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- Fagidaboudit: the American Dream and Italian-American
- A Clash of Journalism and Ownership: CNN’S Movie Coverage
- Scorsese Shoots, He Scores Teddy Durgin Liotta and Joe Pesci
- The Hollywood Holocaust Memory a Critical Analysis of “The Diary of Anne Frank” and “Schindler’S List”
- The Hurt Locker: Male Intimacy, Violence and the Iraq War Movie
- Creating Gender in Disney/Pixar's WALL-E. Brittany Long East Tennessee State University
- On Demand User Guide 1
- 1. Movies and Memorials
- What Do You Really Know About Film? XIDS 2002 2 Credit Hours TR 11-11:50, TLC 1200
- Unforgiven. 070903
- REVISITING and RE-VISIONING WAR GENRE CONVENTIONS on FILM: the HURT LOCKER by JAN ELIZABETH MILLER a Thesis Submitted to the Fa
- American Attitudes Towards Gays Todd Bruns Eastern Illinois University, [email protected]
- Ehrlich, Matthew C., Facts, Truth and Bad Journalists in the Movies
- Black Lesbian, Gay and Transgender Representations in Films: Stereotypes, Power Relations and Gender Roles
- Schindler's List: Myth, Movie, and Memory the Village Voice; Mar 29, 1994~ 39, 13~ Alt-Press Watch (APW) Pg
- The Underdog Narrative in Movies: When Our Memories Fail Us
- Exploring the Phenomenology of Black Queer Embodiment in Moonlight and Tangerine
- Hollywood Animation and the Corporate Merchandising
- Black Struggle Film Production: Meta-Synthesis of Black Struggle Film Production and Critique Since the Millennium
- WALL-E's Rhetoric: an Ecological Sermon from a Strange Preacher
- Leadership Styles in Hollywood-Based War Movies: an Analysis for Motivating Young Leaders
- The Hurt Locker (2008) Media, FCEF, First Light Production, the Hurt Locker Is Kathryn Bigelow’S Greatest Film Yet
- Self-Image, the Long View and Archaeological Engagement with Film
- Directed and Produced by Clint Eastwood Written by David Webb Peoples Original Music by Lennie Niehaus Cinematography by Jack N
- Hunanese Audiences and Sylvester Stallone. Master Of
- Sylvester Stallone Movies in Order
- Clint Eastwood and Equity: Popular Culture's Theory of Revenge
- CNN Oped by Turner Classic Movies Historian
- Antiwar Film? Focus Is Mi¡ Agnieszka Th Soltysik Monnet War L
- 544506-00097.Pdf (165.19
- From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
- The Physician at the Movies
- Schindler's List and JFK As Postmodern History Texts
- Female Characters in the Gangster Films of Martin Scorsese Zitong
- Jesus in the Movies: a Rhetorical Analysis of Selected Films from 1912-2004
- THE PHILOSOPHY of MARTIN SCORSESE the Philosophy of Popular Culture
- Comparative Study of Movie Shot Classification Based on Semantic
- To Be Sure, One Must First Know to What End the Adaptation Is Designed: for the Cinema Or for Its Audience
- Photographer and Sculptor Jason Shulman Doesn't Watch Movies Like
- Awards and Nominations
- Ecocriticism in Disney/Pixar Wall∙E and the De- Greening Cycle
- Repercussions of Violence in the Films of Clint Eastwood
- Wall-E and the Event
- Teaching American Literature: a Journal of Theory and Practice
- Breaking, Making, and Killing Time in Pulp Fiction Kevin Howley, Depauw University, USA
- Department of English and American Studies English Language and Literature Intertextuality in the Cinematic Production of Quenti
- The Western, Violence, and Queer Expression in Red River, Brokeback Mountain, and Thelma &
- 'The Power of the N-Word in Tarantino's Films: Black Intolerance
- And How to Teach Them and How to Teach Them
- The Makeover in Film and Culture Dissertation
- Toxic Masculinity As Depicted in Barry Jenkins's Moonlight