DOCSLIB.ORG
  • Sign Up
  • Log In
  • Upload
  • Sign Up
  • Log In
  • Upload
  • Home
  • »  Tags
  • »  Supertonic

Supertonic

  • Day 17 AP Music Handout, Scale Degress.Mus

    Day 17 AP Music Handout, Scale Degress.Mus

  • Discover Seventh Chords

    Discover Seventh Chords

  • When the Leading Tone Doesn't Lead: Musical Qualia in Context

    When the Leading Tone Doesn't Lead: Musical Qualia in Context

  • Secondary Dominant Chords.Mus

    Secondary Dominant Chords.Mus

  • Extending Chord Selection in Diatonic Major / Minor Keys

    Extending Chord Selection in Diatonic Major / Minor Keys

  • MUSI 2216 Advanced Sight Singing & Ear Training I

    MUSI 2216 Advanced Sight Singing & Ear Training I

  • The Death and Resurrection of Function

    The Death and Resurrection of Function

  • Supertonic-Tonic Endings – P.28

    Supertonic-Tonic Endings – P.28

  • Grade 5 Theory

    Grade 5 Theory

  • Secondary Chords

    Secondary Chords

  • Extensions on Diatonic Chords the Dominant Ninth (V9)

    Extensions on Diatonic Chords the Dominant Ninth (V9)

  • Chord Functions

    Chord Functions

  • Chromatic Harmony

    Chromatic Harmony

  • Each Offering of This Course Must Include the Following Topics (Be Sure to Include Information Regarding Lab, Practicum, Clinical Or Other Non Lecture Instruction)

    Each Offering of This Course Must Include the Following Topics (Be Sure to Include Information Regarding Lab, Practicum, Clinical Or Other Non Lecture Instruction)

  • Music Theory Placement Test Student Name ______Student ID # ______

    Music Theory Placement Test Student Name ______Student ID # ______

  • Œœœ Œœœ Œœœ Œœœ Œœœ Œœœ Œœœ

    Œœœ Œœœ Œœœ Œœœ Œœœ Œœœ Œœœ

  • Lesson 4 Cadences & Pre-Dominants.Key

    Lesson 4 Cadences & Pre-Dominants.Key

  • Vi Or VI) the Submediant Chord Functions As a Weak Pre-Dominant

    Vi Or VI) the Submediant Chord Functions As a Weak Pre-Dominant

Top View
  • 1 Lesson GGG – Seventh Chords Introduction
  • Roman Numerals in the Roman Numeral System, I (Or I) Means One, and V (Or V) Means Five
  • A Comparison of the Hindemith and Schenker Concepts of Tonality
  • Music Theory III COURS
  • The Whole Chord Thing
  • 1 Major and Minor Scales Half And
  • Cadence Fingerprints Cadential Patterns One (Variants of I-V-I)
  • Cadence Notes
  • Appendix 5 Other Seventh Chords (Major, Minor, Half Diminished, Diminished)
  • ONLINE CHAPTER 1 EXTENDED CHORDS: the NINTH, ELEVENTH, and THIRTEENTH Artists in Residence: Barbara Hendricks and Walter Gieseking


© 2024 Docslib.org    Feedback