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La Bohème Program Notes (Michigan Opera Theatre) Christy Thomas Adams, Ph.D
Idomeneo” on Crete “
Florida State University Libraries
Music on Stage
La Regìa Lirica, Livello Contemporaneo Della Regìa Teatrale
Nyco Renaissance
Audiovisual Recording As Registers of Opera Productions1
The Role of Music in European Integration Discourses on Intellectual Europe
13895 Wagner News
Schoenberg and the Gesamtkunstwerk Path to Abstraction By
“The Infallible Protagonist” a Study of Complexity Theory and Rehearsal Dynamics in Monodrama
What Would Wagner Have Thought of Regietheater in Modern Bayreuth
Juilliard Opera Presents Music by W. A. Mozart
A Scintillating Siroe Göttingen Handel Festival 2013
Brilliant Barbiere Graces Pesaro's Boards
The British Invasion a Festival of English Musical Dramas May–June 2015 the British Invasion: a Festival of English Musical Dramas 1
Top View
The Mahler-Roller Productions of the Vienna Court Opera House (Historical Essay and Syllabus)
Performing Masculinity in Johann Strauss's Die
OPERAS of the PAST, MIRRORS of OUR PRESENT © Sylvia L’Écuyer, Vancouver 4 March 2018
Kreuzer-Curtain Gong Steam.Indd
Democratizing Opera in America, 1895 to the Present
Four Recent Productions of Dido and Aeneas
Socialism and Feminism in East German Opera: the Cases of Director Ruth Berghaus and Composer Ruth Zechlin
1 on the Relation Between Music, Libretto and Stage Direction in Der Rosenkavalier by Hugo Von Hofmannsthal and Richard Strauss
Where Have the Great Big Wagner Voices Gone?
Conflicts of the Mind and the Media in Kasper Holten's Juan
Remaking the Iconic Lulu: Transformations of Character, Context, and Music
Chapter Daniel Meyer-Dinkgräfe Werktreue and Regieoper
Verdi's Aida: a Partial Survey of the Discography by Ralph Moore
La Clemenza Di Tito a Reappraisal
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
Romanische Studien 2, 2015
Opera and Music 2014/15 Season
Comedia Performance
The Theatre of Drottningholm
When a Voice Is Not Enough: the Existentialist Opera Performer As Auteur
Introduction
Eros in Musica – Dramaturgie Et Pratique Musicale Chez Cavalli
Tosca Too Far Or Restraining Regietheater
The Disappearance of the Stage Represents a More General Underlying Aesthetic Choice