Top View
- A Visual/Analytical History of the Silent Cinema (1895-1930)
- Materializing Modernity
- Kino-Eye, Kino-Bayonet: the Avant-Garde Documentary in Japan, France, and the USSR
- Silent Magic: Trick Films and Special Effects, 1895-1912
- Kaiki Eiga and the Dawn of Japanese Horror Cinema
- Fears in 21St Century Through Sci-Fi Movies Qingyue Peng, Ajou
- The Cinema of Attractions Reloaded Wanda Strauven [Ed.] 1906
- How the Essay Film Thinks Ii Iii
- Bartlomiej Dziadosz on the Meaning of a Cut 26 October 2018
- Aguinc, John Science Fiction As Literature. National Education
- Zoom Melies Va
- Cinema, Trance and Cybernetics Discusses the Cinematic Apparatus As an Interface Between Mind and Machine
- WILL the REAL ANIMATION PLEASE STAND UP: the TRANSITION from STOP MOTION and ANIMATRONICS to CGI in HOLLYWOOD FILMS Society
- Three Horror Film Case Studies in the Exorcism Subgenre
- American Transcendental Vision: Emerson to Chaplin Bill R
- Cross-Cultural Filmmaking "0"
- Quicker Than the Eye?
- Complete Nov 2013
- Chromatic Cinema a History of Screen Color Richard Misek
- Insecure Worlds on Screens: Early Ethnographic Cinema in France and the United States, 1896-1931
- How Can Structural Film Expand the Language
- The Dark Side of the Farce: Racism in Early Cinema, 1894–1915
- An Introduction to the American Underground Film"
- Astro Animation Comments March7
- REASON + ENJOYMENT Reason + Enjoyment Ernesto Laclau † (Essex), Steven Lukes (New York), Chantal Moufe (London), Zgodovine Flozofje in Teoretske Psihoanalize
- William Kentridge Smoke, Ashes, Fable
- Animation": the Animated Film and the Emergence of the Film Bill Paul Ward, Brunel University, UK
- Final Thesis Fatemeh Hosseini-Shakib
- The Essay Film