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Russian opera
On Russian Music Might Win It
The Russian Five Austin M
Musically Russian: Nationalism in the Nineteenth Century Joshua J
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Boris Godunov
«Russian State Policy in the Field of Culture: X-XX Centuries»
RUS/ART/LIT/SOC/HIS/POL/ECO 381 Russian Studies Seminar
Oriental Inspirations in Russian Opera at the Time of Catherine the Great
Dramatic Musical Versions of Dostoevsky: Sergei Prokopev's the Gambler
Volume VI 1988 NINETEENTH-CENTUKY ITALIAN
The Impact of Russian Music in England 1893-1929
The Nineteenth-Century Russian Operatic Roots of Prokofyev’S
104 Nordic Theatre Studies Vol. 27: No. 1 ABSTRACT Te Transnationalism
Role of the Folk Songs in the Russian Opera of the 18Th Century Adriana Pilip-Siroki
Amherst Center for Russian Culture Aron Pressman
THE VOICE of NATIONALISM in MONIUSZKO's OPERAS by Marlena Niewczas a Thesis Submitted to the Faculty of the Dorothy F. Schmidt
Anton Arensky and the Rise of Musical Nationalism in Late Nineteenth-Century Russia
University of Oklahoma Graduate College
Top View
Music, Drama and Folklore in Nikolai Rimsky-Korsakov's Opera Snegurochka [Snowmaiden]
A People Passing Rude: British Responses to Russian Culture
1 RUSS 382: Introduction to Russian Opera Prof. Anna Berman
[email protected]
Office Hours: Wed 4:00-5:00 Course Objectives
Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera
History of Russia from St
Prokofiev's Romeo and Juliet: History of a Compromise
Russian Comic Opera in the Age of Catherine the Great1
Russian Lyric Diction: a Practical Guide with Introduction and Annotations and a Bibliography with Annotations on Selected Sources
Visual Texts, Ceremonial Texts, Texts of Exploration
An Outline of Eighteenth-Century Russian Music Gerald Seaman
The Heroic Ballads of Russia
History on Stage in Imperial Russia by Irina
Oriental Elements in Russian Music and the Reception in Western Europe: Nationalism, Orientalism, and Russianness
February 2012 Newsletter
Romanticism in Nineteenth-Century Russian Nationalistic Music: Case Studies of Glinka’S Ruslan and Lyudmila and Cui’S Mystic Chorus
Mushc Abroad
Introduction