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The Brood
The Good, the Bad, and the Other the Representation of Pregnancy
A Dangerous Method
Letterhead Press Releases
Eastern Promises and the Continuing Decline of David Cronenberg
Mutating Masculinity: Re-Visions of Gender and Violence in the Cinema of David Cronenberg
THE POLITICS of HYSTERIA in DAVID CRONENBERG's “THE BROOD” Kate Leigh Averett a Thesis Submitted to the Faculty of The
Introduction 1 the Good Mother
Works Cited – Films
SYMPHONIES of HORROR Musical Experimentation in Howard Shore's
Nick Redfern
Cronenberg, Flyness, and the Other-Self William Beard
Textual Contraception
Strange Births in the Canadian Wilderness: Atwood's Surfacing and Cronenberg's the Brood (カナダの原野での奇妙
A Carnivalesque Analysis of the Monster Child from Early Slapstick to the Nazified Children of Modern Horror
David Cronenberg
David Cronenberg As Mythmaker: an Archetypal Interpretation of His Films
Cronenberg, Flyness, and the Other-Self William Beard
Spotting Ingmar
Top View
The Word, the Flesh and the Films of David Cronenberg
Aspects of Abjection in the Films of David Cronenberg. (Under the Direction of Devin Orgeron.)
The Scientist and American Cinema: Trends and Case Studies
Download the Digital Booklet
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Dark Mirrors and Dead Ringers: Music for Suspense Films About Twins Durrell Bowman
'Death to Videodrome': Cronenberg, Žižek and an Ontology of the Real
David Cronenberg : Panic Horror and the Postmodern Body
Transcript a Pinewood Dialogue with David
The Postmodern Turn in Cronenberg's Cinema: Possibility in Bodies
Honors Senior Project Matthew .T Dayton Grand Valley State University
The Problem of the Hour
196245396.Pdf