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The Omen (franchise)
The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema
The Omen! BLOODY VALENTINES Exploitation Movie King John Dunning Interviewed!
Birth and Ruin: Ttte Devil Versus Social Codes in Rosemary's Baby, the Exorcist and Ttie Omen
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Scared Sacred: Idolatry, Religion and Worship in the Horror Film Exclusive Chapter Except for Daily Dead From
Uses of the Bible in Contemporary Horror Films Mary Ann Beavis St
Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise
Programming Ideas
2018 Television Report
Super Heroes V Scorsese: a Marxist Reading of Alienation and the Political Unconscious in Blockbuster Superhero Film
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
The Contemporary American Horror Film Remake, 2003-2013
On 6-6-06, No Apocalypse Page 1 of 3
DECLARATION of Jane Sunderland in Support of Request For
08 12/28 TV Guide.Indd 1 12/28/07 5:42:26 AM
Copyright by Alexander Joseph Brannan 2021
The Musicological Roles of Ave Satani Song in the Omen (1976) Movie
Family Guy: Textual Devices and Masculine Vices
Top View
The Omen 1976
The Critical-Industrial Practices of Contemporary Horror Cinema
Film Websites: a Transmedia Archaeology
The Hollywood Novelization: Film As Literature Or Literature As Film Promotion?
Selling the Splat Pack: the Dvd Revolution and the American Horror Film
David Ventura in FOCUS
Satan in the Modern World
Go to Yanktonmedia.Com to Find out More Or Call Your Sales Representative WE DEVELOP WEBSITES P RESS & D AKOTAN 605.665.78 1 1
Phd Thesis Noel Brown
WTOP Greatest Movies
Learn from the Masters
Adso and Omen III: the Antichrist in the Tenth and Twentieth Centuries
June 6, 2006 Stirs Superstitions 6/4/2006, 9:47 A.M
STATE of MICHIGAN BEFORE the MICHIGAN PUBLIC SERVICE COMMISSION AFFIDAVITS of PUBLICATION Ann Arbor News 8/24/2017 Bay City Ti
06 5/8 TV Guide
STAR WARS and the History of Transmedia Storytelling
Masters Film Music
The Clashing Forces of Good and Evil Have Spawned Hard-Fought
“I Think I Am Programmed to Be Your Enemy”: Technological Anxieties and the Workplace on TV
University of Southampton Research Repository Eprints Soton
The Slasher Remake As Cumulative Hypertext Jo Murphy a Thesis