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- Thomas Carlyle, Fascism, and Frederick: from Victorian Prophet to Fascist Ideologue
- Constitutive Rhetoric in the Stewart/Colbert Universe
- Looking at the Present Through the Future: Science-Fiction Urbanism and Contingent and Relational Creativity1
- How Exposure to Concentrated Disadvantage Shapes Hip-Hop
- The Development of Social Commentary in Nathaniel Hawthorne's Works: 1828-1844
- Voltaire's Candide and the Methodology of Dramatic Adaptation
- Brave New World 2
- French and Francophone Narratives of Race and Racism
- The John Oliver Effect: Political Satire and Political Participation Through Social Networks
- The Comedy and Social Commentary of Dave Chappelle
- OUTSIDE LOOKING IN: STAND-UP COMEDY, REBELLION, and JEWISH IDENTITY in EARLY POST-WORLD WAR II AMERICA John Matthew Taylor Submi
- Embodied Materiality and Affect in the Praise of Folly and Utopia By
- Dismantling Utopia for the Reader: John the Savage As a Central Mediator of Utopian Discourse Proposed in the Tempest and Realized in Brave New World
- Butschek, Blake
- The Hermeneutic Dilemma in Thomas More's Utopia
- Stand-Up Comedians As Sophists, Jesters, Public Intellectuals and Activists
- "Society and the Role of Technology in H.G. Wells's "The Time Machine" and A. Huxley's "Brave New World"
- St. Thomas More Feast: June 22
- Uses of Fantasy (Downing).Indd
- Sir Thomas More and Utopia
- A Miéville Bestiary: Monsters As Commentary on the Hybridity of Real and Conceptual Landscapes in the Work of China Miéville
- Hip Hop, the Law, and the Commodified Gangsta 143 (2016) Available At
- How Comedy Works
- Memory and Diegesis in Fantasy Literature
- The Tragedy Underneath: Satire and Reality
- George Orwell's Incorporation of Political Science to the Realm Of
- Familiar Aliens: Science Fiction As Social Commentary
- The Role of Satirical News in Dissent, Deliberation, and Democracy
- Visions of the Future in Contemporary Cyberpunk
- Mark Twain, James Thurber, and David Sedaris
- The Golden Age of Satire: Alexander Pope and Jonathan Swift
- The Truth Can Be a Funny Thing: a Comparison of Traditional Broadcast News to the Daily Show with Jon Stewart in Coverage of the 2012 Presidential Campaign
- Hip Hop As Social Commentary in Accra and Dar Es Salaam
- (Re)Emergence of Eco-Fascism: White-Nationalism, Sacrifice, and Proto-Fascism in the Circulation of Digital Rhetoric in the Ecological Far-Right
- Fantasy and Satire As Social Commentary in Terry Pratchett's
- Counternarratives in Hip Hop Music: Themes of Marginalization Cailin Dahlin
- Provocation in the Political Theories of Plato, Rousseau and Nietzsche
- George Orwell As Writer, Reporter, and Voice of the Masses
- Laughing out Loud: American Indian Comedy As a Force for Social Change
- Vulgar Ambitions: Social Class and Self-Culture in Modern British Literature
- Friedrich Schiller and the Politics of the Image Peter W
- Using Science Fiction and Fantasy to Shape Organizational Futures
- The Role of Humor in Social Justice
- A Qualitative Investigation of Daily Show Viewers: Symbolic Constructions of Identification and Credibility
- Who Was Graffigny
- How Hip-Hop Is Used As an Outcry Against Things in Our Students’ Communities
- The Importance of Buddhism in Huxley's Brave New World