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The Electric Lady
Take A'trip' to the Gallery —Page 4
Collective Memory and the Constructio
25Th Super Bock Super Rock
Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
Kaboom Walking Gallery Hillbilly
Allegories of Afrofuturism in Jeff Mills and Janelle Monaé
Of Producing Popular Music
Black Feminism in Frances EW Harper's “Vashti”&A
Make It New: Reshaping Jazz in the 21St Century
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
My Spaceship Leaves at 10: Blackness in the Global Future
Billboard Magazine
Heavy on the Air: Radio & Promotion in the Heavy
Watch That Man: Gender Representation and Queer Performance in Glam Rock
Blackness Narratives in Technology, Speculative Fiction, and Digital
Dirty Computer Tour’ Featuring Special Guest St
Occult Presences Through the Musical Performances of Sun Ra, David Bowie, Magma, and Janelle Monáe
Analysis of Popular Music Spring 2020 - 2 Credits Section 01: Tth 1:00-1:50Pm, MP160
Top View
Finding Moments of Rupture in Monàe's Metropolis
Tryna Free Kansas City” Th E Revolutions of Janelle Monáe As Digital Griot
Downloaded in Korea, Was Held In
Janelle Monáets Dirty Computer Music Video/Film: a Collective Reading
And a Teenager Shall Lead Them Lorde Rules a Year-End List. by JON PARELES
A Moment of Silent Celebration for Those of Us Who Don't Feel at Home in Any of Their Families, Who Only Get 1/3 of an Invitation to the Cook-Out
Skain's Domain - Episode 4
The Science-Fictional Janelle Monáe
“Okay Ladies, Now Let's Get in Formation!”: Music Videos and The
5Cf6b0609521b-Master's Thesis
I'm Every (Black) Woman: Negotiating Intersectionality in the Music Industry
Janelle Monae Biography XRIJF 13Th Edition June 20 – 28, 2014
Sykes 2014 02Thesis.Pdf (1.980Mb)
The Alpha Platinum 9000, Android Number 57821, The
Austin City Limits Presents an Epic Hour with Janelle Monáe