:30pm, Performing Arts Center, DO IT IT DO DO IT 2 WWU The Producers: 7:30pm, McIntyre Hall, Mount Good, Bad, Ugly: 8pm, Upfront Theatre Vernon 13 2 ) .4[04.x~.13] !-$4[04.x.13] Red: 8pm, iDiOM Theater 17.
    [Show full text]
  • Music Genres and Corporate Cultures
    Music Genres and Corporate Cultures Music Genres and Corporate Cultures explores the workings of the music industry, tracing the often uneasy relationship between entertainment cor- porations and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Universal in managing different genres, artists and staff, and assesses the various myths of corporate cul- ture. How do takeovers affect the treatment of artists? Why was Poly- Gram perceived as too European to attract US artists? Why and how did EMI Records attempt to change their corporate culture? Through a study of three major genres—rap, country and salsa—Negus investigates why the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians and their audiences. He explores why some artists get international promotion while others are neglected, and how performers are packaged as ‘world music’. Negus examines the tension between rap’s image as a spontaneous ‘music of the streets’ and the practicalities of the market, asks why execu- tives from New York feel uncomfortable when they visit the country music business in Nashville, and explains why the lack of soundscan sys- tems in Puerto Rican record shops affects salsa’s position on the US Bill- board chart. Drawing on extensive research and interviews with music industry per- sonnel in Britain, the United States and Japan, Music Genres and Corpo- rate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business style while stressing that music production takes place within a broader cul- ture, not totally within the control of large corporations.
    [Show full text]
  • Thursday, April 25, 2019
    Thursday, April 25, 2019 Sheraton Allison Miner Cultural Acura Gentilly Congo Square Blues Economy Hall New Orleans Jazz & Gospel Lagniappe Exchange WWOZ Kids Tent Music Heritage Stage Stage Stage Tent Tent Fais Do-Do Heritage Stage Tent Stage Pavilion Jazz Tent Stage Stage World Journey OUTDOOR CAROUSEL 12:00pm - 6:00pm Chouval Bwa Traditionnel 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am of Martinique 11:20 am Kid Simmons’ Goldman Fi Yi Yi The Loyola & the Mandingo Mia Borders Nigel Hall University Local Thibodeaux Wimberly Family 11:30 am 11:30 am 11:30 am Jonathon Long Warriors Gospel Singers Jazz Band International & the Lawtell Mardi Gras Indians Michael Skinkus Young Makueto Rumba Buena 11:55 am 11:55 am Audiences 12:00 pm 12:00 pm 12:00 pm Allstars Playboys and Moyuba Groove 12:05 pm 12:05 pm 12:05 pm with guest Performing Arts & Friends 12:05 pm Michael Ray Showcase 12:15 pm 12:15 pm 12:20 pm 12:15 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm Arrianne 12:25 pm 12:25 pm Keelen Gal Holiday Grayson 12:30 pm & the Bill Summers Brockamp 101 Runners 12:35 pm 12:35 pm 12:40 pm J. Monque'D Charlie Gabriel 12:50 pm 12:40 pm Grayhawk James Rivers Honky Tonk & Jazalsa and the Balfa Toujours Revue New Orleans Blues Revue and Friends 1:00 pm presents Interviewer: Pride of Zulu Kinfolk 1:05 pm Wildlife Band Tom Leggett Native American Matt Sakakeeny of South Africa 1:10 pm 1:10 pm 1:00 pm Lore & Tales Brass Band 1:15 pm 1:15 pm 1:15 pm Band 1:15 pm Cynthia Girtley’s 1:20 pm 1:20 pm 1:20 pm Tribute to 1:30 pm 1:25 pm 1:30 pm 1:30 pm Mahalia Jackson 1:35 pm 1:30 pm 1:35 pm 1:35 pm 1:35 pm 1:45 pm When women speak, Smitty Dee's they make a difference! Russell Batiste New Orleans Brass Band 1:45 pm Mia X, Keedy Black, 1:45 pm Amy Helm Rev.
    [Show full text]
  • A Feminist Perspective on New Orleans Jazzwomen
    A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1
    [Show full text]
  • The Mardi Gras in Basile, Louisiana
    e Interdisciplinary Journal of Popular Culture and Pedagogy Finding the Sacred in the Profane: The Mardi Gras in Basile, Louisiana Luc Guglielmi Kennesaw State University Kennesaw, Georgia, USA [email protected] ABSTRACT In Basile, a small community in Southwest Louisiana, there would not be any Mardi Gras without Ash Wednesday and vice-versa. Most of the people in Basile speak of Ash Wednesday when defining the Mardi Gras as there is a reciprocal spiritual relationship between Mardi Gras and Ash Wednesday. The people from Basile, therefore, in giving equal spiritual value to these two feasts, assign a liturgical value to Mardi Gras because they need, and will admit this freely, to have a good Mardi Gras in order to enter into the sacred season of Lent. Mardi Gras performs a function that is similar to the other religious feasts which have been established to break the monotony of the liturgical cycle. Folklorists who have studied Mardi Gras in Basile support the idea that it is the same people dancing, singing, eating and drinking that one finds at Mardi Gras who will kneel before the priest to receive their ashes (Ware 1994, Lindhal 1996a, Mire). The Church tolerates and/or accepts the Carnival as a necessity. By accepting the carnival within its liturgical time, the Church exerts better control over that time of the year. Keywords: folklore, Mardi Gras, Southern, sacred, profane Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 67 Guglielmi Every year, in the small town of Basile, a small town community of officially 1,811 inhabitants (City- Data.com 2017), located in Southwest Louisiana and known for its rice fields and its Mardi Gras celebration, Mardi Gras (fat Tuesday) is practiced as a well-kept tradition brought over from Europe.
    [Show full text]
  • Handbook for University Human Resources, the Code of Student Conduct, and Collective Bargaining Agreements List These Procedures
    SOUTHERN UNIVERSITY SYSTEM (Baton Rouge, Law Center, New Orleans, Shreveport) HANDBOOK FOR UNIVERSITY HUMAN RESOURCES Prepared by The Office of Human Resources Services Southern University and A & M College Southern Branch Post Office Baton Rouge, Louisiana 70813 First Printing October 1974 Second Printing January 1981 Third Printing December 1983 Fourth Printing December 1999 CONTENTS INTRODUCTION 4 APPLICATION, AMENDMENT AND DEVIATION OF HUMAN RESOURCES POLICIES 5 YOUR JOB 6 METHODS OF FILLING POSITIONS 10 ACADEMIC RANKS 11 TYPES OF ACADEMIC STAFF APPOINTMENTS 12 TENURE 13 YOUR PAY 15 LEAVE GUIDELINES/POLICY 18 JURY DUTY 20 SERVICE RATINGS 42 CREDIT UNION 47 DRUG POLICY 48 DISCIPLINARY ACTION 52 GRIEVANCE PROCEDURES CLASSIFIED 58 GRIEVANCE PROCEDURES UNCLASSIFIED 59 EMPLOYEE RELATIONS AND EMPLOYEE ASSISTANCE PROGRAM 73 SUPERVISORY RESPONSIBILITIES 75 EMPLOYMENT PRACTICES/AFFIRMATIVE ACTION 82 AFFIRMATIVE ACTION FOR DISABLED/VETERANS 96 EQUAL OPPORTUNITY/SEXUAL HARRASSMENT/SEX DISCRIMINATION 106 GROUP INSURANCE 113 LOUISIANA STATE EMPLOYEES RETIREMENT SYSTEM 118 2 TEACHERS’ RETIREMENT SYSTEM OF LOUISIANA 145 SOCIAL SECURITY/MEDICARE 199 TAX DEFERRED ANNUITY 216 UNEMPLOYMENT INSURANCE 218 VOLUNTARY TERMINATION & DISCHARGE/CHECK OUT PROCEDURE 223 FORMS (GRIEVANCE, DISCRIMINATION) 225 INDUCTION CHECKLIST 231 ADA/REASONABLE ACCOMODATION 233 OUTSIDE EMPLOYMENT PROCEDURES 237 HANDLING AND DISPOSAL OF HAZARDOUS CHEMICALS 244 FACTS ABOUT SEXUAL HARASSMENT 247 FAMILY MEDICAL LEAVE 248 WORK PLACE VIOLENCE POLICY 256 INDICATORS OF POTENTIALLY VIOLENT BEHAVIOR 257 WEAPONS (HANDGUNS, RIFLES, SHOTGUNS, ETC.) IN WORK PLACE 258 WORK INTERRUPTIONS 259 ABSENCES 260 DETAILS 263 RETURN­TO­WORK POLICY 264 REPORTING IN AND OUT (DAILY ATTENDANCE) 265 3 INTRODUCTION Welcome to the Southern University System. We hope that your relationship with the University is both long and productive.
    [Show full text]
  • “This Is My Beloved Son, with Whom I Am Well Pleased; Listen to Him.”
    “This is my beloved Son, with whom I am well pleased; listen to him.” Mt 17:5b Worship with Us My dear Parishioners and Friends, Saturday Anticipated Mass 4 pm Sickness makes headlines! Over the past couple of Sunday weeks, the recent “coronavirus” that originated in China and 8:30 am & 10:30 am the even more deadly flu virus that seems to plague us every Weekdays (Monday-Friday) year have dominated the daily news. Nobody likes to be sick, 12:05 pm and especially with illnesses for which there is really no real cure or sure means of prevention. As I write this, while there Holy Days as announced are no coronavirus cases in Louisiana, since mid-October 2019 there have been 3,000 to 4,000 new cases of plain ol’ flu each week in Louisiana, with about 50 deaths from it each week in our State. Saturday 3 to 3:45 pm Lenten Weekdays (M-F) 11:15-11:50 am This has led some to wonder if here in the USA or in our diocese, as in a Always on request few other parts of the world, public gatherings such as church services or classes in schools might be forbidden. Even when permitted, the dyna- mics of such assemblies could be modified, even severely. Contact Us Well, first of all, please let me address everyone’s worries, at least about Mass and other Church activities: we will always do our best to follow best medical practices, and urge you to do the same. If things get very 412 North Street much worse, I’m sure we’ll take appropriate actions as needed.
    [Show full text]
  • Louisiana Resource Recovery Guide
    LOUISIANA RESOURCE RECOVERY UIDE G A Compilation of Funding Sources for Community -Wide Projects responding to the Great Floods of 2016 INTERAGENCY RECOVERY COORDINATION Published December 2017 COORDINATING AGENCIES This Page Intentionally Left Blank TABLE OF CONTENTS Background 1 Deep South Center for Environmental 48 Justice (DSCEJ) Disaster Recovery Resources 2 Democracy Collaborative 49 Non-agency Specific Federal Grants and 3 DonorSearch 50 Assistance Websites Extension Disaster Education Network 51 Federal Department/Agency Specific 3 (EDEN) Resources Farmers’ Legal Action Group 52 State Department/Agency Specific 19 Resources First Nations Development Institute 53 Louisiana Community Foundations 24 Foundant Technologies, Inc. - GrantHub 54 Louisiana Parish/City Specific Resources 25 Foundation Center 55 Louisiana Regional Planning Commissions 27 FrameWorks Institute 56 Louisiana State Government Agencies 28 Georgetown Climate Center 57 Capacity Building 30 Giving USA 58 Agility Recovery 31 GovLoop Academy 59 Association of Fundraising Professionals 32 Grants West 60 (AFP) GrantStation.com 61 Bloomerang 33 Greater New Orleans Fair Housing Action 62 Catapult 34 Center (GNOFHAC) CausePlanet 35 GuideStar 63 Center for Disaster Philanthropy (CDP) 36 Gulf Coast Housing Partnership 64 Center for Hazards Assessment, Response 37 IBM 65 & Technology (UNO-CHART) Insurance Institute for Business and Home 66 Center for Planning Excellence (CPEX) 38 Safety (IBHS) Charity Navigator 39 International City/County Management 67 Association (ICMA)
    [Show full text]
  • Opinion (Left), Maddie Glenn and David Mack Have Their Hands-And Teeth-Full of Awards
    2 May 11, 2018 Paul Revere Charter Middle School Sofia Farhangnia Opinion (left), Maddie Glenn and David Mack have their hands-and teeth-full of awards. Photos: Griffin Riel The Philadelphia Eagles won the Super trash one day or in a dusty, forgotten box. become the reward itself. Skills and knowl- Bowl, but since the New England Patriots They were never meant to be a souvenir or edge are something that a person can take played really hard, they are the Super Bowl a token of adult pity. Undeserved trophies anywhere in life and can never be taken champions as well. America won the Revolu- don’t boost kids’ self-esteem as most partic- away from them. That promotes real self- tionary War, but the British participated, ipation-trophy givers hypothesize they will. esteem. On the other hand, phony participa- so they also won. I’ve got news for all the Instead, they’re more like a shining symbol tion trophies eventually just lull kids into a people who hand out participation trophies: of averageness, giving kids the impres- false sense of success and discourage them that isn’t how the real world works, and sion that there’s nothing really to work for from trying to actually master new skills. handing out these fake trophies isn’t prepar- Our country is a competitive nation. ing today’s youth to succeed. Trophies were never meant We need individuals with grit—the drive to The world is facing a lot of serious prob- keep trying even if they first fail numerous lems including poverty, disease, dangerous to be a symbol of adult pity.
    [Show full text]
  • Friday, April 27, 2018
    Friday, April 27, 2018 Sheraton Allison Miner Cultural Acura Gentilly Congo Square Blues Economy Hall New Orleans Jazz & Gospel Lagniappe Exchange WWOZ Kids Tent Music Heritage Stage Stage Stage Tent Tent Fais Do-Do Heritage Stage Tent Stage Pavilion Jazz Tent Stage Stage NOLA 300 11:15 am 11:15 am 11:15 am 11:20 am 11:20 am 11:20 am 11:20 am 11:20 am 11:25 am University of Kyle Huval New Orleans Kid Simmons’ & The Arrianne 11:30 am 11:30 am 11:30 am Spencer Bohren Michael Skinkus Keelen Jazz Guitar & the Local Dixie Club Jon Roniger Young A Salute to The Deslondes Ensemble and Whippersnappers International Ramblers and The Audiences Congo Square Rumba Buena Mykia Jovan 12:00 pm 12:00 pm Moyuba 12:00 pm Allstars Good for Nothin’ Performing Arts with 12:10 pm 12:10 pm 12:10 pm Band Showcase Bamboula 2000 12:15 pm 12:15 pm 12:20 pm 12:10 pm 12:20 pm 12:20 pm 12:25 pm The Bester 12:20 pm 12:20 pm Gospel Singers 12:30 pm 12:30 pm with The Dynamic Jesse McBride 12:35 pm 12:35 pm Smooth Family presents 12:40 pm 12:40 pm 12:40 pm 12:45 pm Meschiya Lake Tribute to Semolian Gospel Singers 12:45 pm Yvette Landry 12:55 pm The New Orleans 12:50 pm The Next & The Little Billie Holiday Warriors KID smART On the Road with Fats Eric Lindell Batiste Generation Guitar Masters Jimmie Moliere, Ten Strings Fathers & Sons Big Horns with Mardi Gras Indians featuring Student Carlton “Frog” 1:05 pm and a featuring 1:15 pm Sharon Martin 1:15 pm Cranston Clements, Showcase McWilliams, Reggie Hall Russell, Jamal, 1:20 pm and Company 1:20 pm Tribute to John Rankin,
    [Show full text]