DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» The Lady from Shanghai
The Lady from Shanghai
The Lady from Shanghai
Orson Welles: CHIMES at MIDNIGHT (1965), 115 Min
An Educational Guide Filled with Youthful Bravado, Welles Is a Genius Who Is in Love with and Welles Began His Short-Lived Reign Over the World of Film
American Film Institute Life Achievement Dinner, Los Angeles, California” of the Frances K
THE OTHER SIDE of the WIND; a LOST MOTHER, a MAVERICK, ROUGH MAGIC and a MIRROR: a PSYCHOANALYTIC PERSPECTIVE on the CINEMA of ORSON WELLES by Jack Schwartz
THE LADY from SHANGHAI, the Naïve Protagonist Michael O’Hara (Orson Welles) and the Oily Schemer George Grisby (Glenn Anders) Climb a Hill Overlooking the Ocean
ORSON WELLES As FALSTAFF in CHIMES at MIDNIGHT
Film Noir: the Lady from Shanghai
Disabled Masculinity As a Metaphor of National Conflict in the Cold War Era: Orson Welles’ the Lady from Shanghai (1947)
Zum 100. Geburtstag Von Orson Welles N O D N O L
Orson Welles 100 at the Film Forum
Orson Welles
The Cinema. of Orson Welles, New Film Series at Museum
Staging Orson Welles
Viibii. Benamou-Or
Treasures from the Yale Film Archive
+- Vimeo Link for ALL of Bruce Jackson's and Diane Christian's Film
Lady from Shanghai (1948, Orson Welles, USA)
Top View
The Pleasures of the Spectacle
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
The Magic World of Orson Welles. James Naremore. Urbana, Chicago, and Springfield: University of Illinois Press, 2015 (340 Pages)
Hier Spricht Orson Welles
Orson Welles' Intermedial Versions of Shakespeare in Theatre, Radio and Film
Film in the Language Arts Class. Developments in Classroom
The Great Disruptor BFI Celebrates Orson Welles' Centenary
World of Orson Welles
Orson Welles, Citizen of the World
Touch of Shakespeare: Welles Unmoors Othello1
Magician: the Astonishing Life and Work of Orson Welles
War of the Worlds the Panic Broadcast Study Guide, Spring 2021
Illustrations
Portraits of Egoism in Classic Cinema II: Negative Portrayals
Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles During the 1940S
The Resurrection of Native Son
Longo Thesis Multi-Media3 5-5-14
Film Credits (In Order of Discussion)