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- That Blood Is Real Because I Just Can't Fake It": Conceptualizing, Contextualizing, Marketing, and Delivering Gore in Herschell Gordon Lewis's Blood Feast
- Explorations in Children's Animated Horror Films Megan Estelle Troutman University of Arkansas, Fayetteville
- Copyrighted Material
- Review of the Film Tesis, by Alejandro Amenábar] Leora Lev Bridgewater State College, [email protected]
- Affectivity and Corporeal Transgression on Stage and Screen
- Die Ware Kino
- Horror Film from Wikipedia, the Free Encyclopedia "Horror Movie" Redirects Here
- Prior to the Current Horror Movie Cycle, the History of Film Witnessed Several
- A SHORT HISTORY of FILM 00 Dixon FM I-Xxxviii 1/15/08 9:26 AM Page Ii 00 Dixon FM I-Xxxviii 1/15/08 9:26 AM Page Iii
- Torture Porn’
- “Fucking Americans”
- Digital Visceral: Textural Play and the Flamboyant Gesture in Digital Screen Violence
- Title of the Damn Project
- J-Horror : a Discourse in Cross-Cultural Communication and Cinematic Hybridity Marylou Quillen New Jersey Institute of Technology
- B for Bad Cinema Plus General Articles
- Gothic Shadowplays : the Evolution of Gothic Film and Its Visual Aesthetic from the Gothic Novel to the Cinema of Jacques Tourneur, Roger Corman, and Tim Burton