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Richard Huelsenbeck
Before Zen: the Nothing of American Dada
Dada and Surrealist Journals in the Mary Reynolds Collection
Marcel Janco in Zurich and Bucharest, 1916-1939 a Thesis Submi
Dadaist Manifesto by Tristan Tzara, Franz Jung, George Grosz, Marcel Janco, Richard Huelsenbeck, Gerhard Preisz, Raoul Hausmann April 1918
Dada-Guide-Booklet HWB V5.Pdf
Preannouncement Arp: the Poetry of Forms at the Kröller-Müller Museum
A Companion to Dada and Surrealism
Narratives Crossing Borders: the Dynamics of Cultural Interaction
En Avant Dada: a History of Dadaism
Tristan Tzara, Nationhood, and Poetry
The Aesthetics of Urban Precarity
Dadaism Curtis Carter Marquette University,
[email protected]
Memoirs of a Dada Drummer
Richard Huelsenbeck Papers, 1910-1978
Documenting Dada / Disseminating Dada Da Object List Da Da Da 1
FIT Modern Art-DADA
Readings: War Poetry and Dada
Alejandro Perdomo Daniels
[email protected]
Top View
"How Did Dada Begin?"
MARCEL JANCO One of the Founders of the Dada Movement and The
Dada: Printed Matter in the Merrill C. Berman Collection
Dada and the Nature of Art;
Words and Worlds:<Br>Dada and the Destruction of <I>Logos</I>, Zurich 1916
Dada Manifesto” (1918)
Copyrighted Material
Textual Ethics of Dada-Manuscript
Professional Paper Berlin Dada and Hannah Hoch
Hugo Ball Reciting Karawane, Cabaret Voltaire, Zurich, 1916. Courtesy Stiftung Hans Arp Und Sophie Taeuber-Arp E.V., Rolandseck
I Dadaism, Surrealism, and the Unconscious1