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- Extricating Sycorax L.Scott-Reyes
- Answer Key Class 11 the Tempest
- The Tempest in Hag-Seed
- The Sea Production Notes Organic
- Margaret Atwood's Rewriting of the Tempest in Hag-Seed
- Coleridge on Ariel and Cali
- ROCKY SPOTLIGHT EVENTS AMALUNA from Cirque Du Soleil THE
- Wh Auden's the Sea and the M Rror
- Directing and Designing Shakespeare's the Tempest
- Shakespeare's Imperfect “Art of Navigation” Controlling the Forces of the Sea in the Tempest
- Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
- “ Walking a Tight Rope”
- Finbar Lynch Simon Annand
- Indigo and Hag-Seed As Modern Adaptations of Shakespeare's The
- HOFSTRA Prince of Tyre
- The Tempest, 1.2: “Abhorred Slave,/Which Any Print of Goodness Wilt Not Take,/Being Capable of All Ill! I Pitied Thee…”)
- Sea Changes: the Sea, Art and Storytelling in Shakespeare's The
- 68 DOI: 10.2478/Genst-2013-0005 the SEA and WOMEN IN
- Sea Imagery in Shakespeare's Pericles and the Tempest
- The Colours of Fiction: from Indigo/Blue to Maroon/Black (A Study of Miranda's Story in Indigo)
- Module a - Textual Conversations: the Tempest & Hag-Seed - Year 12 English Advanced
- On Luca Lombardi's Prospero
- Tempest SMART Guide
- UNIVERSITY of CALIFORNIA, IRVINE Shakespearean Resilience
- The Enchanted Island
- Crossing Composed, Written, and Conducted by Matthew Aucoin Directed by Diane Paulus
- Suggested Monologues from the Tempest
- SHAKESPEARE's SEA CREATURES by JAMES SETH Bachelor of Arts In
- Sycorax and Serafine: Community Building in Marina Warner's Indigo
- Performing Community 2 : Short Essays on Community, Diversity, Inclusion, and the Performing Arts
- Inclusion, Exclusion and Autonomy in Une Tempête, Jane Eyre and Wide Sargasso Sea Paula K
- Subaltern Writing in Hag-Seed