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Spectre (Blake)
Artist and Spectre: Divine Vision in the Earthly Work of William Blake
Issue of the BIAKE NEWSLETTER Is Dedicated to Professor S
The Way to Otranto: Gothic Elements
G a L L E R Y B L a K E I N C O L O R
"The Tyger": Genesis & Evolution in the Poetry of William Blake
Xerox University Microfilms 300 North Zeob Road Ann Arbor, Michigan 48106 I I 73-26,873
William Blake's Psychic Re-Animation of Greek Myth
Parody and Vision in the Designs of Blake's Jerusalem
Deoember, 1975 Shasberger, Linda M., Serpent Imagery in William
The Four Zoas: the Text of Pages 5, 6, & 7, Night the First
Some Sources of "Tiriel"
A Key to Blake's Job: Design XX
The Reader's Struggle: Intellectual War in the Four Zoas
Frodo and His Spectre: Blakean Resonances in Tolkien
A Critical Edition of William Blake"S America; a Prophecy
BIOMEDICAL IMAGERY in WILLIAM BLAKE's the FOUR ZOAS By
1. Robert Southey, Cited in S. Foster Damon, William Blake, His Philosophy and Symbols (Gloucester, Mass.: Peter Smith, 1958) P
William Blake's Analysis of Melancholia Mark Ryan, University
Top View
Postgraduate English: Issue 14
Identity and the Book of Thel
The Spectrous Embrace in the Four Zoas, Viia
The Shifting Characterization of Tharmas and Enion in Pages 3-7 of Blake's Vala Or the Four Zoas
Night Dreams: the Four Zoas
Blake and the Double: the Spectre As Doppelganger
Durham E-Theses
The Figure of the Victim in the Poetry of William Blake
Fathers, Sons, and Monsters: Rousseau, Blake, and Mary Shelley
The Life of Love: Blake's Oothoon
“Weeping” in William Blake's Poetry
A Jungian Analysis of the Four Zoas by William Blake
59183169.Pdf