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- Redalyc.CENTRAL PARK RUMBA: NUYORICAN IDENTITY and THE
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- There Is a Longstanding Historical and Cultural Relationship Between Congo and Cuba Via the Slave Trade and the ‘Return’ of Cuban Music to Africa
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- AFRO-CUBAN PERCUSSION, ITS ROOTS and ROLE in POPULAR CUBAN MUSIC by BRIAN KEITH ANDERSON B.M.E., Kansas State University, 2009 B
- El Manisero” (“The Peanut Vendor”)--Rita Montaner, Vocal with Orchestra (1927)
- Propuesta Teórica Para Una Sociología Del Rock: Campo, Escena, Autenticidad
- Zero Tolerance and Central Park Rumba Cabildo Politics
- Latin American Music Syllabus
- Autenticidad Enunciativa Y Sociosemántica Del Pop-Rock En Español
- Polyrhythmia in the Music of Cuba
- MUH 3541/LAS3930 LATIN AMERICAN MUSIC Class Number
- Copyright by Paul Jose De Castro 2002
- V08i06 Lacorner086
- Colombian Folk Music in an International Context
- Nationalism and Its Expression in Cuba's Art Music: the Use of Folklore in Mario Abril's “Fantasia (Introduction and Pacha
- Genre Issues in Cuban Son
- Rock Hecho En Venezuela En Tiempos De Ley Resorte Reportaje Radial Sobre Los Cambios En El Rock Desde La Promulgación De La Ley Resorte
- Dances Defined
- Race, Gender, and Class Embodied in Cuban Dance Yvonne Payne Daniel Smith College
- "Short" Answer to Latin Technique (Rumba, Bolero, Cha & Others)
- Full Screen View
- The Conjunto Piano in 1940S Cuba: an Analysis of the Emergence of a Distinctive Piano Role and Style
- Pacheco and Charanga: Imitation, Innovation and Cultural Appropriation in the Típico Tradition of New York City
- Introduction to Rumba
- Rumba 10 Readme
- An Analysis of Dance in Cuba: Flamenco