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Salome (Titian)
Descriptive Catalogue of the Bowdoin College Art Collections
Rethinking Savoldo's Magdalenes
Historical Painting Techniques, Materials, and Studio Practice
Body, Identity, and Narrative in Titian's Paintings
Salome: the Image of a Woman Who Never Was
Venus Blindfolding Cupid C
Ariadne's Transformation
Heavenly Venus: Mary Magdalene in Renaissance Noli Me Tangere Images
Mary Magdalene in Renaissance Noli Me Tangere Images Michelle Lambert-Monteleon University of South Florida
Veronese: Mars, Venus and Cupid
LOCATING El GRECO in LATE SIXTEENTH-CENTURY
Titian Titian (C.488/1490 – 1576) Is Considered the Most Important Member of the 16Th-Century Venetian School. He Was One of T
Guercino: Mind to Paper/Julian Brooks with the Assistance of Nathaniel E
News Release
Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice
Carolyn's Guide to Florence and Its
Poetry in Paint: Titian's Late Mythologies Online Conference
Lucrezia Borgia and Ideals of Respectable Femininity
Top View
Information to Users
SALOME and SELECT EARLY TWENTIETH-CENTURY INTERPRETATIONS Michael F. Vincent a Thesis Submitted To
A in 1927 Director Hans Posse (1879–1942) Estimated This Painting and Other Two Others (Gall
The Self-Portrait ‘En Décapité’ Interpreting Artistic Self-Insertion
Sandro Botticelli's the Return of Judith to Bethulia and The
Gagosian Gallery
Aubrey Beardsley, Oscar Wilde, and Salome As Aesthetic Parody
Painting Women Phillippy, Patricia
Titian Tiziano Vecelli Or Vecellio, Known in English As Titian (C.488/1490 – 1576), Is Considered the Most Important Member of the 16Th-Century Venetian School
The Pennsylvania State University the Graduate School College Of
Garden of Earthly Enigmas
A Vasari Companion
Tempera Painting 1800–1950 Experiment and Innovation from the Nazarene Movement to Abstract Art
THE SENSUOUS HALF-LENGTH IMAGES of EARLY SIXTEENTH CENTURY VENICE by Lucie Anne Herbert Wehn a Thesis Submitted
TITIAN: Could Not Find Myself Involved in It and Wanted to Be More Certain About the Connection Between Myself and What I the ARTIST’S Painted
Some Titians of the Prado