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The Argument
A Comparative Analysis of Punk in Spain and Mexico
Fall 2005 of Rifle Magazine
Downloaded From: Version: Accepted Version Publisher: Intellect DOI
December 2002
Atom and His Package Possibly the Smallest Band on the List, Atom & His
Q&A: Grant Hart on His Double Album the Argument, Bob Mould's
MONEY for NOTHING BEHIND the BUSINESS of POP MUSIC MONEY for NOTHING Behind the Business of Pop Music
End-To-End Arguments in the Internet: Principles, Practices, and Theory
Anarchism, Hardcore Music, and Counterculture
How Is Rape a Weapon of War? Feminist International Relations
The-Knockoff-Economy-Excerpt-Raustiala-Sprigman.Pdf
Critical Thinking
Saving All the Freaks on the Life Raft : Blending Documentation Strategy with Community Engagement to Build a Local Music Archives
Punk and the Political: the Role of Practices in Subcultural Lives
What Is Post-Punk?
Dancing on the Corpse's Ashes
Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity
Disposable Underground 36
Top View
Punk Rock's Significance in the Soviet Union and East Germany
65210 Federal Register/Vol. 83, No. 243/Wednesday, December 19
Film Music and Film Genre
Music Cover Design in the Digital Age
"Rock Against Reagan": the Punk Movement, Cultural Hegemony, and Reaganism in the Eighties
May the Songs I Have Written Speak for Me: an Exploration of the Potential of Music in Juvenile Justice
Protest and Survive: a Brief History and Analysis of the Politics of Punk
The Debut of Coriky, a New Band Featuring Members of Fugazi and the Evens
Propositions and Arguments
Exiled Records and Over-The-Counterculture: a Cultural
The Political and Cultural Economy of Live Rock Performance a DISSERTATION SUBMITTED to the FACULTY of the GRADUATE
SG Demands Fa-R Funding Funding in the University Resolution Calls for of Missouri System
Music Sampling: Has the Tune Changed? by Christian Palmieri and Monica B
An Introduction to Underground Rock, 1980-2000 Cassie Wagner Southern Illinois University Carbondale,
[email protected]
X-Mist Distro-Catalog – January 2011
Capitals of Punk: Paris, DC, and the Circulation of Urban Counternarratives