Evolution of Long Head Hair in Humans
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Anatomy and Physiology of Hair
Chapter 2 Provisional chapter Anatomy and Physiology of Hair Anatomy and Physiology of Hair Bilgen Erdoğan ğ AdditionalBilgen Erdo informationan is available at the end of the chapter Additional information is available at the end of the chapter http://dx.doi.org/10.5772/67269 Abstract Hair is one of the characteristic features of mammals and has various functions such as protection against external factors; producing sebum, apocrine sweat and pheromones; impact on social and sexual interactions; thermoregulation and being a resource for stem cells. Hair is a derivative of the epidermis and consists of two distinct parts: the follicle and the hair shaft. The follicle is the essential unit for the generation of hair. The hair shaft consists of a cortex and cuticle cells, and a medulla for some types of hairs. Hair follicle has a continuous growth and rest sequence named hair cycle. The duration of growth and rest cycles is coordinated by many endocrine, vascular and neural stimuli and depends not only on localization of the hair but also on various factors, like age and nutritional habits. Distinctive anatomy and physiology of hair follicle are presented in this chapter. Extensive knowledge on anatomical and physiological aspects of hair can contribute to understand and heal different hair disorders. Keywords: hair, follicle, anatomy, physiology, shaft 1. Introduction The hair follicle is one of the characteristic features of mammals serves as a unique miniorgan (Figure 1). In humans, hair has various functions such as protection against external factors, sebum, apocrine sweat and pheromones production and thermoregulation. The hair also plays important roles for the individual’s social and sexual interaction [1, 2]. -
Global Human Mandibular Variation Reflects Differences in Agricultural
Global human mandibular variation reflects differences in agricultural and hunter-gatherer subsistence strategies Noreen von Cramon-Taubadel1 Department of Anthropology, School of Anthropology and Conservation, University of Kent, Canterbury CT2 7NR, United Kingdom Edited by Timothy D. Weaver, University of California, Davis, CA, and accepted by the Editorial Board October 19, 2011 (received for review August 12, 2011) Variation in the masticatory behavior of hunter-gatherer and has been found (14, 15) that global patterns of mandibular var- agricultural populations is hypothesized to be one of the major iation do not follow a model of neutral evolution. forces affecting the form of the human mandible. However, this If the null model of evolutionary neutrality can be rejected for has yet to be analyzed at a global level. Here, the relationship global patterns of human mandibular variation, alternative non- between global mandibular shape variation and subsistence eco- neutral hypotheses must be considered. One of the most obvious nomy is tested, while controlling for the potentially confounding alternative models is that agricultural populations will experience effects of shared population history, geography, and climate. The different biomechanical or selective pressures on mandibular results demonstrate that the mandible, in contrast to the cranium, shape than hunter-gatherers, such that modifications have occurred significantly reflects subsistence strategy rather than neutral either via phenotypic plasticity or natural selection. Previous genetic patterns, with hunter-gatherers having consistently longer morphometric studies (23, 24) found some geographical patterning and narrower mandibles than agriculturalists. These results sup- in mandibular morphology, as well as a signal of climatic and/or port notions that a decrease in masticatory stress among agricul- masticatory plasticity. -
Standard Human Facial Proportions
Name:_____________________________________________ Date:__________________Period: __________________ Standard Human Facial Proportions: The standard proportions for the human head can help you place facial features and find their orientation. The list below gives an idea of ideal proportions. • The eyes are halfway between the top of the head and the chin. • The face is divided into 3 parts from the hairline to the eyebrow, from the eyebrow to the bottom of the nose, and from the nose to the chin. • The bottom of the nose is halfway between the eyes and the chin. • The mouth is one third of the distance between the nose and the chin. • The distance between the eyes is equal to the width of one eye. • The face is about the width of five eyes and about the height of about seven eyes. • The base of the nose is about the width of the eye. • The mouth at rest is about the width of an eye. • The corners of the mouth line up with the centers of the eye. Their width is the distance between the pupils of the eye. • The top of the ears line up slightly above the eyes in line with the outer tips of the eyebrows. • The bottom of the ears line up with the bottom of the nose. • The width of the shoulders is equal to two head lengths. • The width of the neck is about ½ a head. Facial Feature Examples.docx Page 1 of 13 Name:_____________________________________________ Date:__________________Period: __________________ PROFILE FACIAL PROPORTIONS Facial Feature Examples.docx Page 2 of 13 Name:_____________________________________________ Date:__________________Period: -
Hair Shed Research EPD 09/02/2021
Hair Shed Research EPD 09/02/2021 Registration No. Name Birth Yr HS EPD HS Acc HS Prog 7682162 C R R Emulous 26 17 1972 +.73 .58 42 9250717 Q A S Traveler 23-4 1978 +.64 .52 9891499 Tehama Bando 155 1980 +.26 .54 10095639 Emulation N Bar 5522 1982 +.32 .48 5 10239760 Paramont Ambush 2172 1982 +.47 .44 2 10705768 R R Traveler 5204 1985 +.61 .44 3 10776479 N Bar Emulation EXT 1986 +.26 .76 42 10858958 D H D Traveler 6807 1986 +.40 .67 15 10988296 G D A R Traveler 71 1987 +.54 .40 1 11060295 Finks 5522-6148 1988 +.66 .47 4 11104267 Bon View Bando 598 1988 +.31 .54 1 11105489 V D A R New Trend 315 1988 +.52 .51 1 11160685 G T Maximum 1988 +.76 .46 11196470 Schoenes Fix It 826 1988 +.75 .44 5 11208317 Sitz Traveler 9929 1989 +.46 .43 3 11294115 Papa Durabull 9805 1989 +.18 .42 3 11367940 Sitz Traveler 8180 1990 +.60 .53 3 11418151 B/R New Design 036 1990 +.48 .74 35 11447335 G D A R Traveler 044 1990 +.57 .44 11520398 G A R Precision 1680 1990 +.14 .62 1 11548243 V D A R Bando 701 1991 +.29 .45 8 11567326 V D A R Lucys Boy 1990 +.58 .40 1 11620690 Papa Forte 1921 1991 +1.09 .47 7 11741667 Leachman Conveyor 1992 +.55 .40 2 11747039 S A F Neutron 1992 +.44 .45 2 11750711 Leachman Right Time 1992 +.45 .69 27 11783725 Summitcrest Hi Flyer 3B18 1992 +.11 .44 4 11928774 B/R New Design 323 1993 +.33 .60 9 11935889 S A F Fame 1993 +.60 .45 1 11951654 Basin Max 602C 1993 +.97 .59 16 12007667 Gardens Prime Time 1993 +.56 .41 1 12015519 Connealy Dateline 1993 +.41 .55 4 12048084 B C C Bushwacker 41-93 1993 +.78 .67 28 12075716 Leachman Saugahatchee 3000C 1993 +.66 .40 3 12223258 J L B Exacto 416 1994 -.22 .51 3 12241684 Butchs Maximum 3130 1993 +.75 .45 7 12309326 SVF Gdar 216 LTD 1994 +.60 .48 2 12309327 GDAR SVF Traveler 234D 1994 +.70 .45 5 Breed average EPD for HS is +0.54. -
The Development of a Whole-Head Human Finite- Element Model for Simulation of the Transmission of Bone-Conducted Sound
The development of a whole-head human finite- element model for simulation of the transmission of bone-conducted sound You Chang, Namkeun Kim and Stefan Stenfelt Journal Article N.B.: When citing this work, cite the original article. Original Publication: You Chang, Namkeun Kim and Stefan Stenfelt, The development of a whole-head human finite-element model for simulation of the transmission of bone-conducted sound, Journal of the Acoustical Society of America, 2016. 140(3), pp.1635-1651. http://dx.doi.org/10.1121/1.4962443 Copyright: Acoustical Society of America / Nature Publishing Group http://acousticalsociety.org/ Postprint available at: Linköping University Electronic Press http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-133011 The development of a whole-head human finite-element model for simulation of the transmission of bone-conducted sound You Chang1), Namkeun Kim2), and Stefan Stenfelt1) 1) Department of Clinical and Experimental Medicine, Linköping University, Linköping, Sweden 2) Division of Mechanical System Engineering, Incheon National University, Incheon, Korea Running title: whole-head finite-element model for bone conduction 1 Abstract A whole head finite element model for simulation of bone conducted (BC) sound transmission was developed. The geometry and structures were identified from cryosectional images of a female human head and 8 different components were included in the model: cerebrospinal fluid, brain, three layers of bone, soft tissue, eye and cartilage. The skull bone was modeled as a sandwich structure with an inner and outer layer of cortical bone and soft spongy bone (diploë) in between. The behavior of the finite element model was validated against experimental data of mechanical point impedance, vibration of the cochlear promontories, and transcranial BC sound transmission. -
Comparison of Cadaveric Human Head Mass Properties: Mechanical Measurement Vs
12 INJURY BIOMECHANICS RESEARCH Proceedings of the Thirty-First International Workshop Comparison of Cadaveric Human Head Mass Properties: Mechanical Measurement vs. Calculation from Medical Imaging C. Albery and J. J. Whitestone This paper has not been screened for accuracy nor refereed by any body of scientific peers and should not be referenced in the open literature. ABSTRACT In order to accurately simulate the dynamics of the head and neck in impact and acceleration environments, valid mass properties data for the human head must exist. The mechanical techniques used to measure the mass properties of segmented cadaveric and manikin heads cannot be used on live human subjects. Recent advancements in medical imaging allow for three-dimensional representation of all tissue components of the living and cadaveric human head that can be used to calculate mass properties. A comparison was conducted between the measured mass properties and those calculated from medical images for 15 human cadaveric heads in order to validate this new method. Specimens for this study included seven female and eight male, unembalmed human cadaveric heads (ages 16 to 97; mean = 59±22). Specimen weight, center of gravity (CG), and principal moments of inertia (MOI) were mechanically measured (Baughn et al., 1995, Self et al., 1992). These mass properties were also calculated from computerized tomography (CT) data. The CT scan data were segmented into three tissue types - brain, bone, and skin. Specific gravity was assigned to each tissue type based on values from the literature (Clauser et al., 1969). Through analysis of the binary volumetric data, the weight, CG, and MOIs were determined. -
Adult Human Ocular Volume
ogy: iol Cu ys r h re P n t & R y e s Anatomy & Physiology: Current m e o a t r a c n h Heymsfield et al., Anat Physiol 2016, 6:5 A Research ISSN: 2161-0940 DOI: 10.4172/2161-0940.1000239 Research Article Open Access Adult Human Ocular Volume: Scaling to Body Size and Composition Steven B Heymsfield1*, Cristina Gonzalez M2, Diana Thomas3, Kori Murray1, Guang Jia4, Erik Cattrysse5, Jan Pieter Clarys5,6 and Aldo Scafoglieri5 1Pennington Biomedical Research Center, Baton Rouge, LA, USA 2Post-Graduation Program in Health and Behavior, Catholic University of Pelotas, Brazil 3Department of Mathematical Sciences, Montclair State University, Montclair, NJ, USA 4Department of Medical Physics, Louisiana State University, Baton Rouge, USA 5Experimental Anatomy Research Department, Vrije Universiteit Brussel, Brussels, Belgium 6Radiology Department, University Hospital Brussels, Brussels, Belgium *Corresponding author: Steven B Heymsfield, Pennington Biomedical Research Center, 6400 Perkins Rd., Baton Rouge, LA 70808, USA, Tel: 225-763-2541; Fax: 225-763-0935; E-mail: [email protected] Received date: August 6, 2016; Accepted date: August 24, 2016; Published date: August 30, 2016 Copyright: © 2016 Heymsfield SB, et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract Objectives: Little is currently known on how human ocular volume (OV) relates to body size or composition across adult men and women. This gap was filled in an exploratory study on the path to developing anthropological and physiological models by measuring OV in young healthy adults and related brain, head, and body mass along with major body components. -
Hair Expressions Eyelash Extension Agreement and Consent Form • Come to Your Appointment Having Thoroughly Washed Your Eyes So
Hair Expressions Eyelash Extension Agreement and Consent Form Name: _____________________________________ Date: _____________________________ Best Contact Number: Cell: _______________________ Work: ____________________________ Home Address: _________________________________________________________________ City: ____________________________ State: __________________ Zip: __________________ Email: _______________________________________________________________________ Referred by: ___________________________________________________________________ I understand that this procedure requires single synthetic eyelashes to be glued to my own natural eyelashes. I understand that it is my responsibility to keep my eyes closed and be still during the entire procedure, until my eyelash technician addresses me to open my eyes. I understand that some risks of this procedure may be but are not limited to eye redness, swelling of eyelids and irritation. The fumes from the adhesive may cause my eyes to water. I agree to disclose any allergies that I may have to latex, surgical tapes, cyanoacrylate, Vaseline, etc. I understand that I am required to follow the eyelash extension care sheet in order to maintain the life of these extensions. I agree that reading and signing this consent form, I release Hair Expressions from any claims or damages of any nature. I agree that I read and fully understand this entire consent form. I am of sound mind and fully capable of executing this waiver for myself. The undersigned confirms receiving, reading and reviewing with the technician the attached Consent Form which forms part of this agreement, I confirm and agree that I wish to engage the services of Hair Expressions to apply Eyelash extensions. Client Signature: _____________________________ Date: _______________________ Eyelash extensions are not for everyone. This is a high-maintenance beauty treatment that requires gentle care for the lashes to remain in good condition and be long-lasting. -
An Exploration of the Hierarchies in the Natural Hair Community
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 8-11-2015 (De)Tangled: an Exploration of the Hierarchies in the Natural Hair Community Schillica Howard Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation Howard, Schillica, "(De)Tangled: an Exploration of the Hierarchies in the Natural Hair Community." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/wsi_theses/49 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. (DE)TANGLED: AN EXPLORATION OF THE HIERARCHIES IN THE NATURAL HAIR COMMUNITY by SCHILLICA HOWARD Under the Direction of Tiffany King, PhD ABSTRACT Within popular discourse, natural hair is considered to be a source of liberation where Black women can accept and nurture their natural hair texture. My research explores the points of contention in this community and the hierarchies that exist based on length of hair, curl pattern, and texture. By using product content analysis, interviews with Black women with natural hair, and analysis of social media, this thesis brings the ideal aesthetics in the natural hair community to the forefront for closer examination. Findings insist that, in the natural hair community, a curl is more attractive than a kink, longer hair more preferable than short, and that “manageable hair” is vital to Black women’s successful performances of Black femininity. -
Black Music of All Colors
SÉRIE ANTROPOLOGIA 145 BLACK MUSIC OF ALL COLORS. THE CONSTRUCTION OF BLACK ETHNICITY IN RITUAL AND POPULAR GENRES OF AFRO-BRAZILIAN MUSIC José Jorge de Carvalho Brasília 1993 Black Music of all colors. The construction of Black ethnicity in ritual and popular genres of Afro-Brazilian Music. José Jorge de Carvalho University of Brasília The aim of this essay is to present an overview of the charter of Afro-Brazilian identities, emphasizing their correlations with the main Afro-derived musical styles practised today in the country. Given the general scope of the work, I have chosen to sum up this complex mass of data in a few historical models. I am interested, above all, in establishing a contrast between the traditional models of identity of the Brazilian Black population and their musics with recent attempts, carried out by the various Black Movements, and expressed by popular, commercial musicians who formulate protests against that historical condition of poverty and unjustice, forging a new image of Afro- Brazilians, more explicit, both in political and in ideological terms. To focus such a vast ethnographic issue, I shall analyse the way these competing models of identity are shaped by the different song genres and singing styles used by Afro-Brazilians running through four centuries of social and cultural experience. In this connection, this study is also an attempt to explore theoretically the more abstract problems of understanding the efficacy of songs; in other words, how in mythopoetics, meaning and content are revealed in aesthetic symbolic structures which are able to mingle so powerfully verbal with non-verbal modes of communication. -
GRANMORE Eyelash Treatment with FUJI MULBERRY ROOT EXTRACT
EL-1 Made in Japan Eyelash growth tonic GRANMORE eyelash treatment With FUJI MULBERRY ROOT EXTRACT Finished product © 2016 Fuji Sangyo Co.,Ltd. EL-2 Main active ingredient for Eyelash Beauty Growth Tonic FUJI MULBERRY ROOT EXTRACT, a reputed ingredient used in scalp tonics for hair growth, has now been applied for Eyelash Beauty Growth Tonic for eyelashes. While FUJI MULBERRY ROOT EXTRACT for the scalp is dissolved in alcohol, Eyelash Beauty Growth Tonic uses a milder solvent, 1,3-butylene glycol, which is produced using the natural fermentation of sugar canes. WHAT IS FUJI MULBERRY ROOT EXTRACT ? FUJI MULBERRY ROOT EXTRACT from Fuji-Sangyo Co., Ltd. is extracted using the know-howed special extraction process different from the mulberry root extracts used for skin whitening purposes, to achieve the maximum hair growth effect. In actual fact, changes in the hair growth cycle have been confirmed in many tests. This hair growth promoting agent has a proven safety record based on over 15 years of sales and use in hair growth products by many established manufacturers both inside and outside Japan. Just as head hair, eyelashes endlessly repeat a growth cycle. However, the difference between eyelashes and head hair is that eyelash growth cycle is shorter and completes in only 120-150 days. The addition of FUJI MULBERRY ROOT EXTRACT from Fuji-Sangyo Co., Ltd. is expected to help eyelashes grow thicker, longer, fuller and stronger. The Finished product with FUJI MULBERRY ROOT EXTRACT dissolved in natural butylene glycol. Product name:GRANMORE eyelash treatment Combination ratio of FUJI MULBERRY ROOT EXTRACT dissolved in natural butylene glycol: 10% The safety of the product has been confirmed by eye irritancy testing and human patch testing. -
“Hair” They Are: the Ideologies of Black Hair
THE YORK REVIEW, 9.1 (Spring 2013) “Hair” They Are: The Ideologies of Black Hair Tiffany Thomas woman’s hair is said to be her crowning glory and man- Aifestation of her femininity. Hair is considered a key indicator of a woman’s health and beauty. The Western standard of beauty defines beautiful hair as that which is long and prefer- ably straight. Having such a standard creates a hair hierarchy, with long straight hair on the top of the hair pyramid and Afri- can American hair on the bottom. A black woman’s hair is tradi- tionally dry, tightly coiled or curled. In order to attain the West- ern standard of beauty, the majority of African American women chemically straighten or “relax” their hair. This notion is embed- ded in media such as Sophisticate’s Black Hair Styles and Care Guide and other magazines featuring black women with straightened hair. However, more recently, there has been an increase in the number of black women returning to their natural hair texture; that is, they are no longer chemically straightening their hair (Healy, 2011). The decision to return to the natural texture of one’s hair is termed “going natural.” The media has noticed black women’s sudden movement toward natural hair and has begun to include more natural-haired African Americans in advertisements. Some reasons that black women decide to go natural are: to follow a healthier lifestyle, to explore curiosity about their natural texture, to support their daughters’ hair, and to save the time and energy they spend using relaxers.