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Revolutionary song
Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930S
The Spanish Civil War in the Work of Silvestre Revueltas Luis Velasco-Pufleau
5. Calling for International Solidarity: Hanns Eisler’S Mass Songs in the Soviet Union
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ACTA UNIVERSITATIS UPSALIENSIS Studia Iranica Upsaliensia 28
Protest Song in East and West Germany Since the 1960S'
“Tiny Little Screw Cap” (“Xiao Xiao Luosimao”): Children's Songs from the Chinese Cultural Revolution
The Experience of L'internationale in Modern China
The Dialectic of Poetry and Power in Iran 3
Chapter 2: the Idea of Strategic Depth
“Deșteaptă-Te, Române!” the Social Life of the Hymn of the Romanian Revolution of 1989 During the Communist Era
Language and Politics During the Chinese Cultural Revolution: a Study in Linguistic Engineering
The Voice of Freedom: Remarks on the Language of Songs from the Egyptian Revolution 2011
Cui Jian: Extolling Idealism Yet Advocating for Freedom Through Rock Music in China Zhaoxi Liu Trinity University,
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Chapter II Introspection and Definition
Maoist Moments : Local Actors, Global History, 1960S~1970S
Revolutionary Positions Sexuality and Gender in Cuba and Beyond
NLS Pressbook0217 Kompr.Pdf
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Ode to the Communist Song Zhang Lijia
'Folk Process', and Socially Committed Songs of the 1960S
The London Labour Choral Union, 1924-1940: a Musical Institution of the Left
The Revival of “Democratic” Folk Song in Germany After the Second World
Women and Expanded Cinema in Contemporary Iran
A Fire of Lilies Perspectives on Literature and Politics in Modern Iran
New Songs of the Battlefield”: Songs and Memories of the Chinese Cultural Revolution
University of Southampton Research Repository Eprints Soton
Telling the Story with Music: the Internationale at Tiananmen Square
Mosaic Imaginings: French Art and Its Revolutions
From Protest Song to Social Song: Music and Politics in Colombia, 1966-2016
The Role of Collective Imagination in the Maoist Conflict in Nepal
Searching for Songs of the People: the Ideology of the Composers’
Russian Evolution
On the Threshold of the Political the Sonic Performativity of Rooftop Chanting in Iran
From Beijing Opera to Yangbanxi
A Hyperhistory of New Music and Politics