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- John Ford's Stagecoach Edited by Barry
- Selection of Greatest Film Noir Films
- History of Cinema
- The Historical Thought of Film: Terrence Malick and Philosophical Cinema
- Dan Duryea, a Sheep in Wolf's Clothing
- Download 2018 Festival Program
- Western Union 1941 Fritz Lang (1890-1976)
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- Film Noir Classic Noir Femme Fatales
- The Coming of Synchronous Sound to Filmmaking: an Introduction
- Film Studies I Scotch Film Noir – an Overview Film Noir (Literally 'Black
- Scarlet Street PR
- Philosophical Film: Trapped by Oneself in Jacques Tourneur’S out of the Past1
- 1 Senile Celluloicl': Lnclepenclent Exltiijitors, Tite Major Stuclios Ancl Tite Figltt Over Feature Films on Television, 1939-1956
- Peggy Thompson Film Research Collection
- Hans J. Salter Papers PASC-M.0137
- Classic Film Noir According to Critical Consensus
- Ileti-Ş-Im 27__.1.1
- Joaquim Da Silva Fontes, Significação E Estabilidade Do Género No Cinema Noir Americano Sources, Signification and Genre Stab
- Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
- Afi Latin American Film Festival Sept 17–Oct 7
- Orr Book4cd.Pdf (1.971Mb)
- Murder and Narration in La Chienne and Scarlet Street by Julien Lapointe
- American, British and Canadian Studies / 44
- The Noir Thriller Crime Files Series General Editor: Clive Bloom Since Its Invention in the Nineteenth Century, Detective fiction Has Never Been More Popular
- BECOMING FILM NOIR Film Noir Adaptations of Hard-Boiled Fiction
- Public Domain Movies
- Drama Movies
- Film Noir in Contemporary Poetry
- FILMMAKERS' CHOICES John Gibbs Copyright
- Mass Culture Modernism: Guilt and Subjectivity in Film Noir*
- Reviewing Remakes: an Introduction
- Scarlet Street 1945 Fritz Lang (1890-1976)
- Dudley Nichols Papers, 1940-1959
- The Woman on the Beach (1947) by Jean Renoir
- Crime, Guilt, and Subjectivity in Film Noir
- Joan Bennett "Scarlet Street"