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Rex Ingram (director)
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
June Mathis
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
Greater Mexico's Ramón Novarro
June Mathis's Valentino Scripts: Images of Male "Becoming" After the Great War
The Four Horsemen of the Apocalypse
The Four Horsemen of the Apocalypse by Randy Haberkamp
Viewed Through the UAF Web Site
Films from the George Eastman House to Be Presented
REX INGRAM - Moviemaker
Kenneth Anger on Rex Ingram
IRISH FILM and MEDIA STUDIES PUBLICATIONS the Year in Review - 2014 Ruth Barton (Ed.)
Mining the Dream Factory: Thomas Hart Benton, American Artists, And
The Four Horsemen of the Apocalypse’ As Part of the Jameson Dublin International Film Festival 2011 with Music Performed Live by the RTÉ Concert Orchestra
Film: Silent No More Author(S): Kevin Rockett Reviewed Work(S): Source: Circa, No
Cinématographiques Henri FESCOURT
1 Rex Ingram, Hollywood's Visionary Director of the 1920S, Grew up in The
Topics of Spanishness in Tango Scenes. a Postcolonial Reading Of
Top View
Novarro, Ramon (1899-1968) by Peter J
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
Current As of 10.23.2019 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
UC Santa Barbara Journal of Transnational American Studies
National Film Preservation Board (January 2018) 4 5 • This Compilation Is a Definite Work-In-Progress
Table of Contents
Excerpted from Abdelmajid Hajji, Arabs in American Cinema (1894–1930): Flappers Meet Sheiks in New Movie Genre (Abdelmajid Hajji, 2013)