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Travesti (theatre)
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
Der Rosenkavalier by Richard Strauss
A Countertenor's Reference Guide to Operatic Repertoire
Travestis and Caractères in the Early Modern French Theatre
Background to Voice Types and Opera Genres
En Travesti: the Operatic Mezzo-Soprano As Leading Man Andrea Fuss, Angela Nieman, and Dr
UC Berkeley UC Berkeley Electronic Theses and Dissertations
The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)
Le Comique À L'académie Royale De Musique
Le Haute-Contre En Question : Significations Socioculturelles D’Une Crise Vocale En France Autour De 1830 Olivier Bara
Opera Today : Ariane Et Barbe-Bleue on Blu-Ray
Analyzing Gender Inequality in Contemporary Opera
Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas
Opera Helps Opera Menu 2
Cherubino) and Madeleine Ulrici Jostedt (Countess Almaviva), Folkoperan, Stockholm, 2011
Introduction: Cross-Dressing and Cross-Casting 1
Performing Masculinity in Johann Strauss's Die
Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
Top View
Vivica Genaux Doppia Energia
Trouser Roles - the Development of the Role in Opera from the Seventeenth to Twentieth Century
Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
Donizetti Forever
Diva Performativity: Female Body and Voice Through
Regendering Theater After the English Restoration Laura Larson
[email protected]
The Travesty Dancer in Nineteenth-Century Ballet
The Evolution of Madness: the Portrayal of Insanity in Opera
A Countertenor Aria Collection Continuum for Studio Training And
Fondamenti Di Storia Della Vocalità(2 °Annualità Triennio Di Canto-10
Pauline Viardot and Rewriting the Image of Women in Nineteenth-Century French Opera Culture
Le Vassal Du Grand Opéra J
English Translation by Christopher Cowell
Voicing Challenge: Trans* Singers and the Performance of Vocal Gender
Moby Dick! the Musical: a Travesty in Travesti
Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
Reverberating Voices and Spaces: Overtones of Opera from Whitman
La Clemenza Di Tito
Zwischenfach: Paradox Or Paradigm?
Ensemble Forms in the Operas of Jules Massenet
Dominique Visse
Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century
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Cinderella the Grable Foundation Handbook by Former Arts Education Director Carol Meeder
Appendix 1. Scholarly Debates on the Origin and Meaning of Dido and Aeneas: an Overview
L'antica Musica
A Second Refuge French Opera and the Huguenot Migration, C. 1680 – C
Transcending Fach: a Search for Identity Inside and out of Mezzo-Soprano Repertoire
Understanding French Grand Opera Through Dance
An Analysis of Pants Roles in Opera Jonna Pickard
Reassessing Gender and Sexuality in Mozart's Le Nozze Di Figaro
Oxford Music Online Page 1 of 1
Masked Balls Author(S): Ralph Hexter Source: Cambridge Opera Journal, Vol
Theatrical Politics in Ancien Regime France: Music, Genre, and Meaning
Mary Garden: an Operatic Muse for Debussy and Massenet Kristen P