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Richard Wollheim
A Philosophical Discussion of Representation
Paintings and Photographs, Introduction to "William Wegman" Curtis Carter Marquette University,
[email protected]
RICHARD WOLLHEIM Copyright © British Academy 2001
Philosophy of Perception As a Guide to Aesthetics
Monism and Pluralism: the History of Aesthetics and the Philosophy of Architecture - Part I Paul Guyer
19Chronology of Works in Aesthetics and Philosophy Of
Enactive Aesthetics and Neuroaesthetics*
Arthur Danto (1924-2013) Criticism and Theory of the Arts
British Idealist Aesthetics, Collingwood, Wollheim, and the Origins of Analytic Aesthetics
Bradleyan Idealism and the Political Theory of Michael Oakeshott
The Conception of the Unconscious with Which We Should Concern
What Are Works of Art? Elizabeth Spier Macalester College
Introduction to Aesthetics
Twofold Pictorial Experience, Propositional Imagining and Recognitional Concepts: a Critique of Walton’S Visual Make-Believe
Review of Art and Form: from Roger Fry to Global Modernism., by Sam Rose
Expressive Experience and Imagination
Collingwood and 'Art Proper': from Idealism To
The Spectator in the Picture
Top View
The Aesthetic Dimension of Passion SEBASTIAN GARDNER Abstract This Paper Is Stimulated by and Indebted to a Study by Charles
From the Author's Perspective Aesthetics and Nature
SUMMARY the Aim of This Dissertation Is to Analyze Danto's Theory of Art and to Assess His Contribution to the Contemporary De
Evaluating Neuroaesthetics
Richard Wollheim, 1923–2003
Arthur C. Danto Or the Duality of Worlds
Art and Its Objects Richard Wollheim Frontmatter More Information
Article Hegel, British Idealism, and the Curious Case Of
Richard Wollheim's Freud, and Philip Rieff's Freud: the Mind of the Moralist
The Lens of Emotion: Wollheim's Two Conceptions of Emotional Colouring
Is Psychology Relevant to Aesthetics? a Symposium Introduction
Aesthetic Normativity and Suitable Prompting
The British Idealists' Receptions of Plato
An Internal Critique
Visual Metaphors
Arthur Danto's Ontology of Aesthetics Upon Pop Art A
PHI Volume 43 Issue 164 Front Matter
Arthur Danto and the End of Art
Investigations Into the Phenomenology and the Ontology of the Work of Art What Are Artworks and How Do We Experience Them? Contributions to Phenomenology
University of Gour Banga (Established Under West Bengal Act XXVI of 2007)
The Artistic Expression of Feeling
Journal of Comparative Literature and Aesthetics
ALEXANDER NEHAMAS Department of Philosophy 692 Pretty Brook
Book Available for Review
Collingwood and “Art Proper” — from Idealism to Consistency Damla Dönmez* Boğaziçi University,Istanbul
An Intentional Understanding of Photographs © Jim Batty (2002)
The History of Vision
Rob Van Gerwen (Ed.): Richard Wollheim on the Art of Painting. Art As Representation and Expression
[email protected]
PRELIMINARY COURSE SYLLABUS Quarter: Spring 2021
1 in Richard Wollheim on the Art of Painting. Art As