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Walter Gibbons

  • Course Syllabus Live-Performance Disc Jockey Techniques 3 Credits

    Course Syllabus Live-Performance Disc Jockey Techniques 3 Credits

  • Timeline

    Timeline

  • 1

    1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S

  • DISCO AS OPERATING SYSTEM, PART ONE Tan Lin

    DISCO AS OPERATING SYSTEM, PART ONE Tan Lin

  • Shonky, Dyed Soundorom & Dan Ghenacia

    Shonky, Dyed Soundorom & Dan Ghenacia

  • Re-Wiring the Future of Electro

    Re-Wiring the Future of Electro

  • Mashup the Archive and Dividual Agency

    Mashup the Archive and Dividual Agency

  • Arthur Russell and the Queering of Gay Disco

    Arthur Russell and the Queering of Gay Disco

  • From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs

    From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs

  • Tim Lawrence Illustrates How the Relatively Discrete Post-Disco, Postpunk, and Hip Hop Scenes Became Marked by Their Level of Plurality, Interaction, and Convergence

    Tim Lawrence Illustrates How the Relatively Discrete Post-Disco, Postpunk, and Hip Hop Scenes Became Marked by Their Level of Plurality, Interaction, and Convergence

  • Nicky Siano the Gallery

    Nicky Siano the Gallery

  • DJ Cultures and American Social Dance Monday, 5-6:50Pm / 136 Mass Ave, Rm

    DJ Cultures and American Social Dance Monday, 5-6:50Pm / 136 Mass Ave, Rm

  • House Music: How the Pop Industry Excused Itself from One of the Most Important Musical Movements of the 20Th Century

    House Music: How the Pop Industry Excused Itself from One of the Most Important Musical Movements of the 20Th Century

  • Year of Publication: 2008 Citation: Lawrence, T

    Year of Publication: 2008 Citation: Lawrence, T

  • Variations #7

    Variations #7

  • Rethinking the Rhetoric of Remix Copies and Material Culture in Digital Networks

    Rethinking the Rhetoric of Remix Copies and Material Culture in Digital Networks

  • The Three Basic Forms of Remix: a Point of Entry, by Eduardo Navas

    The Three Basic Forms of Remix: a Point of Entry, by Eduardo Navas

  • Lawrence, T (2007) Liminalities 3 (3).Pdf

    Lawrence, T (2007) Liminalities 3 (3).Pdf

Top View
  • Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92
  • Vinyl) November 30, 2018
  • Best Before - a Dsico Fanzine
  • MEMORIAL SERVICE for Hdf;Affirs#E&Sfr#$
  • Detroit Techno, Chicago House
  • The History of Rock and Dance Music: 1970-1975


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