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Survival of the Dead
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
Thematic Connections Between Western and Zombie Fiction
Film Reviews.6
Taylor Doctoralthesis Complete
Romero Rétrospective 13 – 30 Décembre
Canonical Monstrosity, the Romero Zombie, and the Political Subject
Why Zombies Matter: the Undead As Critical Posthumanist
White Zombie, I Walked with a Zombie, Night of the Living Dead, Dawn of the Dead, Day of the Dead, Victor Halperin, Georges A
Zombies: New Media, Cinema, and Performance
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10:11 Zombeys
Crawling Off the Screen: an Ethnography of Live Action Zombie Events in the United States
Forest of the Dead Imdb
For Immediate Release Enzian Pays Tribute to the Late
The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr
Interdisciplinary Approaches to Surviving the Zombie Apocalypse Conference
Phelps 1 Fans of George A. Romero the Fandom That Revolves Around
Born on Feb. 4, 1940 in New York City, Romero Became Interested in Filmmaking at a Young Age When He Borrowed an 8Mm Camera from a Wealthy Uncle
Top View
The Development of the Zombie Film Narrative
Gender Monstrosity Deadgirl and the Sexual Politics of Zombie-Rape Dr
4.Fillol-Salvadó-Bou
Exploring the Limits of the Human Via the Posthuman Zombie In
An Interview with Survival of the Dead Director George A. Romero
BAM Presents Living with the Dead: the Films of George A. Romero, Feb 22—Mar 3, a Full Retrospective Honoring the Horror Master and Indie Maverick
The Zombie: a New Myth in the Making. a Political and Social Metaphor